Filmagem em lente de 70 mm Prompts

a creepy scary Indian scary lady standing on railway track, rain and wet, night, dark, horror visuals, scary breathtaking horror, Unreal Engine 5, cinematográfica, gradação de cores, fotografia editorial, fotografia, sessão de fotos, filmagem em lente de 70 mm, profundidade de campo, DOF, desfoque de inclinação, velocidade do obturador 1/1000, F/22, Balanço de Branco, 32k, Super-Resolução, Megapixel, ProPhoto RGB, VR, alto, épico, artgerm, alex ross, Halfrear Lighting, Backlight, Natural Lighting, Incandescent, Optical Fiber, Moody Lighting, Cinematic Lighting, Studio Lighting, Soft Lighting, Volumetric, Contre-Jour, Dark Lighting, Accent Lighting, Global Illumination, Oclusão de ambiente de Ray Tracing, Anti-aliasing, FKAA, TXAA, RTX, SSAO, Shaders, OpenGL-Shaders, GLSL-Shaders, Pós-processamento, Pos t-Production, Cel Shading, Tone Mapping, CGI, VFX, SFX, insanamente detalhado e intrincado, hipermaximalista, elegante, hiper realista, super detalhado, pose dinâmica, centrado, fotografia --v 4 --ar 16:9 --s 750

a creepy scary indonesian scary lady standing on railway track, rain and wet, night, dark, horror visuals, scary breathtaking horror, Unreal Engine 5, cinematográfica, gradação de cores, fotografia editorial, fotografia, sessão de fotos, filmagem em lente de 70 mm, profundidade de campo, DOF, desfoque de inclinação, velocidade do obturador 1/1000, F/22, Balanço de Branco, 32k, Super-Resolução, Megapixel, ProPhoto RGB, VR, alto, épico, artgerm, alex ross, Halfrear Lighting, Backlight, Natural Lighting, Incandescent, Optical Fiber, Moody Lighting, Cinematic Lighting, Studio Lighting, Soft Lighting, Volumetric, Contre-Jour, Dark Lighting, Accent Lighting, Global Illumination, Oclusão de ambiente de Ray Tracing, Anti-aliasing, FKAA, TXAA, RTX, SSAO, Shaders, OpenGL-Shaders, GLSL-Shaders, Pós-processamento, Pos t-Production, Cel Shading, Tone Mapping, CGI, VFX, SFX, insanamente detalhado e intrincado, hipermaximalista, elegante, hiper realista, super detalhado, pose dinâmica, centrado, fotografia --v 4 --ar 16:9 --s 750

windows opening to the cosmos. The photograph employs a 'noctilux 0.95' lens effect for a soft depth of field, and the color grading is distinctly reminiscent of 1970s cinema, adding to the filmic quality of the image.

Landscape.cinematic photography “Predestined fate, Agony of a sick soul...Take holy water in the palm of your hand. And extinguish the evil flame."High Definition, Close Up Detailed Photography, Realistic Art Style, EE 70mm Lens, Golden Hour Lighting, 35mm Photography, Film, Bokeh, Professional, 4k, High Detail

Surreal 1960s vintage An ultra-realistic ultra-realistic Cinematic 1960s cinematic style, cinematic movie photograph, realistic photography, technicolor photo, HR, taken with 70mm lens, iso 400, f4, 1/20, 8K, dramatic light, depth field (cinematic, film grain:1.1),

Surreal 1960s vintage An ultra-realistic ultra-realistic Cinematic 1960s cinematic style, cinematic movie photograph, realistic photography, technicolor photo, HR, taken with 70mm lens, iso 400, f4, 1/20, 8K, dramatic light, depth field (cinematic, film grain:1.1),

Full size realistic cinematic portrait, filmed by Denis Rodman, The warm and pleasant atmosphere, a beautiful place of peace ::4 portrait, cinematic lighting, Leica M3 rangefinder camera from the 70s, Summicron 35 mm lens, with large aperture f4, ISO 400, shutter speed 1/125, on 1970s Kodak color film. ::3 Horror style::4 --no bad anatomy, text, signature, watermark, username, low resolution, worst quality, low quality, jpeg artifacts, blurry, cropped, bad framing --ar 1: 2 --v 4 --c 60 --seed 49582 --s 50

film photography of a robot driving a spaceship,medium shot , in the desert,wearing a helmet and googles , futuristic ,using film superia, with sony alpha A7 III, denis villenueve,warm colors, natural light, --v 6 --ar 9:16 --stylize 750

