Creating dynamic Prompts

Close-up focus on a pair of rugged, weathered hands positioned as if pulling apart a dense, shadowy fabric of reality. The hands are spread wide, fingers gripping firmly at the edges of the tear, creating a dynamic sense of tension and motion. The dark, fabric-like material stretches and frays where it is pulled, revealing a serene, natural world beyond. The tear exposes a vibrant but grounded landscape filled with lush, green forests, gently rolling hills, and a tranquil sky painted in soft blues, warm oranges, and delicate pinks, reminiscent of a serene sunset. Wisps of clouds drift lazily across the revealed sky, adding depth and a sense of calm. The lighting from the exposed world is soft and natural, casting warm highlights across the hands, emphasizing their textures—every crease, scar, and vein rendered with hyper-realistic detail. The contrast between the coarse, shadowy fabric and the gentle colors of the revealed natural world creates a striking visual dynamic. Fragments of the torn fabric hover in the air, reflecting subtle glimmers of light, as though reality itself is shattering into pieces. Subtle atmospheric details enhance the scene: soft mist rolling through the revealed landscape, faint particles swirling around the tear, and golden rays of sunlight spilling into the shadowy foreground. The 9:16 vertical frame emphasizes the dramatic tension in the hands’ pulling gesture while framing the serene beauty of the emerging natural world.

She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield.

full body shot with hyperdimensional totem implants. badass Saint Seiya Taurus knight wearing a massive damaged and cracked intricately detailed gold armor with ornates, agressively smashing the ground creating a earthquake, torned cape, taurus horns, dynamic epic action pose, dynamic angle, ruined grec temple background. Character created by artstation, Golden hour, bokeh, digital art by tooth wu and wlop and android jones and beetle and greg rutkowski --s 1000 --c 100 --q 2 --ar 2:3

create eksprestion

The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.

Subject: A half-body portrait of a beautiful girl standing by a window. Foreground: The girl is wearing a hoodie and has a sultry expression. Her figure takes up most of the foreground space, with her face partially turned towards the viewer. Midground: The background features a window behind the girl, allowing natural light to filter through, creating dynamic lighting effects and casting shadows on her face and body. Background: The window suggests an indoor setting, possibly a room, but no specific details are visible outside. The focus remains tightly on the subject. Composition: The image is framed as a half-body portrait, with the girl centered in the composition. Her position near the window adds depth to the image, leading the viewer's eye through the shadows and light. Visual Guidance: The style of the image should be reminiscent of comics or anime, with detailed shading and a rough, muted color palette. The lighting is dynamic, creating a strong contrast between light and shadow. Color Tone: Muted colors are used throughout, giving the image an artistic, digital painting quality. Lighting Mood: The lighting is dramatic, with bright highlights on certain areas of her face and body, while others remain in shadow. This adds to the sultry mood. Caption: "Half Body Portrait by a Window", This image is a masterpiece. The subject is sharply depicted with outstanding detail.

The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied United Nations flag body paint, featuring a light blue base with a white emblem depicting a world map projection encircled by olive branches conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Symmetrical Cleavage: Standing facing away with legs planted wide in a powerful, grounded stance. Both hands gripping the garment just below the gluteal fold, deliberately pulling the material downward and outward. The tension forces the fabric to bite sharply into the deepest centerline, outlining the sacred, hyper-rounded volume of the centerpiece. The atmosphere is thick with a raw, unspoken hospitality and a musky tension. Head tilted back, casting a haughty, "I know you want this" smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the European Union flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Hasselblad H6D-100c, 16-bit color depth, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , dramatic chiaroscuro lighting with powerful golden-hour cinematic rim light from behind, motivated warm practical light from the side, volumetric god rays and atmospheric haze, high contrast, majestic and moody atmosphere The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.

