Cinematic studio lighting with warm highlights and cold shadows Prompts

Take the face from the input picture. A real candid late-night podcast recording moment, intimate and personal — warm uneven indoor lighting, slight natural grain, feels like a genuine private recording session caught on camera. She is seated in a comfortable dark armchair with a professional black broadcast microphone on an articulated boom arm in front of her, looking toward an off-screen host, mid-conversation, not posing. { "prompt": "Hyperrealistic, photorealistic, ultra-detailed, micro-detailed portrait of model Adèle, a young woman in her mid-20s embodying the ultimate mogger aesthetic, rivaling Hollywood icons like Angelina Jolie, seated in a comfortable dark armchair in a warm modern podcast room, a professional black broadcast microphone on an articulated boom arm positioned in front of her, capturing a candid intimate recording moment — she is looking slightly toward her right side toward an off-screen podcast host, not toward the camera, her expression focused and quietly confident with a gentle relaxed closed-lip smile, mid-conversation and completely in her element. Her cranial structure exhibits perfect forward growth: maxilla and mandible projected forward, creating a strong skeletal framework with taut skin and no soft tissue collapse. The skull is elongated oval with a wide bizygomatic width, housing high‑set, razor‑sharp cheekbones that begin directly under the eyes and sweep laterally, forming deep hollow cheeks with natural submalar shadows. The mandible is sharply defined with a gonial angle of approximately 118°, creating a clean, V‑shaped jawline that transitions seamlessly into a slightly pointed but firm chin. Facial thirds follow the golden ratio: upper third (hairline to glabella) : middle third (glabella to subnasale) : lower third (subnasale to menton) are in proportion 1:1:0.9, with a slightly elongated lower third for elegance. The interpupillary distance equals the width of the mouth, and the width of the nose equals the distance between the inner canthi.\n\nHer eyes are almond‑shaped, deeply set, with a pronounced positive canthal tilt (outer corners 5° higher than inner corners). The medial canthi are acutely angled, extending downward to elongate the eye. There is zero scleral show: lower lids tightly hug the iris. The upper eyelids are hooded with minimal exposure, intensifying her magnetic confident gaze. The eyes are hyperrealistic: the iris is photorealistic, with detailed radial fibers and a subtle golden‑brown central heterochromia; the catchlights are sharp and natural — small round reflection from the overhead warm key light, positioned at 10 o'clock in the iris, creating a lifelike sparkle with micro‑reflections of the warm room environment visible in the cornea. The eye surface exhibits natural moisture, a realistic tear film, and fine blood vessels in the sclera, all rendered with photometric accuracy. Thick, straight eyebrows are set low on the supraorbital ridge, with a soft arch that peaks slightly lateral to the lateral limbus, with individual hairs visible.\n\nThe nose is narrow with a smooth dorsum, refined bridge, and a precisely sculpted tip with delicate cartilage definition; nostrils are narrow and symmetrical, with a slight columellar show. The nasolabial angle is approximately 95°, giving a refined profile.\n\nLips are full but sharply contoured: the upper lip features a pronounced Cupid's bow with distinct peaks, the lower lip is slightly fuller (ratio ~1:1.3), with distinct vermilion borders and sharp oral commissures that turn slightly upward, creating a natural 'Jolie pout'. The philtrum is short and well‑defined, approximately 11 mm in length. Micro‑details include fine vertical lip lines and a subtle M‑shape of the upper lip. A thin, even film of natural moisture on the inner part of the lower lip creates a subtle specular highlight without appearing wet, enhancing the realistic texture.\n\nSkin is hyperrealistic, photorealistic, with detailed texture and natural tonal gradation. It exhibits barely visible micropores (0.1–0.2 mm) in the T‑zone, with micro‑roughness and fine wrinkles. Under side lighting, the cheeks reveal an ultra‑fine orange‑peel texture (micro‑depressions) characteristic of living skin, invisible under frontal light. Subsurface scattering is present on the nose, cheeks, and earlobes, giving a lifelike translucency and natural blush. The complexion is warm‑neutral with a subtle olive undertone, appearing cool and porcelain-like under light, with faint golden undertones in the cheeks. A microscopically thin sebum film on the T‑zone produces soft specular highlights without greasiness. Delicate vellus hairs are visible on the jawline and cheekbones, and micro‑veins are faintly discernible under the translucent skin, adding biological plausibility. The skin has a matte‑shiny texture with accurate light response, no plastic appearance, and a high level of detail.\n\nEyelashes are long, naturally curled, with a slight intertwining; the skin along the lash bed is a soft pinkish tone, typical of Fitzpatrick skin type III–IV. Detailed eyelashes frame the eyes with macro detail.\n\nHer hair is styled in a luxurious, long layered cascade reminiscent of Angelina Jolie's signature look. The hair is chestnut brown with natural California blonde balayage – soft, sun‑kissed highlights that blend seamlessly from mid‑lengths to ends, creating dimension and depth. The cut features long, soft layers that gently frame the face, with the longest layers reaching below the shoulders. There is generous volume at the roots, achieved through natural lift and soft waves that cascade down. A long, side‑swept fringe (subtle, wispy curtain bang) grazes the outer corner of the eye on one side, adding a touch of Hollywood glamour without obscuring the bone structure. The hair has a healthy, glossy finish with anisotropic reflections; individual strands vary in thickness, with minimal tapering at the ends for softness. The ears are completely concealed by the hair.\n\nHer neck is slender and elongated, with prominent horizontal clavicles and a naturally relaxed posture. The body is lean and athletic with a low body fat percentage (approx. 18–20%), revealing subtle muscle definition on shoulders and abs while maintaining feminine curves. On the clavicles and shoulders, thin superficial muscles (trapezius, deltoids) are faintly visible, with a delicate venous network under the translucent skin, adding a touch of athleticism and anatomical accuracy. She is wearing a fitted dark burgundy long-sleeve ribbed knit top, ribbed fabric texture clearly visible under the warm overhead light, slightly stretched across the chest and waist creating natural fabric tension lines, micro fabric wrinkles at the waist from sitting. High-waisted fitted black trousers with natural fabric fold at the lap from seated position. A very delicate thin gold necklace. Multiple thin gold chain bracelets on the left wrist. Long manicured nails painted metallic blue. A simple black hair tie worn loosely on the right wrist.\n\nThe pose is natural, with a plausible distribution of weight, relaxed shoulders, and a natural spinal curve from sitting. She is seated in a comfortable dark armchair with natural body weight compression visible in the seat, torso slightly angled toward the microphone, one arm resting naturally on the armchair, the other hand lightly gesturing near the microphone — looking slightly toward her right side toward an off-screen podcast host, not toward the camera.\n\nThe background is a warm modern podcast room — large lush tropical green plants softly blurred in the background, dark open shelving units with decorative objects faintly visible, warm ambient light glowing softly from behind, a wooden podcast desk visible in front of her with the microphone arm attached, a glass of water on the desk edge. The entire background is rendered with beautiful natural shallow depth of field bokeh — soft green and warm tones completely blurred, subject tack sharp against the soft blurred background, exactly like a real YouTube or TikTok podcast filming setup. Warm ambient light wrapping around the subject from behind, soft fill light from the front, intimate and natural atmosphere.\n\nLighting is physically correct, with global illumination and warm natural realism. Soft warm key light from slightly above and to the side creates natural shadows that define the cheekbones and jawline with accurate shadow falloff. A subtle Rembrandt triangle appears under the left eye. Warm ambient backlight from the background lamp and green plants creates a natural separation between subject and background. Fill light from the front at 1/4 power maintains natural skin detail. Color grading employs warm natural toning — warm golden skin highlights, deep natural shadows, soft green ambient bounce from the plants in the background, intimate and cinematic.\n\nThe image is captured with a Sony A7IV full-frame sensor, 85mm f/1.4 prime lens, ISO 2000, f/1.4, 1/80s, natural RAW color profile. Eye-level camera positioned slightly to the side of the subject — natural podcast filming angle, subject positioned slightly right of frame center. Mid-thigh up framing, 9:16 vertical aspect ratio. Shallow depth of field with tack-sharp focus on the eyes and face, maximum background blur with natural f/1.4 bokeh — plants and shelving completely soft and blurred, subject razor sharp. Natural ISO 2000 indoor grain present in shadow areas. Slight optical vignette at corners. Natural chromatic aberration at high-contrast edges. The photograph has high dynamic range, true-to-life color reproduction, and a raw photo aesthetic with minimal post-processing artifacts. It is a masterpiece of hyperrealistic portraiture, combining photographic depth, micro-detail, and anatomical precision to create an image indistinguishable from a real photograph.", "negative_prompt": "over-smoothed skin, plastic texture, deformed face, asymmetrical eyes, extra facial features, blurry, low detail, unrealistic proportions, excessive makeup, CGI look, bad anatomy, acne, skin imperfections, blemishes, redness, pimples, scars, moles, shiny T-zone, glossy skin, greasy hair, unwashed hair, tangled hair, messy hair, bed head, flat hair, oily roots, one-length haircut, uniform layers, smooth gradient, blunt cut, simple straight cut, boring hair, double chin, puffy face, weak jawline, visible sclera, droopy eyelids, bulging eyes, flat lighting, soft shadows, oversharpened, unnatural colors, watermark, text, signature, visible ears, ears showing, 3d render, blender render, cgi, computer generated, artificial, fake, plastic, smooth, airbrushed, digital art, painting, acoustic foam, sound panels, marble walls, dark marble, bookshelves, white walls, bright background, cold lighting, blue light, symmetric pose, distorted fingers, extra fingers, merged fingers, HDR, oversaturated, multiple shadows, conflicting light directions, speakers, studio monitors, music equipment, floor lamp, standing lamp, black top, black shirt, headphones, cables visible, messy cables", "steps": 40, "cfg_scale": 7.5, "width": 1024, "height": 1280, "seed": 4201985, "sampler_name": "DPM++ 2M Karras", "scheduler": "karras", "batch_size": 1, "n_iter": 1, "model": "sd_xl_base_1.0", "enable_hr": true, "hr_scale": 2, "hr_upscaler": "4x-UltraSharp", "hr_second_pass_steps": 20, "denoising_strength": 0.3, "clip_skip": 2, "override_settings": { "sd_model_checkpoint": "sd_xl_base_1.0" } }

