Camera_and_technical perspective wide establishing shot Prompts

slightly elevated camera, showing the surroundings from above.

wide angle HD shot

hyper-realistic wide shot Hasselblad H4D 200MS Digital Camera,

photography, perspective, central vanishing point, high-end digital photo, used camera is Canon EOS R5, 16-35mm f/2.8 wide-angle lens, ISO 100, tripod mounted, glowing fall style maple tree, vibrant golden and brown leaved, backlighting, industrial concrete corridor, rough textured walls, polished concrete floor, low-key ambient light set, ultra-high detail textures, subtle light reflections on floor, rich detailed --ar 9:16 --quality 2 --raw

architectural photography, perspective, central point, photography, used camera is Canon EOS R5, tripod mounted, glowing spring tree framed by doorway, vibrant green-leaved tree, modern corridor, sleek textured walls, large in size matte white floor, low-key, reflections on floor, crisp edges on door frame, high resolution --ar 9:16 --quality 2 --style raw --personalize c84qxg1 --stylize 700 --v 6.1

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "1.78:1", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%) with pronounced hourglass figure", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "lighting_and_atmosphere": { "source": "combination of hard backlight (sunny daylight) and on‑camera flash (early 1990s compact digital camera aesthetic)", "quality": "harsh flash with high contrast, overexposed highlights on skin, deep shadows in background, strong backlight creating a silhouette edge", "effects": [ "strong flash creating specular highlights on skin and hair", "overexposed areas on face and body (washed out, ethereal glow)", "backlight from sun creating rim light and emphasizing silhouette", "background dark with faint detail, but with warm sunny tones bleeding through", "grainy texture characteristic of early compact digital cameras", "desaturated colors with warm undertones", "unreal contrast" ], "color_cast": "warm desaturated overall, with cool flash white balance on subject and warm golden backlight mixing, creating a unique split‑tone effect", "contrast": "very high" }, "camera_and_technical": { "perspective": "wide establishing shot, left‑heavy composition, subject placed on the left third of the frame, wide lens size", "camera_position": "ARRI ALEXA Mini with Cooke S4/i wide lens, shooting at 3.2K ArriRaw, but with post‑processing to emulate the look of a 1990s compact digital camera (grain, flash artifacts, low‑resolution aesthetic)", "framing": "horizontal anamorphic 1.78:1 aspect ratio, wide frame capturing subject in a Calgary landscape setting (sunny Alberta location)", "focus": "slightly soft, typical of low‑resolution cameras, blended with the sharpness of modern cinema glass", "visual_fidelity": "grainy, desaturated, flash photography style overlaid on high‑resolution digital capture, ultra high quality real image with a unique retro‑modern hybrid aesthetic" }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed (beyond the intended aesthetic)", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark (other than the intended 'vgeux')", "text", "signature", "professional photography (overly polished)", "studio lighting (flat)", "sharp focus", "perfect composition", "cinematic (in the modern sense)", "8k", "masterpiece", "makeup", "stylized", "modern digital", "vertical orientation", "centered composition", "head tilt", "angled head", "head rotation", "body rotation", "looking away", "looking sideways", "looking off-camera", "3/4 view", "asymmetrical shoulders", "perspective distortion" ] }

photo, hyper maximalist, wide fov, wide field of view, bright saturated colors, award-winning, masterpiece, detailed, high resolution --ar 9:16

expand shot show more wide angle reference is in 2th input image. Make it realistic like input image 1.

Wide angle view, camera moves up and pans to the left

Ultra - Wide Angle - Pull the camera very far back from subject, fantastic planet, sharpen, orientalist intricate, cinematic, hyper realism, dramatic lighting, photo - realistic, high detail, style by greg rutkowski and alphonse mucha

Ultra - Wide Angle - Pull the camera very far back from subject, fantastic planet, sharpen, orientalist intricate, cinematic, hyper realism, dramatic lighting, photo - realistic, high detail, style by greg rutkowski and alphonse mucha

Wide - Angle Shot - Pull the camera back from subject, chevrolet silverado, CONCEPT, future, by Edmund Blair Leighton and syd mead, Award - winning, Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K --chaos 65 --ar 1:1

architectural photography, perspective, interior, vertical light panels transition from red to acid cyan and purple hues, minimalism, expert, sleek design, gigantic, used camera is Sony α7R IV, paired with a Sony FE 24-70mm f/2.8 GM lens, set to an aperture of f/8 for optimal sharpness, shutter speed of 1/125 to freeze the ambient light play, keeping ISO at 100 for the finest image quality, material textures is rich detail and professionally presented, realism dramatic lighting, UHD resolution --ar 9:16 --stylize 600

Create wide angle.

Create wider angle as seen in 2th input image.

Ultra-Wide Angle - Pull the camera very far back from subjects, people gathered, Ancient white Greece, orientalist intricate by edwin longsden long and theodore ralli and nasreddine dinet, cinematic, hyper realism, dramatic lighting, photo-realistic, high detail

Office interior, professional, panoramic shot, smartphone camera, afternoon, wide-angle lens, corporate style, by Benjamin Davis

photography, wide shoot, shot with sony a7r iv, 24-70mm f/2.8 gm lens, f/5.6, 1/125s, iso 400, rectangular pattern translucent glass wall installation with silver metal frame, cool tone backlight creating shadows, silhouette of people walking, minimalistic style, blue glow atmospheric lighting, geometric repetitive patterns, high contrast, ultra sharp details, photorealistic, rich detailing --ar 9:16 --raw

Taken pictures with ultra wide lens camera, high angle shot, camera shot fullbody human object, variate background photo, taken from behind with 4K on 35mm Sigma 85mm, bokeh, beautiful shot, shot by professional photographer, depth field, cinematic, Location in random spot of fuji mountain forest, picture shots at 08:00 PM

photography, sci-fi design, perspective shot, moody ambiance, aligned lines, focusing on a figure with randomly textures, minimalist aligned from above high contrasts, high-tech equipment, used camera is Canon EOS-1D Mark I, adding a touch of realism materials, ultra realistic, UHD resolution --ar 9:16 --style raw --stylize 600

shoot with Sony Alpha a9 II and Sony FE 200-600mm f/5.6-6.3 G OSS lens, natural light, hyper realistic photograph, wide angle, cinematic lighting, ultra detailed. --ar 16:9 --s 750

taken pictures with ultra wide lens camera, high angle shot, camera shot fullbody human object, variate background photo, taken from behind with 4K on 35mm Sigma 85mm, bokeh, beautiful shot, trending on artstation, depth field, cinematic, Location in center random spot of tokyo street, shots at 01:00 PM

wide angle.

photo, student in tokyo, wide fov, wide field of view, wide angle, hyper maximalist, bright saturated colors, award-winning, masterpiece, detailed, high resolution --ar 9:16