A 10-second hyperrealistic cinematic comedy scene. The same man panics as the street keeps unraveling behind him. He looks down and finds that the loose thread has formed a huge tangled ball on the pavement. Without thinking, he takes out a small sewing needle from his pocket, as if this were completely normal. He starts sewing the air, stitching the street back together. Each stitch repairs a piece of reality: a building edge, a shadow, a passing bicycle, a crosswalk. His expression is extremely serious, like a professional tailor fixing the universe. Style: hyperrealistic, deadpan comedy, magical realism, realistic lighting, cinematic close-ups, detailed fabric and thread textures, elegant absurdity. No dialogue, no voiceover, no subtitles, no text, no logos, no cartoon style, no exaggerated slapstick.
VISUAL STYLE: Realistic, GENRE: Comedy, SUBJECT(S): Gorilla, Business, TIME PERIOD: Contemporary, COLOR: Neutral, ASPECT RATIO: 16:9, FORMAT: Still image, FRAME SIZE: Full body, LENS SIZE: Medium, COMPOSITION: Centered, LIGHTING: Natural, LIGHTING TYPE: Soft, TIME OF DAY: Daytime, ENVIRONMENT: Interior, LOCATION TYPE: Office, SET: Modern office, CAMERA: Standard camera, LENS: Normal lens, FILM STOCK / RESOLUTION: High resolution, TAGS: Gorilla, Business, Comedy --v 5 --q 2 --ar 16:9
A cinematic 1990s Scandinavian office comedy scene. A tired middle-aged office worker in a beige sweater sits across from his strict manager in a dull corporate office with fluorescent lighting, gray walls, stacks of paperwork and old desktop computers. The manager sternly assigns him extra work for the weekend. Suddenly, the employee reveals complete confidence, knowing he has just become extremely wealthy. Instead of arguing, he playfully mocks the manager with exaggerated facial expressions, childish voice imitation and subtle sarcasm. The manager becomes increasingly confused and frustrated while the employee remains calm, amused and completely fearless. Deadpan Nordic humor, awkward silence, realistic performances, static camera, slow zooms, authentic 1990s Swedish office aesthetic, muted colors, natural lighting, high cinematic quality, 35mm film look, dry comedy, realistic dialogue timing, no slapstick, 16:9.
funny realistic 3D cartoon style Indian boy character holding a mobile phone and laughing uncontrollably, sitting in a cozy colorful room, eyes wide with excitement, mouth open in big laughter, expressive hands, vibrant cinematic lighting, glowing phone screen showing a comedy video, playful atmosphere, ultra HD 4K details, Pixar-style realistic 3D render, smooth textures, soft shadows, colorful neon background, floating laughing emojis in the air, dramatic depth of field, highly detailed face expressions, engaging YouTube Shorts intro scene, comedy vibe, ultra realistic, masterpiece, vibrant colors, HD ultra pro max.
Create a 35-second hyperrealistic cinematic comedy short, no dialogue, no voiceover. A sunny European street at golden hour. A normal man walks confidently while carrying a takeaway coffee. His shadow on the pavement behaves like a separate character: tired, annoyed, and slightly fed up with him. Shot 1: Wide shot. The man walks normally, but his shadow yawns, stretches, and lags behind him by one second, as if it is exhausted. Shot 2: The man checks his phone and almost trips over a curb. His shadow reacts first, grabs the shadow of his ankle, and pulls him back just in time. The man looks confused. Shot 3: The man tries to act cool in front of people, but his shadow suddenly starts dancing dramatically on the pavement. Pedestrians notice the shadow, not the man. The man gets embarrassed. Shot 4: The man tries to control the shadow by stepping on it, but the shadow slips away like liquid and reappears on a nearby wall, crossing its arms in protest. Shot 5: The man walks into a patch of shade to make the shadow disappear. He waits, relieved. Then he steps back into sunlight. Final shot: The shadow appears again, but now it calmly waves goodbye and walks away independently across the pavement, leaving the man standing frozen in the street without a shadow. A small dog notices the runaway shadow and follows it, wagging its tail. The man looks down, completely confused. Tone: deadpan physical comedy, subtle magical realism, realistic lighting and shadows, warm cinematic color grading, handheld camera, shallow depth of field, natural street ambience, expressive body language, clean visual continuity. Style: hyperrealistic, cinematic, clever, funny, elegant, not childish.
Ultra-hilarious satirical meme caricature illustration parodying Jimmy Tatro's classic 2010s "West Coast Report: Fraternity Rush" skit, but with insane NFL QB beef. Dimly lit, trashed frat basement straight out of 2011: red Solo cups everywhere, crushed beer cans, stained pizza boxes, crusty old couch with mystery stains, "FRAT" posters peeling off walls, flip phone on the floor, empty Natty Light cases, overhead projector (ancient bulb flickering) blasting a bright blue glow onto a crusty white sheet pinned to the wall like a low-budget horror movie set. Wide-angle lens distortion for chaotic energy, cheap projector light casting dramatic shadows and highlighting every sweaty pore. Projected on the wall in glorious high-def: Drake Maye as the ultimate super-bro chill god — impossibly relaxed Zen master vibe, eyes half-closed in serene bliss like he just aced a keg stand and a philosophy exam, smug confident smirk, arms casually crossed behind head, lounging back like he's on a yacht, wearing crisp New England Patriots navy home jersey #10 with perfect lighting making him look like a Greek god frat king radiating pure alpha "I don't even try" coolness, subtle glow around him like he's the chosen one, zero effort maximum drip. In extreme foreground foreground dominating the frame: A pathetic, vein-bulging, rage-exploding d-bag old nerd virgin caricature of Seahawks QB Sam Darnold — balding with sad comb-over strands flying, thick Coke-bottle taped nerd glasses sliding down sweaty nose, furious tomato-red face with bulging cartoon eyes and throbbing forehead vein, mouth stretched in a hysterical banshee scream, spit flying, one hand aggressively jabbing a trembling finger at Maye's face like he's trying to laser him, wearing an oversized ill-fitting Seattle Seahawks jersey #14 that's way too big on his scrawny frame (sleeves dangling like sad wings), tucked into high-waisted khakis with a belt that's too tight, pocket protector overflowing with pens, massive dandruff flakes, tiny nametag that says "Property of Mom's Basement", exaggerated incel neckbeard stubble, tears of jealous fury streaming down his cheeks, tiny rage tears, looking like the human embodiment of "why him and not me???" energy. Massive bold white Impact font text overlays for classic meme punch: - Top of image in huge letters: "HE'S CHILL!!!" (with multiple exclamation points and a tiny sunglasses emoji leaking off the edge) - Bottom exploding in angry red dripping letters: "MAYE FUCKED MY MOM!!!" (all caps, extra exclamation marks, maybe a tiny broken heart emoji shattered next to it for extra pathetic flavor) Style: Over-the-top 2012-era viral rage comic meets exaggerated political cartoon satire, gritty over-saturated colors, high detail on every ridiculous facial contortion and gross room detail, absurd dramatic comedy lighting (projector beam turning the nerd's face into a horror villain glow), veins popping like cartoon hoses, pure unfiltered roast humor. Make it so funny it hurts. --ar 16:9 --stylize 300 --chaos 60 --v 6 --q 2 This amps the comedy by: - Heightening the visual roast (Maye = effortless legend, "Darnold-nerd" = maximum loser caricature with incel tropes dialed to 11 for laughs) - Adding silly gags (dandruff, pocket protector, tears, spit, nametag) - Punchier text with emojis and drips for that raw meme feel - Keeping the skit authenticity while making the QB swap the punchline
# Vídeo · Las perritas rescatadas · Anceu Coliving > Dos perritas hound (blanco, negro y marrón) recogidas en la carretera. > Ahora viven en Anceu con la comunidad del coliving (+ una tercera perrita peluda gris en algunas fotos). > Voz en off en **primera persona plural** — ellas hablan con **voz de niña**. > **Duración:** 45 s (incluye versión 30 s) · **Herramienta:** Prompt Hero > **Fotos:** `/home/africa/src/fotos perros/` --- ## 1. Concepto Historias de rescate contadas desde la mirada de las perritas: miedo en la carretera → primer refugio → cuidados (incluso collar isabelino) → confianza poco a poco → vida feliz en el coliving (sofá, jardín, gente con paciencia). **Tono:** tierno, honesto, esperanzador. Sin dramatizar violencia; el foco está en el presente y la gratitud. --- ## 2. Voz en off | Campo | Indicación | |-------|------------| | **Tipo de voz** | Niña / voz infantil (8–12 años), no adulta | | **Persona gramatical** | Primera persona plural: *nosotras*, *estábamos*, *gracias* | | **Tono** | Suave, sincera, un poco tímida al principio; más alegre al final | | **Ritmo** | Pausado, con pequeñas respiraciones entre frases | | **Evitar** | Voz de locutora adulta, voz robótica, tono comercial | **Nota para Prompt Hero:** si generas la voz con IA, busca preset tipo *child*, *young girl*, *niña* o grábala con una niña real si la herramienta lo permite. --- ## 3. Música de fondo | Campo | Indicación | |-------|------------| | **Estilo** | Acústica suave: ukelele, guitarra fingerpicking o piano ligero | | **Mood** | Cálida, esperanzadora, campestre — no triste ni épica | | **Volumen** | **20–30 %** bajo la voz; la VO siempre por encima | | **Entrada** | Suave desde el segundo 0, sin golpe fuerte | | **Final** | Fade out en los últimos 3 s junto al texto en pantalla | | **Evitar** | Piano melancólico de anuncio de ONG, drums, EDM, música de suspense | **Referencias de mood (no copiar):** banda sonora de documental de animales, canción de cuna acústica, folk gallego muy suave sin letra. --- ## 4. Estilo visual · Eyecandy **Distinto al vídeo ruralGPT** (Handheld documental humano). Aquí el protagonista es el animal. | Prioridad | Técnica Eyecandy | Uso en este vídeo | |-----------|------------------|-------------------| | 1 | [Ground Level](https://eyecannndy.com/technique/ground-shot) | Cámara a altura de hocico y patas | | 2 | [Close-Up](https://eyecannndy.com/technique/close-up) | Ojos, nariz, mano que acaricia, dormir en el regazo | | 3 | [Video Portraits](https://eyecannndy.com/technique/video-portraits) | Plano quieto mirando a cámara (cierre) | | 4 | [Tracking](https://eyecannndy.com/technique/tracking) | Siguiendo por jardín / salón del coliving | | 5 | [Wide shot](https://eyecannndy.com/technique/wide-shot) | Sofá exterior, las tres juntas al sol | | Opcional | [Slow Motion](https://eyecannndy.com/technique/slow-motion) | 1 beat: cola, orejas o salto cariñoso (foto 06-06) | **Evitar:** Interview / Fourth Wall humano, Handheld nervioso, efectos espectaculares, flashbacks en blanco y negro. **Frase para Prompt Hero:** > Ground-level pet documentary: warm natural light, close-ups on eyes and paws, soft tracking through coliving, one slow-motion joy beat, video-portrait ending. Soft acoustic background music under child voice-over. --- ## 5. Inventario de fotos | ID | Archivo | Contenido | Momento narrativo | |----|---------|-----------|-------------------| | **F01** | `WhatsApp Image 2026-05-03 at 12.02.23.jpeg` | Perrita gris peluda, arnés verde lima, bosque/prado | Ya segura al aire libre | | **F02** | `WhatsApp Image 2026-05-08 at 20.03.00.jpeg` | **Par hound** en cojín amarillo, mirada vulnerable a cámara | Primeros días · miedo | | **F03** | `WhatsApp Image 2026-05-09 at 11.51.56.jpeg` | **Par hound** durmiendo juntas en transportín, manta azul | Primer refugio seguro | | **F04** | `WhatsApp Image 2026-05-19 at 21.51.31.jpeg` | En cama marrón, mordiendo juguete azul, juntas | Empiezan a relajarse | | **F05** | `WhatsApp Image 2026-05-21 at 20.15.59.jpeg` | Una con **collar isabelino**, mano acariciando la otra | Cuidados · paciencia | | **F06** | `WhatsApp Image 2026-05-28 at 18.30.15.jpeg` | Sofá exterior, **3 perritas** durmiendo al sol (una aún con cone) | Felices en Anceu | | **F07** | `WhatsApp Image 2026-06-06 at 13.00.37.jpeg` | Salón coliving, abrazo/juego con participantes | Comunidad · cariño | | **F08** | `WhatsApp Image 2026-06-06 at 13.00.37 (1).jpeg` | Dos personas con portátiles, **perras dormidas en el regazo** | Ya son de la casa | | **F09** | `WhatsApp Image 2026-06-06 at 13.34.25.jpeg` | **Primerísimo plano** durmiendo en regazo (jeans), boca relajada | Confianza total · cierre | --- ## 6. Guion · 45 segundos · voz en off (niña, ellas hablan) **Ritmo:** pausado, ~85 palabras. | Tiempo | Foto | Plano Eyecandy | Voz en off (niña) | |--------|------|----------------|-------------------| | **0:00–0:07** | **F02** | Close-Up · ground level, ojos desde cojín amarillo | *«Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir.»