Driving away Prompts

I, I will be king And you, you will be queen Though nothing will drive them away We can beat them, just for one day We can be heroes, just for one day And you, you can be mean And I, I'll drink all the time 'Cause we're lovers, and that is a fact Yes we're lovers, and that is that Though nothing will keep us together We could steal time just for one day We can be heroes for ever and ever What d'you say? I, I wish you could swim Like the dolphins, like dolphins can swim Though nothing, nothing will keep us together We can beat them, for ever and ever Oh we can be Heroes, just for one day I, I will be king And you, you will be queen Though nothing will drive them away We can be Heroes, just for one day We can be us, just for one day I, I can remember (I remember) Standing, by the wall (by the wall) And the guns, shot above our heads (over our heads) And we kissed, as though nothing could fall (nothing could fall) And the shame, was on the other side Oh we can beat them, for ever and ever Then we could be Heroes, just for one day We can be Heroes We can be Heroes We can be Heroes Just for one day We can be Heroes We're nothing, and nothing will help us Maybe we're lying, then you better not stay But we could be safer, just for one day Oh-oh-oh-ohh, oh-oh-oh-ohh, just for one day

driving away

A surrealist painting of an eye on the side, with tentacles having red meat coming out from it and crawling up to its eyes. Next is a man sitting in a chair watching a blue car driving away from him on the road, with a dark sky, in the style of Joe Webbin surrealism. Dark clouds, with a weird shaped sign nearby. --v 6.0 --style raw --ar 51:64

body cam footage of a police officer pulling over a car with a giraffe as the driver. After being questioned the giraffe drives away with the police officer trying to chase on foot (Shaky bodycam) before the video cuts off.

body cam footage of a police officer pulling over a car with a giraffe as the driver. After being questioned the giraffe drives away with the police officer trying to chase on foot (Shaky bodycam) before the video cuts off.

Character has a trans Am like the Smokey and the bandit t-tops. Character driving fast cars down the road, Character jumping her car, slow motion watching it fly through the air Character driving her car away from an explosion, Character driving her car through an explosion, Character shoots a bazooka out of her car blowing up a building Well explosions are going on all around her

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

A surrealist painting of an eye on the side, with tentacles having red meat coming out from it and crawling up to its eyes. Next is a man sitting in a chair watching a blue car driving away from him on the road, with a dark sky, in the style of Joe Webbin surrealism. Dark clouds, with a weird shaped sign nearby. --v 6.0 --style raw --ar 51:64

Initial Encounter: Visualize the scene of a dense forest, with tall trees casting long shadows as the sun sets. In the clearing, a mother dog stands tall and alert, her fur bristling with determination as she senses danger approaching. Protective Stance: Capture the mother dog's courageous stance as she positions herself between her vulnerable pups and the menacing figure of a snarling bear. Show her baring her teeth, ready to defend her young ones at any cost. Fierce Confrontation: Illustrate the intense moment of confrontation between the mother dog and the bear. Emphasize the contrast between the bear's massive size and the dog's smaller frame, highlighting the dog's bravery despite the odds. Motherly Sacrifice: Depict the mother dog's unwavering determination to protect her pups, even in the face of danger. Show her fearlessly lunging towards the bear, willing to sacrifice herself to ensure the safety of her offspring. Victorious Resolution: Create an image of triumph as the mother dog successfully drives away the bear, her pups huddled safely behind her. Show her standing tall and proud, her gaze unwavering as she watches the retreating figure of the defeated bear, 4K

The image depicts a car driving on a wet road ((away from the viewer)), likely during the evening or early morning, as the sky is dark, the streetlights are on and the car's neon taillights are visible. The car is a dark blue metallic BMW, identifiable by the logo on the back. The most striking feature of the car is the large basket of tulips on its roof. The tulips are vibrant and colorful, with a mix of red, orange, and yellow blooms. The basket is securely fastened to the roof of the car, and the flowers are arranged in a way that they spill out slightly, adding a touch of elegance and romance to the scene. The road is lined with trees, and the pavement is wet, reflecting the red and white lights from the car's tail lights and the streetlights. The scene is serene and picturesque, with the wet road and the reflections adding a sense of depth and atmosphere to the image. The overall mood is calm and romantic, enhanced by the presence of the tulips and the soft lighting.

Using the reference images, show from the vantage point behind the sign, as we watch the truck, with its rear flap down, drive away down a lonly Arizona desert road alone.