Take the face from the input picture. A real candid late-night podcast recording moment, intimate and personal — warm uneven indoor lighting, slight natural grain, feels like a genuine private recording session caught on camera. She is seated in a comfortable dark armchair with a professional black broadcast microphone on an articulated boom arm in front of her, looking toward an off-screen host, mid-conversation, not posing. { "prompt": "Hyperrealistic, photorealistic, ultra-detailed, micro-detailed portrait of model Adèle, a young woman in her mid-20s embodying the ultimate mogger aesthetic, rivaling Hollywood icons like Angelina Jolie, seated in a comfortable dark armchair in a warm modern podcast room, a professional black broadcast microphone on an articulated boom arm positioned in front of her, capturing a candid intimate recording moment — she is looking slightly toward her right side toward an off-screen podcast host, not toward the camera, her expression focused and quietly confident with a gentle relaxed closed-lip smile, mid-conversation and completely in her element. Her cranial structure exhibits perfect forward growth: maxilla and mandible projected forward, creating a strong skeletal framework with taut skin and no soft tissue collapse. The skull is elongated oval with a wide bizygomatic width, housing high‑set, razor‑sharp cheekbones that begin directly under the eyes and sweep laterally, forming deep hollow cheeks with natural submalar shadows. The mandible is sharply defined with a gonial angle of approximately 118°, creating a clean, V‑shaped jawline that transitions seamlessly into a slightly pointed but firm chin. Facial thirds follow the golden ratio: upper third (hairline to glabella) : middle third (glabella to subnasale) : lower third (subnasale to menton) are in proportion 1:1:0.9, with a slightly elongated lower third for elegance. The interpupillary distance equals the width of the mouth, and the width of the nose equals the distance between the inner canthi.\n\nHer eyes are almond‑shaped, deeply set, with a pronounced positive canthal tilt (outer corners 5° higher than inner corners). The medial canthi are acutely angled, extending downward to elongate the eye. There is zero scleral show: lower lids tightly hug the iris. The upper eyelids are hooded with minimal exposure, intensifying her magnetic confident gaze. The eyes are hyperrealistic: the iris is photorealistic, with detailed radial fibers and a subtle golden‑brown central heterochromia; the catchlights are sharp and natural — small round reflection from the overhead warm key light, positioned at 10 o'clock in the iris, creating a lifelike sparkle with micro‑reflections of the warm room environment visible in the cornea. The eye surface exhibits natural moisture, a realistic tear film, and fine blood vessels in the sclera, all rendered with photometric accuracy. Thick, straight eyebrows are set low on the supraorbital ridge, with a soft arch that peaks slightly lateral to the lateral limbus, with individual hairs visible.\n\nThe nose is narrow with a smooth dorsum, refined bridge, and a precisely sculpted tip with delicate cartilage definition; nostrils are narrow and symmetrical, with a slight columellar show. The nasolabial angle is approximately 95°, giving a refined profile.\n\nLips are full but sharply contoured: the upper lip features a pronounced Cupid's bow with distinct peaks, the lower lip is slightly fuller (ratio ~1:1.3), with distinct vermilion borders and sharp oral commissures that turn slightly upward, creating a natural 'Jolie pout'. The philtrum is short and well‑defined, approximately 11 mm in length. Micro‑details include fine vertical lip lines and a subtle M‑shape of the upper lip. A thin, even film of natural moisture on the inner part of the lower lip creates a subtle specular highlight without appearing wet, enhancing the realistic texture.\n\nSkin is hyperrealistic, photorealistic, with detailed texture and natural tonal gradation. It exhibits barely visible micropores (0.1–0.2 mm) in the T‑zone, with micro‑roughness and fine wrinkles. Under side lighting, the cheeks reveal an ultra‑fine orange‑peel texture (micro‑depressions) characteristic of living skin, invisible under frontal light. Subsurface scattering is present on the nose, cheeks, and earlobes, giving a lifelike translucency and natural blush. The complexion is warm‑neutral with a subtle olive undertone, appearing cool and porcelain-like under light, with faint golden undertones in the cheeks. A microscopically thin sebum film on the T‑zone produces soft specular highlights without greasiness. Delicate vellus hairs are visible on the jawline and cheekbones, and micro‑veins are faintly discernible under the translucent skin, adding biological plausibility. The skin has a matte‑shiny texture with accurate light response, no plastic appearance, and a high level of detail.\n\nEyelashes are long, naturally curled, with a slight intertwining; the skin along the lash bed is a soft pinkish tone, typical of Fitzpatrick skin type III–IV. Detailed eyelashes frame the eyes with macro detail.\n\nHer hair is styled in a luxurious, long layered cascade reminiscent of Angelina Jolie's signature look. The hair is chestnut brown with natural California blonde balayage – soft, sun‑kissed highlights that blend seamlessly from mid‑lengths to ends, creating dimension and depth. The cut features long, soft layers that gently frame the face, with the longest layers reaching below the shoulders. There is generous volume at the roots, achieved through natural lift and soft waves that cascade down. A long, side‑swept fringe (subtle, wispy curtain bang) grazes the outer corner of the eye on one side, adding a touch of Hollywood glamour without obscuring the bone structure. The hair has a healthy, glossy finish with anisotropic reflections; individual strands vary in thickness, with minimal tapering at the ends for softness. The ears are completely concealed by the hair.\n\nHer neck is slender and elongated, with prominent horizontal clavicles and a naturally relaxed posture. The body is lean and athletic with a low body fat percentage (approx. 18–20%), revealing subtle muscle definition on shoulders and abs while maintaining feminine curves. On the clavicles and shoulders, thin superficial muscles (trapezius, deltoids) are faintly visible, with a delicate venous network under the translucent skin, adding a touch of athleticism and anatomical accuracy. She is wearing a fitted dark burgundy long-sleeve ribbed knit top, ribbed fabric texture clearly visible under the warm overhead light, slightly stretched across the chest and waist creating natural fabric tension lines, micro fabric wrinkles at the waist from sitting. High-waisted fitted black trousers with natural fabric fold at the lap from seated position. A very delicate thin gold necklace. Multiple thin gold chain bracelets on the left wrist. Long manicured nails painted metallic blue. A simple black hair tie worn loosely on the right wrist.\n\nThe pose is natural, with a plausible distribution of weight, relaxed shoulders, and a natural spinal curve from sitting. She is seated in a comfortable dark armchair with natural body weight compression visible in the seat, torso slightly angled toward the microphone, one arm resting naturally on the armchair, the other hand lightly gesturing near the microphone — looking slightly toward her right side toward an off-screen podcast host, not toward the camera.\n\nThe background is a warm modern podcast room — large lush tropical green plants softly blurred in the background, dark open shelving units with decorative objects faintly visible, warm ambient light glowing softly from behind, a wooden podcast desk visible in front of her with the microphone arm attached, a glass of water on the desk edge. The entire background is rendered with beautiful natural shallow depth of field bokeh — soft green and warm tones completely blurred, subject tack sharp against the soft blurred background, exactly like a real YouTube or TikTok podcast filming setup. Warm ambient light wrapping around the subject from behind, soft fill light from the front, intimate and natural atmosphere.\n\nLighting is physically correct, with global illumination and warm natural realism. Soft warm key light from slightly above and to the side creates natural shadows that define the cheekbones and jawline with accurate shadow falloff. A subtle Rembrandt triangle appears under the left eye. Warm ambient backlight from the background lamp and green plants creates a natural separation between subject and background. Fill light from the front at 1/4 power maintains natural skin detail. Color grading employs warm natural toning — warm golden skin highlights, deep natural shadows, soft green ambient bounce from the plants in the background, intimate and cinematic.\n\nThe image is captured with a Sony A7IV full-frame sensor, 85mm f/1.4 prime lens, ISO 2000, f/1.4, 1/80s, natural RAW color profile. Eye-level camera positioned slightly to the side of the subject — natural podcast filming angle, subject positioned slightly right of frame center. Mid-thigh up framing, 9:16 vertical aspect ratio. Shallow depth of field with tack-sharp focus on the eyes and face, maximum background blur with natural f/1.4 bokeh — plants and shelving completely soft and blurred, subject razor sharp. Natural ISO 2000 indoor grain present in shadow areas. Slight optical vignette at corners. Natural chromatic aberration at high-contrast edges. The photograph has high dynamic range, true-to-life color reproduction, and a raw photo aesthetic with minimal post-processing artifacts. It is a masterpiece of hyperrealistic portraiture, combining photographic depth, micro-detail, and anatomical precision to create an image indistinguishable from a real photograph.", "negative_prompt": "over-smoothed skin, plastic texture, deformed face, asymmetrical eyes, extra facial features, blurry, low detail, unrealistic proportions, excessive makeup, CGI look, bad anatomy, acne, skin imperfections, blemishes, redness, pimples, scars, moles, shiny T-zone, glossy skin, greasy hair, unwashed hair, tangled hair, messy hair, bed head, flat hair, oily roots, one-length haircut, uniform layers, smooth gradient, blunt cut, simple straight cut, boring hair, double chin, puffy face, weak jawline, visible sclera, droopy eyelids, bulging eyes, flat lighting, soft shadows, oversharpened, unnatural colors, watermark, text, signature, visible ears, ears showing, 3d render, blender render, cgi, computer generated, artificial, fake, plastic, smooth, airbrushed, digital art, painting, acoustic foam, sound panels, marble walls, dark marble, bookshelves, white walls, bright background, cold lighting, blue light, symmetric pose, distorted fingers, extra fingers, merged fingers, HDR, oversaturated, multiple shadows, conflicting light directions, speakers, studio monitors, music equipment, floor lamp, standing lamp, black top, black shirt, headphones, cables visible, messy cables", "steps": 40, "cfg_scale": 7.5, "width": 1024, "height": 1280, "seed": 4201985, "sampler_name": "DPM++ 2M Karras", "scheduler": "karras", "batch_size": 1, "n_iter": 1, "model": "sd_xl_base_1.0", "enable_hr": true, "hr_scale": 2, "hr_upscaler": "4x-UltraSharp", "hr_second_pass_steps": 20, "denoising_strength": 0.3, "clip_skip": 2, "override_settings": { "sd_model_checkpoint": "sd_xl_base_1.0" } }