* | | **0:07–0:13** | **F03** | Close-Up quieto, transportín abierto | *«Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas.»* | | **0:13–0:20** | **F05** | Close-Up: mano en el hocico, collar isabelino al fondo | *«Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia.»* | | **0:20–0:26** | **F04** | Ground level, cama marrón, juguete azul | *«Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer.»* | | **0:26–0:32** | **F01** | Video Portrait suave, bosque, arnés verde | *«Cada una a su ritmo. Cada una encontrando su sitio al sol.»* | | **0:32–0:38** | **F06** | Wide shot → tracking lento por sofá exterior | *«Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa.»* | | **0:38–0:42** | **F08** | Tracking suave salón; perros en regazos, portátiles | *«Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa.»* | | **0:42–0:45** | **F09** | Close-Up extremo, casi sin movimiento | *«Gracias por ayudarnos. Gracias por vuestra paciencia.»* | **Insert opcional (1 s):** **F07** entre 0:38 y 0:42 — salto cariñoso / risas (Slow Motion muy breve). **Texto en pantalla (0:42–0:45):** `Anceu Coliving` · `Gracias por acogernos` --- ## 7. Texto completo VO · 45 s (una toma · voz niña) > Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. > Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. > Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. > Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. > Cada una a su ritmo. Cada una encontrando su sitio al sol. > Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. > Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. > Gracias por ayudarnos. Gracias por vuestra paciencia. --- ## 8. Versión corta · 30 segundos | Tiempo | Foto | Voz en off (niña) | |--------|------|-------------------| | 0:00–0:06 | F02 | *«Nos encontraron en la carretera, asustadas y juntas.»* | | 0:06–0:12 | F03 | *«Nos dieron refugio, comida y un sitio donde dormir.»* | | 0:12–0:18 | F05 | *«Nos cuidaron con paciencia, incluso cuando teníamos miedo.»* | | 0:18–0:24 | F06 | *«Ahora vivimos en Anceu: sol, sofá y mucha gente buena.»* | | 0:24–0:30 | F09 | *«Gracias por ayudarnos. Gracias por esperar a que confiemos.»* | --- ## 9. Prompt Hero (copiar y pegar) ``` 45-second emotional video about two rescued female dogs at Anceu Coliving, rural Galicia. VOICE-OVER: - Language: Spanish - Speaker: young girl's voice (child, 8-12 years old), soft and sincere - First person plural (the dogs speaking: "nosotras", "estábamos", "gracias") - NOT an adult woman narrator BACKGROUND MUSIC: - Soft acoustic: ukulele or gentle guitar fingerpicking - Warm, hopeful, countryside mood — not sad, not epic - Volume 20-30% under voice-over; music fades out last 3 seconds STORY: Two hound-mix dogs found abandoned on the road, taken in by Anceu Coliving community. Scared at first, medical care (cone collar), slowly learning to trust. Now sleeping on laps, playing in the living room, resting on outdoor sofa with a third scruffy grey dog. Grateful tone — thank people for help and patience. USE ATTACHED PHOTOS IN THIS ORDER: 1. Two tricolor dogs on yellow cushion, soulful eyes looking up (F02) 2. Same pair sleeping together in open pet carrier, blue blanket (F03) 3. One dog with cone collar, gentle hand petting the other (F05) 4. Both on tan dog bed, one chewing blue toy (F04) 5. Scruffy grey dog with lime green harness in forest/grass (F01) 6. Three dogs sleeping on outdoor grey sofa, stone wall, sunlight (F06) 7. Two women on couch with laptops, dogs asleep on laps (F08) 8. Extreme close-up: dog sleeping peacefully on person's lap in jeans (F09) Optional 1-sec insert: playful dog licking laughing woman in coliving room (F07) VISUAL STYLE (Eyecandy): Ground Level + Close-Up + Video Portraits + Tracking + Wide shot. Warm natural daylight, soft shadows, intimate pet documentary, slow pacing. Camera at dog eye height. Preserve real dogs and coliving spaces from photos. AVOID: adult narrator voice, mockumentary comedy, shaky handheld tension, road accident gore, sad piano cliché, loud drums, stock pet footage, fast TikTok cuts. VOICE-OVER SCRIPT (Spanish, young girl voice): Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. Cada una a su ritmo. Cada una encontrando su sitio al sol. Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. Gracias por ayudarnos. Gracias por vuestra paciencia. End text on screen: Anceu Coliving · Gracias por acogernos Aspect ratio: 9:16 (Reels) or 16:9 (web) Duration: 45 seconds ``` --- ## 10. Negative prompt ``` adult woman narrator, deep voice, male narrator, robotic voice, violence, injured dogs graphic, road accident blood, cages, chains, aggressive dogs, mockumentary, comedy zoom, horror grading, stock footage, fast cuts, text spam, sad NGO piano, loud drums, EDM, suspense music ``` --- ## 11. Checklist antes de generar - [ ] Adjuntar las 9 fotos de `/home/africa/src/fotos perros/` a Prompt Hero - [ ] Seleccionar voz **niña / child** (no adulta) - [ ] Activar música de fondo acústica suave (o subir pista propia) - [ ] Elegir duración: 45 s (recomendado) o 30 s (§8) - [ ] Formato: 9:16 o 16:9 - [ ] Permiso de personas visibles en F06, F07, F08 --- ## 12. Notas de producción - **No hay foto del rescate en carretera:** el pasado se cuenta solo con la voz; F02 muestra el “después inmediato”. - **Collar isabelino (F05):** refuerza el mensaje de *paciencia y cuidado*. - **Tercera perrita gris (F01, F06):** el guion dice *“cada una a su ritmo”* para incluirla sin forzar que sean solo dos. - **Plano F09** es el cierre emocional: casi macro, casi sin movimiento. - **Voz de niña + música suave** = tono de cuento corto, no documental institucional.
A 10-second hyperrealistic cinematic comedy scene. The same man panics as the street keeps unraveling behind him. He looks down and finds that the loose thread has formed a huge tangled ball on the pavement. Without thinking, he takes out a small sewing needle from his pocket, as if this were completely normal. He starts sewing the air, stitching the street back together. Each stitch repairs a piece of reality: a building edge, a shadow, a passing bicycle, a crosswalk. His expression is extremely serious, like a professional tailor fixing the universe. Style: hyperrealistic, deadpan comedy, magical realism, realistic lighting, cinematic close-ups, detailed fabric and thread textures, elegant absurdity. No dialogue, no voiceover, no subtitles, no text, no logos, no cartoon style, no exaggerated slapstick.
A cinematic 1990s Scandinavian office comedy scene. A tired middle-aged office worker in a beige sweater sits across from his strict manager in a dull corporate office with fluorescent lighting, gray walls, stacks of paperwork and old desktop computers. The manager sternly assigns him extra work for the weekend. Suddenly, the employee reveals complete confidence, knowing he has just become extremely wealthy. Instead of arguing, he playfully mocks the manager with exaggerated facial expressions, childish voice imitation and subtle sarcasm. The manager becomes increasingly confused and frustrated while the employee remains calm, amused and completely fearless. Deadpan Nordic humor, awkward silence, realistic performances, static camera, slow zooms, authentic 1990s Swedish office aesthetic, muted colors, natural lighting, high cinematic quality, 35mm film look, dry comedy, realistic dialogue timing, no slapstick, 16:9.
Create a 35-second hyperrealistic cinematic comedy short, no dialogue, no voiceover. A sunny European street at golden hour. A normal man walks confidently while carrying a takeaway coffee. His shadow on the pavement behaves like a separate character: tired, annoyed, and slightly fed up with him. Shot 1: Wide shot. The man walks normally, but his shadow yawns, stretches, and lags behind him by one second, as if it is exhausted. Shot 2: The man checks his phone and almost trips over a curb. His shadow reacts first, grabs the shadow of his ankle, and pulls him back just in time. The man looks confused. Shot 3: The man tries to act cool in front of people, but his shadow suddenly starts dancing dramatically on the pavement. Pedestrians notice the shadow, not the man. The man gets embarrassed. Shot 4: The man tries to control the shadow by stepping on it, but the shadow slips away like liquid and reappears on a nearby wall, crossing its arms in protest. Shot 5: The man walks into a patch of shade to make the shadow disappear. He waits, relieved. Then he steps back into sunlight. Final shot: The shadow appears again, but now it calmly waves goodbye and walks away independently across the pavement, leaving the man standing frozen in the street without a shadow. A small dog notices the runaway shadow and follows it, wagging its tail. The man looks down, completely confused. Tone: deadpan physical comedy, subtle magical realism, realistic lighting and shadows, warm cinematic color grading, handheld camera, shallow depth of field, natural street ambience, expressive body language, clean visual continuity. Style: hyperrealistic, cinematic, clever, funny, elegant, not childish.
# Vídeo · Las perritas rescatadas · Anceu Coliving > Dos perritas hound (blanco, negro y marrón) recogidas en la carretera. > Ahora viven en Anceu con la comunidad del coliving (+ una tercera perrita peluda gris en algunas fotos). > Voz en off en **primera persona plural** — ellas hablan con **voz de niña**. > **Duración:** 45 s (incluye versión 30 s) · **Herramienta:** Prompt Hero > **Fotos:** `/home/africa/src/fotos perros/` --- ## 1. Concepto Historias de rescate contadas desde la mirada de las perritas: miedo en la carretera → primer refugio → cuidados (incluso collar isabelino) → confianza poco a poco → vida feliz en el coliving (sofá, jardín, gente con paciencia). **Tono:** tierno, honesto, esperanzador. Sin dramatizar violencia; el foco está en el presente y la gratitud. --- ## 2. Voz en off | Campo | Indicación | |-------|------------| | **Tipo de voz** | Niña / voz infantil (8–12 años), no adulta | | **Persona gramatical** | Primera persona plural: *nosotras*, *estábamos*, *gracias* | | **Tono** | Suave, sincera, un poco tímida al principio; más alegre al final | | **Ritmo** | Pausado, con pequeñas respiraciones entre frases | | **Evitar** | Voz de locutora adulta, voz robótica, tono comercial | **Nota para Prompt Hero:** si generas la voz con IA, busca preset tipo *child*, *young girl*, *niña* o grábala con una niña real si la herramienta lo permite. --- ## 3. Música de fondo | Campo | Indicación | |-------|------------| | **Estilo** | Acústica suave: ukelele, guitarra fingerpicking o piano ligero | | **Mood** | Cálida, esperanzadora, campestre — no triste ni épica | | **Volumen** | **20–30 %** bajo la voz; la VO siempre por encima | | **Entrada** | Suave desde el segundo 0, sin golpe fuerte | | **Final** | Fade out en los últimos 3 s junto al texto en pantalla | | **Evitar** | Piano melancólico de anuncio de ONG, drums, EDM, música de suspense | **Referencias de mood (no copiar):** banda sonora de documental de animales, canción de cuna acústica, folk gallego muy suave sin letra. --- ## 4. Estilo visual · Eyecandy **Distinto al vídeo ruralGPT** (Handheld documental humano). Aquí el protagonista es el animal. | Prioridad | Técnica Eyecandy | Uso en este vídeo | |-----------|------------------|-------------------| | 1 | [Ground Level](https://eyecannndy.com/technique/ground-shot) | Cámara a altura de hocico y patas | | 2 | [Close-Up](https://eyecannndy.com/technique/close-up) | Ojos, nariz, mano que acaricia, dormir en el regazo | | 3 | [Video Portraits](https://eyecannndy.com/technique/video-portraits) | Plano quieto mirando a cámara (cierre) | | 4 | [Tracking](https://eyecannndy.com/technique/tracking) | Siguiendo por jardín / salón del coliving | | 5 | [Wide shot](https://eyecannndy.com/technique/wide-shot) | Sofá exterior, las tres juntas al sol | | Opcional | [Slow Motion](https://eyecannndy.com/technique/slow-motion) | 1 beat: cola, orejas o salto cariñoso (foto 06-06) | **Evitar:** Interview / Fourth Wall humano, Handheld nervioso, efectos espectaculares, flashbacks en blanco y negro. **Frase para Prompt Hero:** > Ground-level pet documentary: warm natural light, close-ups on eyes and paws, soft tracking through coliving, one slow-motion joy beat, video-portrait ending. Soft acoustic background music under child voice-over. --- ## 5. Inventario de fotos | ID | Archivo | Contenido | Momento narrativo | |----|---------|-----------|-------------------| | **F01** | `WhatsApp Image 2026-05-03 at 12.02.23.jpeg` | Perrita gris peluda, arnés verde lima, bosque/prado | Ya segura al aire libre | | **F02** | `WhatsApp Image 2026-05-08 at 20.03.00.jpeg` | **Par hound** en cojín amarillo, mirada vulnerable a cámara | Primeros días · miedo | | **F03** | `WhatsApp Image 2026-05-09 at 11.51.56.jpeg` | **Par hound** durmiendo juntas en transportín, manta azul | Primer refugio seguro | | **F04** | `WhatsApp Image 2026-05-19 at 21.51.31.jpeg` | En cama marrón, mordiendo juguete azul, juntas | Empiezan a relajarse | | **F05** | `WhatsApp Image 2026-05-21 at 20.15.59.jpeg` | Una con **collar isabelino**, mano acariciando la otra | Cuidados · paciencia | | **F06** | `WhatsApp Image 2026-05-28 at 18.30.15.jpeg` | Sofá exterior, **3 perritas** durmiendo al sol (una aún con cone) | Felices en Anceu | | **F07** | `WhatsApp Image 2026-06-06 at 13.00.37.jpeg` | Salón coliving, abrazo/juego con participantes | Comunidad · cariño | | **F08** | `WhatsApp Image 2026-06-06 at 13.00.37 (1).jpeg` | Dos personas con portátiles, **perras dormidas en el regazo** | Ya son de la casa | | **F09** | `WhatsApp Image 2026-06-06 at 13.34.25.jpeg` | **Primerísimo plano** durmiendo en regazo (jeans), boca relajada | Confianza total · cierre | --- ## 6. Guion · 45 segundos · voz en off (niña, ellas hablan) **Ritmo:** pausado, ~85 palabras. | Tiempo | Foto | Plano Eyecandy | Voz en off (niña) | |--------|------|----------------|-------------------| | **0:00–0:07** | **F02** | Close-Up · ground level, ojos desde cojín amarillo | *«Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir.»