Camera chase Prompts

A handheld-style tracking shot follows the chase, with rapid camera movements to mimic the intensity. Occasionally switch to slow-motion shots of the cat’s claws swiping at the mouse. The lighting flickers slightly as the two rush past different parts of the kitchen, adding drama.”

la camara avanza

cam moves forward

pope francis wearing a black track suit, running on the park, POV, camera chase, real human, uhd --ar 66:101

Zero Down wide-angle shot of Onyx dragon horse (ultra-detail) with dragonlike nose with fishlike tail., camera chase, juniper Onyx dragon horselike nose, shiny nose, full body, shiny scale Onyx dragon horse, low angle, saying “ahhhh”, perfect teeth, sharp teeth | daz3d, Bathed in the celestial lights of the Northern Lights and the mystical twilight aura of the seaside., surrounded by the enchanting beauty of the myth. , luminous palette, realistic, upscale (beta), high resolution, 8k, translucent, transparent, see-through,

Zero Down wide-angle shot of Onyx dragon horse (ultra-detail) with dragonlike nose with fishlike tail. , camera chase, juniper Onyx dragon horselike nose, shiny nose, full body, shiny scale Onyx dragon horse, low angle, saying “ahhhh”, perfect teeth, sharp teeth | daz3d, Bathed in the celestial lights of the Northern Lights and the mystical twilight aura of the seaside. , surrounded by the enchanting beauty of the myth. , luminous palette, realistic, upscale (beta), 8k, --q 2 --s 750 --niji 5

Close up image of 2 subjects, 1girl with auburn colored hair, wearing long sleeve white dress with hood, (running towards camera), (woman looks scared), frightened, running for her life, running away from man wearing armor, getting grabbed by man, down a dirty city alley, futuristic city at (night:1.4), blue and yellow neon signs, chase scene, action scene, thick outlines, dynamic camera angle, realistic skin, realistic hands, perfect hands, action lines, motion blur background, <lora:more_details:1>

Close up image of 2 subjects, 1girl with auburn colored hair, wearing long sleeve white dress with hood, (running towards camera), (woman looks scared), frightened, running for her life, running away from man wearing armor, getting grabbed by man, down a dirty city alley, futuristic city at (night:1.4), blue and yellow neon signs, chase scene, action scene, thick outlines, dynamic camera angle, realistic skin, realistic hands, perfect hands, action lines, motion blur background, <lora:more_details:1>

la camara avanza rapidamente

Close up image of 2 subjects, 1girl with auburn colored hair, wearing long sleeve white dress with hood, (running towards camera), (woman looks scared), frightened, running for her life, running away from man wearing armor, getting grabbed by man, down a dirty city alley, futuristic city at (night:1.4), blue and yellow neon signs, chase scene, action scene, thick outlines, dynamic camera angle, realistic skin, realistic hands, perfect hands, action lines, motion blur background, <lora:more_details:1,2>

Close up image of 2 subjects, 1girl with auburn colored hair, wearing long sleeve white dress with hood, (running towards camera), (woman looks scared), frightened, running for her life, running away from man wearing armor, getting grabbed by man, down a dirty city alley, futuristic city at (night:1.4), blue and yellow neon signs, chase scene, action scene, thick outlines, dynamic camera angle, realistic skin, realistic hands, perfect hands, action lines, motion blur background, <lora:more_details:1,2>

the camera is moving

sole survivor in a zombie apocalypse, chased by zombies, running towards camera, black background, vintage illustration