Take the face from the input picture. A real candid late-night podcast recording moment, intimate and personal — warm uneven indoor lighting, slight natural grain, feels like a genuine private recording session caught on camera. She is seated in a comfortable dark armchair with a professional black broadcast microphone on an articulated boom arm in front of her, looking toward an off-screen host, mid-conversation, not posing. { "prompt": "Hyperrealistic, photorealistic, ultra-detailed, micro-detailed portrait of model Adèle, a young woman in her mid-20s embodying the ultimate mogger aesthetic, rivaling Hollywood icons like Angelina Jolie, seated in a comfortable dark armchair in a warm modern podcast room, a professional black broadcast microphone on an articulated boom arm positioned in front of her, capturing a candid intimate recording moment — she is looking slightly toward her right side toward an off-screen podcast host, not toward the camera, her expression focused and quietly confident with a gentle relaxed closed-lip smile, mid-conversation and completely in her element. Her cranial structure exhibits perfect forward growth: maxilla and mandible projected forward, creating a strong skeletal framework with taut skin and no soft tissue collapse. The skull is elongated oval with a wide bizygomatic width, housing high‑set, razor‑sharp cheekbones that begin directly under the eyes and sweep laterally, forming deep hollow cheeks with natural submalar shadows. The mandible is sharply defined with a gonial angle of approximately 118°, creating a clean, V‑shaped jawline that transitions seamlessly into a slightly pointed but firm chin. Facial thirds follow the golden ratio: upper third (hairline to glabella) : middle third (glabella to subnasale) : lower third (subnasale to menton) are in proportion 1:1:0.9, with a slightly elongated lower third for elegance. The interpupillary distance equals the width of the mouth, and the width of the nose equals the distance between the inner canthi.\n\nHer eyes are almond‑shaped, deeply set, with a pronounced positive canthal tilt (outer corners 5° higher than inner corners). The medial canthi are acutely angled, extending downward to elongate the eye. There is zero scleral show: lower lids tightly hug the iris. The upper eyelids are hooded with minimal exposure, intensifying her magnetic confident gaze. The eyes are hyperrealistic: the iris is photorealistic, with detailed radial fibers and a subtle golden‑brown central heterochromia; the catchlights are sharp and natural — small round reflection from the overhead warm key light, positioned at 10 o'clock in the iris, creating a lifelike sparkle with micro‑reflections of the warm room environment visible in the cornea. The eye surface exhibits natural moisture, a realistic tear film, and fine blood vessels in the sclera, all rendered with photometric accuracy. Thick, straight eyebrows are set low on the supraorbital ridge, with a soft arch that peaks slightly lateral to the lateral limbus, with individual hairs visible.\n\nThe nose is narrow with a smooth dorsum, refined bridge, and a precisely sculpted tip with delicate cartilage definition; nostrils are narrow and symmetrical, with a slight columellar show. The nasolabial angle is approximately 95°, giving a refined profile.\n\nLips are full but sharply contoured: the upper lip features a pronounced Cupid's bow with distinct peaks, the lower lip is slightly fuller (ratio ~1:1.3), with distinct vermilion borders and sharp oral commissures that turn slightly upward, creating a natural 'Jolie pout'. The philtrum is short and well‑defined, approximately 11 mm in length. Micro‑details include fine vertical lip lines and a subtle M‑shape of the upper lip. A thin, even film of natural moisture on the inner part of the lower lip creates a subtle specular highlight without appearing wet, enhancing the realistic texture.\n\nSkin is hyperrealistic, photorealistic, with detailed texture and natural tonal gradation. It exhibits barely visible micropores (0.1–0.2 mm) in the T‑zone, with micro‑roughness and fine wrinkles. Under side lighting, the cheeks reveal an ultra‑fine orange‑peel texture (micro‑depressions) characteristic of living skin, invisible under frontal light. Subsurface scattering is present on the nose, cheeks, and earlobes, giving a lifelike translucency and natural blush. The complexion is warm‑neutral with a subtle olive undertone, appearing cool and porcelain-like under light, with faint golden undertones in the cheeks. A microscopically thin sebum film on the T‑zone produces soft specular highlights without greasiness. Delicate vellus hairs are visible on the jawline and cheekbones, and micro‑veins are faintly discernible under the translucent skin, adding biological plausibility. The skin has a matte‑shiny texture with accurate light response, no plastic appearance, and a high level of detail.\n\nEyelashes are long, naturally curled, with a slight intertwining; the skin along the lash bed is a soft pinkish tone, typical of Fitzpatrick skin type III–IV. Detailed eyelashes frame the eyes with macro detail.\n\nHer hair is styled in a luxurious, long layered cascade reminiscent of Angelina Jolie's signature look. The hair is chestnut brown with natural California blonde balayage – soft, sun‑kissed highlights that blend seamlessly from mid‑lengths to ends, creating dimension and depth. The cut features long, soft layers that gently frame the face, with the longest layers reaching below the shoulders. There is generous volume at the roots, achieved through natural lift and soft waves that cascade down. A long, side‑swept fringe (subtle, wispy curtain bang) grazes the outer corner of the eye on one side, adding a touch of Hollywood glamour without obscuring the bone structure. The hair has a healthy, glossy finish with anisotropic reflections; individual strands vary in thickness, with minimal tapering at the ends for softness. The ears are completely concealed by the hair.\n\nHer neck is slender and elongated, with prominent horizontal clavicles and a naturally relaxed posture. The body is lean and athletic with a low body fat percentage (approx. 18–20%), revealing subtle muscle definition on shoulders and abs while maintaining feminine curves. On the clavicles and shoulders, thin superficial muscles (trapezius, deltoids) are faintly visible, with a delicate venous network under the translucent skin, adding a touch of athleticism and anatomical accuracy. She is wearing a fitted dark burgundy long-sleeve ribbed knit top, ribbed fabric texture clearly visible under the warm overhead light, slightly stretched across the chest and waist creating natural fabric tension lines, micro fabric wrinkles at the waist from sitting. High-waisted fitted black trousers with natural fabric fold at the lap from seated position. A very delicate thin gold necklace. Multiple thin gold chain bracelets on the left wrist. Long manicured nails painted metallic blue. A simple black hair tie worn loosely on the right wrist.\n\nThe pose is natural, with a plausible distribution of weight, relaxed shoulders, and a natural spinal curve from sitting. She is seated in a comfortable dark armchair with natural body weight compression visible in the seat, torso slightly angled toward the microphone, one arm resting naturally on the armchair, the other hand lightly gesturing near the microphone — looking slightly toward her right side toward an off-screen podcast host, not toward the camera.\n\nThe background is a warm modern podcast room — large lush tropical green plants softly blurred in the background, dark open shelving units with decorative objects faintly visible, warm ambient light glowing softly from behind, a wooden podcast desk visible in front of her with the microphone arm attached, a glass of water on the desk edge. The entire background is rendered with beautiful natural shallow depth of field bokeh — soft green and warm tones completely blurred, subject tack sharp against the soft blurred background, exactly like a real YouTube or TikTok podcast filming setup. Warm ambient light wrapping around the subject from behind, soft fill light from the front, intimate and natural atmosphere.\n\nLighting is physically correct, with global illumination and warm natural realism. Soft warm key light from slightly above and to the side creates natural shadows that define the cheekbones and jawline with accurate shadow falloff. A subtle Rembrandt triangle appears under the left eye. Warm ambient backlight from the background lamp and green plants creates a natural separation between subject and background. Fill light from the front at 1/4 power maintains natural skin detail. Color grading employs warm natural toning — warm golden skin highlights, deep natural shadows, soft green ambient bounce from the plants in the background, intimate and cinematic.\n\nThe image is captured with a Sony A7IV full-frame sensor, 85mm f/1.4 prime lens, ISO 2000, f/1.4, 1/80s, natural RAW color profile. Eye-level camera positioned slightly to the side of the subject — natural podcast filming angle, subject positioned slightly right of frame center. Mid-thigh up framing, 9:16 vertical aspect ratio. Shallow depth of field with tack-sharp focus on the eyes and face, maximum background blur with natural f/1.4 bokeh — plants and shelving completely soft and blurred, subject razor sharp. Natural ISO 2000 indoor grain present in shadow areas. Slight optical vignette at corners. Natural chromatic aberration at high-contrast edges. The photograph has high dynamic range, true-to-life color reproduction, and a raw photo aesthetic with minimal post-processing artifacts. It is a masterpiece of hyperrealistic portraiture, combining photographic depth, micro-detail, and anatomical precision to create an image indistinguishable from a real photograph.", "negative_prompt": "over-smoothed skin, plastic texture, deformed face, asymmetrical eyes, extra facial features, blurry, low detail, unrealistic proportions, excessive makeup, CGI look, bad anatomy, acne, skin imperfections, blemishes, redness, pimples, scars, moles, shiny T-zone, glossy skin, greasy hair, unwashed hair, tangled hair, messy hair, bed head, flat hair, oily roots, one-length haircut, uniform layers, smooth gradient, blunt cut, simple straight cut, boring hair, double chin, puffy face, weak jawline, visible sclera, droopy eyelids, bulging eyes, flat lighting, soft shadows, oversharpened, unnatural colors, watermark, text, signature, visible ears, ears showing, 3d render, blender render, cgi, computer generated, artificial, fake, plastic, smooth, airbrushed, digital art, painting, acoustic foam, sound panels, marble walls, dark marble, bookshelves, white walls, bright background, cold lighting, blue light, symmetric pose, distorted fingers, extra fingers, merged fingers, HDR, oversaturated, multiple shadows, conflicting light directions, speakers, studio monitors, music equipment, floor lamp, standing lamp, black top, black shirt, headphones, cables visible, messy cables", "steps": 40, "cfg_scale": 7.5, "width": 1024, "height": 1280, "seed": 4201985, "sampler_name": "DPM++ 2M Karras", "scheduler": "karras", "batch_size": 1, "n_iter": 1, "model": "sd_xl_base_1.0", "enable_hr": true, "hr_scale": 2, "hr_upscaler": "4x-UltraSharp", "hr_second_pass_steps": 20, "denoising_strength": 0.3, "clip_skip": 2, "override_settings": { "sd_model_checkpoint": "sd_xl_base_1.0" } }