* | | **0:07–0:13** | **F03** | Close-Up quieto, transportín abierto | *«Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas.»* | | **0:13–0:20** | **F05** | Close-Up: mano en el hocico, collar isabelino al fondo | *«Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia.»* | | **0:20–0:26** | **F04** | Ground level, cama marrón, juguete azul | *«Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer.»* | | **0:26–0:32** | **F01** | Video Portrait suave, bosque, arnés verde | *«Cada una a su ritmo. Cada una encontrando su sitio al sol.»* | | **0:32–0:38** | **F06** | Wide shot → tracking lento por sofá exterior | *«Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa.»* | | **0:38–0:42** | **F08** | Tracking suave salón; perros en regazos, portátiles | *«Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa.»* | | **0:42–0:45** | **F09** | Close-Up extremo, casi sin movimiento | *«Gracias por ayudarnos. Gracias por vuestra paciencia.»* | **Insert opcional (1 s):** **F07** entre 0:38 y 0:42 — salto cariñoso / risas (Slow Motion muy breve). **Texto en pantalla (0:42–0:45):** `Anceu Coliving` · `Gracias por acogernos` --- ## 7. Texto completo VO · 45 s (una toma · voz niña) > Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. > Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. > Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. > Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. > Cada una a su ritmo. Cada una encontrando su sitio al sol. > Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. > Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. > Gracias por ayudarnos. Gracias por vuestra paciencia. --- ## 8. Versión corta · 30 segundos | Tiempo | Foto | Voz en off (niña) | |--------|------|-------------------| | 0:00–0:06 | F02 | *«Nos encontraron en la carretera, asustadas y juntas.»* | | 0:06–0:12 | F03 | *«Nos dieron refugio, comida y un sitio donde dormir.»* | | 0:12–0:18 | F05 | *«Nos cuidaron con paciencia, incluso cuando teníamos miedo.»* | | 0:18–0:24 | F06 | *«Ahora vivimos en Anceu: sol, sofá y mucha gente buena.»* | | 0:24–0:30 | F09 | *«Gracias por ayudarnos. Gracias por esperar a que confiemos.»* | --- ## 9. Prompt Hero (copiar y pegar) ``` 45-second emotional video about two rescued female dogs at Anceu Coliving, rural Galicia. VOICE-OVER: - Language: Spanish - Speaker: young girl's voice (child, 8-12 years old), soft and sincere - First person plural (the dogs speaking: "nosotras", "estábamos", "gracias") - NOT an adult woman narrator BACKGROUND MUSIC: - Soft acoustic: ukulele or gentle guitar fingerpicking - Warm, hopeful, countryside mood — not sad, not epic - Volume 20-30% under voice-over; music fades out last 3 seconds STORY: Two hound-mix dogs found abandoned on the road, taken in by Anceu Coliving community. Scared at first, medical care (cone collar), slowly learning to trust. Now sleeping on laps, playing in the living room, resting on outdoor sofa with a third scruffy grey dog. Grateful tone — thank people for help and patience. USE ATTACHED PHOTOS IN THIS ORDER: 1. Two tricolor dogs on yellow cushion, soulful eyes looking up (F02) 2. Same pair sleeping together in open pet carrier, blue blanket (F03) 3. One dog with cone collar, gentle hand petting the other (F05) 4. Both on tan dog bed, one chewing blue toy (F04) 5. Scruffy grey dog with lime green harness in forest/grass (F01) 6. Three dogs sleeping on outdoor grey sofa, stone wall, sunlight (F06) 7. Two women on couch with laptops, dogs asleep on laps (F08) 8. Extreme close-up: dog sleeping peacefully on person's lap in jeans (F09) Optional 1-sec insert: playful dog licking laughing woman in coliving room (F07) VISUAL STYLE (Eyecandy): Ground Level + Close-Up + Video Portraits + Tracking + Wide shot. Warm natural daylight, soft shadows, intimate pet documentary, slow pacing. Camera at dog eye height. Preserve real dogs and coliving spaces from photos. AVOID: adult narrator voice, mockumentary comedy, shaky handheld tension, road accident gore, sad piano cliché, loud drums, stock pet footage, fast TikTok cuts. VOICE-OVER SCRIPT (Spanish, young girl voice): Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. Cada una a su ritmo. Cada una encontrando su sitio al sol. Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. Gracias por ayudarnos. Gracias por vuestra paciencia. End text on screen: Anceu Coliving · Gracias por acogernos Aspect ratio: 9:16 (Reels) or 16:9 (web) Duration: 45 seconds ``` --- ## 10. Negative prompt ``` adult woman narrator, deep voice, male narrator, robotic voice, violence, injured dogs graphic, road accident blood, cages, chains, aggressive dogs, mockumentary, comedy zoom, horror grading, stock footage, fast cuts, text spam, sad NGO piano, loud drums, EDM, suspense music ``` --- ## 11. Checklist antes de generar - [ ] Adjuntar las 9 fotos de `/home/africa/src/fotos perros/` a Prompt Hero - [ ] Seleccionar voz **niña / child** (no adulta) - [ ] Activar música de fondo acústica suave (o subir pista propia) - [ ] Elegir duración: 45 s (recomendado) o 30 s (§8) - [ ] Formato: 9:16 o 16:9 - [ ] Permiso de personas visibles en F06, F07, F08 --- ## 12. Notas de producción - **No hay foto del rescate en carretera:** el pasado se cuenta solo con la voz; F02 muestra el “después inmediato”. - **Collar isabelino (F05):** refuerza el mensaje de *paciencia y cuidado*. - **Tercera perrita gris (F01, F06):** el guion dice *“cada una a su ritmo”* para incluirla sin forzar que sean solo dos. - **Plano F09** es el cierre emocional: casi macro, casi sin movimiento. - **Voz de niña + música suave** = tono de cuento corto, no documental institucional.
VISUAL STYLE: Realistic, GENRE: Comedy, SUBJECT(S): Gorilla, Business, TIME PERIOD: Contemporary, COLOR: Neutral, ASPECT RATIO: 16:9, FORMAT: Still image, FRAME SIZE: Full body, LENS SIZE: Medium, COMPOSITION: Centered, LIGHTING: Natural, LIGHTING TYPE: Soft, TIME OF DAY: Daytime, ENVIRONMENT: Interior, LOCATION TYPE: Office, SET: Modern office, CAMERA: Standard camera, LENS: Normal lens, FILM STOCK / RESOLUTION: High resolution, TAGS: Gorilla, Business, Comedy --v 5 --q 2 --ar 16:9
funny realistic 3D cartoon style Indian boy character holding a mobile phone and laughing uncontrollably, sitting in a cozy colorful room, eyes wide with excitement, mouth open in big laughter, expressive hands, vibrant cinematic lighting, glowing phone screen showing a comedy video, playful atmosphere, ultra HD 4K details, Pixar-style realistic 3D render, smooth textures, soft shadows, colorful neon background, floating laughing emojis in the air, dramatic depth of field, highly detailed face expressions, engaging YouTube Shorts intro scene, comedy vibe, ultra realistic, masterpiece, vibrant colors, HD ultra pro max.
Ultra-hilarious satirical meme caricature illustration parodying Jimmy Tatro's classic 2010s "West Coast Report: Fraternity Rush" skit, but with insane NFL QB beef. Dimly lit, trashed frat basement straight out of 2011: red Solo cups everywhere, crushed beer cans, stained pizza boxes, crusty old couch with mystery stains, "FRAT" posters peeling off walls, flip phone on the floor, empty Natty Light cases, overhead projector (ancient bulb flickering) blasting a bright blue glow onto a crusty white sheet pinned to the wall like a low-budget horror movie set. Wide-angle lens distortion for chaotic energy, cheap projector light casting dramatic shadows and highlighting every sweaty pore. Projected on the wall in glorious high-def: Drake Maye as the ultimate super-bro chill god — impossibly relaxed Zen master vibe, eyes half-closed in serene bliss like he just aced a keg stand and a philosophy exam, smug confident smirk, arms casually crossed behind head, lounging back like he's on a yacht, wearing crisp New England Patriots navy home jersey #10 with perfect lighting making him look like a Greek god frat king radiating pure alpha "I don't even try" coolness, subtle glow around him like he's the chosen one, zero effort maximum drip. In extreme foreground foreground dominating the frame: A pathetic, vein-bulging, rage-exploding d-bag old nerd virgin caricature of Seahawks QB Sam Darnold — balding with sad comb-over strands flying, thick Coke-bottle taped nerd glasses sliding down sweaty nose, furious tomato-red face with bulging cartoon eyes and throbbing forehead vein, mouth stretched in a hysterical banshee scream, spit flying, one hand aggressively jabbing a trembling finger at Maye's face like he's trying to laser him, wearing an oversized ill-fitting Seattle Seahawks jersey #14 that's way too big on his scrawny frame (sleeves dangling like sad wings), tucked into high-waisted khakis with a belt that's too tight, pocket protector overflowing with pens, massive dandruff flakes, tiny nametag that says "Property of Mom's Basement", exaggerated incel neckbeard stubble, tears of jealous fury streaming down his cheeks, tiny rage tears, looking like the human embodiment of "why him and not me???" energy. Massive bold white Impact font text overlays for classic meme punch: - Top of image in huge letters: "HE'S CHILL!!!" (with multiple exclamation points and a tiny sunglasses emoji leaking off the edge) - Bottom exploding in angry red dripping letters: "MAYE FUCKED MY MOM!!!" (all caps, extra exclamation marks, maybe a tiny broken heart emoji shattered next to it for extra pathetic flavor) Style: Over-the-top 2012-era viral rage comic meets exaggerated political cartoon satire, gritty over-saturated colors, high detail on every ridiculous facial contortion and gross room detail, absurd dramatic comedy lighting (projector beam turning the nerd's face into a horror villain glow), veins popping like cartoon hoses, pure unfiltered roast humor. Make it so funny it hurts. --ar 16:9 --stylize 300 --chaos 60 --v 6 --q 2 This amps the comedy by: - Heightening the visual roast (Maye = effortless legend, "Darnold-nerd" = maximum loser caricature with incel tropes dialed to 11 for laughs) - Adding silly gags (dandruff, pocket protector, tears, spit, nametag) - Punchier text with emojis and drips for that raw meme feel - Keeping the skit authenticity while making the QB swap the punchline
A 10-second hyperrealistic cinematic comedy scene. The same man panics as the street keeps unraveling behind him. He looks down and finds that the loose thread has formed a huge tangled ball on the pavement. Without thinking, he takes out a small sewing needle from his pocket, as if this were completely normal. He starts sewing the air, stitching the street back together. Each stitch repairs a piece of reality: a building edge, a shadow, a passing bicycle, a crosswalk. His expression is extremely serious, like a professional tailor fixing the universe. Style: hyperrealistic, deadpan comedy, magical realism, realistic lighting, cinematic close-ups, detailed fabric and thread textures, elegant absurdity. No dialogue, no voiceover, no subtitles, no text, no logos, no cartoon style, no exaggerated slapstick.
funny realistic 3D cartoon style Indian boy character holding a mobile phone and laughing uncontrollably, sitting in a cozy colorful room, eyes wide with excitement, mouth open in big laughter, expressive hands, vibrant cinematic lighting, glowing phone screen showing a comedy video, playful atmosphere, ultra HD 4K details, Pixar-style realistic 3D render, smooth textures, soft shadows, colorful neon background, floating laughing emojis in the air, dramatic depth of field, highly detailed face expressions, engaging YouTube Shorts intro scene, comedy vibe, ultra realistic, masterpiece, vibrant colors, HD ultra pro max.