How to Interact Like a Pro on Facebook: Essential Tips and Common Pitfalls Facebook, with its 3 billion users, offers a plethora of interaction options. The way you manage these interactions can greatly influence your online presence. This guide breaks down the seven key interactions you can have on Facebook and highlights best practices as well as mistakes to avoid for each category. Understanding Facebook Interactions Like Comment Share Send Messages Accept Invitations Send Invites Poke 1. Managing Likes Best Practices: Only like interesting posts from your friends using friend lists. Show appreciation for your favorite pages' content once or twice a month. Common Mistakes to Avoid: Liking Your Own Posts: Never like your personal posts; it reduces authenticity. Supporting Bad Content: Avoid liking negative posts from friends, as this can undermine your reputation. Over-Liking: Don't like posts in groups or pages excessively. Profile Pictures: Never like friends' profile pictures; it can come off as inappropriate. 2. Managing Comments Best Practices: Use positive and uplifting stickers when commenting on friends' posts. Engage briefly with one or two of your own post's comments to keep them active. Common Mistakes to Avoid: Commenting in Groups: Avoid commenting in groups, as it can dilute your personal brand. Negativity: Steer clear of negative comments, as they can drive people away. 3. Managing Shares Best Practices: Gradually increase your sharing frequency: Start with one share every 48 hours, then progress to four per day. Share birthday photos on friends’ timelines to enhance visibility. Common Mistakes to Avoid: Direct Sharing: Never share posts directly from pages or groups to your profile without personal context. 4. Poke Management Best Practices: Respond to anyone who pokes you, but refrain from initiating pokes yourself. 5. Message Management Best Practices: Stick to using positive and cheerful stickers in direct messages. Common Mistakes to Avoid: Game Requests: Avoid sending game requests, as they can annoy recipients. 6. Friend Management Best Practices: Engage with your friends’ posts positively with comments such as “Gorgeous!” or “Too cute!”. Use varied emojis based on the content shared to show genuine interaction. Common Mistakes to Avoid: Ignoring Posts: Don’t overlook interesting posts from friends—visit friend lists regularly to stay updated. 7. Invitation Management Best Practices: Send requests to individuals with clear profile pictures and shared interests. Common Mistakes to Avoid: Inviting Strangers: Don’t invite those without identifiable profile pictures or mutual interests, as this can come off as spammy. 8. Managing Acceptances Best Practices: After accepting a new friend, organize them into lists based on interests and relationships. Common Mistakes to Avoid: Unqualified Acceptances: Never accept friend requests from people with unclear profiles. Conclusion By following these interaction strategies, you can enhance your presence on Facebook effectively. Maintain control over your account by adhering to best practices while being mindful of common pitfalls. Remember, consistency is key, so give yourself 48 hours of daily management to start seeing results. Adapt your approach according to your personal preferences, and enjoy navigating the world’s largest social network securely and effectively!

a porsche far away driving down a mountain windy road. Car from the back in line with the camera and the road. The sun rising in front of the car. Lots of pine trees and green. Morning light. in the style of comic art, decorative paintings, morning colours, nostalgic, dreams, future, sketch-like

A yellow kangaroo mascot tries to help with a house move in London — and completely fails. A box slips from his paws, he trips over his own tail, and the moving van slowly drives away without him. Handheld chaotic camera, real street energy, perfect short-form fail humor.

A surrealist painting of an eye on the side, with tentacles having red meat coming out from it and crawling up to its eyes. Next is a man sitting in a chair watching a blue car driving away from him on the road, with a dark sky, in the style of Joe Webbin surrealism. Dark clouds, with a weird shaped sign nearby. --v 6.0 --style raw --ar 51:64

“A cinematic, ultra-realistic celebrity arrival sequence shot on ARRI Alexa with anamorphic lenses, real shallow depth of field bokeh, professional Hollywood-grade color grading. A young South Asian male celebrity — sharp jawline, sleek dark pompadour hair, light beard stubble, dressed in an immaculate white three-piece suit with a perfectly fitted waistcoat, crisp white dress shirt, and tailored white trousers — walks out of the VIP exit gate of a major international airport. Two tall, broad-shouldered bodyguards in black suits flank him on both sides. A massive energetic crowd is lined up behind steel barricades on both sides, hundreds of fans screaming, waving, and holding up phones recording. The crowd is loudly chanting ‘SG Editor! SG Editor! SG Editor!’ repeatedly with excitement and energy. Camera flashes explode from every direction like a lightning storm. The celebrity walks in slow motion, relaxed and confident, slight smirk on his face, sunglasses resting on his nose, one hand casually adjusting his white suit jacket. Background crowd is in beautiful cinematic bokeh blur — soft, organic, film-like out-of-focus lights and faces swirling behind him. Cut to: A young fan breaks through slightly, reaching out nervously with a pen and paper, asking for an autograph. The celebrity pauses, smiles warmly at the camera, takes the pen, and signs the paper in a smooth, cool gesture while bodyguards gently manage the crowd. Cut to: Outside the airport entrance. A matte black BMW 7 Series luxury sedan is parked, door already open. The celebrity walks toward it in full stride — suit jacket flowing slightly — crowd still visible and screaming in the background, soft bokeh city lights glowing. Final shot: The celebrity slides into the plush leather back seat of the BMW, door closes, and the window rolls up slowly showing a faint reflection of the screaming crowd. Camera slowly pulls back with a cinematic rack focus as the BMW smoothly drives away. Visual style: 4K cinematic, warm golden-hour and cool indoor mixed lighting, anamorphic lens flares, real film grain, shallow DOF bokeh throughout, slow-motion crowd moments at 120fps, smooth gimbal movement, professional movie color grade — deep blacks, rich skin tones, elegant highlights on white suit.”