{ "IMPORTANT_INSTRUCTIONS": [ "USE PHOTREFERENCE APP IMAGES AS THE EXACT FACIAL IDENTITY", "ALWAYS MAINTAIN FIXED IDENTITY CONSISTENCY — NO FACE DRIFT", "HYPERREALISTIC OUTPUT REQUIRED", "SUBJECT IS AN ADULT (18+)", "NO TATTOOS — REMOVE COMPLETELY IF PRESENT IN SOURCE" ], "identity_name": "Solefiana", "identity_lock": true, "identity_source": { "reference_type": "Photoreference App", "usage_rule": "Use Photreference App images as the sole source of facial appearance, proportions, and identity", "prohibited": [ "face reconstruction", "identity blending", "beautification drift" ] }, "subject": { "gender": "Female", "age_appearance": "18+ young adult", "ethnicity_hint": "Slavic (Russian), European", "facial_geometry": { "face_shape": "Elongated oval", "forehead": "High and smooth", "cheekbones": "High, sculpted", "jawline": "Narrow, sharply defined", "chin": "Softly pointed" }, "eyes": { "color": "Light green–gray", "shape": "Large almond-shaped", "outer_corners": "Slightly elongated", "gaze": "Cold, composed, emotionally distant" }, "eyebrows": "Thick, natural, mostly straight with minimal arch", "nose": "Straight, narrow, subtly rounded refined tip", "lips": "Full with pronounced cupid’s bow, stable balanced volume", "skin": { "tone": "Light neutral-cool with strong sun exposure", "special_features": "Very distinct, natural tan lines", "texture": "Visible fine pores, subtle tonal unevenness, faint under-eye shadows, vellus hair", "finish": "Matte-to-satin with realistic subsurface scattering" }, "hair": { "base_color": "Brunette (deep cool brown)", "highlighting": "Subtle blonde melirovanie / blonde highlights", "length": "Long", "behavior": "Loose, natural fall", "shine": "Controlled natural gloss with realistic anisotropic highlights" }, "body_constraints": { "proportions": "Natural, gravity-aware, model-like build", "tattoos": "None" }, "overall_presence": "Insanely gorgeous, unique high-fashion beauty; dominant, composed, high-status mogger femininity" }, "wardrobe": { "top": "Whitish strapless oversized boyfriend shirt, cropped very high, fabric hanging loose and relaxed", "details": "Front snaps naturally unlocked mid-moment, casual and unposed", "style_note": "Effortless model-off-duty look" }, "environment": { "setting": "Urban street", "time_of_day": "Night", "background": "Indistinct city elements fading into darkness", "scene_notes": "No clear subject or composition; feels accidental and unplanned" }, "lighting_and_atmosphere": { "lighting": "Even illumination from streetlights", "color_temperature": "Warm urban night tones", "mood": "Casual, candid, real-world snapshot" }, "camera_profile": { "device": "iPhone (front-facing camera)", "era": "2010s smartphone aesthetic", "capture_style": "Unintentional casual photo", "quality_level": "Amateur, imperfect", "orientation": "Vertical", "aspect_ratio": "9:16", "focus_behavior": "Soft focus with slight motion blur", "motion_artifacts": "Subtle blur from natural movement", "exposure": { "lighting_uniformity": "Even but flat streetlight exposure", "highlights": "Minor glow around light sources", "shadows": "Compressed, low-detail shadows" }, "color_response": { "white_balance": "Streetlight-biased", "contrast": "Natural, non-cinematic", "grading": "None" }, "noise_and_compression": { "digital_grain": "Light low-light grain", "compression": "Mobile JPEG artifacts" }, "overall_impression": "Looks like a real human photo, not AI-generated" }, "hyperrealism_block": { "mode": "HYPERREALISTIC IMAGE OUTPUT", "principles": [ "Hyperrealistic skin micro-texture and pore distribution", "Hyperrealistic tan line transitions", "Hyperrealistic facial proportions from Photreference", "Hyperrealistic eye moisture and reflections", "Hyperrealistic hair strand separation", "Hyperrealistic fabric drape and tension", "Hyperrealistic gravity-aware anatomy", "Hyperrealistic streetlight color spill", "Hyperrealistic shadow softness", "Hyperrealistic highlight bloom from lamps", "Hyperrealistic low-light noise behavior", "Hyperrealistic mobile compression artifacts", "Hyperrealistic depth perception", "Hyperrealistic perspective inconsistency (human error)", "Hyperrealistic motion blur behavior", "Hyperrealistic color absorption by fabric", "Hyperrealistic skin subsurface scattering", "Hyperrealistic edge softness (no AI halos)", "Hyperrealistic imperfection retention", "Hyperrealistic non-posed body language" ] }, "constraints": { "no_tattoos": true, "no_professional_photoshoot": true, "no_studio_glamour": true, "no_fixed_camera_angle": true, "no_plastic_skin": true, "no_oversharpening": true, "no_CGI_look": true, "no_identity_drift": true }, "negative_prompt": [ "tattoos", "studio lighting", "professional composition", "cinematic grading", "plastic or waxy skin", "oversmoothing", "AI-generated look", "watermarks", "text overlays" ] }{ "IMPORTANT_INSTRUCTIONS": [ "USE PHOTREFERENCE APP IMAGES AS THE EXACT FACIAL IDENTITY", "ALWAYS MAINTAIN FIXED IDENTITY CONSISTENCY — NO FACE DRIFT", "HYPERREALISTIC OUTPUT REQUIRED", "SUBJECT IS AN ADULT (18+)", "NO TATTOOS — REMOVE COMPLETELY IF PRESENT IN SOURCE" ], "identity_name": "Solefiana", "identity_lock": true, "identity_source": { "reference_type": "Photoreference App", "usage_rule": "Use Photoreference App images as the sole source of facial appearance, proportions, and identity", "prohibited": [ "face reconstruction", "identity blending", "beautification drift" ] }, "subject": { "gender": "Female", "age_appearance": "Young adult (18+)", "ethnicity_hint": "European", "facial_geometry": { "face_shape": "Oval with soft feminine proportions", "cheeks": "Slightly rounded", "jawline": "Smooth, natural", "brow": "Natural straight eyebrows" }, "eyes": { "color": "Grey-blue", "expression": "Expressive, lively", "gaze": "Playful, relaxed" }, "nose": "Small-to-medium with soft bridge", "lips": "Naturally full, relaxed", "skin": { "tone": "Light with subtle warmth", "details": "Visible freckles across cheeks and nose, realistic pores, mild imperfections", "finish": "Natural matte-to-satin, no smoothing" }, "hair": { "base_color": "Brunette (deep cool brown)", "highlighting": "Subtle blonde melirovanie / blonde highlights", "length": "Medium to long", "texture": "Loose, natural", "shine": "Controlled natural gloss" }, "body": { "build": "Slim, delicate, feminine", "shoulders": "Narrow", "waist": "Slender", "hips": "Subtle", "musculature": "Non-athletic, natural", "piercing": "Small belly piercing visible", "tattoos": "None" }, "overall_presence": "Consistent identity across images; natural, playful, everyday beauty" }, "pose_and_action": { "pose": "Standing casually in front of a mirror", "body_orientation": "Slightly turned sideways", "hands": [ "One hand holding smartphone at chest height", "Other hand resting casually near the waistband" ], "body_language": "Spontaneous, comfortable, unposed" }, "wardrobe": { "top": "Dark grey fitted long-sleeve top, no logos or text", "bottom": "Loose grey sweatpants", "details": "Contrasting tanga subtly peeking above waistband", "style_note": "Casual homewear, everyday realism" }, "environment": { "setting": "Indoor hallway or bathroom", "background": "Plain light-colored wall with mirror", "clutter": "Minimal, uncluttered, realistic" }, "lighting_and_atmosphere": { "lighting": "Bright, even indoor lighting from above", "effects": "Natural highlights and soft shadows", "mood": "Casual, playful, relaxed" }, "camera_profile": { "device": "Smartphone front-facing camera", "capture_style": "Casual Instagram-style mirror selfie", "quality_level": "Amateur but realistic", "orientation": "Vertical", "aspect_ratio": "9:16", "focus_behavior": "Generally sharp with slight natural softness", "noise_and_grain": "Mild noise and fine grain", "reflections": "Subtle realistic mirror reflections", "contrast": "Natural, non-cinematic", "overall_impression": "Looks like a real phone photo taken by a person" }, "hyperrealism_block": { "mode": "HYPERREALISTIC IMAGE OUTPUT", "principles": [ "Hyperrealistic facial proportions from Photoreference", "Hyperrealistic skin micro-texture and freckles", "Hyperrealistic eye moisture and reflections", "Hyperrealistic hair strand separation", "Hyperrealistic fabric drape and folds", "Hyperrealistic mirror reflections", "Hyperrealistic indoor light behavior", "Hyperrealistic shadow softness", "Hyperrealistic color response", "Hyperrealistic depth perception", "Hyperrealistic noise and grain behavior", "Hyperrealistic compression artifacts", "Hyperrealistic edge softness", "Hyperrealistic anatomy proportions", "Hyperrealistic gravity-aware clothing fit", "Hyperrealistic everyday imperfections", "Hyperrealistic non-posed posture", "Hyperrealistic casual gesture realism", "Hyperrealistic smartphone lens behavior", "Hyperrealistic human presence" ] }, "constraints": { "no_tattoos": true, "no_professional_photoshoot": true, "no_studio_glamour": true, "no_cinematic_lighting": true, "no_plastic_skin": true, "no_oversharpening": true, "no_CGI_look": true, "no_identity_drift": true }, "negative_prompt": [ "tattoos", "studio setup", "cinematic grading", "professional fashion shoot", "plastic or waxy skin", "oversmoothing", "AI-generated look", "watermarks", "text overlays" ] }

Use the uploaded selfie as a single, absolute and accurate face reference. The generated person must have the same face as in the selfie. Do not alter, enhance, decorate, stylize, rethink or modify any facial features. Facial structure, skull shape, chin line, cheekbones, nose, lips, eyes, eye spacing, eyebrows, ears, skin tone and natural skin texture should perfectly match the selfie. This is the task of replacing individuals, not a new generation of individuals. If there is any conflict between realism, style, lighting or composition and facial precision, Facial accuracy has absolute highest priority. Ultra-realistic cinematic behind-the-scenes photography from the set of the 1980s science fiction film RoboCop. A tall robot cop in silver armor sits on a wooden table inside an industrial warehouse. The cyborg has a matte metal helmet with a horizontal black visor, highly detailed chrome and steel armor, black mechanical joints, realistic reflections and subtle wear on metal surfaces. He has a pistol in one hand. Sitting next to him is a character (from the uploaded selfie), with a slight smile on his face, with minor abrasions and bloody scratches on the character's face (from the uploaded selfie), dressed in a police uniform, and a belt with a holster on his belt. Tactical gloves are worn on the hands, the hands lie carelessly on the stake e nyah. RoboCop hugs the character (ideotic from the uploaded selfie) with one hand over his shoulder. Lighting is soft, cinematic studio lighting with warm highlights and cold shadows, realistic film grain, shallow depth of field, natural skin tones, authentic color correction of the 1980s. Natural red and yellow lighting from fire. Glare from fire naturally affects the characters. Background: industrial dilapidated room with broken metal pipes, boxes, cables, slightly out of focus. A little haze. Fire is burning in different places. Shot on 35 mm film, Medium Shot, behind-the-scenes atmosphere, candid moments, documentary style, extreme photorealism, lack of CGI, illustrations, pastiche, cartoons and artificial intelligence artifacts. High detail, realistic proportions, realistic materials, authentic textures, cinematic composition, top quality production. Negative promt: cartoon, illustration, anime, painting, digital art, low detail, blurry, plastic skin, oversharpened, unique lighting, exaggerated colors, HDR, fantasy style, modern sci-fi design, futuristic neon, 3D render

make the studio court room bright an d maintain the cinematic look

Use the uploaded selfie as a single, absolute and accurate face reference. The generated person must have the same face as in the selfie. Do not alter, enhance, decorate, stylize, rethink or modify any facial features. Facial structure, skull shape, chin line, cheekbones, nose, lips, eyes, eye spacing, eyebrows, ears, skin tone and natural skin texture should perfectly match the selfie. This is the task of replacing individuals, not a new generation of individuals. If there is any conflict between realism, style, lighting or composition and facial precision, Facial accuracy has absolute highest priority. Ultra-realistic cinematic behind-the-scenes photography from the set of the 1980s science fiction film RoboCop. A tall robot cop in silver armor sits on a wooden table inside an industrial warehouse. The cyborg has a matte metal helmet with a horizontal black visor, highly detailed chrome and steel armor, black mechanical joints, realistic reflections and subtle wear on metal surfaces. He has a pistol in one hand. Sitting next to him is a character (from the uploaded selfie), with a slight smile on his face, with minor abrasions and bloody scratches on the character's face (from the uploaded selfie), dressed in a police uniform, and a belt with a holster on his belt. Tactical gloves are worn on the hands, the hands lie carelessly on the stake e nyah. RoboCop hugs the character (ideotic from the uploaded selfie) with one hand over his shoulder. Lighting is soft, cinematic studio lighting with warm highlights and cold shadows, realistic film grain, shallow depth of field, natural skin tones, authentic color correction of the 1980s. Natural red and yellow lighting from fire. Glare from fire naturally affects the characters. Background: industrial dilapidated room with broken metal pipes, boxes, cables, slightly out of focus. A little haze. Fire is burning in different places. Shot on 35 mm film, Medium Shot, behind-the-scenes atmosphere, candid moments, documentary style, extreme photorealism, lack of CGI, illustrations, pastiche, cartoons and artificial intelligence artifacts. High detail, realistic proportions, realistic materials, authentic textures, cinematic composition, top quality production. Negative promt: cartoon, illustration, anime, painting, digital art, low detail, blurry, plastic skin, oversharpened, unique lighting, exaggerated colors, HDR, fantasy style, modern sci-fi design, futuristic neon, 3D render