# Vídeo · Las perritas rescatadas · Anceu Coliving > Dos perritas hound (blanco, negro y marrón) recogidas en la carretera. > Ahora viven en Anceu con la comunidad del coliving (+ una tercera perrita peluda gris en algunas fotos). > Voz en off en **primera persona plural** — ellas hablan con **voz de niña**. > **Duración:** 45 s (incluye versión 30 s) · **Herramienta:** Prompt Hero > **Fotos:** `/home/africa/src/fotos perros/` --- ## 1. Concepto Historias de rescate contadas desde la mirada de las perritas: miedo en la carretera → primer refugio → cuidados (incluso collar isabelino) → confianza poco a poco → vida feliz en el coliving (sofá, jardín, gente con paciencia). **Tono:** tierno, honesto, esperanzador. Sin dramatizar violencia; el foco está en el presente y la gratitud. --- ## 2. Voz en off | Campo | Indicación | |-------|------------| | **Tipo de voz** | Niña / voz infantil (8–12 años), no adulta | | **Persona gramatical** | Primera persona plural: *nosotras*, *estábamos*, *gracias* | | **Tono** | Suave, sincera, un poco tímida al principio; más alegre al final | | **Ritmo** | Pausado, con pequeñas respiraciones entre frases | | **Evitar** | Voz de locutora adulta, voz robótica, tono comercial | **Nota para Prompt Hero:** si generas la voz con IA, busca preset tipo *child*, *young girl*, *niña* o grábala con una niña real si la herramienta lo permite. --- ## 3. Música de fondo | Campo | Indicación | |-------|------------| | **Estilo** | Acústica suave: ukelele, guitarra fingerpicking o piano ligero | | **Mood** | Cálida, esperanzadora, campestre — no triste ni épica | | **Volumen** | **20–30 %** bajo la voz; la VO siempre por encima | | **Entrada** | Suave desde el segundo 0, sin golpe fuerte | | **Final** | Fade out en los últimos 3 s junto al texto en pantalla | | **Evitar** | Piano melancólico de anuncio de ONG, drums, EDM, música de suspense | **Referencias de mood (no copiar):** banda sonora de documental de animales, canción de cuna acústica, folk gallego muy suave sin letra. --- ## 4. Estilo visual · Eyecandy **Distinto al vídeo ruralGPT** (Handheld documental humano). Aquí el protagonista es el animal. | Prioridad | Técnica Eyecandy | Uso en este vídeo | |-----------|------------------|-------------------| | 1 | [Ground Level](https://eyecannndy.com/technique/ground-shot) | Cámara a altura de hocico y patas | | 2 | [Close-Up](https://eyecannndy.com/technique/close-up) | Ojos, nariz, mano que acaricia, dormir en el regazo | | 3 | [Video Portraits](https://eyecannndy.com/technique/video-portraits) | Plano quieto mirando a cámara (cierre) | | 4 | [Tracking](https://eyecannndy.com/technique/tracking) | Siguiendo por jardín / salón del coliving | | 5 | [Wide shot](https://eyecannndy.com/technique/wide-shot) | Sofá exterior, las tres juntas al sol | | Opcional | [Slow Motion](https://eyecannndy.com/technique/slow-motion) | 1 beat: cola, orejas o salto cariñoso (foto 06-06) | **Evitar:** Interview / Fourth Wall humano, Handheld nervioso, efectos espectaculares, flashbacks en blanco y negro. **Frase para Prompt Hero:** > Ground-level pet documentary: warm natural light, close-ups on eyes and paws, soft tracking through coliving, one slow-motion joy beat, video-portrait ending. Soft acoustic background music under child voice-over. --- ## 5. Inventario de fotos | ID | Archivo | Contenido | Momento narrativo | |----|---------|-----------|-------------------| | **F01** | `WhatsApp Image 2026-05-03 at 12.02.23.jpeg` | Perrita gris peluda, arnés verde lima, bosque/prado | Ya segura al aire libre | | **F02** | `WhatsApp Image 2026-05-08 at 20.03.00.jpeg` | **Par hound** en cojín amarillo, mirada vulnerable a cámara | Primeros días · miedo | | **F03** | `WhatsApp Image 2026-05-09 at 11.51.56.jpeg` | **Par hound** durmiendo juntas en transportín, manta azul | Primer refugio seguro | | **F04** | `WhatsApp Image 2026-05-19 at 21.51.31.jpeg` | En cama marrón, mordiendo juguete azul, juntas | Empiezan a relajarse | | **F05** | `WhatsApp Image 2026-05-21 at 20.15.59.jpeg` | Una con **collar isabelino**, mano acariciando la otra | Cuidados · paciencia | | **F06** | `WhatsApp Image 2026-05-28 at 18.30.15.jpeg` | Sofá exterior, **3 perritas** durmiendo al sol (una aún con cone) | Felices en Anceu | | **F07** | `WhatsApp Image 2026-06-06 at 13.00.37.jpeg` | Salón coliving, abrazo/juego con participantes | Comunidad · cariño | | **F08** | `WhatsApp Image 2026-06-06 at 13.00.37 (1).jpeg` | Dos personas con portátiles, **perras dormidas en el regazo** | Ya son de la casa | | **F09** | `WhatsApp Image 2026-06-06 at 13.34.25.jpeg` | **Primerísimo plano** durmiendo en regazo (jeans), boca relajada | Confianza total · cierre | --- ## 6. Guion · 45 segundos · voz en off (niña, ellas hablan) **Ritmo:** pausado, ~85 palabras. | Tiempo | Foto | Plano Eyecandy | Voz en off (niña) | |--------|------|----------------|-------------------| | **0:00–0:07** | **F02** | Close-Up · ground level, ojos desde cojín amarillo | *«Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir.»* | | **0:07–0:13** | **F03** | Close-Up quieto, transportín abierto | *«Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas.»* | | **0:13–0:20** | **F05** | Close-Up: mano en el hocico, collar isabelino al fondo | *«Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia.»* | | **0:20–0:26** | **F04** | Ground level, cama marrón, juguete azul | *«Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer.»* | | **0:26–0:32** | **F01** | Video Portrait suave, bosque, arnés verde | *«Cada una a su ritmo. Cada una encontrando su sitio al sol.»* | | **0:32–0:38** | **F06** | Wide shot → tracking lento por sofá exterior | *«Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa.»* | | **0:38–0:42** | **F08** | Tracking suave salón; perros en regazos, portátiles | *«Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa.»* | | **0:42–0:45** | **F09** | Close-Up extremo, casi sin movimiento | *«Gracias por ayudarnos. Gracias por vuestra paciencia.»* | **Insert opcional (1 s):** **F07** entre 0:38 y 0:42 — salto cariñoso / risas (Slow Motion muy breve). **Texto en pantalla (0:42–0:45):** `Anceu Coliving` · `Gracias por acogernos` --- ## 7. Texto completo VO · 45 s (una toma · voz niña) > Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. > Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. > Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. > Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. > Cada una a su ritmo. Cada una encontrando su sitio al sol. > Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. > Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. > Gracias por ayudarnos. Gracias por vuestra paciencia. --- ## 8. Versión corta · 30 segundos | Tiempo | Foto | Voz en off (niña) | |--------|------|-------------------| | 0:00–0:06 | F02 | *«Nos encontraron en la carretera, asustadas y juntas.»* | | 0:06–0:12 | F03 | *«Nos dieron refugio, comida y un sitio donde dormir.»* | | 0:12–0:18 | F05 | *«Nos cuidaron con paciencia, incluso cuando teníamos miedo.»* | | 0:18–0:24 | F06 | *«Ahora vivimos en Anceu: sol, sofá y mucha gente buena.»* | | 0:24–0:30 | F09 | *«Gracias por ayudarnos. Gracias por esperar a que confiemos.»* | --- ## 9. Prompt Hero (copiar y pegar) ``` 45-second emotional video about two rescued female dogs at Anceu Coliving, rural Galicia. VOICE-OVER: - Language: Spanish - Speaker: young girl's voice (child, 8-12 years old), soft and sincere - First person plural (the dogs speaking: "nosotras", "estábamos", "gracias") - NOT an adult woman narrator BACKGROUND MUSIC: - Soft acoustic: ukulele or gentle guitar fingerpicking - Warm, hopeful, countryside mood — not sad, not epic - Volume 20-30% under voice-over; music fades out last 3 seconds STORY: Two hound-mix dogs found abandoned on the road, taken in by Anceu Coliving community. Scared at first, medical care (cone collar), slowly learning to trust. Now sleeping on laps, playing in the living room, resting on outdoor sofa with a third scruffy grey dog. Grateful tone — thank people for help and patience. USE ATTACHED PHOTOS IN THIS ORDER: 1. Two tricolor dogs on yellow cushion, soulful eyes looking up (F02) 2. Same pair sleeping together in open pet carrier, blue blanket (F03) 3. One dog with cone collar, gentle hand petting the other (F05) 4. Both on tan dog bed, one chewing blue toy (F04) 5. Scruffy grey dog with lime green harness in forest/grass (F01) 6. Three dogs sleeping on outdoor grey sofa, stone wall, sunlight (F06) 7. Two women on couch with laptops, dogs asleep on laps (F08) 8. Extreme close-up: dog sleeping peacefully on person's lap in jeans (F09) Optional 1-sec insert: playful dog licking laughing woman in coliving room (F07) VISUAL STYLE (Eyecandy): Ground Level + Close-Up + Video Portraits + Tracking + Wide shot. Warm natural daylight, soft shadows, intimate pet documentary, slow pacing. Camera at dog eye height. Preserve real dogs and coliving spaces from photos. AVOID: adult narrator voice, mockumentary comedy, shaky handheld tension, road accident gore, sad piano cliché, loud drums, stock pet footage, fast TikTok cuts. VOICE-OVER SCRIPT (Spanish, young girl voice): Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. Cada una a su ritmo. Cada una encontrando su sitio al sol. Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. Gracias por ayudarnos. Gracias por vuestra paciencia. End text on screen: Anceu Coliving · Gracias por acogernos Aspect ratio: 9:16 (Reels) or 16:9 (web) Duration: 45 seconds ``` --- ## 10. Negative prompt ``` adult woman narrator, deep voice, male narrator, robotic voice, violence, injured dogs graphic, road accident blood, cages, chains, aggressive dogs, mockumentary, comedy zoom, horror grading, stock footage, fast cuts, text spam, sad NGO piano, loud drums, EDM, suspense music ``` --- ## 11. Checklist antes de generar - [ ] Adjuntar las 9 fotos de `/home/africa/src/fotos perros/` a Prompt Hero - [ ] Seleccionar voz **niña / child** (no adulta) - [ ] Activar música de fondo acústica suave (o subir pista propia) - [ ] Elegir duración: 45 s (recomendado) o 30 s (§8) - [ ] Formato: 9:16 o 16:9 - [ ] Permiso de personas visibles en F06, F07, F08 --- ## 12. Notas de producción - **No hay foto del rescate en carretera:** el pasado se cuenta solo con la voz; F02 muestra el “después inmediato”. - **Collar isabelino (F05):** refuerza el mensaje de *paciencia y cuidado*. - **Tercera perrita gris (F01, F06):** el guion dice *“cada una a su ritmo”* para incluirla sin forzar que sean solo dos. - **Plano F09** es el cierre emocional: casi macro, casi sin movimiento. - **Voz de niña + música suave** = tono de cuento corto, no documental institucional.
VISUAL STYLE: Realistic, GENRE: Comedy, SUBJECT(S): Gorilla, Business, TIME PERIOD: Contemporary, COLOR: Neutral, ASPECT RATIO: 16:9, FORMAT: Still image, FRAME SIZE: Full body, LENS SIZE: Medium, COMPOSITION: Centered, LIGHTING: Natural, LIGHTING TYPE: Soft, TIME OF DAY: Daytime, ENVIRONMENT: Interior, LOCATION TYPE: Office, SET: Modern office, CAMERA: Standard camera, LENS: Normal lens, FILM STOCK / RESOLUTION: High resolution, TAGS: Gorilla, Business, Comedy --v 5 --q 2 --ar 16:9
Create a 35-second hyperrealistic cinematic comedy short, no dialogue, no voiceover. A sunny European street at golden hour. A normal man walks confidently while carrying a takeaway coffee. His shadow on the pavement behaves like a separate character: tired, annoyed, and slightly fed up with him. Shot 1: Wide shot. The man walks normally, but his shadow yawns, stretches, and lags behind him by one second, as if it is exhausted. Shot 2: The man checks his phone and almost trips over a curb. His shadow reacts first, grabs the shadow of his ankle, and pulls him back just in time. The man looks confused. Shot 3: The man tries to act cool in front of people, but his shadow suddenly starts dancing dramatically on the pavement. Pedestrians notice the shadow, not the man. The man gets embarrassed. Shot 4: The man tries to control the shadow by stepping on it, but the shadow slips away like liquid and reappears on a nearby wall, crossing its arms in protest. Shot 5: The man walks into a patch of shade to make the shadow disappear. He waits, relieved. Then he steps back into sunlight. Final shot: The shadow appears again, but now it calmly waves goodbye and walks away independently across the pavement, leaving the man standing frozen in the street without a shadow. A small dog notices the runaway shadow and follows it, wagging its tail. The man looks down, completely confused. Tone: deadpan physical comedy, subtle magical realism, realistic lighting and shadows, warm cinematic color grading, handheld camera, shallow depth of field, natural street ambience, expressive body language, clean visual continuity. Style: hyperrealistic, cinematic, clever, funny, elegant, not childish.
A cinematic 1990s Scandinavian office comedy scene. A tired middle-aged office worker in a beige sweater sits across from his strict manager in a dull corporate office with fluorescent lighting, gray walls, stacks of paperwork and old desktop computers. The manager sternly assigns him extra work for the weekend. Suddenly, the employee reveals complete confidence, knowing he has just become extremely wealthy. Instead of arguing, he playfully mocks the manager with exaggerated facial expressions, childish voice imitation and subtle sarcasm. The manager becomes increasingly confused and frustrated while the employee remains calm, amused and completely fearless. Deadpan Nordic humor, awkward silence, realistic performances, static camera, slow zooms, authentic 1990s Swedish office aesthetic, muted colors, natural lighting, high cinematic quality, 35mm film look, dry comedy, realistic dialogue timing, no slapstick, 16:9.
Ultra-hilarious satirical meme caricature illustration parodying Jimmy Tatro's classic 2010s "West Coast Report: Fraternity Rush" skit, but with insane NFL QB beef. Dimly lit, trashed frat basement straight out of 2011: red Solo cups everywhere, crushed beer cans, stained pizza boxes, crusty old couch with mystery stains, "FRAT" posters peeling off walls, flip phone on the floor, empty Natty Light cases, overhead projector (ancient bulb flickering) blasting a bright blue glow onto a crusty white sheet pinned to the wall like a low-budget horror movie set. Wide-angle lens distortion for chaotic energy, cheap projector light casting dramatic shadows and highlighting every sweaty pore. Projected on the wall in glorious high-def: Drake Maye as the ultimate super-bro chill god — impossibly relaxed Zen master vibe, eyes half-closed in serene bliss like he just aced a keg stand and a philosophy exam, smug confident smirk, arms casually crossed behind head, lounging back like he's on a yacht, wearing crisp New England Patriots navy home jersey #10 with perfect lighting making him look like a Greek god frat king radiating pure alpha "I don't even try" coolness, subtle glow around him like he's the chosen one, zero effort maximum drip. In extreme foreground foreground dominating the frame: A pathetic, vein-bulging, rage-exploding d-bag old nerd virgin caricature of Seahawks QB Sam Darnold — balding with sad comb-over strands flying, thick Coke-bottle taped nerd glasses sliding down sweaty nose, furious tomato-red face with bulging cartoon eyes and throbbing forehead vein, mouth stretched in a hysterical banshee scream, spit flying, one hand aggressively jabbing a trembling finger at Maye's face like he's trying to laser him, wearing an oversized ill-fitting Seattle Seahawks jersey #14 that's way too big on his scrawny frame (sleeves dangling like sad wings), tucked into high-waisted khakis with a belt that's too tight, pocket protector overflowing with pens, massive dandruff flakes, tiny nametag that says "Property of Mom's Basement", exaggerated incel neckbeard stubble, tears of jealous fury streaming down his cheeks, tiny rage tears, looking like the human embodiment of "why him and not me???" energy. Massive bold white Impact font text overlays for classic meme punch: - Top of image in huge letters: "HE'S CHILL!!!" (with multiple exclamation points and a tiny sunglasses emoji leaking off the edge) - Bottom exploding in angry red dripping letters: "MAYE FUCKED MY MOM!!!" (all caps, extra exclamation marks, maybe a tiny broken heart emoji shattered next to it for extra pathetic flavor) Style: Over-the-top 2012-era viral rage comic meets exaggerated political cartoon satire, gritty over-saturated colors, high detail on every ridiculous facial contortion and gross room detail, absurd dramatic comedy lighting (projector beam turning the nerd's face into a horror villain glow), veins popping like cartoon hoses, pure unfiltered roast humor. Make it so funny it hurts. --ar 16:9 --stylize 300 --chaos 60 --v 6 --q 2 This amps the comedy by: - Heightening the visual roast (Maye = effortless legend, "Darnold-nerd" = maximum loser caricature with incel tropes dialed to 11 for laughs) - Adding silly gags (dandruff, pocket protector, tears, spit, nametag) - Punchier text with emojis and drips for that raw meme feel - Keeping the skit authenticity while making the QB swap the punchline
A 10-second hyperrealistic cinematic comedy scene. The same man panics as the street keeps unraveling behind him. He looks down and finds that the loose thread has formed a huge tangled ball on the pavement. Without thinking, he takes out a small sewing needle from his pocket, as if this were completely normal. He starts sewing the air, stitching the street back together. Each stitch repairs a piece of reality: a building edge, a shadow, a passing bicycle, a crosswalk. His expression is extremely serious, like a professional tailor fixing the universe. Style: hyperrealistic, deadpan comedy, magical realism, realistic lighting, cinematic close-ups, detailed fabric and thread textures, elegant absurdity. No dialogue, no voiceover, no subtitles, no text, no logos, no cartoon style, no exaggerated slapstick.