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

la camara avanza

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

# تصميم الفيديو: الأشقاء المصريون الثلاثة في غرفة اللعب --- ## ملخص التصميم - **هدف الفيديو**: مشهد كرتوني ثلاثي الأبعاد بأسلوب بيكسار/ديزني يصور لحظة مرحة عفوية بين ثلاثة أشقاء مصريين: سليم (8 سنوات)، وكرمة (5 سنوات)، وكندة الرضيعة (سنة ونصف)، حيث تسرق كرمة لعبة سليم وتجري بها بشكل مشاغب بينما يطاردها وكندة تضحك وتصفق. - **الأسلوب البصري**: رسوم متحركة ثلاثية الأبعاد بأسلوب بيكسار/ديزني — ملونة زاهية، إضاءة سينمائية ناعمة، ملامح مصرية أصيلة، تعبيرات وجه عالية الجودة، دقة 4K. - **الإيقاع**: بداية هادئة تمهيدية → تصاعد مرح وديناميكي → لحظة دفء عاطفي في النهاية. --- ## المعاملات التقنية | المعامل | القيمة | |---|---| | generation_unit_count | 1 | | workflow_level | lightweight | | action | t2v | | model | kling-3.0 | | total_duration | 15 ثانية | | aspect_ratio | 16:9 | | audio_switch | true | | asset_strategy | توليد نصي مباشر — لا حاجة لأصول خارجية | --- ## جدول الأصول توليد نصي مباشر (t2v)، لا يوجد مقاطع أو صور يجب توليدها مسبقاً. --- ## وحدات التوليد ### وحدة التوليد 01 — الأشقاء الثلاثة في غرفة اللعب #### تفاصيل المشاهد | المشهد | النطاق الزمني | حجم الإطار | حركة الكاميرا (الفعل + الغرض) | المحتوى البصري | |---|---|---|---|---| | 01 | 0-3 ثانية | لقطة متوسطة — تأسيسية | إطار ثابت، كاميرا طفيفة لأسفل | سليم (8 سنوات) يجلس على السجادة في غرفة اللعب ويمسك لعبة قطار خشبية ملونة؛ كندة (رضيعة 18 شهراً) تجلس بجانبه وتنظر إليه بفضول بعيون واسعة؛ كرمة (5 سنوات) تقترب زاحفة بنظرة مشاغبة | | 02 | 3-8 ثانية | لقطة كاملة + متابعة | كاميرا تتبع جانبية سلسة | كرمة تخطف القطار من يد سليم فجأة وتنطلق بالجري بين الكراسي والألعاب ضاحكة بصوت عالٍ؛ سليم ينهض مستغرباً ويبدأ بملاحقتها بأسلوب مرح؛ كندة تجلس وتصفق وتقهقه بصوت مبهج | | 03 | 8-13 ثانية | لقطة متوسطة + تقريب عاطفي | دفع تدريجي للأمام نحو الأشقاء | كرمة تتعثر برفق في ركن الألعاب وتقع على الوسائد بضحكة مجلجلة؛ سليم يصل إليها ويستعيد اللعبة بابتسامة عريضة بدلاً من الغضب؛ يجلسان معاً ويعطيها القطار طوعاً | | 04 | 13-15 ثانية | لقطة قريبة جماعية | تقريب ناعم على الوجوه الثلاثة | الأشقاء الثلاثة في إطار واحد؛ سليم وكرمة يحملان اللعبة معاً؛ كندة تمد يدها الصغيرة نحوهما؛ ابتسامات ودفء حقيقي؛ لحظة عائلية مُضيئة | --- #### معاملات video_generation | المعامل | القيمة | |---|---| | action | t2v | | title | Egyptian Siblings Joyful Playroom Chase | | model | kling-3.0 | | duration | 15 | | aspect_ratio | 16:9 | | audio_switch | true | | first_frame_image_url | - | | end_frame_image_url | - | | image_urls | - | --- #### البرومبت (Prompt) ``` 3D Pixar/Disney-style cartoon animation, 16:9 cinematic format, vibrant colors, 4K quality. Three Egyptian siblings in a colorful, toy-filled playroom with warm soft lighting, pastel walls, plush rugs, and scattered building blocks. Characters: • Selim — 8-year-old smart Egyptian boy, warm brown skin, dark curly short hair, big expressive brown eyes, wearing a striped navy-and-white T-shirt and shorts, curious and kind expression. • Karma — 5-year-old energetic Egyptian girl, warm tan skin, black curly pigtails tied with red hair ties, bright mischievous dark eyes, wearing a pink dress with a small flower print, cheeky and playful smile. • Kinda — 1.5-year-old Egyptian baby girl, chubby rosy cheeks, short wispy black hair, wide innocent brown eyes, wearing a yellow onesie, sitting on a plush rug. [0s–3s] Medium wide establishing