[EXTREME WIDE SHOT], [SLOW ZOOM IN + STATIC FRAMING], [COASTLINE OF RUSSIA AND ADJACENT LANDS FACING GIGANTIC WALL OF WATER], [a colossal tsunami, dark and curling, looms in the distance, swallowing cities in its path, people scream and run across broken landscapes, helicopters whirl away from collapsing towers, the horizon bends under the pressure of the wave], [terrified screams, roaring water, crumbling buildings, fading sirens], [dim grey skies, ash particles falling, brief rays of cold light piercing the clouds, ocean reflecting ominous blue-black tones], [epic end-of-the-world tone, apocalypse cinematic style, inspired by 2012 and The Day After Tomorrow]
2103
Veo
15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.
018
Seedance 2
[EXTREME WIDE SHOT], [SLOW ZOOM IN + STATIC FRAMING], [COASTLINE OF RUSSIA AND ADJACENT LANDS FACING GIGANTIC WALL OF WATER], [a colossal tsunami, dark and curling, looms in the distance, swallowing cities in its path, people scream and run across broken landscapes, helicopters whirl away from collapsing towers, the horizon bends under the pressure of the wave], [terrified screams, roaring water, crumbling buildings, fading sirens], [dim grey skies, ash particles falling, brief rays of cold light piercing the clouds, ocean reflecting ominous blue-black tones], [epic end-of-the-world tone, apocalypse cinematic style, inspired by 2012 and The Day After Tomorrow]
2103
Veo
15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.
018
Seedance 2
15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.
018
Seedance 2
[EXTREME WIDE SHOT], [SLOW ZOOM IN + STATIC FRAMING], [COASTLINE OF RUSSIA AND ADJACENT LANDS FACING GIGANTIC WALL OF WATER], [a colossal tsunami, dark and curling, looms in the distance, swallowing cities in its path, people scream and run across broken landscapes, helicopters whirl away from collapsing towers, the horizon bends under the pressure of the wave], [terrified screams, roaring water, crumbling buildings, fading sirens], [dim grey skies, ash particles falling, brief rays of cold light piercing the clouds, ocean reflecting ominous blue-black tones], [epic end-of-the-world tone, apocalypse cinematic style, inspired by 2012 and The Day After Tomorrow]
2103
Veo
[EXTREME WIDE SHOT], [SLOW ZOOM IN + STATIC FRAMING], [COASTLINE OF RUSSIA AND ADJACENT LANDS FACING GIGANTIC WALL OF WATER], [a colossal tsunami, dark and curling, looms in the distance, swallowing cities in its path, people scream and run across broken landscapes, helicopters whirl away from collapsing towers, the horizon bends under the pressure of the wave], [terrified screams, roaring water, crumbling buildings, fading sirens], [dim grey skies, ash particles falling, brief rays of cold light piercing the clouds, ocean reflecting ominous blue-black tones], [epic end-of-the-world tone, apocalypse cinematic style, inspired by 2012 and The Day After Tomorrow]
2103
Veo
15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.
018
Seedance 2
[EXTREME WIDE SHOT], [SLOW ZOOM IN + STATIC FRAMING], [COASTLINE OF RUSSIA AND ADJACENT LANDS FACING GIGANTIC WALL OF WATER], [a colossal tsunami, dark and curling, looms in the distance, swallowing cities in its path, people scream and run across broken landscapes, helicopters whirl away from collapsing towers, the horizon bends under the pressure of the wave], [terrified screams, roaring water, crumbling buildings, fading sirens], [dim grey skies, ash particles falling, brief rays of cold light piercing the clouds, ocean reflecting ominous blue-black tones], [epic end-of-the-world tone, apocalypse cinematic style, inspired by 2012 and The Day After Tomorrow]
2103
Veo
15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.
018
Seedance 2
[EXTREME WIDE SHOT], [SLOW ZOOM IN + STATIC FRAMING], [COASTLINE OF RUSSIA AND ADJACENT LANDS FACING GIGANTIC WALL OF WATER], [a colossal tsunami, dark and curling, looms in the distance, swallowing cities in its path, people scream and run across broken landscapes, helicopters whirl away from collapsing towers, the horizon bends under the pressure of the wave], [terrified screams, roaring water, crumbling buildings, fading sirens], [dim grey skies, ash particles falling, brief rays of cold light piercing the clouds, ocean reflecting ominous blue-black tones], [epic end-of-the-world tone, apocalypse cinematic style, inspired by 2012 and The Day After Tomorrow]
2103
Veo
15-second cinematic action-comedy sequence, photorealistic. A massive stone boulder rolls down a steep San Francisco hill during a crowded street flea market, comically absorbing everything in its path. [00:00-00:04] Wide tracking shot alongside the boulder. A 10-foot stone boulder barrels down a steep, sunny San Francisco street lined with colorful flea market tents. Fleeing people get comically stuck to its surface, waving their arms wildly as they are rolled up into the mass. SFX: Rumbling stone and comedic yelps. [00:04-00:08] "Boulder-cam" POV, rotating wildly. The camera is attached directly to the spinning boulder, creating a dizzying, dynamic view of the street ahead and the screaming, flailing people adhered to the surface right alongside the lens. The boulder rapidly accumulates more people and debris, growing to the size of a multi-story building. SFX: Whooshing wind and chaotic, fading screaming. [00:08-00:12] Low-angle dynamic crane shot from the bottom of the hill. The building-sized sphere of people, umbrellas, and market debris rolls over a barricade of parked police cars with flashing lights. The cars are instantly pulled up into the rotating bulk, their red and blue sirens still spinning as they go round and round. SFX: Metal crunching and muffled sirens. [00:12-00:15] Wide establishing shot. The colossal, chaotic ball of screaming people and police cars launches off a wooden pier and crashes perfectly into the San Francisco Bay, sending a gigantic, spectacular water splash into the air. SFX: Massive water splash and seagulls squawking. Style: Photorealistic, Katamari Damacy meets Hollywood blockbuster, bright natural sunlight, vibrant colors, fast-paced slapstick action. Constraints: Comedic tone with absolutely no gore or realistic injuries, keep the rolling momentum continuous and smooth, maintain clear structural physics as the boulder grows, avoid blurry motion.
018
Seedance 2