Create a 35-second hyperrealistic cinematic comedy short, no dialogue, no voiceover. A sunny European street at golden hour. A normal man walks confidently while carrying a takeaway coffee. His shadow on the pavement behaves like a separate character: tired, annoyed, and slightly fed up with him. Shot 1: Wide shot. The man walks normally, but his shadow yawns, stretches, and lags behind him by one second, as if it is exhausted. Shot 2: The man checks his phone and almost trips over a curb. His shadow reacts first, grabs the shadow of his ankle, and pulls him back just in time. The man looks confused. Shot 3: The man tries to act cool in front of people, but his shadow suddenly starts dancing dramatically on the pavement. Pedestrians notice the shadow, not the man. The man gets embarrassed. Shot 4: The man tries to control the shadow by stepping on it, but the shadow slips away like liquid and reappears on a nearby wall, crossing its arms in protest. Shot 5: The man walks into a patch of shade to make the shadow disappear. He waits, relieved. Then he steps back into sunlight. Final shot: The shadow appears again, but now it calmly waves goodbye and walks away independently across the pavement, leaving the man standing frozen in the street without a shadow. A small dog notices the runaway shadow and follows it, wagging its tail. The man looks down, completely confused. Tone: deadpan physical comedy, subtle magical realism, realistic lighting and shadows, warm cinematic color grading, handheld camera, shallow depth of field, natural street ambience, expressive body language, clean visual continuity. Style: hyperrealistic, cinematic, clever, funny, elegant, not childish.
VISUAL STYLE: Realistic, GENRE: Comedy, SUBJECT(S): Gorilla, Business, TIME PERIOD: Contemporary, COLOR: Neutral, ASPECT RATIO: 16:9, FORMAT: Still image, FRAME SIZE: Full body, LENS SIZE: Medium, COMPOSITION: Centered, LIGHTING: Natural, LIGHTING TYPE: Soft, TIME OF DAY: Daytime, ENVIRONMENT: Interior, LOCATION TYPE: Office, SET: Modern office, CAMERA: Standard camera, LENS: Normal lens, FILM STOCK / RESOLUTION: High resolution, TAGS: Gorilla, Business, Comedy --v 5 --q 2 --ar 16:9
Ultra-hilarious satirical meme caricature illustration parodying Jimmy Tatro's classic 2010s "West Coast Report: Fraternity Rush" skit, but with insane NFL QB beef. Dimly lit, trashed frat basement straight out of 2011: red Solo cups everywhere, crushed beer cans, stained pizza boxes, crusty old couch with mystery stains, "FRAT" posters peeling off walls, flip phone on the floor, empty Natty Light cases, overhead projector (ancient bulb flickering) blasting a bright blue glow onto a crusty white sheet pinned to the wall like a low-budget horror movie set. Wide-angle lens distortion for chaotic energy, cheap projector light casting dramatic shadows and highlighting every sweaty pore. Projected on the wall in glorious high-def: Drake Maye as the ultimate super-bro chill god — impossibly relaxed Zen master vibe, eyes half-closed in serene bliss like he just aced a keg stand and a philosophy exam, smug confident smirk, arms casually crossed behind head, lounging back like he's on a yacht, wearing crisp New England Patriots navy home jersey #10 with perfect lighting making him look like a Greek god frat king radiating pure alpha "I don't even try" coolness, subtle glow around him like he's the chosen one, zero effort maximum drip. In extreme foreground foreground dominating the frame: A pathetic, vein-bulging, rage-exploding d-bag old nerd virgin caricature of Seahawks QB Sam Darnold — balding with sad comb-over strands flying, thick Coke-bottle taped nerd glasses sliding down sweaty nose, furious tomato-red face with bulging cartoon eyes and throbbing forehead vein, mouth stretched in a hysterical banshee scream, spit flying, one hand aggressively jabbing a trembling finger at Maye's face like he's trying to laser him, wearing an oversized ill-fitting Seattle Seahawks jersey #14 that's way too big on his scrawny frame (sleeves dangling like sad wings), tucked into high-waisted khakis with a belt that's too tight, pocket protector overflowing with pens, massive dandruff flakes, tiny nametag that says "Property of Mom's Basement", exaggerated incel neckbeard stubble, tears of jealous fury streaming down his cheeks, tiny rage tears, looking like the human embodiment of "why him and not me???" energy. Massive bold white Impact font text overlays for classic meme punch: - Top of image in huge letters: "HE'S CHILL!!!" (with multiple exclamation points and a tiny sunglasses emoji leaking off the edge) - Bottom exploding in angry red dripping letters: "MAYE FUCKED MY MOM!!!" (all caps, extra exclamation marks, maybe a tiny broken heart emoji shattered next to it for extra pathetic flavor) Style: Over-the-top 2012-era viral rage comic meets exaggerated political cartoon satire, gritty over-saturated colors, high detail on every ridiculous facial contortion and gross room detail, absurd dramatic comedy lighting (projector beam turning the nerd's face into a horror villain glow), veins popping like cartoon hoses, pure unfiltered roast humor. Make it so funny it hurts. --ar 16:9 --stylize 300 --chaos 60 --v 6 --q 2 This amps the comedy by: - Heightening the visual roast (Maye = effortless legend, "Darnold-nerd" = maximum loser caricature with incel tropes dialed to 11 for laughs) - Adding silly gags (dandruff, pocket protector, tears, spit, nametag) - Punchier text with emojis and drips for that raw meme feel - Keeping the skit authenticity while making the QB swap the punchline
A cinematic 1990s Scandinavian office comedy scene. A tired middle-aged office worker in a beige sweater sits across from his strict manager in a dull corporate office with fluorescent lighting, gray walls, stacks of paperwork and old desktop computers. The manager sternly assigns him extra work for the weekend. Suddenly, the employee reveals complete confidence, knowing he has just become extremely wealthy. Instead of arguing, he playfully mocks the manager with exaggerated facial expressions, childish voice imitation and subtle sarcasm. The manager becomes increasingly confused and frustrated while the employee remains calm, amused and completely fearless. Deadpan Nordic humor, awkward silence, realistic performances, static camera, slow zooms, authentic 1990s Swedish office aesthetic, muted colors, natural lighting, high cinematic quality, 35mm film look, dry comedy, realistic dialogue timing, no slapstick, 16:9.
# Vídeo · Las perritas rescatadas · Anceu Coliving > Dos perritas hound (blanco, negro y marrón) recogidas en la carretera. > Ahora viven en Anceu con la comunidad del coliving (+ una tercera perrita peluda gris en algunas fotos). > Voz en off en **primera persona plural** — ellas hablan con **voz de niña**. > **Duración:** 45 s (incluye versión 30 s) · **Herramienta:** Prompt Hero > **Fotos:** `/home/africa/src/fotos perros/` --- ## 1. Concepto Historias de rescate contadas desde la mirada de las perritas: miedo en la carretera → primer refugio → cuidados (incluso collar isabelino) → confianza poco a poco → vida feliz en el coliving (sofá, jardín, gente con paciencia). **Tono:** tierno, honesto, esperanzador. Sin dramatizar violencia; el foco está en el presente y la gratitud. --- ## 2. Voz en off | Campo | Indicación | |-------|------------| | **Tipo de voz** | Niña / voz infantil (8–12 años), no adulta | | **Persona gramatical** | Primera persona plural: *nosotras*, *estábamos*, *gracias* | | **Tono** | Suave, sincera, un poco tímida al principio; más alegre al final | | **Ritmo** | Pausado, con pequeñas respiraciones entre frases | | **Evitar** | Voz de locutora adulta, voz robótica, tono comercial | **Nota para Prompt Hero:** si generas la voz con IA, busca preset tipo *child*, *young girl*, *niña* o grábala con una niña real si la herramienta lo permite. --- ## 3. Música de fondo | Campo | Indicación | |-------|------------| | **Estilo** | Acústica suave: ukelele, guitarra fingerpicking o piano ligero | | **Mood** | Cálida, esperanzadora, campestre — no triste ni épica | | **Volumen** | **20–30 %** bajo la voz; la VO siempre por encima | | **Entrada** | Suave desde el segundo 0, sin golpe fuerte | | **Final** | Fade out en los últimos 3 s junto al texto en pantalla | | **Evitar** | Piano melancólico de anuncio de ONG, drums, EDM, música de suspense | **Referencias de mood (no copiar):** banda sonora de documental de animales, canción de cuna acústica, folk gallego muy suave sin letra. --- ## 4. Estilo visual · Eyecandy **Distinto al vídeo ruralGPT** (Handheld documental humano). Aquí el protagonista es el animal. | Prioridad | Técnica Eyecandy | Uso en este vídeo | |-----------|------------------|-------------------| | 1 | [Ground Level](https://eyecannndy.com/technique/ground-shot) | Cámara a altura de hocico y patas | | 2 | [Close-Up](https://eyecannndy.com/technique/close-up) | Ojos, nariz, mano que acaricia, dormir en el regazo | | 3 | [Video Portraits](https://eyecannndy.com/technique/video-portraits) | Plano quieto mirando a cámara (cierre) | | 4 | [Tracking](https://eyecannndy.com/technique/tracking) | Siguiendo por jardín / salón del coliving | | 5 | [Wide shot](https://eyecannndy.com/technique/wide-shot) | Sofá exterior, las tres juntas al sol | | Opcional | [Slow Motion](https://eyecannndy.com/technique/slow-motion) | 1 beat: cola, orejas o salto cariñoso (foto 06-06) | **Evitar:** Interview / Fourth Wall humano, Handheld nervioso, efectos espectaculares, flashbacks en blanco y negro. **Frase para Prompt Hero:** > Ground-level pet documentary: warm natural light, close-ups on eyes and paws, soft tracking through coliving, one slow-motion joy beat, video-portrait ending. Soft acoustic background music under child voice-over. --- ## 5. Inventario de fotos | ID | Archivo | Contenido | Momento narrativo | |----|---------|-----------|-------------------| | **F01** | `WhatsApp Image 2026-05-03 at 12.02.23.jpeg` | Perrita gris peluda, arnés verde lima, bosque/prado | Ya segura al aire libre | | **F02** | `WhatsApp Image 2026-05-08 at 20.03.00.jpeg` | **Par hound** en cojín amarillo, mirada vulnerable a cámara | Primeros días · miedo | | **F03** | `WhatsApp Image 2026-05-09 at 11.51.56.jpeg` | **Par hound** durmiendo juntas en transportín, manta azul | Primer refugio seguro | | **F04** | `WhatsApp Image 2026-05-19 at 21.51.31.jpeg` | En cama marrón, mordiendo juguete azul, juntas | Empiezan a relajarse | | **F05** | `WhatsApp Image 2026-05-21 at 20.15.59.jpeg` | Una con **collar isabelino**, mano acariciando la otra | Cuidados · paciencia | | **F06** | `WhatsApp Image 2026-05-28 at 18.30.15.jpeg` | Sofá exterior, **3 perritas** durmiendo al sol (una aún con cone) | Felices en Anceu | | **F07** | `WhatsApp Image 2026-06-06 at 13.00.37.jpeg` | Salón coliving, abrazo/juego con participantes | Comunidad · cariño | | **F08** | `WhatsApp Image 2026-06-06 at 13.00.37 (1).jpeg` | Dos personas con portátiles, **perras dormidas en el regazo** | Ya son de la casa | | **F09** | `WhatsApp Image 2026-06-06 at 13.34.25.jpeg` | **Primerísimo plano** durmiendo en regazo (jeans), boca relajada | Confianza total · cierre | --- ## 6. Guion · 45 segundos · voz en off (niña, ellas hablan) **Ritmo:** pausado, ~85 palabras. | Tiempo | Foto | Plano Eyecandy | Voz en off (niña) | |--------|------|----------------|-------------------| | **0:00–0:07** | **F02** | Close-Up · ground level, ojos desde cojín amarillo | *«Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir.»* | | **0:07–0:13** | **F03** | Close-Up quieto, transportín abierto | *«Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas.»* | | **0:13–0:20** | **F05** | Close-Up: mano en el hocico, collar isabelino al fondo | *«Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia.»* | | **0:20–0:26** | **F04** | Ground level, cama marrón, juguete azul | *«Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer.»* | | **0:26–0:32** | **F01** | Video Portrait suave, bosque, arnés verde | *«Cada una a su ritmo. Cada una encontrando su sitio al sol.»* | | **0:32–0:38** | **F06** | Wide shot → tracking lento por sofá exterior | *«Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa.»* | | **0:38–0:42** | **F08** | Tracking suave salón; perros en regazos, portátiles | *«Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa.»* | | **0:42–0:45** | **F09** | Close-Up extremo, casi sin movimiento | *«Gracias por ayudarnos. Gracias por vuestra paciencia.»* | **Insert opcional (1 s):** **F07** entre 0:38 y 0:42 — salto cariñoso / risas (Slow Motion muy breve). **Texto en pantalla (0:42–0:45):** `Anceu Coliving` · `Gracias por acogernos` --- ## 7. Texto completo VO · 45 s (una toma · voz niña) > Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. > Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. > Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. > Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. > Cada una a su ritmo. Cada una encontrando su sitio al sol. > Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. > Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. > Gracias por ayudarnos. Gracias por vuestra paciencia. --- ## 8. Versión corta · 30 segundos | Tiempo | Foto | Voz en off (niña) | |--------|------|-------------------| | 0:00–0:06 | F02 | *«Nos encontraron en la carretera, asustadas y juntas.»* | | 0:06–0:12 | F03 | *«Nos dieron refugio, comida y un sitio donde dormir.»* | | 0:12–0:18 | F05 | *«Nos cuidaron con paciencia, incluso cuando teníamos miedo.»* | | 0:18–0:24 | F06 | *«Ahora vivimos en Anceu: sol, sofá y mucha gente buena.»* | | 0:24–0:30 | F09 | *«Gracias por ayudarnos. Gracias por esperar a que confiemos.»* | --- ## 9. Prompt Hero (copiar y pegar) ``` 45-second emotional video about two rescued female dogs at Anceu Coliving, rural Galicia. VOICE-OVER: - Language: Spanish - Speaker: young girl's voice (child, 8-12 years old), soft and sincere - First person plural (the dogs speaking: "nosotras", "estábamos", "gracias") - NOT an adult woman narrator BACKGROUND MUSIC: - Soft acoustic: ukulele or gentle guitar fingerpicking - Warm, hopeful, countryside mood — not sad, not epic - Volume 20-30% under voice-over; music fades out last 3 seconds STORY: Two hound-mix dogs found abandoned on the road, taken in by Anceu Coliving community. Scared at first, medical care (cone collar), slowly learning to trust. Now sleeping on laps, playing in the living room, resting on outdoor sofa with a third scruffy grey dog. Grateful tone — thank people for help and patience. USE ATTACHED PHOTOS IN THIS ORDER: 1. Two tricolor dogs on yellow cushion, soulful eyes looking up (F02) 2. Same pair sleeping together in open pet carrier, blue blanket (F03) 3. One dog with cone collar, gentle hand petting the other (F05) 4. Both on tan dog bed, one chewing blue toy (F04) 5. Scruffy grey dog with lime green harness in forest/grass (F01) 6. Three dogs sleeping on outdoor grey sofa, stone wall, sunlight (F06) 7. Two women on couch with laptops, dogs asleep on laps (F08) 8. Extreme close-up: dog sleeping peacefully on person's lap in jeans (F09) Optional 1-sec insert: playful dog licking laughing woman in coliving room (F07) VISUAL STYLE (Eyecandy): Ground Level + Close-Up + Video Portraits + Tracking + Wide shot. Warm natural daylight, soft shadows, intimate pet documentary, slow pacing. Camera at dog eye height. Preserve real dogs and coliving spaces from photos. AVOID: adult narrator voice, mockumentary comedy, shaky handheld tension, road accident gore, sad piano cliché, loud drums, stock pet footage, fast TikTok cuts. VOICE-OVER SCRIPT (Spanish, young girl voice): Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. Cada una a su ritmo. Cada una encontrando su sitio al sol. Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. Gracias por ayudarnos. Gracias por vuestra paciencia. End text on screen: Anceu Coliving · Gracias por acogernos Aspect ratio: 9:16 (Reels) or 16:9 (web) Duration: 45 seconds ``` --- ## 10. Negative prompt ``` adult woman narrator, deep voice, male narrator, robotic voice, violence, injured dogs graphic, road accident blood, cages, chains, aggressive dogs, mockumentary, comedy zoom, horror grading, stock footage, fast cuts, text spam, sad NGO piano, loud drums, EDM, suspense music ``` --- ## 11. Checklist antes de generar - [ ] Adjuntar las 9 fotos de `/home/africa/src/fotos perros/` a Prompt Hero - [ ] Seleccionar voz **niña / child** (no adulta) - [ ] Activar música de fondo acústica suave (o subir pista propia) - [ ] Elegir duración: 45 s (recomendado) o 30 s (§8) - [ ] Formato: 9:16 o 16:9 - [ ] Permiso de personas visibles en F06, F07, F08 --- ## 12. Notas de producción - **No hay foto del rescate en carretera:** el pasado se cuenta solo con la voz; F02 muestra el “después inmediato”. - **Collar isabelino (F05):** refuerza el mensaje de *paciencia y cuidado*. - **Tercera perrita gris (F01, F06):** el guion dice *“cada una a su ritmo”* para incluirla sin forzar que sean solo dos. - **Plano F09** es el cierre emocional: casi macro, casi sin movimiento. - **Voz de niña + música suave** = tono de cuento corto, no documental institucional.