“A cinematic, ultra-realistic celebrity arrival sequence shot on ARRI Alexa with anamorphic lenses, real shallow depth of field bokeh, professional Hollywood-grade color grading. A young South Asian male celebrity — sharp jawline, sleek dark pompadour hair, light beard stubble, dressed in an immaculate white three-piece suit with a perfectly fitted waistcoat, crisp white dress shirt, and tailored white trousers — walks out of the VIP exit gate of a major international airport. Two tall, broad-shouldered bodyguards in black suits flank him on both sides. A massive energetic crowd is lined up behind steel barricades on both sides, hundreds of fans screaming, waving, and holding up phones recording. The crowd is loudly chanting ‘SG Editor! SG Editor! SG Editor!’ repeatedly with excitement and energy. Camera flashes explode from every direction like a lightning storm. The celebrity walks in slow motion, relaxed and confident, slight smirk on his face, sunglasses resting on his nose, one hand casually adjusting his white suit jacket. Background crowd is in beautiful cinematic bokeh blur — soft, organic, film-like out-of-focus lights and faces swirling behind him. Cut to: A young fan breaks through slightly, reaching out nervously with a pen and paper, asking for an autograph. The celebrity pauses, smiles warmly at the camera, takes the pen, and signs the paper in a smooth, cool gesture while bodyguards gently manage the crowd. Cut to: Outside the airport entrance. A matte black BMW 7 Series luxury sedan is parked, door already open. The celebrity walks toward it in full stride — suit jacket flowing slightly — crowd still visible and screaming in the background, soft bokeh city lights glowing. Final shot: The celebrity slides into the plush leather back seat of the BMW, door closes, and the window rolls up slowly showing a faint reflection of the screaming crowd. Camera slowly pulls back with a cinematic rack focus as the BMW smoothly drives away. Visual style: 4K cinematic, warm golden-hour and cool indoor mixed lighting, anamorphic lens flares, real film grain, shallow DOF bokeh throughout, slow-motion crowd moments at 120fps, smooth gimbal movement, professional movie color grade — deep blacks, rich skin tones, elegant highlights on white suit.”

“A cinematic, ultra-realistic celebrity arrival sequence shot on ARRI Alexa with anamorphic lenses, real shallow depth of field bokeh, professional Hollywood-grade color grading. A young South Asian male celebrity — sharp jawline, sleek dark pompadour hair, light beard stubble, dressed in an immaculate white three-piece suit with a perfectly fitted waistcoat, crisp white dress shirt, and tailored white trousers — walks out of the VIP exit gate of a major international airport. Two tall, broad-shouldered bodyguards in black suits flank him on both sides. A massive energetic crowd is lined up behind steel barricades on both sides, hundreds of fans screaming, waving, and holding up phones recording. The crowd is loudly chanting ‘SG Editor! SG Editor! SG Editor!’ repeatedly with excitement and energy. Camera flashes explode from every direction like a lightning storm. The celebrity walks in slow motion, relaxed and confident, slight smirk on his face, sunglasses resting on his nose, one hand casually adjusting his white suit jacket. Background crowd is in beautiful cinematic bokeh blur — soft, organic, film-like out-of-focus lights and faces swirling behind him. Cut to: A young fan breaks through slightly, reaching out nervously with a pen and paper, asking for an autograph. The celebrity pauses, smiles warmly at the camera, takes the pen, and signs the paper in a smooth, cool gesture while bodyguards gently manage the crowd. Cut to: Outside the airport entrance. A matte black BMW 7 Series luxury sedan is parked, door already open. The celebrity walks toward it in full stride — suit jacket flowing slightly — crowd still visible and screaming in the background, soft bokeh city lights glowing. Final shot: The celebrity slides into the plush leather back seat of the BMW, door closes, and the window rolls up slowly showing a faint reflection of the screaming crowd. Camera slowly pulls back with a cinematic rack focus as the BMW smoothly drives away. Visual style: 4K cinematic, warm golden-hour and cool indoor mixed lighting, anamorphic lens flares, real film grain, shallow DOF bokeh throughout, slow-motion crowd moments at 120fps, smooth gimbal movement, professional movie color grade — deep blacks, rich skin tones, elegant highlights on white suit.”

portrait of a long blonde hair woman, in the style of Greg Hildebrandt, provance landscapes, a woman driving away in an old Citroën Cabrio, from Provence, France , a little town square full of people, wearing light summer dress, waving by with a scarf , background is a little village, spray painted realism, hard-edge painting --chaos 75 --ar 1:2 --style raw --profile rsy6uq9 --stylize 750 --v 6.1

A giant African God who is half human and half leopard (drives away all the evil demons that were in the Savannah and the jungle:1.8). He wields his (magical flaming spear:1.5). (The demons run or fly away:1.8).

