Cadrage cinmatographique 916 Prompts

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

photography, front view, long distance shot, professional man model lounges across the seats in a light off movie theater serves as the backdrop for a moment of carefree repose, wearing a over-fit yellow camouflage pattern hoody and light-washed jeans, a scene with a full architectural view of the theater's background, soft glow of ceiling lights casts a serene ambiance, photorealism illuminating, high contrast and highlights, UHD --ar 9:16 --style raw --stylize 700

product photography, cposter frame mockup, sunbeam from ceiling oculus casting light, white frame with mat and blank poster surface, minimal room styling --ar 9:16 --raw

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --ar 9:16

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

high resolution photography, hotel lobby balanced composition, wall for framed map, natural window light 35mm viewpoint, minimal props calm contemporary, clean floor lines, straight verticals soft occlusion, neutral white balance camera height 150cm tripod steady print showcase shadow realism, cinematic lights --ar 9:16 --quality 2 --raw --stylize 300

of the input image and identify all main subjects and the environment. Generate high-quality 3x3 grid, a cinematic contact sheet with 9 frames of the same scene. Strictly preserve objects, proportions, setting, lighting direction, style, and overall visual mood of the original image. Vary only the camera parameters: distance (close- up, medium shot, wide shot), angle (frontal, slight low angle, side), depth of field, and focus point. Do not add new elements or alter the design of the subjects;

cinematic scene , 1890, The dark figure of man holding a lantern while being backlighted by the locomotive of a train along the fog and trees,captured by Imax MKIII Reflex Camera, 1.43:1, --style raw --ar 16:9 --v 5.2

chairs in front of a building, in the style of leica m6, evgeny lushpin, candid moments captured, hispanicore, handsome, fernand toussaint, group f/64 --ar 11:16 --v 5.2

Wide photograph, 16:9 format, interior of a French departmental archive building, 1999, a broken open safe with empty shelves, scattered yellowed papers on the floor, forensic investigators in 1990s uniforms dusting for fingerprints, dim fluorescent lighting, old wooden filing cabinets, mysterious and tense atmosphere, vintage color photography, Kodak Portra film grain, muted earthy tones, high contrast, deep shadows, 1990s documentary aesthetic, photorealistic, 8k, cinematic wide composition, 16:9 aspect ratio.

surreal The Mandalorian, close up (detailed stunning environment), cinematic, cover art, (low front angle), white background, highly detailed, smooth, sharp focus, cinematic lighting, atmospheric, photoreal, 8k, Canon EF 200-400mm f/4L IS USM Extender 1. 4x Lens, stan Winston studio, --v 6 --ar 9:16

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

photography, in a cavernous cinema, a man exudes a quiet coolness in the spotlight of the projector’s ghostly luminescence, yellow-lensed glasses add a pop of intrigue to his black-tie attire, softened by the casual touch of dreadlocks, his hand cradles a camouflage pattern popcorn bucket, a juxtaposition of the mundane and the refined, realistic, 32K UHD, detail --ar 9:16 --style raw --stylize 400

in the style of The Pianist directed by Roman Polanski --style raw --ar 16:9, cinematic I 16K I 5mm

I want a shot where the farmer is facing the camera, in right and left profile in separate images. 9:16

I want a shot where the farmer is facing the camera, in right and left profile in separate images. 9:16

8k UHD, View from the sixth floor of the Texas School Book Depository on November 22, 1963 overlooking Dealey Plaza as the presidential motorcade passes through, through the crosshairs of a Carcano Fucile di Fanteria rifle, (cinmatic lighting), wide frame lense, Nikon photography, intricate detail, dim colors, RAW Photo, DSLR BREAK (kkw-ph1:0.9),

photography, front view, long distance shot, professional man model lounges across the seats in a light off movie theater serves as the backdrop for a moment of carefree repose, wearing a over-fit yellow camouflage pattern hoody and light-washed jeans, a scene with a full architectural view of the theater's background, soft glow of ceiling lights casts a serene ambiance, photorealism illuminating, high contrast and highlights, UHD --ar 9:16 --style raw --stylize 700

cinematic, front view, canon EOS 5d, a sleek Bauhaus-inspired workspace, functional design and geometric shapes, captured from an angular perspective to highlight the form --ar 16:9 --stylize 110

cinematic, front view, canon EOS 5d, a sleek Bauhaus-inspired workspace, functional design and geometric shapes, captured from an angular perspective to highlight the form --ar 16:9 --stylize 110

liminal underground bus terminal, after-hours, sodium vapor glow, unoccupied, subtle fog, wet floor reflections, hollow ambience, wide-angle 28mm, tripod-stable frame, long exposure hint, tonal separation, soft bloom, realistic texture fidelity, clean geometry, timetables & directional arrows, negative space emphasized, desaturated palette, faint chromatic aberration, filmic grain low, high dynamic range balance, minimal color cast control --ar 9:16 --raw --stylize 300