Cinematic view --ar 45 --v 6 Prompts

RPG-Character A cinematic movie still from the ARRI ALEXA LF Motion Picture Camera equipped with a Signature Prime 40mm T1.8 Lens. Settings include:

fear --ar 68:128 --s 750 --v 5.2

fear --ar 68:128 --s 750 --v 5.2

oh wow that's the most incredible thing I've ever seen, I'm completely blow away by the colors and I don't even know what I'm looking at but it's horrific --ar 16:9 --s 50 --v 6.1

Cinematic shot of the bridge computer screen showing and an icon with three green, red, and blue squares. The Star Trek-style display shows data from crew members on their couches inside the spaceship. --ar 64:29 --v 6.1 --p 5144vto --s 250

cinematic, candid view, deep fog with rain, yellow umbrella with woman, riched detail --ar 9:16 --v 6.0

Cinematic shot of the bridge from movie, there is an LED display with two small screens showing computer code and symbols on them, another screen, the screen has no numbers or letters. In front of these displays --ar 64:29 --style raw --stylize 250

https://s.mj.run/oaSSqWZOoqA https://s.mj.run/9xESi6vNm3U morning --v 6.0 --ar 2:3

photography, cinematic, side view, Canon EOS-1D Mark III, convey the moody ambiance of a metro station, focusing on a figure descending an escalator, cool, artificial lighting from above contrasts with the warm tones of the surrounding tiles, street wearing male posture suggesting movement and transit, capture the scene's geometry, the lines of the escalator handrails and steps guiding the eye, the signage adding a touch of realism to the urban landscape --ar 16:9 --style raw --stylize 500 --v 6

dorky doof Cinematic film still, shot on v-raptor XL, film grain, vignette, color graded, post-processed, cinematic lighting, 35mm film, live-action, best quality, atmospheric, a masterpiece, epic, stunning, dramatic f guy, looking slightly puzzled in a dumb kind of way

the world disintegrates into pixels, --s 500 --q 2 --ar 4:5

in the style of The Pianist directed by Roman Polanski --style raw --ar 16:9, cinematic I 16K I 5mm

Nobody bus fight scane different camera angle, full face, film frame, cinema, cinematic, cinematic light, cinema light, portrait, full face view, high detail, realism, photorealism, natural light, 3d, render, movie, unreal engine, concept art:: --ar 16:9

fear --ar 68:128 --s 750 --v 5.2

fear --ar 68:128 --s 750 --v 5. 2

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K --ar 9:16 --style raw --personalize c3uuvrt --v 6.1

4. a World War II air raid scene, searchlights, planes overhead, civilians in shelters, dramatic tension --v 7 --style cinematic --ar 21:9

Cinematic film still, shot on v-raptor XL, film grain, vignette, color graded, post-processed, cinematic lighting, 35mm film, live-action, best quality, atmospheric, a masterpiece, epic, stunning, dramatic

4. a World War II air raid scene, searchlights, planes overhead, civilians in shelters, dramatic tension --v 7 --style cinematic --ar 21:9

create a front position of the cinema different angle.

CINEMATIC SHOT, AN INTENSE MOTORCYCLE NIGHT RACE, UNDER CITY spot LIGHTS, REBELLIOUS, DUSTY::1, SHOOTING WITH LOW-LIGHT CAPABLE ARRI ALEXA CAMERA ON KODAK VISION3 FILM TO CAPTURE COLOR VIBRANCY, ENHANCED WITH FOG AND Haunted ATMOSPHERE FOR ADDITIONAL TENSION --STYLE RAW - -V 5.2 --AR 21:9 --C 10

cinematic scene , 1890, The dark figure of man holding a lantern while being backlighted by the locomotive of a train along the fog and trees,captured by Imax MKIII Reflex Camera, 1.43:1, --style raw --ar 16:9 --v 5.2

fear --ar 68:128 --s 750 --v 5.2

fear --ar 68:128 --s 750 --v 5. 2