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, natural high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night on a luxury villa terrace overlooking the ocean, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the ONLY light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Shadows are completely black with no detail, highlights are blown but retain texture. This is NOT an HDR image. No compressed dynamic range. No lifted shadows. No fake realism. Ultra‑realistic skin texture, visible pores, sweat droplets, muscle definition, all rendered with natural grain and no smoothing. The composition is slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is dark, moody, and opulent. The protagonist is positioned very close to the camera – his back fills most of the frame, from the lower back to the top of the head, with the pool and palms visible only at the edges and bottom.", "scene": { "location": "Luxury villa terrace at night, overlooking the ocean. Two tall palm trees frame the left and right sides, now appearing as dark silhouettes at the extreme edges of the frame. In the background, a calm sea with distant lights, almost completely invisible because the flash darkens everything – only a faint horizon line is visible. The terrace has a large infinity pool with turquoise water and a subtle violet/purple underwater lighting – but the flash overpowers it, leaving only a faint glow on the water surface at the very bottom of the frame. The stone deck is light-colored, with harsh shadows under the protagonist.", "pool": "Infinity pool, visible only as a narrow strip at the bottom of the frame, with a faint violet reflection and white flash highlights on the water surface.", "protagonist": "A muscular man in his 30s, athletic build, broad shoulders, very wide back (latissimus dorsi), slightly hunched posture to emphasize the width and muscle mass. He stands with his back to the camera, very close to the lens – the frame is cropped tightly from just below the waist (top of the buttocks) to slightly above the top of the head. Arms are relaxed, hanging straight down along his sides, partially cropped at the elbows. He wears a black ribbed balaclava (covering head and neck, no openings) and rectangular gold‑frame sunglasses (not visible from behind, but present). He is bare‑chested, wearing only black tailored trousers (low waist, visible just above the pool edge). His skin is slightly sweaty, with tiny droplets catching the flash – creating sharp specular highlights. The pose is static, dominant, slightly brooding. Because he is so close to the camera, every pore, hair, and sweat droplet is visible with extreme detail." }, "tattoo": { "description": "A large, intricate tattoo covering his entire upper back, from the base of the neck to the waist, spanning from left shoulder to right shoulder. The style is Chicano smoke/shadow with a dark, ethereal aesthetic – swirling clouds, soft gradients, and translucent smoke tendrils merging into the skin. Integrated into this smoke are elements of ancient warriors (Spartan helmets, gladiator motifs, spears, and shields) done in a realistic, shaded black‑and‑grey style. In the center, across the upper back (between the shoulder blades), the word 'ШРЕДЕР' is tattooed in a bold, elegant, slightly italicized font – the letters are thick, with a subtle 3D effect, dark grey/black with soft highlights. Below the text, a large Masonic / Illuminati symbol: a pyramid with an all‑seeing eye, surrounded by geometric patterns (compass, square, sunburst). The tattoo is rendered in black‑and‑grey smoke style – some areas opaque, others fading into the skin. The flash creates specular highlights on the raised texture of the tattoo. Because of the tight framing, the tattoo is highly detailed and occupies the central visual focus." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY. No other light sources. The flash is harsh, direct, and unmodified. It creates a sharp drop‑off: the subject is brightly lit, the background is pitch black. No fill light, no bounce, no ambient. This is NOT HDR.", "quality": "extremely harsh, high contrast, specular highlights on sweat and wet skin, deep black shadows with zero detail, overexposed patches on the shoulders and back where the flash hits directly.", "effects": [ "strong, direct flash creating hard specular highlights on every sweat droplet", "the tattoo appears stark, with high contrast between black ink and pale overexposed skin", "background completely black – no details of the sea, palms are dark silhouettes with no texture", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors, skin tones pale with a slight blue/green cast from the flash", "extremely high contrast – pure whites next to pure blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the black background", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. No warm tones. No golden hour. No teal and orange. Just raw, cold flash.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, from behind, centered composition. The camera is positioned very close to the subject – the back fills approximately 80% of the frame. Tight crop from just below the waist (top of buttocks) to slightly above the head. The pool edge is visible only at the very bottom (5‑10% of frame height), palms only as narrow silhouettes on the sides. Camera distance ~0.8‑1.2 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, tight shot, subject perfectly centered, slight tilt (~3‑5°), a small intruding element (a leaf or a finger) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the back and tattoo are sharp, background completely out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural skin texture (sweat droplets, pores, muscle striations)", "visible water reflections (faint)", "chromatic aberration", "barrel distortion", "lens flare", "tattoo texture and shading" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "face visible", "skin on face or neck (covered by balaclava)", "wide shot", "distant subject" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark (other than intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash", "modern smartphone", "clowns", "money", "guns", "cartel", "narco", "daylight", "missing tattoo", "missing text 'ШРЕДЕР'", "missing pyramid", "wide angle", "subject too small", "distant shot" ] }

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, natural high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night on a luxury villa terrace overlooking the ocean, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the ONLY light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Shadows are completely black with no detail, highlights are blown but retain texture. This is NOT an HDR image. No compressed dynamic range. No lifted shadows. No fake realism. Ultra‑realistic skin texture, visible pores, sweat droplets, muscle definition, all rendered with natural grain and no smoothing. The composition is slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is dark, moody, and opulent. The protagonist is positioned very close to the camera – his back fills most of the frame, from the lower back to the top of the head, with the pool and palms visible only at the edges and bottom.", "scene": { "location": "Luxury villa terrace at night, overlooking the ocean. Two tall palm trees frame the left and right sides, now appearing as dark silhouettes at the extreme edges of the frame. In the background, a calm sea with distant lights, almost completely invisible because the flash darkens everything – only a faint horizon line is visible. The terrace has a large infinity pool with turquoise water and a subtle violet/purple underwater lighting – but the flash overpowers it, leaving only a faint glow on the water surface at the very bottom of the frame. The stone deck is light-colored, with harsh shadows under the protagonist.", "pool": "Infinity pool, visible only as a narrow strip at the bottom of the frame, with a faint violet reflection and white flash highlights on the water surface.", "protagonist": "A muscular man in his 30s, athletic build, broad shoulders, very wide back (latissimus dorsi), slightly hunched posture to emphasize the width and muscle mass. He stands with his back to the camera, very close to the lens – the frame is cropped tightly from just below the waist (top of the buttocks) to slightly above the top of the head. Arms are relaxed, hanging straight down along his sides, partially cropped at the elbows. He wears a black ribbed balaclava (covering head and neck, no openings) and rectangular gold‑frame sunglasses (not visible from behind, but present). He is bare‑chested, wearing only black tailored trousers (low waist, visible just above the pool edge). His skin is slightly sweaty, with tiny droplets catching the flash – creating sharp specular highlights. The pose is static, dominant, slightly brooding. Because he is so close to the camera, every pore, hair, and sweat droplet is visible with extreme detail." }, "tattoo": { "description": "A large, intricate tattoo covering his entire upper back, from the base of the neck to the waist, spanning from left shoulder to right shoulder. The style is Chicano smoke/shadow with a dark, ethereal aesthetic – swirling clouds, soft gradients, and translucent smoke tendrils merging into the skin. Integrated into this smoke are elements of ancient warriors (Spartan helmets, gladiator motifs, spears, and shields) done in a realistic, shaded black‑and‑grey style. In the center, across the upper back (between the shoulder blades), the word 'ШРЕДЕР' is tattooed in a bold, elegant, slightly italicized font – the letters are thick, with a subtle 3D effect, dark grey/black with soft highlights. Below the text, a large Masonic / Illuminati symbol: a pyramid with an all‑seeing eye, surrounded by geometric patterns (compass, square, sunburst). The tattoo is rendered in black‑and‑grey smoke style – some areas opaque, others fading into the skin. The flash creates specular highlights on the raised texture of the tattoo. Because of the tight framing, the tattoo is highly detailed and occupies the central visual focus." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY. No other light sources. The flash is harsh, direct, and unmodified. It creates a sharp drop‑off: the subject is brightly lit, the background is pitch black. No fill light, no bounce, no ambient. This is NOT HDR.", "quality": "extremely harsh, high contrast, specular highlights on sweat and wet skin, deep black shadows with zero detail, overexposed patches on the shoulders and back where the flash hits directly.", "effects": [ "strong, direct flash creating hard specular highlights on every sweat droplet", "the tattoo appears stark, with high contrast between black ink and pale overexposed skin", "background completely black – no details of the sea, palms are dark silhouettes with no texture", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors, skin tones pale with a slight blue/green cast from the flash", "extremely high contrast – pure whites next to pure blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the black background", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. No warm tones. No golden hour. No teal and orange. Just raw, cold flash.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, from behind, centered composition. The camera is positioned very close to the subject – the back fills approximately 80% of the frame. Tight crop from just below the waist (top of buttocks) to slightly above the head. The pool edge is visible only at the very bottom (5‑10% of frame height), palms only as narrow silhouettes on the sides. Camera distance ~0.8‑1.2 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, tight shot, subject perfectly centered, slight tilt (~3‑5°), a small intruding element (a leaf or a finger) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the back and tattoo are sharp, background completely out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural skin texture (sweat droplets, pores, muscle striations)", "visible water reflections (faint)", "chromatic aberration", "barrel distortion", "lens flare", "tattoo texture and shading" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "face visible", "skin on face or neck (covered by balaclava)", "wide shot", "distant subject" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark (other than intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash", "modern smartphone", "clowns", "money", "guns", "cartel", "narco", "daylight", "missing tattoo", "missing text 'ШРЕДЕР'", "missing pyramid", "wide angle", "subject too small", "distant shot" ] }