funny realistic 3D cartoon style Indian boy character holding a mobile phone and laughing uncontrollably, sitting in a cozy colorful room, eyes wide with excitement, mouth open in big laughter, expressive hands, vibrant cinematic lighting, glowing phone screen showing a comedy video, playful atmosphere, ultra HD 4K details, Pixar-style realistic 3D render, smooth textures, soft shadows, colorful neon background, floating laughing emojis in the air, dramatic depth of field, highly detailed face expressions, engaging YouTube Shorts intro scene, comedy vibe, ultra realistic, masterpiece, vibrant colors, HD ultra pro max.
A 10-second hyperrealistic cinematic comedy scene. The same man panics as the street keeps unraveling behind him. He looks down and finds that the loose thread has formed a huge tangled ball on the pavement. Without thinking, he takes out a small sewing needle from his pocket, as if this were completely normal. He starts sewing the air, stitching the street back together. Each stitch repairs a piece of reality: a building edge, a shadow, a passing bicycle, a crosswalk. His expression is extremely serious, like a professional tailor fixing the universe. Style: hyperrealistic, deadpan comedy, magical realism, realistic lighting, cinematic close-ups, detailed fabric and thread textures, elegant absurdity. No dialogue, no voiceover, no subtitles, no text, no logos, no cartoon style, no exaggerated slapstick.
Ultra-hilarious satirical meme caricature illustration parodying Jimmy Tatro's classic 2010s "West Coast Report: Fraternity Rush" skit, but with insane NFL QB beef. Dimly lit, trashed frat basement straight out of 2011: red Solo cups everywhere, crushed beer cans, stained pizza boxes, crusty old couch with mystery stains, "FRAT" posters peeling off walls, flip phone on the floor, empty Natty Light cases, overhead projector (ancient bulb flickering) blasting a bright blue glow onto a crusty white sheet pinned to the wall like a low-budget horror movie set. Wide-angle lens distortion for chaotic energy, cheap projector light casting dramatic shadows and highlighting every sweaty pore. Projected on the wall in glorious high-def: Drake Maye as the ultimate super-bro chill god — impossibly relaxed Zen master vibe, eyes half-closed in serene bliss like he just aced a keg stand and a philosophy exam, smug confident smirk, arms casually crossed behind head, lounging back like he's on a yacht, wearing crisp New England Patriots navy home jersey #10 with perfect lighting making him look like a Greek god frat king radiating pure alpha "I don't even try" coolness, subtle glow around him like he's the chosen one, zero effort maximum drip. In extreme foreground foreground dominating the frame: A pathetic, vein-bulging, rage-exploding d-bag old nerd virgin caricature of Seahawks QB Sam Darnold — balding with sad comb-over strands flying, thick Coke-bottle taped nerd glasses sliding down sweaty nose, furious tomato-red face with bulging cartoon eyes and throbbing forehead vein, mouth stretched in a hysterical banshee scream, spit flying, one hand aggressively jabbing a trembling finger at Maye's face like he's trying to laser him, wearing an oversized ill-fitting Seattle Seahawks jersey #14 that's way too big on his scrawny frame (sleeves dangling like sad wings), tucked into high-waisted khakis with a belt that's too tight, pocket protector overflowing with pens, massive dandruff flakes, tiny nametag that says "Property of Mom's Basement", exaggerated incel neckbeard stubble, tears of jealous fury streaming down his cheeks, tiny rage tears, looking like the human embodiment of "why him and not me???" energy. Massive bold white Impact font text overlays for classic meme punch: - Top of image in huge letters: "HE'S CHILL!!!" (with multiple exclamation points and a tiny sunglasses emoji leaking off the edge) - Bottom exploding in angry red dripping letters: "MAYE FUCKED MY MOM!!!" (all caps, extra exclamation marks, maybe a tiny broken heart emoji shattered next to it for extra pathetic flavor) Style: Over-the-top 2012-era viral rage comic meets exaggerated political cartoon satire, gritty over-saturated colors, high detail on every ridiculous facial contortion and gross room detail, absurd dramatic comedy lighting (projector beam turning the nerd's face into a horror villain glow), veins popping like cartoon hoses, pure unfiltered roast humor. Make it so funny it hurts. --ar 16:9 --stylize 300 --chaos 60 --v 6 --q 2 This amps the comedy by: - Heightening the visual roast (Maye = effortless legend, "Darnold-nerd" = maximum loser caricature with incel tropes dialed to 11 for laughs) - Adding silly gags (dandruff, pocket protector, tears, spit, nametag) - Punchier text with emojis and drips for that raw meme feel - Keeping the skit authenticity while making the QB swap the punchline
VISUAL STYLE: Realistic, GENRE: Comedy, SUBJECT(S): Gorilla, Business, TIME PERIOD: Contemporary, COLOR: Neutral, ASPECT RATIO: 16:9, FORMAT: Still image, FRAME SIZE: Full body, LENS SIZE: Medium, COMPOSITION: Centered, LIGHTING: Natural, LIGHTING TYPE: Soft, TIME OF DAY: Daytime, ENVIRONMENT: Interior, LOCATION TYPE: Office, SET: Modern office, CAMERA: Standard camera, LENS: Normal lens, FILM STOCK / RESOLUTION: High resolution, TAGS: Gorilla, Business, Comedy --v 5 --q 2 --ar 16:9
A cinematic 1990s Scandinavian office comedy scene. A tired middle-aged office worker in a beige sweater sits across from his strict manager in a dull corporate office with fluorescent lighting, gray walls, stacks of paperwork and old desktop computers. The manager sternly assigns him extra work for the weekend. Suddenly, the employee reveals complete confidence, knowing he has just become extremely wealthy. Instead of arguing, he playfully mocks the manager with exaggerated facial expressions, childish voice imitation and subtle sarcasm. The manager becomes increasingly confused and frustrated while the employee remains calm, amused and completely fearless. Deadpan Nordic humor, awkward silence, realistic performances, static camera, slow zooms, authentic 1990s Swedish office aesthetic, muted colors, natural lighting, high cinematic quality, 35mm film look, dry comedy, realistic dialogue timing, no slapstick, 16:9.
funny realistic 3D cartoon style Indian boy character holding a mobile phone and laughing uncontrollably, sitting in a cozy colorful room, eyes wide with excitement, mouth open in big laughter, expressive hands, vibrant cinematic lighting, glowing phone screen showing a comedy video, playful atmosphere, ultra HD 4K details, Pixar-style realistic 3D render, smooth textures, soft shadows, colorful neon background, floating laughing emojis in the air, dramatic depth of field, highly detailed face expressions, engaging YouTube Shorts intro scene, comedy vibe, ultra realistic, masterpiece, vibrant colors, HD ultra pro max.
Create a 35-second hyperrealistic cinematic comedy short, no dialogue, no voiceover. A sunny European street at golden hour. A normal man walks confidently while carrying a takeaway coffee. His shadow on the pavement behaves like a separate character: tired, annoyed, and slightly fed up with him. Shot 1: Wide shot. The man walks normally, but his shadow yawns, stretches, and lags behind him by one second, as if it is exhausted. Shot 2: The man checks his phone and almost trips over a curb. His shadow reacts first, grabs the shadow of his ankle, and pulls him back just in time. The man looks confused. Shot 3: The man tries to act cool in front of people, but his shadow suddenly starts dancing dramatically on the pavement. Pedestrians notice the shadow, not the man. The man gets embarrassed. Shot 4: The man tries to control the shadow by stepping on it, but the shadow slips away like liquid and reappears on a nearby wall, crossing its arms in protest. Shot 5: The man walks into a patch of shade to make the shadow disappear. He waits, relieved. Then he steps back into sunlight. Final shot: The shadow appears again, but now it calmly waves goodbye and walks away independently across the pavement, leaving the man standing frozen in the street without a shadow. A small dog notices the runaway shadow and follows it, wagging its tail. The man looks down, completely confused. Tone: deadpan physical comedy, subtle magical realism, realistic lighting and shadows, warm cinematic color grading, handheld camera, shallow depth of field, natural street ambience, expressive body language, clean visual continuity. Style: hyperrealistic, cinematic, clever, funny, elegant, not childish.
