But you should see her face Prompts

We see a man's face and shoulders, facing us, he is 24 years old. A hyperrealistic white man. He is on a city sidewalk, facing the camera. He is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on his skin or just under the skin or in his eyes. Lots and lots of orange and yellow and green digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although his clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. He is on a sidewalk in the city. Close up on his face. He is on a city sidewalk facing us, we see his face and shoulders. He is smiling.

We see a man's face and shoulders, facing us. No beard. He is 24 years old. A hyperrealistic white man. He is on a city sidewalk, facing the camera. He is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on his skin or just under the skin or in his eyes. Lots and lots of orange and yellow and green digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although his clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. He is on a sidewalk in the city. Close up on his face. He is on a city sidewalk facing us, we see his face and shoulders. He is smiling. No beard.

We see a man's face and shoulders, facing us, he is 24 years old. A hyperrealistic white man. He is on a city sidewalk, facing the camera. He is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on his skin or just under the skin or in his eyes. Lots and lots of orange and yellow and green digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although his clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. He is on a sidewalk in the city. Close up on his face. He is on a city sidewalk facing us, we see his face and shoulders. He is smiling.

We see a bland man's face and shoulders, facing us. Clean shaven. He is 24 years old. A hyperrealistic white man. He is on a city sidewalk, facing the camera. He is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on his skin or just under the skin or in his eyes. Lots and lots of orange and yellow and green digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although his clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. He is on a sidewalk in the city. Close up on his face. He is on a city sidewalk facing us, we see his face and shoulders. He is smiling. Clean shaven, blond.

An astronaut standing in the middle of a desert with a ‘helmet with antenna’. Be sure the face shield is down so I can’t see their face. Make the face shield reflective gold color. The there is a logo imprinted on the suit that says “Integro". Be sure that the astronaut is scaled to half of the size and in the middle with his full body head to feet.

We see a clean-shaven man's face and shoulders, facing us. Clean shaven. He is 24 years old. A hyperrealistic white man. He is on a city sidewalk, facing the camera. He is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on his skin or just under the skin or in his eyes. Lots and lots of orange and yellow and green digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although his clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. He is on a sidewalk in the city. Close up on his face. He is on a city sidewalk facing us, we see his face and shoulders. He is smiling. Clean shaven.

sam yang, (dreamlikeart, redshift style, analog style:1.1), (copeseethemald style:0.5), (thepit bimbo, glossy), sexy, bimbo,portrait, 1girl, solo, ([Nina Dobrev|Emma Stone]:1.1), closeup, extreme closeup, looking at viewer, symmetric, centered, pantsuit, business suit, elegant suit, white crop top shirt, shinny skin, oily skin, subsurface skin scattering, shiny skin, choker, earrings, eyelashes, eyeshadow, lips, lipstick, jewelry, makeup, nose, parted lips, navel, beautiful detailed blue eyes, redhead, realistic, photo-realistic, well-lit face, glowing face, face focus, see-through, (night:1.2), dark, scary, dark city, alley, chased, danger, worried, afraid, stressed, building, street lights, detailed background, [(dust particle paint explosion:1.2)::0.11], (secret:0.8),

We see a clean-shaven man's face and shoulders, facing us. Clean shaven. He is 24 years old. A hyperrealistic white man. He is on a city sidewalk, facing the camera. He is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on his skin or just under the skin or in his eyes. Lots and lots of orange and yellow and green digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although his clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. He is on a sidewalk in the city. Close up on his face. He is on a city sidewalk facing us, we see his face and shoulders. He is smiling. Clean shaven. Smiles.

An astronaut sitting in a chair in the middle of a desert with a ‘helmet with antenna’. He is reading a book. Be sure the face shield is down so I can’t see their face. Make the face shield reflective gold color. The there is a logo imprinted on the suit that says “Integro". Be sure that the astronaut is scaled to half of the size and in the middle with his full body head to feet.

i need her face

make her turn sideways, keep face unaltered, keep original face

Aheago face, the camera still shows her full body

A woman with brown hair and white skin, her face covered in clear plastic. The mask is transparent, and the mouth of that girl was also made out of thick plastic. --ar 4:5 --s 250

An astronaut with ‘helmet with antenna’. Be sure the face shield is down so I can’t see their face. Make the face shield reflective gold color. The helmet has a logo imprinted that says “Integro”. The astronaut is standing in the middle of a desert. Be sure that the astronaut is scaled to half of the size and in the middle. Be sure I can see his full body head to feet.

An astronaut with ‘helmet with antenna’. Be sure the face shield is down so I can’t see their face. Make the face shield reflective gold color. The helmet has a logo imprinted that says “Integro”. The astronaut is standing in the middle of a desert. Be sure that the astronaut is scaled to half of the size and in the middle. Be sure I can see his full body head to feet.