Vertical 9:16 mirror selfie, shot on an iPhone 15 Pro (26mm). Ultra-photorealistic, 8K. Looks like real low-light iPhone footage: subtle noise in shadows, slight handheld micro-tilt, imperfect framing, mild grain. No beauty retouching, keep realistic skin texture. Location: luxury penthouse dressing room at night (after midnight). Floor-to-ceiling mirror panels. Black glossy wardrobe doors. Warm beige velvet chair visible. An open jewelry tray with scattered jewelry items on a surface. Through a glass window, a dim city skyline glow in the background. Lighting (highest priority): low ambient + warm accents. One warm dim lamp positioned behind the subject (creates backlight). Tiny LED strip lights inside wardrobe shelves (small warm highlights). Faint city glow from the window (very soft fill). Result: deep shadows with warm rim light carving the silhouette from the side/back, emphasizing hips, narrow waist, and chest contours. Cinematic darkness, not studio lighting, not HDR-clean. Subject: young adult woman, Eastern European features, platinum blonde. Long loose glossy waves (very long hair) catching warm highlights. Porcelain skin with warm low-light glow, visible pores, natural sheen, slight real-life imperfections (no plastic smoothing). Face: very pretty, doll-like; calm cold confidence; light blue half-lidded eyes; full lips slightly parted. Makeup: soft glam with heavier lashes, subtle contour, glossy lips. Body proportions: slim hourglass. Very full bust with heavy presence, tiny waist, round lifted hips, long smooth legs. Pose & composition: mirror selfie, 3/4 angle. Deep lower-back arch. One leg straight, other knee softly bent. Hips pushed back and slightly tilted so hips dominate the frame in silhouette. Chest forward naturally. One hand lightly touching the mirror edge. Other hand holding the phone low near the hip. Head slightly tilted. Eyes looking at the phone screen through the mirror. Framing from mid-thigh to head. Outfit: ultra-thin black stretch crop top, tight and braless, slight transparency under warm light (tasteful), visible fabric tension and subtle contour. White micro mini skirt, tight on hips, clean silhouette, riding slightly due to the arched posture. Sheer black thigh-high stockings; band slightly tight, subtle indentation on skin. Constraints: only one person in frame. No text, no watermark, no logo. No anime/cartoon. Keep mirror geometry realistic (no warped reflections). Hands and fingers anatomically correct.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken inside a bright emerald green supercar on a countryside road, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background (trees, road, the second supercar) is heavily darkened but faintly visible. Ultra‑realistic textures of carbon fiber, car paint, asphalt, and skin (if any visible) – all rendered with natural grain and no smoothing. The composition is strongly tilted (Dutch angle ~25‑35°), with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, candid, with a aggressive, luxury supercar lifestyle vibe.", "scene": { "location": "Countryside asphalt road, overcast daylight but the flash overpowers everything. Surrounding trees (lush green) are almost black silhouettes. The road has visible cracks and wear. In the distance, another bright emerald green supercar (identical or similar) drives ahead, its shape faintly visible, tail lights reflecting the flash as small red dots.", "car_interior": "Inside a supercar. The door panel is visible on the left, covered in glossy carbon fiber (2x2 twill weave pattern) with strong specular highlights from the flash. The windshield and side window show dark silhouettes of trees. The car's exterior hood (emerald green metallic) is visible in the lower left and middle, with blown highlights and dark reflections.", "protagonist": "A person (Welison style, but face fully covered by a glossy carbon fiber full‑face mask) leaning out of the car window or sitting close to the camera. The mask has a aggressive, futuristic design, with narrow eye slits (dark mesh inside). The mask is highly reflective, showing the flash as bright white hotspots. Only the mask, a small part of the shoulder/neck, and a light gray hoodie or t‑shirt collar are visible. The body is turned slightly toward the camera. The mask occupies the lower right third of the frame (approx. 35‑40% of image). The pose is dominant, mysterious, anonymous.", "second_car": "In the upper central background, another emerald green supercar, slightly blurred by motion and heavily darkened, but its shape recognizable, with headlights or taillights catching the flash." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient overcast daylight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the carbon fiber mask, the car’s green paint, the windshield edges, and any reflective surfaces; deep black shadows in the trees and the second car.", "effects": [ "strong, direct flash creating hard specular highlights on the glossy carbon fiber weave (mask and door panel), on the car’s metallic paint, and on the glass", "the background trees become dark silhouettes with no detail, the road surface shows harsh shadows from the flash", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the emerald green becomes a pale, cool green with blue/cyan cast; carbon fiber appears dark grey with bright reflections", "extremely high contrast – bright white hotspots next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (mask edges, car door lines, windshield frame)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky/trees", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The car’s green loses warmth, looking almost teal; the carbon fiber appears cold.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "First‑person / passenger perspective, strong Dutch angle (tilted ~25‑35° counter‑clockwise), camera very close to the mask (approx. 20‑40 cm). Wide‑angle lens equivalent 24‑28mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 24‑28mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, extremely tight composition, mask in lower right, car hood in lower left, second car in upper center. Headroom minimal, dense composition.", "focus": "slightly soft, typical of flash photography, the mask and the immediate car interior are relatively sharp, background and second car out of focus and very dark.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid supercar snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "very dark background", "imperfect composition (strong tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "visible carbon fiber weave texture with glossy reflections", "metallic car paint with blown highlights", "chromatic aberration", "barrel distortion", "lens flare" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint outlines)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible facial features", "skin on face or neck (only covered by mask)", "matte plastic mask" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint outlines)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture (except carbon fiber mask)", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight (flash overpowered is fine, but no soft ambient)", "no flash look", "bright sky", "detailed background", "HDR look", "saturated greens" ] }

