Facing upwards Prompts

make this image face left and look upwards

facing upwards, sad

Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.

{ "scene": { "type": "urban sci-fi chaos", "setting": { "location": "city street with tall buildings", "time": "daytime, partly cloudy sky", "environment": "hectic, debris flying, paper in air, yellow taxi visible" }, "action": { "event": "alien abduction in progress", "ufo": { "type": "large metallic disc-shaped UFO", "position": "hovering above street, centered in sky", "effect": "bright blue tractor beam pulling objects and people upward" }, "objects_affected": [ "person being abducted mid-air", "papers", "rubble", "bicycles" ] } }, "subject": { "type": "male human", "ethnicity": "white", "expression": "extreme shock and fear, mouth wide open, eyes bulging", "pose": "taking a selfie or wide-angle POV", "clothing": { "top": "orange-brown t-shirt", "bottom": "dark jeans" }, "framing": "close-up from front, wide lens effect" }, "camera": { "angle": "slightly low, upward-facing toward UFO", "lens": "ultra wide-angle", "focus": "sharp foreground on face, slightly motion-blurred background" }, "lighting": { "source": "natural daylight + intense blue glow from UFO", "mood": "dramatic, cinematic, high tension" }, "aesthetic": { "genre": "sci-fi, action, comedy-drama", "vibe": "chaotic, absurd, high-energy", "color_palette": ["cyan", "brown", "gray", "yellow"] } }

same but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the oceann

realistic alice but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the oceann

{ "prompt": "View from inside a Starbucks strawberry frappuccino cup looking up, fisheye lens extreme distortion, worm's eye perspective, crushed strawberry ice macro foreground with glistening bokeh highlights, one single continuous green straw passing through the entire frame from top to bottom connecting lips to ice, person peering down from above through cup opening with wide-eyed excited expression lips pursed on straw top, whipped cream layer, Starbucks logo visible on cup wall, clear blue sky background through opening, high saturation red strawberry vs green straw complementary colors, bright summer daylight, hyper-realistic commercial photography", "negative_prompt": "two straws, double straw, multiple straws, broken straw, separated straw, disconnected straw, flat lay, normal perspective, dull colors, deformed face, low saturation, ugly, extra limbs, woman, girl, female", "character_reference": { "upload": true, "control_weight": 0.95, "description": "maintain face and identity from reference image, male person, front-facing, slightly downward gaze, wide-eyed excited expression, lips pursed on straw" }, "parameters": { "aspect_ratio": "9:16", "style_strength": 0.9, "composition_reference": "inside-cup fisheye upward shot, face centered in cup opening, single straw runs continuously from person lips down through whipped cream into crushed ice" } }