# Vídeo · Las perritas rescatadas · Anceu Coliving > Dos perritas hound (blanco, negro y marrón) recogidas en la carretera. > Ahora viven en Anceu con la comunidad del coliving (+ una tercera perrita peluda gris en algunas fotos). > Voz en off en **primera persona plural** — ellas hablan con **voz de niña**. > **Duración:** 45 s (incluye versión 30 s) · **Herramienta:** Prompt Hero > **Fotos:** `/home/africa/src/fotos perros/` --- ## 1. Concepto Historias de rescate contadas desde la mirada de las perritas: miedo en la carretera → primer refugio → cuidados (incluso collar isabelino) → confianza poco a poco → vida feliz en el coliving (sofá, jardín, gente con paciencia). **Tono:** tierno, honesto, esperanzador. Sin dramatizar violencia; el foco está en el presente y la gratitud. --- ## 2. Voz en off | Campo | Indicación | |-------|------------| | **Tipo de voz** | Niña / voz infantil (8–12 años), no adulta | | **Persona gramatical** | Primera persona plural: *nosotras*, *estábamos*, *gracias* | | **Tono** | Suave, sincera, un poco tímida al principio; más alegre al final | | **Ritmo** | Pausado, con pequeñas respiraciones entre frases | | **Evitar** | Voz de locutora adulta, voz robótica, tono comercial | **Nota para Prompt Hero:** si generas la voz con IA, busca preset tipo *child*, *young girl*, *niña* o grábala con una niña real si la herramienta lo permite. --- ## 3. Música de fondo | Campo | Indicación | |-------|------------| | **Estilo** | Acústica suave: ukelele, guitarra fingerpicking o piano ligero | | **Mood** | Cálida, esperanzadora, campestre — no triste ni épica | | **Volumen** | **20–30 %** bajo la voz; la VO siempre por encima | | **Entrada** | Suave desde el segundo 0, sin golpe fuerte | | **Final** | Fade out en los últimos 3 s junto al texto en pantalla | | **Evitar** | Piano melancólico de anuncio de ONG, drums, EDM, música de suspense | **Referencias de mood (no copiar):** banda sonora de documental de animales, canción de cuna acústica, folk gallego muy suave sin letra. --- ## 4. Estilo visual · Eyecandy **Distinto al vídeo ruralGPT** (Handheld documental humano). Aquí el protagonista es el animal. | Prioridad | Técnica Eyecandy | Uso en este vídeo | |-----------|------------------|-------------------| | 1 | [Ground Level](https://eyecannndy.com/technique/ground-shot) | Cámara a altura de hocico y patas | | 2 | [Close-Up](https://eyecannndy.com/technique/close-up) | Ojos, nariz, mano que acaricia, dormir en el regazo | | 3 | [Video Portraits](https://eyecannndy.com/technique/video-portraits) | Plano quieto mirando a cámara (cierre) | | 4 | [Tracking](https://eyecannndy.com/technique/tracking) | Siguiendo por jardín / salón del coliving | | 5 | [Wide shot](https://eyecannndy.com/technique/wide-shot) | Sofá exterior, las tres juntas al sol | | Opcional | [Slow Motion](https://eyecannndy.com/technique/slow-motion) | 1 beat: cola, orejas o salto cariñoso (foto 06-06) | **Evitar:** Interview / Fourth Wall humano, Handheld nervioso, efectos espectaculares, flashbacks en blanco y negro. **Frase para Prompt Hero:** > Ground-level pet documentary: warm natural light, close-ups on eyes and paws, soft tracking through coliving, one slow-motion joy beat, video-portrait ending. Soft acoustic background music under child voice-over. --- ## 5. Inventario de fotos | ID | Archivo | Contenido | Momento narrativo | |----|---------|-----------|-------------------| | **F01** | `WhatsApp Image 2026-05-03 at 12.02.23.jpeg` | Perrita gris peluda, arnés verde lima, bosque/prado | Ya segura al aire libre | | **F02** | `WhatsApp Image 2026-05-08 at 20.03.00.jpeg` | **Par hound** en cojín amarillo, mirada vulnerable a cámara | Primeros días · miedo | | **F03** | `WhatsApp Image 2026-05-09 at 11.51.56.jpeg` | **Par hound** durmiendo juntas en transportín, manta azul | Primer refugio seguro | | **F04** | `WhatsApp Image 2026-05-19 at 21.51.31.jpeg` | En cama marrón, mordiendo juguete azul, juntas | Empiezan a relajarse | | **F05** | `WhatsApp Image 2026-05-21 at 20.15.59.jpeg` | Una con **collar isabelino**, mano acariciando la otra | Cuidados · paciencia | | **F06** | `WhatsApp Image 2026-05-28 at 18.30.15.jpeg` | Sofá exterior, **3 perritas** durmiendo al sol (una aún con cone) | Felices en Anceu | | **F07** | `WhatsApp Image 2026-06-06 at 13.00.37.jpeg` | Salón coliving, abrazo/juego con participantes | Comunidad · cariño | | **F08** | `WhatsApp Image 2026-06-06 at 13.00.37 (1).jpeg` | Dos personas con portátiles, **perras dormidas en el regazo** | Ya son de la casa | | **F09** | `WhatsApp Image 2026-06-06 at 13.34.25.jpeg` | **Primerísimo plano** durmiendo en regazo (jeans), boca relajada | Confianza total · cierre | --- ## 6. Guion · 45 segundos · voz en off (niña, ellas hablan) **Ritmo:** pausado, ~85 palabras. | Tiempo | Foto | Plano Eyecandy | Voz en off (niña) | |--------|------|----------------|-------------------| | **0:00–0:07** | **F02** | Close-Up · ground level, ojos desde cojín amarillo | *«Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir.»* | | **0:07–0:13** | **F03** | Close-Up quieto, transportín abierto | *«Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas.»* | | **0:13–0:20** | **F05** | Close-Up: mano en el hocico, collar isabelino al fondo | *«Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia.»* | | **0:20–0:26** | **F04** | Ground level, cama marrón, juguete azul | *«Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer.»* | | **0:26–0:32** | **F01** | Video Portrait suave, bosque, arnés verde | *«Cada una a su ritmo. Cada una encontrando su sitio al sol.»* | | **0:32–0:38** | **F06** | Wide shot → tracking lento por sofá exterior | *«Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa.»* | | **0:38–0:42** | **F08** | Tracking suave salón; perros en regazos, portátiles | *«Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa.»* | | **0:42–0:45** | **F09** | Close-Up extremo, casi sin movimiento | *«Gracias por ayudarnos. Gracias por vuestra paciencia.»* | **Insert opcional (1 s):** **F07** entre 0:38 y 0:42 — salto cariñoso / risas (Slow Motion muy breve). **Texto en pantalla (0:42–0:45):** `Anceu Coliving` · `Gracias por acogernos` --- ## 7. Texto completo VO · 45 s (una toma · voz niña) > Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. > Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. > Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. > Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. > Cada una a su ritmo. Cada una encontrando su sitio al sol. > Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. > Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. > Gracias por ayudarnos. Gracias por vuestra paciencia. --- ## 8. Versión corta · 30 segundos | Tiempo | Foto | Voz en off (niña) | |--------|------|-------------------| | 0:00–0:06 | F02 | *«Nos encontraron en la carretera, asustadas y juntas.»* | | 0:06–0:12 | F03 | *«Nos dieron refugio, comida y un sitio donde dormir.»* | | 0:12–0:18 | F05 | *«Nos cuidaron con paciencia, incluso cuando teníamos miedo.»* | | 0:18–0:24 | F06 | *«Ahora vivimos en Anceu: sol, sofá y mucha gente buena.»* | | 0:24–0:30 | F09 | *«Gracias por ayudarnos. Gracias por esperar a que confiemos.»* | --- ## 9. Prompt Hero (copiar y pegar) ``` 45-second emotional video about two rescued female dogs at Anceu Coliving, rural Galicia. VOICE-OVER: - Language: Spanish - Speaker: young girl's voice (child, 8-12 years old), soft and sincere - First person plural (the dogs speaking: "nosotras", "estábamos", "gracias") - NOT an adult woman narrator BACKGROUND MUSIC: - Soft acoustic: ukulele or gentle guitar fingerpicking - Warm, hopeful, countryside mood — not sad, not epic - Volume 20-30% under voice-over; music fades out last 3 seconds STORY: Two hound-mix dogs found abandoned on the road, taken in by Anceu Coliving community. Scared at first, medical care (cone collar), slowly learning to trust. Now sleeping on laps, playing in the living room, resting on outdoor sofa with a third scruffy grey dog. Grateful tone — thank people for help and patience. USE ATTACHED PHOTOS IN THIS ORDER: 1. Two tricolor dogs on yellow cushion, soulful eyes looking up (F02) 2. Same pair sleeping together in open pet carrier, blue blanket (F03) 3. One dog with cone collar, gentle hand petting the other (F05) 4. Both on tan dog bed, one chewing blue toy (F04) 5. Scruffy grey dog with lime green harness in forest/grass (F01) 6. Three dogs sleeping on outdoor grey sofa, stone wall, sunlight (F06) 7. Two women on couch with laptops, dogs asleep on laps (F08) 8. Extreme close-up: dog sleeping peacefully on person's lap in jeans (F09) Optional 1-sec insert: playful dog licking laughing woman in coliving room (F07) VISUAL STYLE (Eyecandy): Ground Level + Close-Up + Video Portraits + Tracking + Wide shot. Warm natural daylight, soft shadows, intimate pet documentary, slow pacing. Camera at dog eye height. Preserve real dogs and coliving spaces from photos. AVOID: adult narrator voice, mockumentary comedy, shaky handheld tension, road accident gore, sad piano cliché, loud drums, stock pet footage, fast TikTok cuts. VOICE-OVER SCRIPT (Spanish, young girl voice): Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. Cada una a su ritmo. Cada una encontrando su sitio al sol. Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. Gracias por ayudarnos. Gracias por vuestra paciencia. End text on screen: Anceu Coliving · Gracias por acogernos Aspect ratio: 9:16 (Reels) or 16:9 (web) Duration: 45 seconds ``` --- ## 10. Negative prompt ``` adult woman narrator, deep voice, male narrator, robotic voice, violence, injured dogs graphic, road accident blood, cages, chains, aggressive dogs, mockumentary, comedy zoom, horror grading, stock footage, fast cuts, text spam, sad NGO piano, loud drums, EDM, suspense music ``` --- ## 11. Checklist antes de generar - [ ] Adjuntar las 9 fotos de `/home/africa/src/fotos perros/` a Prompt Hero - [ ] Seleccionar voz **niña / child** (no adulta) - [ ] Activar música de fondo acústica suave (o subir pista propia) - [ ] Elegir duración: 45 s (recomendado) o 30 s (§8) - [ ] Formato: 9:16 o 16:9 - [ ] Permiso de personas visibles en F06, F07, F08 --- ## 12. Notas de producción - **No hay foto del rescate en carretera:** el pasado se cuenta solo con la voz; F02 muestra el “después inmediato”. - **Collar isabelino (F05):** refuerza el mensaje de *paciencia y cuidado*. - **Tercera perrita gris (F01, F06):** el guion dice *“cada una a su ritmo”* para incluirla sin forzar que sean solo dos. - **Plano F09** es el cierre emocional: casi macro, casi sin movimiento. - **Voz de niña + música suave** = tono de cuento corto, no documental institucional.
A 10-second hyperrealistic cinematic comedy scene. The same man panics as the street keeps unraveling behind him. He looks down and finds that the loose thread has formed a huge tangled ball on the pavement. Without thinking, he takes out a small sewing needle from his pocket, as if this were completely normal. He starts sewing the air, stitching the street back together. Each stitch repairs a piece of reality: a building edge, a shadow, a passing bicycle, a crosswalk. His expression is extremely serious, like a professional tailor fixing the universe. Style: hyperrealistic, deadpan comedy, magical realism, realistic lighting, cinematic close-ups, detailed fabric and thread textures, elegant absurdity. No dialogue, no voiceover, no subtitles, no text, no logos, no cartoon style, no exaggerated slapstick.
# Vídeo · Las perritas rescatadas · Anceu Coliving > Dos perritas hound (blanco, negro y marrón) recogidas en la carretera. > Ahora viven en Anceu con la comunidad del coliving (+ una tercera perrita peluda gris en algunas fotos). > Voz en off en **primera persona plural** — ellas hablan con **voz de niña**. > **Duración:** 45 s (incluye versión 30 s) · **Herramienta:** Prompt Hero > **Fotos:** `/home/africa/src/fotos perros/` --- ## 1. Concepto Historias de rescate contadas desde la mirada de las perritas: miedo en la carretera → primer refugio → cuidados (incluso collar isabelino) → confianza poco a poco → vida feliz en el coliving (sofá, jardín, gente con paciencia). **Tono:** tierno, honesto, esperanzador. Sin dramatizar violencia; el foco está en el presente y la gratitud. --- ## 2. Voz en off | Campo | Indicación | |-------|------------| | **Tipo de voz** | Niña / voz infantil (8–12 años), no adulta | | **Persona gramatical** | Primera persona plural: *nosotras*, *estábamos*, *gracias* | | **Tono** | Suave, sincera, un poco tímida al principio; más alegre al final | | **Ritmo** | Pausado, con pequeñas respiraciones entre frases | | **Evitar** | Voz de locutora adulta, voz robótica, tono comercial | **Nota para Prompt Hero:** si generas la voz con IA, busca preset tipo *child*, *young girl*, *niña* o grábala con una niña real si la herramienta lo permite. --- ## 3. Música de fondo | Campo | Indicación | |-------|------------| | **Estilo** | Acústica suave: ukelele, guitarra fingerpicking o piano ligero | | **Mood** | Cálida, esperanzadora, campestre — no triste ni épica | | **Volumen** | **20–30 %** bajo la voz; la VO siempre por encima | | **Entrada** | Suave desde el segundo 0, sin golpe fuerte | | **Final** | Fade out en los últimos 3 s junto al texto en pantalla | | **Evitar** | Piano melancólico de anuncio de ONG, drums, EDM, música de suspense | **Referencias de mood (no copiar):** banda sonora de documental de animales, canción de cuna acústica, folk gallego muy suave sin letra. --- ## 4. Estilo visual · Eyecandy **Distinto al vídeo ruralGPT** (Handheld documental humano). Aquí el protagonista es el animal. | Prioridad | Técnica Eyecandy | Uso en este vídeo | |-----------|------------------|-------------------| | 1 | [Ground Level](https://eyecannndy.com/technique/ground-shot) | Cámara a altura de hocico y patas | | 2 | [Close-Up](https://eyecannndy.com/technique/close-up) | Ojos, nariz, mano que acaricia, dormir en el regazo | | 3 | [Video Portraits](https://eyecannndy.com/technique/video-portraits) | Plano quieto mirando a cámara (cierre) | | 4 | [Tracking](https://eyecannndy.com/technique/tracking) | Siguiendo por jardín / salón del coliving | | 5 | [Wide shot](https://eyecannndy.com/technique/wide-shot) | Sofá exterior, las tres juntas al sol | | Opcional | [Slow Motion](https://eyecannndy.com/technique/slow-motion) | 1 beat: cola, orejas o salto cariñoso (foto 06-06) | **Evitar:** Interview / Fourth Wall humano, Handheld nervioso, efectos espectaculares, flashbacks en blanco y negro. **Frase para Prompt Hero:** > Ground-level pet documentary: warm natural light, close-ups on eyes and paws, soft tracking through coliving, one slow-motion joy beat, video-portrait ending. Soft acoustic background music under child voice-over. --- ## 5. Inventario de fotos | ID | Archivo | Contenido | Momento narrativo | |----|---------|-----------|-------------------| | **F01** | `WhatsApp Image 2026-05-03 at 12.02.23.jpeg` | Perrita gris peluda, arnés verde lima, bosque/prado | Ya segura al aire libre | | **F02** | `WhatsApp Image 2026-05-08 at 20.03.00.jpeg` | **Par hound** en cojín amarillo, mirada vulnerable a cámara | Primeros días · miedo | | **F03** | `WhatsApp Image 2026-05-09 at 11.51.56.jpeg` | **Par hound** durmiendo juntas en transportín, manta azul | Primer refugio seguro | | **F04** | `WhatsApp Image 2026-05-19 at 21.51.31.jpeg` | En cama marrón, mordiendo juguete azul, juntas | Empiezan a relajarse | | **F05** | `WhatsApp Image 2026-05-21 at 20.15.59.jpeg` | Una con **collar isabelino**, mano acariciando la otra | Cuidados · paciencia | | **F06** | `WhatsApp Image 2026-05-28 at 18.30.15.jpeg` | Sofá exterior, **3 perritas** durmiendo al sol (una aún con cone) | Felices en Anceu | | **F07** | `WhatsApp Image 2026-06-06 at 13.00.37.jpeg` | Salón coliving, abrazo/juego con participantes | Comunidad · cariño | | **F08** | `WhatsApp Image 2026-06-06 at 13.00.37 (1).jpeg` | Dos personas con portátiles, **perras dormidas en el regazo** | Ya son de la casa | | **F09** | `WhatsApp Image 2026-06-06 at 13.34.25.jpeg` | **Primerísimo plano** durmiendo en regazo (jeans), boca relajada | Confianza total · cierre | --- ## 6. Guion · 45 segundos · voz en off (niña, ellas hablan) **Ritmo:** pausado, ~85 palabras. | Tiempo | Foto | Plano Eyecandy | Voz en off (niña) | |--------|------|----------------|-------------------| | **0:00–0:07** | **F02** | Close-Up · ground level, ojos desde cojín amarillo | *«Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir.»