shot. Selim sits cross-legged on the rug holding a colorful wooden toy train, examining it with gentle focus. Kinda sits nearby watching him with wide curious eyes and a soft smile. Karma crouches a short distance away, eyes glinting mischievously, inching slowly toward Selim. Camera holds steady at child's-eye level. [3s–8s] Full body shot with smooth lateral tracking camera. Karma suddenly darts forward, snatches the wooden train from Selim's hands with a triumphant giggle, and sprints between toy shelves and colorful cushions. Her pigtails bounce as she laughs out loud in Egyptian Arabic — "يلا امسكني!" (Yalla imsikni! — Come catch me!). Selim stands up in playful disbelief, laughs, and chases her around the room calling — "كرمة! هاتي القطر!" (Karma! Give back the train!). Kinda claps her chubby hands and squeals with contagious baby laughter, rocking forward with joy. Dynamic handheld-style camera follows the chase with energy and warmth. [8s–13s] Medium shot with slow gentle push-in toward the siblings. Karma tumbles softly onto a pile of plush cushions in the corner, still holding the train and laughing uncontrollably. Selim reaches her, looks at her with a wide warm smile instead of frustration, and says in Egyptian Arabic — "مشيتيش بعيد أوي!" (Meshiteesh be'eed awi! — You didn't get very far!). He takes the train back gently, then pauses, looks at it, and smiles warmly. He holds it out to Karma as a kind gesture. Highly expressive facial animations showing joy, playfulness, and genuine sibling love. [13s–15s] Close-up group shot of all three siblings together on the rug. Selim and Karma hold the toy train between them; Kinda reaches toward them with her tiny hand, babbling happily. Warm golden soft lighting fills the frame. All three faces glowing with authentic happiness and warmth. Camera makes a very gentle smooth push-in landing on their three smiling faces. Style: Pixar/Disney 3D animation quality, authentic Egyptian features for all three characters, soft cinematic lighting with warm golden tones, vibrant saturated colors, shallow depth of field on background toys. Highly expressive facial animations — exaggerated cartoon eyebrows, wide Disney eyes, dynamic mouth shapes. Audio: genuine children's laughter throughout, Karma's playful giggle, Kinda's contagious baby babble and squeals, Selim's warm amused voice, authentic natural Egyptian Arabic dialect dialogue, light cheerful playful background music building through the chase and settling into warm soft tones at the end. Character face stable throughout, normal cartoon human structure, natural smooth cartoon movements. Maintain visual consistency of all three characters across the full duration. Avoid jitter; avoid limb distortion; avoid identity drift. ``` --- #### جدول الحوار | الوقت | الشخصية | الجملة | ملاحظات | |---|---|---|---| | 4-5 ث | كرمة | "يلا امسكني!" | ضحكة مرحة، لهجة مصرية عفوية | | 5-7 ث | سليم | "كرمة! هاتي القطر!" | نبرة لاهية غير غاضبة، مصري أصيل | | 9-11 ث | سليم | "مشيتيش بعيد أوي!" | ابتسامة دافئة، لهجة مصرية | | طوال المقطع | كندة | أصوات مبهجة وضحكات رضيعة | ثرثرة أطفال أصيلة | --- ## ما بعد الإنتاج | النطاق الزمني | العنصر | الموضع | المحتوى/الأصل | |---|---|---|---| | طوال المقطع | بدون نص مكتوب | — | الصوت والحوار مدمج في الفيديو مباشرة | | 0–15 ث | موسيقى خلفية | مضمنة في التوليد | خفيفة مرحة تتصاعد مع المطاردة وتهدأ في النهاية |

