Camera_and_technical perspective medium wide frame size Prompts

photorealistic, perspective, office workstation, medium scale, post-modernism style, used camera is Canon EOS 5D Mark IV with a Canon EF 24mm f/1.4L II USM lens, set at aperture f/2.8 for a depth of field that highlights architectural photo, randomly materials,regularly arranged lights, sleek ceiling and white paint finished, indirect white light, realistic natural light coming through the window, high quality work desk settings, 4K materials, light effect, UHD --ar 9:16 --style raw

architectural photography, perspective, central point, photography, used camera is Canon EOS R5, tripod mounted, glowing spring tree framed by doorway, vibrant green-leaved tree, modern corridor, sleek textured walls, large in size matte white floor, low-key, reflections on floor, crisp edges on door frame, high resolution --ar 9:16 --quality 2 --style raw --personalize c84qxg1 --stylize 700 --v 6.1

film photography of a robot driving a spaceship,medium shot , in the desert,wearing a helmet and googles , futuristic ,using film superia, with sony alpha A7 III, denis villenueve,warm colors, natural light, --v 6 --ar 9:16 --stylize 750

sustainable world. CAMERA: Canon 5D Mark IV, Lens Canon EF 50mm f/ 1. 2 L USM, POV f/ 2. 8, 16k - ar 4: 5 --s 750 --v 5

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

architectural photography, perspective, interior, vertical light panels transition from red to acid cyan and purple hues, minimalism, expert, sleek design, gigantic, used camera is Sony α7R IV, paired with a Sony FE 24-70mm f/2.8 GM lens, set to an aperture of f/8 for optimal sharpness, shutter speed of 1/125 to freeze the ambient light play, keeping ISO at 100 for the finest image quality, material textures is rich detail and professionally presented, realism dramatic lighting, UHD resolution --ar 9:16 --stylize 600

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

Candid view, design studio, Canon EOS 5D Mark IV, 35mm f/2 lens, mid-century modern, wood and metal textures, vibrant artwork, focused task lighting, diffused daylight, accent lighting --ar 16:9 --stylize 95 --v 6

Candid view, design studio, Canon EOS 5D Mark IV, 35mm f/2 lens, mid-century modern, wood and metal textures, vibrant artwork, focused task lighting, diffused daylight, accent lighting --ar 16:9 --stylize 95 --v 6

Candid view, design studio, Canon EOS 5D Mark IV, 35mm f/2 lens, mid-century modern, wood and metal textures, vibrant artwork, focused task lighting, diffused daylight, accent lighting --ar 16:9 --stylize 95 --v 6

architectural photography, dynamic view, used camera is Sony α7R IV, paired with a Sony FE 24-70mm f/2.8 GM lens, set to an aperture of f/8 for optimal depth of field and sharpness, shutter speed of 1/125 to freeze the ambient light play, keeping ISO at 100 for the finest image quality, inside a spacious modern gallery, dot of geometric lights ceiling in a striking array of linear patterns, casting a soft, even glow throughout the space, camera angle is wide, capturing the grandeur of the space, its smooth concrete walls and the expansive floor detail, the atmosphere is serene yet dynamic with the stillness of the architecture contrasted by the motion blur of people walking through, their forms ghostlike and transient against the permanence of the structure, lighting installation acts as both illumination and art, contributing to the minimalist aesthetic of the gallery, architecture magazine style, UHD --ar 9:16 --style raw --stylize 700

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "2.39:1", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%) with pronounced hourglass figure", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "lighting_and_atmosphere": { "source": "moonlight as primary, combined with on‑camera flash (compact digital camera from early 1990s) for foreground illumination", "quality": "harsh flash with high contrast, silhouette effect from moonlight, overexposed highlights on skin from flash", "effects": [ "strong flash creating specular highlights on skin and hair", "overexposed areas on face and body (washed out, ethereal glow)", "silhouette effect from moonlight behind", "background dark with faint detail", "grainy texture characteristic of early compact digital cameras", "washed out colors, low saturation", "unreal contrast" ], "color_cast": "cool, saturated, cyan and blue tones from moonlight, mixed with cool flash white balance", "contrast": "very high" }, "camera_and_technical": { "perspective": "medium wide frame size, long lens compression", "camera_position": "Arriflex 435 / Panavision Millennium XL2 with Panavision Primo Anamorphics, simulating on‑camera flash from early 1990s compact camera aesthetic", "framing": "anamorphic 2.39:1 aspect ratio, Super 35 format, 35mm film stock (5279/7279 Vision 500T)", "focus": "slightly soft, typical of low‑resolution cameras, with anamorphic lens characteristics", "visual_fidelity": "grainy, low resolution aesthetic, washed out colors, flash photography style combined with cinematic anamorphic look, 35mm film texture, ultra high quality real image" }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed (beyond the intended aesthetic)", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark (other than the intended 'vgeux')", "text", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital", "head tilt", "angled head", "head rotation", "body rotation", "looking away", "looking sideways", "looking off-camera", "3/4 view", "asymmetrical shoulders", "perspective distortion" ] }

of the input image and identify all main subjects and the environment. Generate high-quality 3x3 grid, a cinematic contact sheet with 9 frames of the same scene. Strictly preserve objects, proportions, setting, lighting direction, style, and overall visual mood of the original image. Vary only the camera parameters: distance (close- up, medium shot, wide shot), angle (frontal, slight low angle, side), depth of field, and focus point. Do not add new elements or alter the design of the subjects;

--aspect 3:2

photorealistic, perspective, office workstation, medium scale, post-modernism style, used camera is Canon EOS 5D Mark IV with a Canon EF 24mm f/1. 4L II USM lens, set at aperture f/2. 8 for a depth of field that highlights architectural photo, randomly materials, regularly arranged lights, sleek ceiling and white paint finished, indirect white light, realistic natural light coming through the window, high quality work desk settings, 4K materials, light effect, UHD --ar 9:16 --style raw

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --v 5.2 --ar 9:16

i need some pose in the middle of the side and perspective pose.

Camera: Smooth optical zoom-out from a fixed camera position; the lens pulls wider, expanding spatial context while keeping the subject centered and stable. Prompt: Smooth optical zoom-out from a centered seated person as a wide room is gradually revealed around them.

national geographic photography, through the lens of Ciril Jazbec --ar 1:2 --stylize 750 --v 6.1

photography, candid shot, office meeting room, medium size, modernism style, Canon EOS 5D Mark IV with a Canon EF 24mm f/1.4L II USM lens, set at aperture f/2.8 for a depth of field that highlights interior, randomly materials, white color indirect light, realistic natural light coming through the window, female, light effect --ar 9:16 --style raw --stylize 400

creativity in settings such as photo stocks --ar 3:2 --v 6.0

hyper-realistic wide shot Hasselblad H4D 200MS Digital Camera,

eye level, photo, bar, minimalistic interior, abstract large art frame, office snapshot, frame magazine, --s 750 --ar 9:16