{ "IMPORTANT_INSTRUCTIONS": [ "USE PHOTREFERENCE APP IMAGES AS THE EXACT FACIAL IDENTITY", "ALWAYS MAINTAIN FIXED IDENTITY CONSISTENCY — NO FACE DRIFT", "HYPERREALISTIC OUTPUT REQUIRED", "SUBJECT IS AN ADULT (18+)", "NO TATTOOS — REMOVE COMPLETELY IF PRESENT IN SOURCE" ], "identity_name": "Solefiana", "identity_lock": true, "identity_source": { "reference_type": "Photoreference App", "usage_rule": "Use Photreference App images as the sole source of facial appearance, proportions, and identity", "prohibited": [ "face reconstruction", "identity blending", "beautification drift" ] }, "subject": { "gender": "Female", "age_appearance": "18+ young adult", "ethnicity_hint": "Slavic (Russian), European", "facial_geometry": { "face_shape": "Elongated oval", "forehead": "High and smooth", "cheekbones": "High, sculpted", "jawline": "Narrow, sharply defined", "chin": "Softly pointed" }, "eyes": { "color": "Light green–gray", "shape": "Large almond-shaped", "outer_corners": "Slightly elongated", "gaze": "Cold, composed, emotionally distant" }, "eyebrows": "Thick, natural, mostly straight with minimal arch", "nose": "Straight, narrow, subtly rounded refined tip", "lips": "Full with pronounced cupid’s bow, stable balanced volume", "skin": { "tone": "Light neutral-cool with strong sun exposure", "special_features": "Very distinct, natural tan lines", "texture": "Visible fine pores, subtle tonal unevenness, faint under-eye shadows, vellus hair", "finish": "Matte-to-satin with realistic subsurface scattering" }, "hair": { "base_color": "Brunette (deep cool brown)", "highlighting": "Subtle blonde melirovanie / blonde highlights", "length": "Long", "behavior": "Loose, natural fall", "shine": "Controlled natural gloss with realistic anisotropic highlights" }, "body_constraints": { "proportions": "Natural, gravity-aware, model-like build", "tattoos": "None" }, "overall_presence": "Insanely gorgeous, unique high-fashion beauty; dominant, composed, high-status mogger femininity" }, "wardrobe": { "top": "Whitish strapless oversized boyfriend shirt, cropped very high, fabric hanging loose and relaxed", "details": "Front snaps naturally unlocked mid-moment, casual and unposed", "style_note": "Effortless model-off-duty look" }, "environment": { "setting": "Urban street", "time_of_day": "Night", "background": "Indistinct city elements fading into darkness", "scene_notes": "No clear subject or composition; feels accidental and unplanned" }, "lighting_and_atmosphere": { "lighting": "Even illumination from streetlights", "color_temperature": "Warm urban night tones", "mood": "Casual, candid, real-world snapshot" }, "camera_profile": { "device": "iPhone (front-facing camera)", "era": "2010s smartphone aesthetic", "capture_style": "Unintentional casual photo", "quality_level": "Amateur, imperfect", "orientation": "Vertical", "aspect_ratio": "9:16", "focus_behavior": "Soft focus with slight motion blur", "motion_artifacts": "Subtle blur from natural movement", "exposure": { "lighting_uniformity": "Even but flat streetlight exposure", "highlights": "Minor glow around light sources", "shadows": "Compressed, low-detail shadows" }, "color_response": { "white_balance": "Streetlight-biased", "contrast": "Natural, non-cinematic", "grading": "None" }, "noise_and_compression": { "digital_grain": "Light low-light grain", "compression": "Mobile JPEG artifacts" }, "overall_impression": "Looks like a real human photo, not AI-generated" }, "hyperrealism_block": { "mode": "HYPERREALISTIC IMAGE OUTPUT", "principles": [ "Hyperrealistic skin micro-texture and pore distribution", "Hyperrealistic tan line transitions", "Hyperrealistic facial proportions from Photreference", "Hyperrealistic eye moisture and reflections", "Hyperrealistic hair strand separation", "Hyperrealistic fabric drape and tension", "Hyperrealistic gravity-aware anatomy", "Hyperrealistic streetlight color spill", "Hyperrealistic shadow softness", "Hyperrealistic highlight bloom from lamps", "Hyperrealistic low-light noise behavior", "Hyperrealistic mobile compression artifacts", "Hyperrealistic depth perception", "Hyperrealistic perspective inconsistency (human error)", "Hyperrealistic motion blur behavior", "Hyperrealistic color absorption by fabric", "Hyperrealistic skin subsurface scattering", "Hyperrealistic edge softness (no AI halos)", "Hyperrealistic imperfection retention", "Hyperrealistic non-posed body language" ] }, "constraints": { "no_tattoos": true, "no_professional_photoshoot": true, "no_studio_glamour": true, "no_fixed_camera_angle": true, "no_plastic_skin": true, "no_oversharpening": true, "no_CGI_look": true, "no_identity_drift": true }, "negative_prompt": [ "tattoos", "studio lighting", "professional composition", "cinematic grading", "plastic or waxy skin", "oversmoothing", "AI-generated look", "watermarks", "text overlays" ] }{ "IMPORTANT_INSTRUCTIONS": [ "USE PHOTREFERENCE APP IMAGES AS THE EXACT FACIAL IDENTITY", "ALWAYS MAINTAIN FIXED IDENTITY CONSISTENCY — NO FACE DRIFT", "HYPERREALISTIC OUTPUT REQUIRED", "SUBJECT IS AN ADULT (18+)", "NO TATTOOS — REMOVE COMPLETELY IF PRESENT IN SOURCE" ], "identity_name": "Solefiana", "identity_lock": true, "identity_source": { "reference_type": "Photoreference App", "usage_rule": "Use Photoreference App images as the sole source of facial appearance, proportions, and identity", "prohibited": [ "face reconstruction", "identity blending", "beautification drift" ] }, "subject": { "gender": "Female", "age_appearance": "Young adult (18+)", "ethnicity_hint": "European", "facial_geometry": { "face_shape": "Oval with soft feminine proportions", "cheeks": "Slightly rounded", "jawline": "Smooth, natural", "brow": "Natural straight eyebrows" }, "eyes": { "color": "Grey-blue", "expression": "Expressive, lively", "gaze": "Playful, relaxed" }, "nose": "Small-to-medium with soft bridge", "lips": "Naturally full, relaxed", "skin": { "tone": "Light with subtle warmth", "details": "Visible freckles across cheeks and nose, realistic pores, mild imperfections", "finish": "Natural matte-to-satin, no smoothing" }, "hair": { "base_color": "Brunette (deep cool brown)", "highlighting": "Subtle blonde melirovanie / blonde highlights", "length": "Medium to long", "texture": "Loose, natural", "shine": "Controlled natural gloss" }, "body": { "build": "Slim, delicate, feminine", "shoulders": "Narrow", "waist": "Slender", "hips": "Subtle", "musculature": "Non-athletic, natural", "piercing": "Small belly piercing visible", "tattoos": "None" }, "overall_presence": "Consistent identity across images; natural, playful, everyday beauty" }, "pose_and_action": { "pose": "Standing casually in front of a mirror", "body_orientation": "Slightly turned sideways", "hands": [ "One hand holding smartphone at chest height", "Other hand resting casually near the waistband" ], "body_language": "Spontaneous, comfortable, unposed" }, "wardrobe": { "top": "Dark grey fitted long-sleeve top, no logos or text", "bottom": "Loose grey sweatpants", "details": "Contrasting tanga subtly peeking above waistband", "style_note": "Casual homewear, everyday realism" }, "environment": { "setting": "Indoor hallway or bathroom", "background": "Plain light-colored wall with mirror", "clutter": "Minimal, uncluttered, realistic" }, "lighting_and_atmosphere": { "lighting": "Bright, even indoor lighting from above", "effects": "Natural highlights and soft shadows", "mood": "Casual, playful, relaxed" }, "camera_profile": { "device": "Smartphone front-facing camera", "capture_style": "Casual Instagram-style mirror selfie", "quality_level": "Amateur but realistic", "orientation": "Vertical", "aspect_ratio": "9:16", "focus_behavior": "Generally sharp with slight natural softness", "noise_and_grain": "Mild noise and fine grain", "reflections": "Subtle realistic mirror reflections", "contrast": "Natural, non-cinematic", "overall_impression": "Looks like a real phone photo taken by a person" }, "hyperrealism_block": { "mode": "HYPERREALISTIC IMAGE OUTPUT", "principles": [ "Hyperrealistic facial proportions from Photoreference", "Hyperrealistic skin micro-texture and freckles", "Hyperrealistic eye moisture and reflections", "Hyperrealistic hair strand separation", "Hyperrealistic fabric drape and folds", "Hyperrealistic mirror reflections", "Hyperrealistic indoor light behavior", "Hyperrealistic shadow softness", "Hyperrealistic color response", "Hyperrealistic depth perception", "Hyperrealistic noise and grain behavior", "Hyperrealistic compression artifacts", "Hyperrealistic edge softness", "Hyperrealistic anatomy proportions", "Hyperrealistic gravity-aware clothing fit", "Hyperrealistic everyday imperfections", "Hyperrealistic non-posed posture", "Hyperrealistic casual gesture realism", "Hyperrealistic smartphone lens behavior", "Hyperrealistic human presence" ] }, "constraints": { "no_tattoos": true, "no_professional_photoshoot": true, "no_studio_glamour": true, "no_cinematic_lighting": true, "no_plastic_skin": true, "no_oversharpening": true, "no_CGI_look": true, "no_identity_drift": true }, "negative_prompt": [ "tattoos", "studio setup", "cinematic grading", "professional fashion shoot", "plastic or waxy skin", "oversmoothing", "AI-generated look", "watermarks", "text overlays" ] }

Mid-century stand lighting, cyclorama in a photo studio, full shot, Leica Q2 28mm f/1.7, soft luminescence of the lamp, ambient lighting evening environment

Vibrant, high-contrast cinematic scene with a sense of tension and intrigue, evoking the grandeur of classic Hollywood films, featuring a carefully crafted composition with deliberate negative space, striking chiaroscuro lighting that accentuates the subject's dramatic features, and a shallow depth of field to draw focus to the central figure, all presented in a rich, warm color palette with a slightly desaturated tone, as if captured on 35mm film, with a subtle grain and texture that adds to the overall sense of nostalgia and cinematic flair. --v 7

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, natural high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken at night on a luxury villa terrace overlooking the ocean, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the ONLY light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Shadows are completely black with no detail, highlights are blown but retain texture. This is NOT an HDR image. No compressed dynamic range. No lifted shadows. No fake realism. Ultra‑realistic skin texture, visible pores, sweat droplets, muscle definition, all rendered with natural grain and no smoothing. The composition is slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is dark, moody, and opulent.", "scene": { "location": "Luxury villa terrace at night, overlooking the ocean. Two tall palm trees frame the left and right sides. In the background, a calm sea with distant lights, almost invisible because the flash darkens everything. The terrace has a large infinity pool with turquoise water and a subtle violet/purple underwater lighting – but the flash overpowers it, leaving only a faint glow on the water surface. The pool edge is visible in the lower part of the frame. The stone deck is light-colored, with harsh shadows under the protagonist.", "pool": "Infinity pool, water surface still, with purple LED illumination – visible only as a faint violet reflection on the water edge, completely dominated by the white flash.", "protagonist": "A muscular man in his 30s, athletic build, broad shoulders, very wide back (latissimus dorsi), slightly hunched posture to emphasize the width and muscle mass. He stands with his back to the camera, perfectly centered. Arms are relaxed, hanging straight down along his sides. He wears a black ribbed balaclava (covering head and neck, no openings) and rectangular gold‑frame sunglasses (not visible from behind, but present). He is bare‑chested, wearing only black tailored trousers (low waist, visible above the pool edge). His skin is slightly sweaty, with tiny droplets catching the flash – creating sharp specular highlights. The pose is static, dominant, slightly brooding." }, "tattoo": { "description": "A large, intricate tattoo covering his entire upper back, from the base of the neck to the waist, spanning from left shoulder to right shoulder. The style is Chicano smoke/shadow with a dark, ethereal aesthetic – swirling clouds, soft gradients, and translucent smoke tendrils merging into the skin. Integrated into this smoke are elements of ancient warriors (Spartan helmets, gladiator motifs, spears, and shields) done in a realistic, shaded black‑and‑grey style. In the center, across the upper back (between the shoulder blades), the word 'ШРЕДЕР' is tattooed in a bold, elegant, slightly italicized font – the letters are thick, with a subtle 3D effect, dark grey/black with soft highlights. Below the text, a large Masonic / Illuminati symbol: a pyramid with an all‑seeing eye, surrounded by geometric patterns (compass, square, sunburst). The tattoo is rendered in black‑and‑grey smoke style – some areas opaque, others fading into the skin. The flash creates specular highlights on the raised texture of the tattoo." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY. No other light sources. The flash is harsh, direct, and unmodified. It creates a sharp drop‑off: the subject is brightly lit, the background is pitch black. No fill light, no bounce, no ambient. This is NOT HDR.", "quality": "extremely harsh, high contrast, specular highlights on sweat and wet skin, deep black shadows with zero detail, overexposed patches on the shoulders and back where the flash hits directly.", "effects": [ "strong, direct flash creating hard specular highlights on every sweat droplet", "the tattoo appears stark, with high contrast between black ink and pale overexposed skin", "background completely black – no details of the sea, palms are dark silhouettes with no texture", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors, skin tones pale with a slight blue/green cast from the flash", "extremely high contrast – pure whites next to pure blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the black background", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. No warm tones. No golden hour. No teal and orange. Just raw, cold flash.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, from behind, centered composition. Medium shot (from mid‑waist to above head). Camera distance ~1.5‑2 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, medium shot, subject perfectly centered, slight tilt (~3‑5°), a small intruding element (a leaf or a finger) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the back and tattoo are relatively sharp, background completely out of focus and black.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "pitch black background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural skin texture (sweat droplets, pores, muscle striations)", "visible water reflections (faint)", "chromatic aberration", "barrel distortion", "lens flare", "tattoo texture and shading" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "face visible", "skin on face or neck (covered by balaclava)" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "blurry (beyond intentional motion blur)", "low detail", "unrealistic proportions", "bad anatomy", "watermark (other than intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (this is a 90s compact camera flash, not LED)", "modern smartphone", "clowns", "money", "guns", "cartel", "narco", "daylight", "missing tattoo", "missing text 'ШРЕДЕР'", "missing pyramid" ] }

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

Vibrant, high-contrast cinematic scene with a sense of tension and intrigue, evoking the grandeur of classic Hollywood films, featuring a carefully crafted composition with deliberate negative space, striking chiaroscuro lighting that accentuates the subject's dramatic features, and a shallow depth of field to draw focus to the central figure, all presented in a rich, warm color palette with a slightly desaturated tone, as if captured on 35mm film, with a subtle grain and texture that adds to the overall sense of nostalgia and cinematic flair.

Vibrant, high-contrast cinematic scene with a sense of tension and intrigue, evoking the grandeur of classic Hollywood films, featuring a carefully crafted composition with deliberate negative space, striking chiaroscuro lighting that accentuates the subject's dramatic features, and a shallow depth of field to draw focus to the central figure, all presented in a rich, warm color palette with a slightly desaturated tone, as if captured on 35mm film, with a subtle grain and texture that adds to the overall sense of nostalgia and cinematic flair.