RPG-Character A cinematic movie still from the ARRI ALEXA LF Motion Picture Camera equipped with a Signature Prime 40mm T1.8 Lens. Settings include:

COUPLE BY JAPANESE STYLE --ar 5:7 --v 5.1, shoot with Sony Alpha a7R IV, FE 70-200mm f/2.8 GM OSS lens

A behind the scenes photo of the original Planet of the Apes movie with depth, shot on film and taken by a professional photographer using a Canon R5 camera, 70mm lens, f/2.8 aperture, and an ISO 400 setting to capture details in natural lighting conditions. With makeup in the style of Star Trek TOS, wearing war paint on the face, as well as some crew members around him. --ar 21:31

realistic, Professional photo, Sony Alpha A7 II Mirrorless Digital Camera, Canon EF 24-70mm f/2.8L II USM Lens, The Selens 5-in-1 39.4″ Triangle Reflector:silver

80mm cinematic photo by Christopher Nolan, action-packed scene from Asphalt 8, from Hot Wheels tabletop racing game

shoot with Sony Alpha a9 II and Sony FE 200-600mm f/5.6-6.3 G OSS lens, natural light, hyper realistic photograph, wide angle, cinematic lighting, ultra detailed. --ar 16:9 --s 750

film photography of a robot driving a spaceship,medium shot , in the desert,wearing a helmet and googles , futuristic ,using film superia, with sony alpha A7 III, denis villenueve,warm colors, natural light, --v 6 --ar 9:16 --stylize 750

cinematic photo, photograph, tilt shift, Horror, specular lighting, film grain, Samsung Galaxy, F/5, (cinematic still:1.2), freckles . 35mm photograph, film, bokeh, professional, 4k, highly detailed

film photography of a robot driving a spaceship,medium shot , in the desert,wearing a helmet and googles , futuristic ,using film superia, with sony alpha A7 III, denis villenueve,warm colors, natural light, --v 6 --ar 9:16 --stylize 750

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K --ar 9:16 --style raw --personalize c3uuvrt --v 6.1

film photography of a robot driving a spaceship,medium shot , in the desert,wearing a helmet and googles , futuristic ,using film superia, with sony alpha A7 III, denis villenueve,warm colors, natural light, --v 6 --ar 9:16 --stylize 750

Vibrant, high-contrast cinematic scene with a sense of tension and intrigue, evoking the grandeur of classic Hollywood films, featuring a carefully crafted composition with deliberate negative space, striking chiaroscuro lighting that accentuates the subject's dramatic features, and a shallow depth of field to draw focus to the central figure, all presented in a rich, warm color palette with a slightly desaturated tone, as if captured on 35mm film, with a subtle grain and texture that adds to the overall sense of nostalgia and cinematic flair. --v 7

in the style of The Pianist directed by Roman Polanski --style raw --ar 16:9, cinematic I 16K I 5mm

fantastic planet, Award - winning, photograph shot with Kodak Portra 800, a Hasselblad 500C, 55mm f/ 1. 8 lens, extreme depth of field, available light, high contrast, Ultra HD, HDR, DTM, 8K::1 --c 50

A cinematic movie extreme close-up still of an Indian artist in the autumn at sunset, centered, looking into the camera, with a misty fog atmosphere, photorealistic, resembling a scene from a classic Western film. The photo is taken by Thomas Hoepker

foto de una calle en 1974 con coches voladores circulando como si fuera algo normal, gente conduciendo, edificios antiguos, estilo fotografía documental, tomada con lente 35mm, efecto de película analógica, grano visible, un poco desenfocado (depth of field), ligeramente sobreexpuesta, tonos sepia y colores apagados, algo de motion blur, pequeñas manchas y rayones, encuadre imperfecto, estética años 70 35mm lens, grain, depth of field, overexposed, sepia, 1970s aesthetic