# تصميم الفيديو: الأشقاء المصريون الثلاثة في غرفة اللعب --- ## ملخص التصميم - **هدف الفيديو**: مشهد كرتوني ثلاثي الأبعاد بأسلوب بيكسار/ديزني يصور لحظة مرحة عفوية بين ثلاثة أشقاء مصريين: سليم (8 سنوات)، وكرمة (5 سنوات)، وكندة الرضيعة (سنة ونصف)، حيث تسرق كرمة لعبة سليم وتجري بها بشكل مشاغب بينما يطاردها وكندة تضحك وتصفق. - **الأسلوب البصري**: رسوم متحركة ثلاثية الأبعاد بأسلوب بيكسار/ديزني — ملونة زاهية، إضاءة سينمائية ناعمة، ملامح مصرية أصيلة، تعبيرات وجه عالية الجودة، دقة 4K. - **الإيقاع**: بداية هادئة تمهيدية → تصاعد مرح وديناميكي → لحظة دفء عاطفي في النهاية. --- ## المعاملات التقنية | المعامل | القيمة | |---|---| | generation_unit_count | 1 | | workflow_level | lightweight | | action | t2v | | model | kling-3.0 | | total_duration | 15 ثانية | | aspect_ratio | 16:9 | | audio_switch | true | | asset_strategy | توليد نصي مباشر — لا حاجة لأصول خارجية | --- ## جدول الأصول توليد نصي مباشر (t2v)، لا يوجد مقاطع أو صور يجب توليدها مسبقاً. --- ## وحدات التوليد ### وحدة التوليد 01 — الأشقاء الثلاثة في غرفة اللعب #### تفاصيل المشاهد | المشهد | النطاق الزمني | حجم الإطار | حركة الكاميرا (الفعل + الغرض) | المحتوى البصري | |---|---|---|---|---| | 01 | 0-3 ثانية | لقطة متوسطة — تأسيسية | إطار ثابت، كاميرا طفيفة لأسفل | سليم (8 سنوات) يجلس على السجادة في غرفة اللعب ويمسك لعبة قطار خشبية ملونة؛ كندة (رضيعة 18 شهراً) تجلس بجانبه وتنظر إليه بفضول بعيون واسعة؛ كرمة (5 سنوات) تقترب زاحفة بنظرة مشاغبة | | 02 | 3-8 ثانية | لقطة كاملة + متابعة | كاميرا تتبع جانبية سلسة | كرمة تخطف القطار من يد سليم فجأة وتنطلق بالجري بين الكراسي والألعاب ضاحكة بصوت عالٍ؛ سليم ينهض مستغرباً ويبدأ بملاحقتها بأسلوب مرح؛ كندة تجلس وتصفق وتقهقه بصوت مبهج | | 03 | 8-13 ثانية | لقطة متوسطة + تقريب عاطفي | دفع تدريجي للأمام نحو الأشقاء | كرمة تتعثر برفق في ركن الألعاب وتقع على الوسائد بضحكة مجلجلة؛ سليم يصل إليها ويستعيد اللعبة بابتسامة عريضة بدلاً من الغضب؛ يجلسان معاً ويعطيها القطار طوعاً | | 04 | 13-15 ثانية | لقطة قريبة جماعية | تقريب ناعم على الوجوه الثلاثة | الأشقاء الثلاثة في إطار واحد؛ سليم وكرمة يحملان اللعبة معاً؛ كندة تمد يدها الصغيرة نحوهما؛ ابتسامات ودفء حقيقي؛ لحظة عائلية مُضيئة | --- #### معاملات video_generation | المعامل | القيمة | |---|---| | action | t2v | | title | Egyptian Siblings Joyful Playroom Chase | | model | kling-3.0 | | duration | 15 | | aspect_ratio | 16:9 | | audio_switch | true | | first_frame_image_url | - | | end_frame_image_url | - | | image_urls | - | --- #### البرومبت (Prompt) ``` 3D Pixar/Disney-style cartoon animation, 16:9 cinematic format, vibrant colors, 4K quality. Three Egyptian siblings in a colorful, toy-filled playroom with warm soft lighting, pastel walls, plush rugs, and scattered building blocks. Characters: • Selim — 8-year-old smart Egyptian boy, warm brown skin, dark curly short hair, big expressive brown eyes, wearing a striped navy-and-white T-shirt and shorts, curious and kind expression. • Karma — 5-year-old energetic Egyptian girl, warm tan skin, black curly pigtails tied with red hair ties, bright mischievous dark eyes, wearing a pink dress with a small flower print, cheeky and playful smile. • Kinda — 1.5-year-old Egyptian baby girl, chubby rosy cheeks, short wispy black hair, wide innocent brown eyes, wearing a yellow onesie, sitting on a plush rug. [0s–3s] Medium wide establishing shot. Selim sits cross-legged on the rug holding a colorful wooden toy train, examining it with gentle focus. Kinda sits nearby watching him with wide curious eyes and a soft smile. Karma crouches a short distance away, eyes glinting mischievously, inching slowly toward Selim. Camera holds steady at child's-eye level. [3s–8s] Full body shot with smooth lateral tracking camera. Karma suddenly darts forward, snatches the wooden train from Selim's hands with a triumphant giggle, and sprints between toy shelves and colorful cushions. Her pigtails bounce as she laughs out loud in Egyptian Arabic — "يلا امسكني!" (Yalla imsikni! — Come catch