* | | **0:07–0:13** | **F03** | Close-Up quieto, transportín abierto | *«Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas.»* | | **0:13–0:20** | **F05** | Close-Up: mano en el hocico, collar isabelino al fondo | *«Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia.»* | | **0:20–0:26** | **F04** | Ground level, cama marrón, juguete azul | *«Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer.»* | | **0:26–0:32** | **F01** | Video Portrait suave, bosque, arnés verde | *«Cada una a su ritmo. Cada una encontrando su sitio al sol.»* | | **0:32–0:38** | **F06** | Wide shot → tracking lento por sofá exterior | *«Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa.»* | | **0:38–0:42** | **F08** | Tracking suave salón; perros en regazos, portátiles | *«Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa.»* | | **0:42–0:45** | **F09** | Close-Up extremo, casi sin movimiento | *«Gracias por ayudarnos. Gracias por vuestra paciencia.»* | **Insert opcional (1 s):** **F07** entre 0:38 y 0:42 — salto cariñoso / risas (Slow Motion muy breve). **Texto en pantalla (0:42–0:45):** `Anceu Coliving` · `Gracias por acogernos` --- ## 7. Texto completo VO · 45 s (una toma · voz niña) > Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. > Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. > Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. > Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. > Cada una a su ritmo. Cada una encontrando su sitio al sol. > Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. > Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. > Gracias por ayudarnos. Gracias por vuestra paciencia. --- ## 8. Versión corta · 30 segundos | Tiempo | Foto | Voz en off (niña) | |--------|------|-------------------| | 0:00–0:06 | F02 | *«Nos encontraron en la carretera, asustadas y juntas.»* | | 0:06–0:12 | F03 | *«Nos dieron refugio, comida y un sitio donde dormir.»* | | 0:12–0:18 | F05 | *«Nos cuidaron con paciencia, incluso cuando teníamos miedo.»* | | 0:18–0:24 | F06 | *«Ahora vivimos en Anceu: sol, sofá y mucha gente buena.»* | | 0:24–0:30 | F09 | *«Gracias por ayudarnos. Gracias por esperar a que confiemos.»* | --- ## 9. Prompt Hero (copiar y pegar) ``` 45-second emotional video about two rescued female dogs at Anceu Coliving, rural Galicia. VOICE-OVER: - Language: Spanish - Speaker: young girl's voice (child, 8-12 years old), soft and sincere - First person plural (the dogs speaking: "nosotras", "estábamos", "gracias") - NOT an adult woman narrator BACKGROUND MUSIC: - Soft acoustic: ukulele or gentle guitar fingerpicking - Warm, hopeful, countryside mood — not sad, not epic - Volume 20-30% under voice-over; music fades out last 3 seconds STORY: Two hound-mix dogs found abandoned on the road, taken in by Anceu Coliving community. Scared at first, medical care (cone collar), slowly learning to trust. Now sleeping on laps, playing in the living room, resting on outdoor sofa with a third scruffy grey dog. Grateful tone — thank people for help and patience. USE ATTACHED PHOTOS IN THIS ORDER: 1. Two tricolor dogs on yellow cushion, soulful eyes looking up (F02) 2. Same pair sleeping together in open pet carrier, blue blanket (F03) 3. One dog with cone collar, gentle hand petting the other (F05) 4. Both on tan dog bed, one chewing blue toy (F04) 5. Scruffy grey dog with lime green harness in forest/grass (F01) 6. Three dogs sleeping on outdoor grey sofa, stone wall, sunlight (F06) 7. Two women on couch with laptops, dogs asleep on laps (F08) 8. Extreme close-up: dog sleeping peacefully on person's lap in jeans (F09) Optional 1-sec insert: playful dog licking laughing woman in coliving room (F07) VISUAL STYLE (Eyecandy): Ground Level + Close-Up + Video Portraits + Tracking + Wide shot. Warm natural daylight, soft shadows, intimate pet documentary, slow pacing. Camera at dog eye height. Preserve real dogs and coliving spaces from photos. AVOID: adult narrator voice, mockumentary comedy, shaky handheld tension, road accident gore, sad piano cliché, loud drums, stock pet footage, fast TikTok cuts. VOICE-OVER SCRIPT (Spanish, young girl voice): Nos encontraron en la carretera. Estábamos asustadas, juntas, sin saber adónde ir. Nos dieron agua, comida y un rinconcito donde por fin pudimos dormir abrazadas. Hubo días difíciles. Mucho cuidado. Pero siempre alguien acariciándonos con paciencia. Poco a poco aprendimos a jugar otra vez. A quedarnos. A dejarnos querer. Cada una a su ritmo. Cada una encontrando su sitio al sol. Ahora vivimos en Anceu: sofá, jardín, piedra y gente que no tiene prisa. Dormimos en regazos. Trabajan a nuestro lado. Ya somos parte de la casa. Gracias por ayudarnos. Gracias por vuestra paciencia. End text on screen: Anceu Coliving · Gracias por acogernos Aspect ratio: 9:16 (Reels) or 16:9 (web) Duration: 45 seconds ``` --- ## 10. Negative prompt ``` adult woman narrator, deep voice, male narrator, robotic voice, violence, injured dogs graphic, road accident blood, cages, chains, aggressive dogs, mockumentary, comedy zoom, horror grading, stock footage, fast cuts, text spam, sad NGO piano, loud drums, EDM, suspense music ``` --- ## 11. Checklist antes de generar - [ ] Adjuntar las 9 fotos de `/home/africa/src/fotos perros/` a Prompt Hero - [ ] Seleccionar voz **niña / child** (no adulta) - [ ] Activar música de fondo acústica suave (o subir pista propia) - [ ] Elegir duración: 45 s (recomendado) o 30 s (§8) - [ ] Formato: 9:16 o 16:9 - [ ] Permiso de personas visibles en F06, F07, F08 --- ## 12. Notas de producción - **No hay foto del rescate en carretera:** el pasado se cuenta solo con la voz; F02 muestra el “después inmediato”. - **Collar isabelino (F05):** refuerza el mensaje de *paciencia y cuidado*. - **Tercera perrita gris (F01, F06):** el guion dice *“cada una a su ritmo”* para incluirla sin forzar que sean solo dos. - **Plano F09** es el cierre emocional: casi macro, casi sin movimiento. - **Voz de niña + música suave** = tono de cuento corto, no documental institucional.
VISUAL STYLE: Realistic, GENRE: Comedy, SUBJECT(S): Gorilla, Business, TIME PERIOD: Contemporary, COLOR: Neutral, ASPECT RATIO: 16:9, FORMAT: Still image, FRAME SIZE: Full body, LENS SIZE: Medium, COMPOSITION: Centered, LIGHTING: Natural, LIGHTING TYPE: Soft, TIME OF DAY: Daytime, ENVIRONMENT: Interior, LOCATION TYPE: Office, SET: Modern office, CAMERA: Standard camera, LENS: Normal lens, FILM STOCK / RESOLUTION: High resolution, TAGS: Gorilla, Business, Comedy --v 5 --q 2 --ar 16:9
A cinematic 1990s Scandinavian office comedy scene. A tired middle-aged office worker in a beige sweater sits across from his strict manager in a dull corporate office with fluorescent lighting, gray walls, stacks of paperwork and old desktop computers. The manager sternly assigns him extra work for the weekend. Suddenly, the employee reveals complete confidence, knowing he has just become extremely wealthy. Instead of arguing, he playfully mocks the manager with exaggerated facial expressions, childish voice imitation and subtle sarcasm. The manager becomes increasingly confused and frustrated while the employee remains calm, amused and completely fearless. Deadpan Nordic humor, awkward silence, realistic performances, static camera, slow zooms, authentic 1990s Swedish office aesthetic, muted colors, natural lighting, high cinematic quality, 35mm film look, dry comedy, realistic dialogue timing, no slapstick, 16:9.
funny realistic 3D cartoon style Indian boy character holding a mobile phone and laughing uncontrollably, sitting in a cozy colorful room, eyes wide with excitement, mouth open in big laughter, expressive hands, vibrant cinematic lighting, glowing phone screen showing a comedy video, playful atmosphere, ultra HD 4K details, Pixar-style realistic 3D render, smooth textures, soft shadows, colorful neon background, floating laughing emojis in the air, dramatic depth of field, highly detailed face expressions, engaging YouTube Shorts intro scene, comedy vibe, ultra realistic, masterpiece, vibrant colors, HD ultra pro max.
Create a 35-second hyperrealistic cinematic comedy short, no dialogue, no voiceover. A sunny European street at golden hour. A normal man walks confidently while carrying a takeaway coffee. His shadow on the pavement behaves like a separate character: tired, annoyed, and slightly fed up with him. Shot 1: Wide shot. The man walks normally, but his shadow yawns, stretches, and lags behind him by one second, as if it is exhausted. Shot 2: The man checks his phone and almost trips over a curb. His shadow reacts first, grabs the shadow of his ankle, and pulls him back just in time. The man looks confused. Shot 3: The man tries to act cool in front of people, but his shadow suddenly starts dancing dramatically on the pavement. Pedestrians notice the shadow, not the man. The man gets embarrassed. Shot 4: The man tries to control the shadow by stepping on it, but the shadow slips away like liquid and reappears on a nearby wall, crossing its arms in protest. Shot 5: The man walks into a patch of shade to make the shadow disappear. He waits, relieved. Then he steps back into sunlight. Final shot: The shadow appears again, but now it calmly waves goodbye and walks away independently across the pavement, leaving the man standing frozen in the street without a shadow. A small dog notices the runaway shadow and follows it, wagging its tail. The man looks down, completely confused. Tone: deadpan physical comedy, subtle magical realism, realistic lighting and shadows, warm cinematic color grading, handheld camera, shallow depth of field, natural street ambience, expressive body language, clean visual continuity. Style: hyperrealistic, cinematic, clever, funny, elegant, not childish.
Ultra-hilarious satirical meme caricature illustration parodying Jimmy Tatro's classic 2010s "West Coast Report: Fraternity Rush" skit, but with insane NFL QB beef. Dimly lit, trashed frat basement straight out of 2011: red Solo cups everywhere, crushed beer cans, stained pizza boxes, crusty old couch with mystery stains, "FRAT" posters peeling off walls, flip phone on the floor, empty Natty Light cases, overhead projector (ancient bulb flickering) blasting a bright blue glow onto a crusty white sheet pinned to the wall like a low-budget horror movie set. Wide-angle lens distortion for chaotic energy, cheap projector light casting dramatic shadows and highlighting every sweaty pore. Projected on the wall in glorious high-def: Drake Maye as the ultimate super-bro chill god — impossibly relaxed Zen master vibe, eyes half-closed in serene bliss like he just aced a keg stand and a philosophy exam, smug confident smirk, arms casually crossed behind head, lounging back like he's on a yacht, wearing crisp New England Patriots navy home jersey #10 with perfect lighting making him look like a Greek god frat king radiating pure alpha "I don't even try" coolness, subtle glow around him like he's the chosen one, zero effort maximum drip. In extreme foreground foreground dominating the frame: A pathetic, vein-bulging, rage-exploding d-bag old nerd virgin caricature of Seahawks QB Sam Darnold — balding with sad comb-over strands flying, thick Coke-bottle taped nerd glasses sliding down sweaty nose, furious tomato-red face with bulging cartoon eyes and throbbing forehead vein, mouth stretched in a hysterical banshee scream, spit flying, one hand aggressively jabbing a trembling finger at Maye's face like he's trying to laser him, wearing an oversized ill-fitting Seattle Seahawks jersey #14 that's way too big on his scrawny frame (sleeves dangling like sad wings), tucked into high-waisted khakis with a belt that's too tight, pocket protector overflowing with pens, massive dandruff flakes, tiny nametag that says "Property of Mom's Basement", exaggerated incel neckbeard stubble, tears of jealous fury streaming down his cheeks, tiny rage tears, looking like the human embodiment of "why him and not me???" energy. Massive bold white Impact font text overlays for classic meme punch: - Top of image in huge letters: "HE'S CHILL!!!" (with multiple exclamation points and a tiny sunglasses emoji leaking off the edge) - Bottom exploding in angry red dripping letters: "MAYE FUCKED MY MOM!!!" (all caps, extra exclamation marks, maybe a tiny broken heart emoji shattered next to it for extra pathetic flavor) Style: Over-the-top 2012-era viral rage comic meets exaggerated political cartoon satire, gritty over-saturated colors, high detail on every ridiculous facial contortion and gross room detail, absurd dramatic comedy lighting (projector beam turning the nerd's face into a horror villain glow), veins popping like cartoon hoses, pure unfiltered roast humor. Make it so funny it hurts. --ar 16:9 --stylize 300 --chaos 60 --v 6 --q 2 This amps the comedy by: - Heightening the visual roast (Maye = effortless legend, "Darnold-nerd" = maximum loser caricature with incel tropes dialed to 11 for laughs) - Adding silly gags (dandruff, pocket protector, tears, spit, nametag) - Punchier text with emojis and drips for that raw meme feel - Keeping the skit authenticity while making the QB swap the punchline