Vibrant, high-contrast cinematic scene with a sense of tension and intrigue, evoking the grandeur of classic Hollywood films, featuring a carefully crafted composition with deliberate negative space, striking chiaroscuro lighting that accentuates the subject's dramatic features, and a shallow depth of field to draw focus to the central figure, all presented in a rich, warm color palette with a slightly desaturated tone, as if captured on 35mm film, with a subtle grain and texture that adds to the overall sense of nostalgia and cinematic flair.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken inside a bright emerald green supercar on a countryside road, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background (trees, road, the second supercar) is heavily darkened but faintly visible. Ultra‑realistic textures of carbon fiber, car paint, asphalt, and skin (if any visible) – all rendered with natural grain and no smoothing. The composition is strongly tilted (Dutch angle ~25‑35°), with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, candid, with a aggressive, luxury supercar lifestyle vibe.", "scene": { "location": "Countryside asphalt road, overcast daylight but the flash overpowers everything. Surrounding trees (lush green) are almost black silhouettes. The road has visible cracks and wear. In the distance, another bright emerald green supercar (identical or similar) drives ahead, its shape faintly visible, tail lights reflecting the flash as small red dots.", "car_interior": "Inside a supercar. The door panel is visible on the left, covered in glossy carbon fiber (2x2 twill weave pattern) with strong specular highlights from the flash. The windshield and side window show dark silhouettes of trees. The car's exterior hood (emerald green metallic) is visible in the lower left and middle, with blown highlights and dark reflections.", "protagonist": "A person (Welison style, but face fully covered by a glossy carbon fiber full‑face mask) leaning out of the car window or sitting close to the camera. The mask has a aggressive, futuristic design, with narrow eye slits (dark mesh inside). The mask is highly reflective, showing the flash as bright white hotspots. Only the mask, a small part of the shoulder/neck, and a light gray hoodie or t‑shirt collar are visible. The body is turned slightly toward the camera. The mask occupies the lower right third of the frame (approx. 35‑40% of image). The pose is dominant, mysterious, anonymous.", "second_car": "In the upper central background, another emerald green supercar, slightly blurred by motion and heavily darkened, but its shape recognizable, with headlights or taillights catching the flash." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient overcast daylight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the carbon fiber mask, the car’s green paint, the windshield edges, and any reflective surfaces; deep black shadows in the trees and the second car.", "effects": [ "strong, direct flash creating hard specular highlights on the glossy carbon fiber weave (mask and door panel), on the car’s metallic paint, and on the glass", "the background trees become dark silhouettes with no detail, the road surface shows harsh shadows from the flash", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the emerald green becomes a pale, cool green with blue/cyan cast; carbon fiber appears dark grey with bright reflections", "extremely high contrast – bright white hotspots next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (mask edges, car door lines, windshield frame)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky/trees", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The car’s green loses warmth, looking almost teal; the carbon fiber appears cold.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "First‑person / passenger perspective, strong Dutch angle (tilted ~25‑35° counter‑clockwise), camera very close to the mask (approx. 20‑40 cm). Wide‑angle lens equivalent 24‑28mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 24‑28mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, extremely tight composition, mask in lower right, car hood in lower left, second car in upper center. Headroom minimal, dense composition.", "focus": "slightly soft, typical of flash photography, the mask and the immediate car interior are relatively sharp, background and second car out of focus and very dark.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid supercar snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "very dark background", "imperfect composition (strong tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "visible carbon fiber weave texture with glossy reflections", "metallic car paint with blown highlights", "chromatic aberration", "barrel distortion", "lens flare" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint outlines)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible facial features", "skin on face or neck (only covered by mask)", "matte plastic mask" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint outlines)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture (except carbon fiber mask)", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight (flash overpowered is fine, but no soft ambient)", "no flash look", "bright sky", "detailed background", "HDR look", "saturated greens" ] }

photography, side view, dark moody, atmospheric scene where a woman model stands contemplatively, casting a long, fragmented shadow in intense red light against a cool-toned backdrop, hard light source, perhaps a narrow-beam spotlight, red light creating a dramatic effect reminiscent of a stage setting, mid-range aperture like f/8 to ensure the texture of the clothing and the crispness of the shadow are in focus, cinematic quality, UHD --chaos 1.5 --ar 9:16 --style raw

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken inside a bright emerald green supercar on a countryside road, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background (trees, road, the second supercar) is heavily darkened but faintly visible. Ultra‑realistic textures of carbon fiber, car paint, asphalt, and skin (if any visible) – all rendered with natural grain and no smoothing. The composition is strongly tilted (Dutch angle ~25‑35°), with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, candid, with a aggressive, luxury supercar lifestyle vibe.", "scene": { "location": "Countryside asphalt road, overcast daylight but the flash overpowers everything. Surrounding trees (lush green) are almost black silhouettes. The road has visible cracks and wear. In the distance, another bright emerald green supercar (identical or similar) drives ahead, its shape faintly visible, tail lights reflecting the flash as small red dots.", "car_interior": "Inside a supercar. The door panel is visible on the left, covered in glossy carbon fiber (2x2 twill weave pattern) with strong specular highlights from the flash. The windshield and side window show dark silhouettes of trees. The car's exterior hood (emerald green metallic) is visible in the lower left and middle, with blown highlights and dark reflections.", "protagonist": "A person (Welison style, but face fully covered by a glossy carbon fiber full‑face mask) leaning out of the car window or sitting close to the camera. The mask has a aggressive, futuristic design, with narrow eye slits (dark mesh inside). The mask is highly reflective, showing the flash as bright white hotspots. Only the mask, a small part of the shoulder/neck, and a light gray hoodie or t‑shirt collar are visible. The body is turned slightly toward the camera. The mask occupies the lower right third of the frame (approx. 35‑40% of image). The pose is dominant, mysterious, anonymous.", "second_car": "In the upper central background, another emerald green supercar, slightly blurred by motion and heavily darkened, but its shape recognizable, with headlights or taillights catching the flash." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient overcast daylight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the carbon fiber mask, the car’s green paint, the windshield edges, and any reflective surfaces; deep black shadows in the trees and the second car.", "effects": [ "strong, direct flash creating hard specular highlights on the glossy carbon fiber weave (mask and door panel), on the car’s metallic paint, and on the glass", "the background trees become dark silhouettes with no detail, the road surface shows harsh shadows from the flash", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the emerald green becomes a pale, cool green with blue/cyan cast; carbon fiber appears dark grey with bright reflections", "extremely high contrast – bright white hotspots next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (mask edges, car door lines, windshield frame)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky/trees", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The car’s green loses warmth, looking almost teal; the carbon fiber appears cold.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "First‑person / passenger perspective, strong Dutch angle (tilted ~25‑35° counter‑clockwise), camera very close to the mask (approx. 20‑40 cm). Wide‑angle lens equivalent 24‑28mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 24‑28mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, extremely tight composition, mask in lower right, car hood in lower left, second car in upper center. Headroom minimal, dense composition.", "focus": "slightly soft, typical of flash photography, the mask and the immediate car interior are relatively sharp, background and second car out of focus and very dark.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid supercar snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "very dark background", "imperfect composition (strong tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "visible carbon fiber weave texture with glossy reflections", "metallic car paint with blown highlights", "chromatic aberration", "barrel distortion", "lens flare" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint outlines)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible facial features", "skin on face or neck (only covered by mask)", "matte plastic mask" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint outlines)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture (except carbon fiber mask)", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight (flash overpowered is fine, but no soft ambient)", "no flash look", "bright sky", "detailed background", "HDR look", "saturated greens" ] }

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken inside a bright emerald green supercar on a countryside road, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background (trees, road, the second supercar) is heavily darkened but faintly visible. Ultra‑realistic textures of carbon fiber, car paint, asphalt, and skin (if any visible) – all rendered with natural grain and no smoothing. The composition is strongly tilted (Dutch angle ~25‑35°), with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, candid, with a aggressive, luxury supercar lifestyle vibe.", "scene": { "location": "Countryside asphalt road, overcast daylight but the flash overpowers everything. Surrounding trees (lush green) are almost black silhouettes. The road has visible cracks and wear. In the distance, another bright emerald green supercar (identical or similar) drives ahead, its shape faintly visible, tail lights reflecting the flash as small red dots.", "car_interior": "Inside a supercar. The door panel is visible on the left, covered in glossy carbon fiber (2x2 twill weave pattern) with strong specular highlights from the flash. The windshield and side window show dark silhouettes of trees. The car's exterior hood (emerald green metallic) is visible in the lower left and middle, with blown highlights and dark reflections.", "protagonist": "A person (Welison style, but face fully covered by a glossy carbon fiber full‑face mask) leaning out of the car window or sitting close to the camera. The mask has a aggressive, futuristic design, with narrow eye slits (dark mesh inside). The mask is highly reflective, showing the flash as bright white hotspots. Only the mask, a small part of the shoulder/neck, and a light gray hoodie or t‑shirt collar are visible. The body is turned slightly toward the camera. The mask occupies the lower right third of the frame (approx. 35‑40% of image). The pose is dominant, mysterious, anonymous.", "second_car": "In the upper central background, another emerald green supercar, slightly blurred by motion and heavily darkened, but its shape recognizable, with headlights or taillights catching the flash." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient overcast daylight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the carbon fiber mask, the car’s green paint, the windshield edges, and any reflective surfaces; deep black shadows in the trees and the second car.", "effects": [ "strong, direct flash creating hard specular highlights on the glossy carbon fiber weave (mask and door panel), on the car’s metallic paint, and on the glass", "the background trees become dark silhouettes with no detail, the road surface shows harsh shadows from the flash", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the emerald green becomes a pale, cool green with blue/cyan cast; carbon fiber appears dark grey with bright reflections", "extremely high contrast – bright white hotspots next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (mask edges, car door lines, windshield frame)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky/trees", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The car’s green loses warmth, looking almost teal; the carbon fiber appears cold.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "First‑person / passenger perspective, strong Dutch angle (tilted ~25‑35° counter‑clockwise), camera very close to the mask (approx. 20‑40 cm). Wide‑angle lens equivalent 24‑28mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 24‑28mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, extremely tight composition, mask in lower right, car hood in lower left, second car in upper center. Headroom minimal, dense composition.", "focus": "slightly soft, typical of flash photography, the mask and the immediate car interior are relatively sharp, background and second car out of focus and very dark.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid supercar snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "very dark background", "imperfect composition (strong tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "visible carbon fiber weave texture with glossy reflections", "metallic car paint with blown highlights", "chromatic aberration", "barrel distortion", "lens flare" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint outlines)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible facial features", "skin on face or neck (only covered by mask)", "matte plastic mask" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint outlines)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture (except carbon fiber mask)", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight (flash overpowered is fine, but no soft ambient)", "no flash look", "bright sky", "detailed background", "HDR look", "saturated greens" ] }