Make her show her feets closeup and keep her face shown

The image is a highly detailed close up portrait of a woman. The woman has dark, curly hair that appears to be wet, possibly from water or sweat, giving it a glossy and slightly disheveled look. The woman's skin is smooth, textured and has a warm, golden undertone, with subtle highlights and shadows that add depth and dimension to the face. You can see the skin pores in her face. The woman's eyes are open and gazing slightly upwards, with well-defined eyebrows and long, dark eyelashes. The makeup is natural and enhances the features without being heavy, with a focus on the eyes and lips. The lips are full and painted with a glossy, red lipstick that contrasts with the natural tones of the skin. The neck and shoulder area are visible, showing a delicate and graceful neckline. The person is wearing a black garment with a lace or mesh detail on the shoulder, adding an element of texture and contrast to the image. The background is abstract, with a mix of muted colors and splashes of paint, giving the image an artistic and painterly feel. The overall composition and lighting create a dramatic and captivating portrait.

O rosto dela não muda .ela esta com roupa íntima

O rosto dela não muda .ela esta com roupa íntima

a guy with no face high emotion and touching for the audience he is watching us and he is situated on a beach his clothes are in blue japanese style we can see he is masculine he has no face it is during a tremendous sunset while we can barely see the sun his face is covered he has no face

A grotesquely massive super-heavyweight IFBB Pro bodybuilder in his early 40s, performing the official Front Double Biceps pose at center stage. He wears only a minimal white string jockstrap, tightly stretched across his bulging crotch. His biceps are flexed and raised at shoulder height, elbows bent at 90 degrees, fists clenched tightly. His arms are incredibly thick and veiny, towering like living columns of power. His lats flare outward like wings, abs are carved and symmetrical, pecs striated and full. His thighs are colossal and vascular, glutes round and tight, calves sharply defined. He has the face of a handsome Hollywood actor — clean-shaven, strong jawline, symmetrical features, piercing eyes, and short, styled hair. His expression is calm, confident, and dominant. He looks directly into the camera, locking eyes with the viewer. **This is not a low-angle view. The camera is not placed below the subject. There is no upward tilt. The camera is positioned exactly at the same height as the bodybuilder’s eyes, aligned straight with his gaze. The viewer is standing directly in front of him, face-to-face, seeing him from a flat, neutral, symmetrical perspective.** Other massive, sweaty bodybuilders stand behind him on stage, waiting their turn. The shot is ultra photorealistic, cinematic lighting, full-body, vertical 9:16 format, 8K UHD. A powerful depiction of muscle symmetry, masculine dominance, and gay-coded charisma.

A grotesquely massive super-heavyweight IFBB Pro bodybuilder in his early 30s is actively hitting the official Front Double Biceps pose at center stage, his entire body tense and flexed. His feet are shoulder-width apart, knees slightly bent for balance. Both arms are fully raised and flexed at shoulder height, elbows bent at 90 degrees, fists clenched with intense pressure. His biceps explode with size and vascularity, his arms towering like living columns of muscle. His lats flare outward beneath the arms like wings, abs are sharply carved, pecs striated and full. His thighs are enormous and veiny, glutes round and locked, calves thick and defined. He wears only a minimal white string jockstrap, tightly stretched across his prominent bulge. He has detailed tattoos inked across his **lower abdomen and upper thighs**, wrapping around the muscular contours of his body — intricate, masculine designs that enhance his physical dominance without distracting from muscle symmetry. He has the face of a handsome Hollywood actor — clean-shaven, symmetrical bone structure, strong jawline, piercing eyes, and neatly styled short hair. His expression is confident and composed. He looks directly into the camera, locking eyes with the viewer in a bold, dominant way. **This is not a low-angle view. The camera is not placed below the subject. There is no upward tilt. The camera is positioned exactly at the same height as the bodybuilder’s eyes, aligned straight with his gaze. The viewer is standing directly in front of him, face-to-face, seeing him from a flat, neutral, symmetrical perspective.** Several other massive, sweaty bodybuilders are visible behind him on stage, waiting their turn. The shot is ultra photorealistic, full-body, vertical 9:16, cinematic lighting, 8K UHD. A powerful depiction of symmetry, strength, and gay-coded masculinity.

Make me another picture to show this girl's face.

A grotesquely massive super-heavyweight IFBB Pro bodybuilder in his early 30s is actively hitting the official Front Double Biceps pose at center stage, his entire body tense and flexed. His feet are shoulder-width apart, knees slightly bent for balance. Both arms are fully raised and flexed at shoulder height, elbows bent at 90 degrees, fists clenched with intense pressure. His biceps explode with size and vascularity, his arms towering like living columns of muscle. His lats flare outward beneath the arms like wings, abs are sharply carved, pecs striated and full. His thighs are enormous and veiny, glutes round and locked, calves thick and defined. He wears only a minimal white string jockstrap, tightly stretched across his prominent bulge. He has the face of a handsome Hollywood actor — clean-shaven, symmetrical bone structure, strong jawline, piercing eyes, and neatly styled short hair. His expression is confident and composed. He looks directly into the camera, locking eyes with the viewer in a bold, dominant way. **This is not a low-angle view. The camera is not placed below the subject. There is no upward tilt. The camera is positioned exactly at the same height as the bodybuilder’s eyes, aligned straight with his gaze. The viewer is standing directly in front of him, face-to-face, seeing him from a flat, neutral, symmetrical perspective.** Several other massive, sweaty bodybuilders are visible behind him on stage, waiting their turn. The shot is ultra photorealistic, full-body, vertical 9:16, cinematic lighting, 8K UHD. A powerful depiction of symmetry, strength, and gay-coded masculinity.