The central subject is a nude woman viewed from the dorsal perspective, positioned vulnerably yet resolutely in the center of a war-torn urban thoroughfare. Her entire body is completely covered in meticulously applied Palestinian flag body paint, with horizontal black, white, and green stripes and the red triangle at the hoist conforming precisely to her anatomical contours, the pigments flowing across her spine, shoulders, and gluteal curves. Her physique exhibits precise anatomical clarity with realistic anthropometric proportions—a defined spinal column creating subtle shadows along the thoracic and lumbar regions, scapulae slightly prominent beneath dermal layers, and natural gluteal musculature forming the primary focal point with authentic adipose distribution and dermal tension. Her skin exhibits dermatological realism with visible pores, fine vellus hair along the erector spinae, and micro-blemishes of dust and particulate matter adhering to the epidermis over the painted surface. Ocular intricacy is suggested by the profile view of her face turned slightly toward the threat, showing detailed iris texture and moisture on the sclera. Her hair physics demonstrate follicle density with individual strands caught in the hot wind, creating dynamic motion against the static body. The clothing section manifests as an absence of textile, yet her form presents a figure-hugging silhouette defined purely by anatomical structure, with an open-back construction revealing the entire posterior chain from cervical to sacral regions, and a second-skin fit emphasizing the natural cinch at the waist and the curvature of the hips. Textural contrast emerges between her organic epidermal surface covered in flag pigments—showing sebaceous sheen of perspiration under thermal stress blending with the paint—and the surrounding abrasive urban environment. Wear and patina are evident in the form of road dust coating her plantar surfaces and lower extremities, suggesting prolonged exposure to the chaotic environment. Pose & Interaction: The Parted Symphony: Standing with legs slightly wider than shoulder-width, captured from a low rear angle to emphasize the towering, rounded volume of the glutes; hands resting intimately on the inner curves of the glutes, fingers gently pulling the flesh outward to subtly open the silhouette and expose the darkest, most inviting shadows; face glancing back downward at the camera with an intensely predatory yet unconditionally welcoming smirk, The composition employs a low-angle power perspective utilizing a Dutch angle of approximately 5 degrees to enhance the psychological unease, positioning the camera at asphalt level to emphasize the towering presence of the advancing main battle tanks while maintaining the woman as the primary subject through selective focus. The framing utilizes the rule of thirds, placing her gluteal focal point at the lower intersection while the tank barrels occupy the upper tension zones, creating dynamic symmetry along the central vanishing point of the street. Leading lines from the damaged building facades and the cracked road markings converge toward the horizon, generating strong Z-axis depth and parallax that draws the viewer into the scene. The three-quarter rear view captures her form while allowing environmental context to frame the subject through internal framing provided by the tank silhouettes and building edges. Negative space above emphasizes the merciless white sky, while the foreground includes heat-distorted asphalt and particulate matter. Anamorphic lens distortion stretches the horizontal axis, emphasizing the width of the street and the lateral threat of the armored vehicles. Motion blur at 1/125s captures the grinding tracks of the lead tank and swirling dust clouds, contrasting with the sharp focus on the woman's static form, creating temporal dissonance between human stillness and mechanical violence. The subject's integumentary system is rendered with physically based rendering (PBR) parameters showing micro-surface variation across the epidermis, with roughness maps indicating areas of dry skin versus sebaceous moisture accumulation along the spine and cervical region where the Palestinian flag paint interacts with perspiration. Specularity values vary across the dermal landscape, with anisotropic sheen following the direction of muscle fibers and hair follicles. Subsurface scattering depth is calibrated to simulate the transmission of midday sunlight through the dermal and subcutaneous layers, creating realistic color bleeding at shadow boundaries. The tanks' armor is covered in meticulously applied Israeli flag markings—white base with horizontal blue stripes and central Magen David—showing clear-coat multi-layer materials with environmental wear, chipping, dust accumulation, and heat distortion affecting the painted surfaces. Fabric elements in the environment—soldiers' uniforms, tank straps—exhibit woven textures with clear thread definition and fabric weight. The asphalt exhibits realistic aggregate displacement and oil staining with varying index of refraction between tar and stone. Ray-traced reflections appear in the sweat droplets on the woman's skin and the polished metal surfaces of the tank optics, showing accurate environmental mapping of the devastated street. Micro-shadows from skin texture pores create hyper-realistic detail at 8K resolution, while dust particles on her skin exhibit haptic surface deformation where they adhere to perspiration and body paint. Technical & Camera Settings: raw photo captured with Leica S3, cinematic shot, wide open aperture, low key lighting, high contrast, ISO 50, with a 120mm macro lens. , Rembrandt lighting with a distinct triangle of light on the cheek, classic cinematic portrait lighting The scene maintains rigorous spatial coherence through consistent lighting direction ensuring all shadows cast by the woman, tanks, and building debris align with the solar vector at 15 degrees west of vertical. Contact shadows beneath the tanks' treads and the woman's feet show accurate occlusion relationships with the cracked pavement surface, including micro-shadows from individual aggregate stones. Ray-traced reflections and refractions in the heat haze and vehicle optics obey physical laws, showing accurate aerial perspective with depth fog increasing exponentially along the vanishing point. Global illumination calculations include light bounce from the white concrete buildings illuminating the shadow side of the woman's form with realistic radiosity. Surface displacement interaction shows the asphalt cracking pattern accurately deforming under the tanks' weight distribution while remaining rigid under the woman's minimal pressure. Inverse square law of light governs the falloff from the sun, creating realistic illumination gradients across the street width. Anamorphic lens characteristics include horizontal bokeh ellipses in the background dust particles and consistent barrel distortion at frame edges. The scale relationships maintain accurate proportionality between the human figure (1.7m) and the main battle tanks (2.5m height, 6m length), ensuring believable environmental integration and spatial occupancy within the urban canyon.