me!). Selim stands up in playful disbelief, laughs, and chases her around the room calling — "كرمة! هاتي القطر!" (Karma! Give back the train!). Kinda claps her chubby hands and squeals with contagious baby laughter, rocking forward with joy. Dynamic handheld-style camera follows the chase with energy and warmth. [8s–13s] Medium shot with slow gentle push-in toward the siblings. Karma tumbles softly onto a pile of plush cushions in the corner, still holding the train and laughing uncontrollably. Selim reaches her, looks at her with a wide warm smile instead of frustration, and says in Egyptian Arabic — "مشيتيش بعيد أوي!" (Meshiteesh be'eed awi! — You didn't get very far!). He takes the train back gently, then pauses, looks at it, and smiles warmly. He holds it out to Karma as a kind gesture. Highly expressive facial animations showing joy, playfulness, and genuine sibling love. [13s–15s] Close-up group shot of all three siblings together on the rug. Selim and Karma hold the toy train between them; Kinda reaches toward them with her tiny hand, babbling happily. Warm golden soft lighting fills the frame. All three faces glowing with authentic happiness and warmth. Camera makes a very gentle smooth push-in landing on their three smiling faces. Style: Pixar/Disney 3D animation quality, authentic Egyptian features for all three characters, soft cinematic lighting with warm golden tones, vibrant saturated colors, shallow depth of field on background toys. Highly expressive facial animations — exaggerated cartoon eyebrows, wide Disney eyes, dynamic mouth shapes. Audio: genuine children's laughter throughout, Karma's playful giggle, Kinda's contagious baby babble and squeals, Selim's warm amused voice, authentic natural Egyptian Arabic dialect dialogue, light cheerful playful background music building through the chase and settling into warm soft tones at the end. Character face stable throughout, normal cartoon human structure, natural smooth cartoon movements. Maintain visual consistency of all three characters across the full duration. Avoid jitter; avoid limb distortion; avoid identity drift. ``` --- #### جدول الحوار | الوقت | الشخصية | الجملة | ملاحظات | |---|---|---|---| | 4-5 ث | كرمة | "يلا امسكني!" | ضحكة مرحة، لهجة مصرية عفوية | | 5-7 ث | سليم | "كرمة! هاتي القطر!" | نبرة لاهية غير غاضبة، مصري أصيل | | 9-11 ث | سليم | "مشيتيش بعيد أوي!" | ابتسامة دافئة، لهجة مصرية | | طوال المقطع | كندة | أصوات مبهجة وضحكات رضيعة | ثرثرة أطفال أصيلة | --- ## ما بعد الإنتاج | النطاق الزمني | العنصر | الموضع | المحتوى/الأصل | |---|---|---|---| | طوال المقطع | بدون نص مكتوب | — | الصوت والحوار مدمج في الفيديو مباشرة | | 0–15 ث | موسيقى خلفية | مضمنة في التوليد | خفيفة مرحة تتصاعد مع المطاردة وتهدأ في النهاية |

the camera moves forward

only the cam moves forward

Close up image of 2 subjects, 1girl with auburn colored hair, wearing long sleeve white dress with hood, (running towards camera), (woman looks scared), frightened, running for her life, running away from man wearing armor, getting grabbed by man, down a dirty city alley, futuristic city at (night:1.4), blue and yellow neon signs, chase scene, action scene, thick outlines, dynamic camera angle, realistic skin, realistic hands, perfect hands, action lines, motion blur background, <lora:add-detail-xl:1,2> <lora:DetailedEyes_V3:1,2> <lora:offset_0.2:1,2>

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

Make an image of a caricature following the draft of the one with the character on the bike, taking the face of the woman in the picture with the red t shirt, and with the style of the reference of the drawing that says milano, the bull has to be chasing her, make a camera hanging from her neck, she likes photography, she is holding a jamon serrano in one hand and the jar on the other says tinto de verano, she also likes painting, sewing machine, synthesizer, crochet, and theater