same but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the ocean

same but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the ocean

alice but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the oceann

same but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the ocean

A REAL HANDSOME YOUNG (USE MY FACE REFRENCE UPLODED IMAGE) BOY WITH SHORT NATURALLY MESSY SLIGHTLY WAVY DARK BLACK HAIR WITH LOOSE STRANDS FALLING SOFTLY OVER FOREHEAD AND TEMPLES, SHARP ELEGANT FACIAL BONE STRUCTURE, EYES PEACEFULLY AND COMPLETELY CLOSED, FACE GENTLY TILTED UPWARD AND TO THE SIDE, SOFT LIPS LIGHTLY TOUCHING AND PRESSING AGAINST THE DELICATE PETALS OF LARGE PINK ROSES HELD UP NEAR FACE LEVEL, ONE ARM RAISED HOLDING A SMALL GATHERED BOUQUET OF THREE TO FOUR LARGE FULLY BLOOMED BEAUTIFUL SOFT BLUSH PINK GARDEN ROSES WITH FRESH GREEN STEMS AND DARK GREEN LEAVES HELD UPWARD AT FACE LEVEL, OTHER ARM HANGING RELAXED AT SIDE, WEARING OVERSIZED RELAXED FIT (SAME COLOUR PATTERN SHIRT) PASTEL LONG SLEEVE BUTTON UP COLLARED SHIRT WITH SLEEVES SLIGHTLY ROLLED, EXTREME DRAMATIC LOW WORM EYE VIEW CAMERA ANGLE LOOKING STEEPLY UPWARD AT FIGURE POSITIONED AGAINST OPEN SKY, VIVID BRILLIANT ROYAL BLUE CLEAR SUNNY SKY FILLING ENTIRE UPPER AND MAJORITY OF FRAME BEHIND HIM, SOFT WHITE FLUFFY LOOSELY PAINTED STYLE CUMULUS CLOUDS VISIBLE ON LEFT SIDE OF SKY, WARM BRIGHT NATURAL SUMMER DAYLIGHT WITH SUNLIGHT ILLUMINATING FACE FROM SIDE, SMALL WHITE CURSIVE HANDWRITTEN IS COMING TEXT AND AKASH BRAND WATERMARK TEXT AT VERY TOP AREA, SMALL INSTAGRAM USERNAME HANDLE TEXT ON RIGHT CENTER, AKYADAVTG WHITE TEXT AND SMALL MOTIVATIONAL ENGLISH QUOTE TEXT AT VERY BOTTOM, HYPER-REALISTIC 8K PHOTOGRAPHY, DREAMY ROMANTIC KOREAN SUMMER AESTHETIC, EXTREME ROSE PETAL AND SKIN TEXTURE DETAIL, DRAMATIC BACKLIT PORTRAIT, SHOT ON CANON EOS RS

realistic alice but facing upward, her hairs are covering her face, there is a movement impression of her falling to the bottom of the oceann

Hyperrealistic photo,foreground, an old wizened pirate in a traditional buccaneers clothing with hat, lying down on a leather chaise longue talking to a bald psychiatrist , colourful parrot sitting on shoulder,hyper detailed face,body in a lying down ,face upwards angle,position on a luxurious chaise longue bed in a ultra modern psychiatrist's office, mid foreground there is old psychiatrist in dark glasses sitting in another chair talking to the pirate holding a clip board and writing, ground shot angle,cinematic still shot, atmospheric and volumetric lighting

Hyperrealistic photo,foreground, an old wizened pirate in a traditional buccaneers clothing with hat, lying down on a leather chaise longue talking to a bald psychiatrist , colourful parrot sitting on shoulder,hyper detailed face,body in a lying down ,face upwards angle,position on a luxurious chaise longue bed in a ultra modern psychiatrist's office, mid foreground there is old psychiatrist in dark glasses sitting in another chair talking to the pirate holding a clip board and writing, ground shot angle,cinematic still shot, atmospheric and volumetric lighting

A stunning young woman stands poised against a hazy, blue-gray backdrop – the soft focus of the blurred lights behind her creating an air of mystery. Her bright, platinum blonde hair cascades down her back like a river of purest gold, framing her heart-shaped face and delicate features as she tilts her head downwards. A pair of ripped denim jeans hugs her hips and thighs, their frayed edges and faded wash adding a touch of casual charm to her overall look. An open leather jacket hangs loosely from her shoulders, its worn, supple texture visible even at this distance as it frames her toned physique. Her eyes are closed in rapture – her face tilted upwards towards the soft light that seems to dance across her features with a sensual, almost ethereal quality.

A woman is wearing glasses on face, her head is turned high upward, her face is at front of camera, she is smiling, her eyes are loking at camera

A woman in a traditional Chinese Hanfu dress, white kimono with red and black patterned sleeves, and a red skirt stands serenely under a pink cherry blossom tree. Her loose waves of hair frame her peaceful face as she gazes upward, eyes soft and content. The tree is in full bloom, petals gently drifting down. A stone wall stretches behind, adding a timeless quality. The scene is bathed in soft, diffused natural light, creating a serene and tranquil mood with a pastel color palette and subtle film grain.