“A cinematic, ultra-realistic celebrity arrival sequence shot on ARRI Alexa with anamorphic lenses, real shallow depth of field bokeh, professional Hollywood-grade color grading. A young South Asian male celebrity — sharp jawline, sleek dark pompadour hair, light beard stubble, dressed in an immaculate white three-piece suit with a perfectly fitted waistcoat, crisp white dress shirt, and tailored white trousers — walks out of the VIP exit gate of a major international airport. Two tall, broad-shouldered bodyguards in black suits flank him on both sides. A massive energetic crowd is lined up behind steel barricades on both sides, hundreds of fans screaming, waving, and holding up phones recording. The crowd is loudly chanting ‘SG Editor! SG Editor! SG Editor!’ repeatedly with excitement and energy. Camera flashes explode from every direction like a lightning storm. The celebrity walks in slow motion, relaxed and confident, slight smirk on his face, sunglasses resting on his nose, one hand casually adjusting his white suit jacket. Background crowd is in beautiful cinematic bokeh blur — soft, organic, film-like out-of-focus lights and faces swirling behind him. Cut to: A young fan breaks through slightly, reaching out nervously with a pen and paper, asking for an autograph. The celebrity pauses, smiles warmly at the camera, takes the pen, and signs the paper in a smooth, cool gesture while bodyguards gently manage the crowd. Cut to: Outside the airport entrance. A matte black BMW 7 Series luxury sedan is parked, door already open. The celebrity walks toward it in full stride — suit jacket flowing slightly — crowd still visible and screaming in the background, soft bokeh city lights glowing. Final shot: The celebrity slides into the plush leather back seat of the BMW, door closes, and the window rolls up slowly showing a faint reflection of the screaming crowd. Camera slowly pulls back with a cinematic rack focus as the BMW smoothly drives away. Visual style: 4K cinematic, warm golden-hour and cool indoor mixed lighting, anamorphic lens flares, real film grain, shallow DOF bokeh throughout, slow-motion crowd moments at 120fps, smooth gimbal movement, professional movie color grade — deep blacks, rich skin tones, elegant highlights on white suit.”

driving car

“A cinematic, ultra-realistic celebrity arrival sequence shot on ARRI Alexa with anamorphic lenses, real shallow depth of field bokeh, professional Hollywood-grade color grading. A young South Asian male celebrity — sharp jawline, sleek dark pompadour hair, light beard stubble, dressed in an immaculate white three-piece suit with a perfectly fitted waistcoat, crisp white dress shirt, and tailored white trousers — walks out of the VIP exit gate of a major international airport. Two tall, broad-shouldered bodyguards in black suits flank him on both sides. A massive energetic crowd is lined up behind steel barricades on both sides, hundreds of fans screaming, waving, and holding up phones recording. The crowd is loudly chanting ‘AG Editor! AG Editor! repeatedly with excitement and energy. Camera flashes explode from every direction like a lightning storm. The celebrity walks in slow motion, relaxed and confident, slight smirk on his face, sunglasses resting on his nose, one hand casually adjusting his white suit jacket. Background crowd is in beautiful cinematic bokeh blur — soft, organic, film-like out-of-focus lights and faces swirling behind him. Cut to: A young fan breaks through slightly, reaching out nervously with a pen and paper, asking for an autograph. The celebrity pauses, smiles warmly at the camera, takes the pen, and signs the paper in a smooth, cool gesture while bodyguards gently manage the crowd. Cut to: Outside the airport entrance. A matte black BMW 7 Series luxury sedan is parked, door already open. The celebrity walks toward it in full stride — suit jacket flowing slightly — crowd still visible and screaming in the background, soft bokeh city lights glowing. Final shot: The celebrity slides into the plush leather back seat of the BMW, door closes, and the window rolls up slowly showing a faint reflection of the screaming crowd. Camera slowly pulls back with a cinematic rack focus as the BMW smoothly drives away. Visual style: 4K cinematic, warm golden-hour and cool indoor mixed lighting, anamorphic lens flares, real film grain, shallow DOF bokeh throughout, slow-motion crowd moments at 120fps, smooth gimbal movement, professional movie color grade — deep blacks, rich skin tones, elegant highlights on white suit.”