The image features a woman with long, curly hair, wearing a white shirt and a scarf. She is looking at the camera with a smile on her face, giving off a warm and friendly vibe. The woman's hair is blowing in the wind, adding a sense of movement and liveliness to the scene. The combination of her outfit, the scarf, and the windy conditions creates a visually appealing and dynamic image. High fashion, dynamic, dramatic, elegant

A stunning brunette woman with long wavy hair, wearing a revealing black luminescent outfit with holographic fabric and metallic accents. She is standing at a vibrant futuristic nightclub, surrounded by laser beams, projection mapping, and LED panels creating dynamic geometric patterns. A fog machine creates ethereal mist across the dance floor, and a crowd of people dressed in avant-garde cyberpunk fashion fills the space. Her expression is intense and mysterious as she looks over her shoulder toward the camera. The lighting is cinematic, with neon underglow, purple and cyan light trails, and a bright blue beam from behind, evoking a sleek sci-fi nightlife atmosphere. The scene feels glamorous, otherworldly, and full of high-tech energy. Giant disco ball in the centre of the frame.

A stunning brunette woman with long wavy hair, wearing a revealing black luminescent outfit with holographic fabric and metallic accents. She is standing at a vibrant futuristic nightclub, surrounded by laser beams, projection mapping, and LED panels creating dynamic geometric patterns. A fog machine creates ethereal mist across the dance floor, and a crowd of people dressed in avant-garde cyberpunk fashion fills the space. Her expression is intense and mysterious as she looks over her shoulder toward the camera. The lighting is cinematic, with neon underglow, purple and cyan light trails, and a bright blue beam from behind, evoking a sleek sci-fi nightlife atmosphere. The scene feels glamorous, otherworldly, and full of high-tech energy.

She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield.

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create eksprestion

Create a vibrant comic banner with rich colors and dynamic action lines. Create a comic-style cat hero pose in a dynamic pose, with a movement effect and an emphasis on energy. Add a bubble with the text 'Take part in an epic adventure!' to create a comic book effect.