A woman in a traditional Chinese Hanfu dress, white kimono with red and black patterned sleeves, and a red skirt stands serenely under a pink cherry blossom tree. Her loose waves of hair frame her peaceful face as she gazes upward, eyes soft and content. The tree is in full bloom, petals gently drifting down. A stone wall stretches behind, adding a timeless quality. The scene is bathed in soft, diffused natural light, creating a serene and tranquil mood with a pastel color palette and subtle film grain.

A real handsome young (Use my face refrence uploded image) boy with short naturally messy slightly wavy dark black hair with loose strands falling softly over forehead and temples and light mustache, sharp elegant facial bone structure, eyes peacefully and completely closed, face gently tilted upward and to the side, soft lips lightly touching and pressing against the delicate petals of large pink roses held up near face level, one arm raised holding a small gathered bouquet of three to four large fully bloomed beautiful soft blush pink garden roses with fresh green stems and dark green leaves held upward at face level, other arm hanging relaxed at side, wearing oversized relaxed fit light sky blue pastel long sleeve button up collared shirt with sleeves slightly rolled, extreme dramatic low worm eye view camera angle looking steeply upward at figure positioned against open sky, vivid brilliant royal blue clear sunny sky filling entire upper and majority of frame behind him, soft white fluffy loosely painted style cumulus clouds visible on left side of sky, warm bright natural summer daylight with sunlight illuminating face from side, hyper-realistic 8K photography, dreamy romantic Korean summer aesthetic, extreme rose petal and skin texture detail, dramatic backlit low angle portrait, shot on Canon EOS R5

Enhance the quality of this architectural render to make it more photorealistic while keeping the original design, materials, lighting, colors, and camera angle exactly the same. Do not modify the architecture, furniture, layout, signage and lights in any way. Do not add any extra lighting fixtures on the ceiling Add realistic human figures inside the mall with natural scale and perspective. People should look candid and natural, not posed. Include shoppers walking, standing, talking, and carrying shopping bags. Add a small queue of people waiting in front of the Al Ansari Exchange counter. Add people infront of ATM Machine withdrawing cash with realistic spacing and natural posture. Ensure the people match the indoor lighting conditions and reflections of the scene. There are two escalators in the scene. One escalator is for going up and the other escalator is for going down. Correct the human movement direction accordingly: On the upward escalator, people should be positioned facing upward and moving up. • On the downward escalator, people should be positioned facing downward and moving down. • Do not show people going in the same direction on both escalators. Maintain correct shadows, reflections, and depth so the humans blend seamlessly into the render. The final image should look like a real photograph of a busy shopping mall, without altering the original architectural design. The final image should look like a real photograph of a busy shopping mall, without altering the original architectural design. Do not crop or change the proportion. keep the original design as it is.

A woman is wearing glasses on face, her head is turned high upward, her face is at front of camera, she is smiling, her eyes are loking at camera, relistic picture, real woman, ultra details

A real handsome young (Use my face refrence uploded image) boy with short naturally messy slightly wavy dark black hair with loose strands falling softly over forehead and temples and light mustache, sharp elegant facial bone structure, eyes peacefully and completely closed, face gently tilted upward and to the side, soft lips lightly touching and pressing against the delicate petals of large pink roses held up near face level, one arm raised holding a small gathered bouquet of three to four large fully bloomed beautiful soft blush pink garden roses with fresh green stems and dark green leaves held upward at face level, other arm hanging relaxed at side, wearing oversized relaxed fit light sky blue pastel long sleeve button up collared shirt with sleeves slightly rolled, extreme dramatic low worm eye view camera angle looking steeply upward at figure positioned against open sky, vivid brilliant royal blue clear sunny sky filling entire upper and majority of frame behind him, soft white fluffy loosely painted style cumulus clouds visible on left side of sky, warm bright natural summer daylight with sunlight illuminating face from side, hyper-realistic 8K photography, dreamy romantic Korean summer aesthetic, extreme rose petal and skin texture detail, dramatic backlit low angle portrait, shot on Canon EOS R5