An ultra-realistic, cinematic, high-resolution (8K) photographic composition. Characters and Position: Left Cellist: A young Eskimo female warrior princess with pale white skin, She wears low cut a stunning Eiko Ishioka-inspired, damask-textured satın clothes with textures that Vibrant Violet and Charcoal Gray feathers creating dynamic tension, deep decolte and deep cleavage. She is playing her cello. Right Cellist: A young Eskimo female warrior princess with pale white skin, She wears low cut a stunning Eiko Ishioka-inspired, damask-textured satın clothes with textures that navy blue and red feathers creating dynamic tension, deep decolte and deep cleavage. She is playing her cello. Both cellists stand back-to-back. Environment and Details: In massive high-tech alien spaceship, dramatic sense of scale and isolation, atmospheric depth, industrial architecture dominates, clean ultra detailed, detailed photorealistic cinematic style, detailed skin pore, realism style, incredibly lifelike, sharp composition. Typography (MASSIVELY LARGE HEADING): Preserving the existing text hierarchy, a new layout with a massive size that dominates the entire composition is applied: Main Headline: A massively large main headline, written in a bold, clean, and Shimmering Silver granite capital letters, 3D typography font, covering a large portion of the upper screen: "ANDARKAN MUSIC" This headline must be at least five times larger than its counterpart and possess perfect readability as a YouTube thumbnail. The cellists' heads are positioned just below this massive headline or integrated slightly into the lower part of it. Style: High-contrast dramatic lighting, rich photographic textures on leather and fabrics, volumetric smoke, and deep atmospheric depth. The composition is adjusted to preserve the characters' expressions and details despite the massive visual weight of the headline.

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She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield.

full body shot with hyperdimensional totem implants. badass Saint Seiya Sagitarius knight wearing a beautiful intricately detailed gold armor with ornates, golden armored wings, bowing his bow agressively, energy lightning arrow, cracks on armor, dynamic epic action pose, dynamic angle, grec temple background. Character created by artstation, Golden hour, bokeh, digital art by tooth wu and wlop and android jones and beetle and greg rutkowski --s 1000 --c 100 --q 2 --ar 2:3

create eksprestion

She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield., symmetrical eyes, (aegyo sal:1) , (eyelashes:1.1) , (photorealistic:1.4) , 8k, ultra highres, hyperrealism, (dramatic lighting) , photography, beautifully detailed face, beautiful detailed eyes, (masterpiece) character art, epic portrait illustration, character portrait, neo-art core and Charlie Bowater, high quality portrait, fantasy concept art portrait, detailed matte fantasy portrait, charlie bowater art style, Detailed beautiful portrait, fantasy art portrait, dark, chiaroscuro, low-key, oil and watercolor painting masterpiece --ar 9:16 --style raw --stylize 300

She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield.

She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield., symmetrical eyes, (aegyo sal:1) , (eyelashes:1.1) , (photorealistic:1.4) , 8k, ultra highres, hyperrealism, (dramatic lighting) , photography, beautifully detailed face, beautiful detailed eyes, (masterpiece) character art, epic portrait illustration, character portrait, neo-art core and Charlie Bowater, high quality portrait, fantasy concept art portrait, detailed matte fantasy portrait, charlie bowater art style, Detailed beautiful portrait, fantasy art portrait, dark, chiaroscuro, low-key, oil and watercolor painting masterpiece --ar 9:16 --style raw --stylize 300

She has an angry look on her face. Blonde hair and blue eyes. She wears a steampunk renaissance dress with golden details. She is chargind into battle, dust and debris fly into the air as she leaps foward. She's fierce and confident. Cinematic lighting, dynamic pose, dynamic angle, perfect composition all create an epic battlefield., symmetrical eyes, (aegyo sal:1) , (eyelashes:1.1) , (photorealistic:1.4) , 8k, ultra highres, hyperrealism, (dramatic lighting) , photography, beautifully detailed face, beautiful detailed eyes, (masterpiece) character art, epic portrait illustration, character portrait, neo-art core and Charlie Bowater, high quality portrait, fantasy concept art portrait, detailed matte fantasy portrait, charlie bowater art style, Detailed beautiful portrait, fantasy art portrait, dark, chiaroscuro, low-key, oil and watercolor painting masterpiece --ar 9:16 --style raw --stylize 300