Flickering fluorescent lights Prompts

surrealistic art, H.R giger, liminal horror, distorted perspective, forced angles, unsettling asymmetry, digital painting with oil texture, mixed media, corrupted backroom terminal, impossible architecture where the underground terminal twists and breaks, non-euclidean geometry, claustrophobic and expansive simultaneously, ceiling pipes and wires form a tangled, organic structure, rows of identical, empty seats stretch out in unnatural patterns, walls are covered in crumbling, damp tiles, stark clashing of warm orange sodium light and cool, harsh fluorescent light, creating deep, inexplicable shadows, some lights flicker rhythmically, visual distortions, subtle motion blur, faint outlines of unseen entities in the shadows, text on signs is unreadable, high textural contrast --ar 9:16 --raw

Industrial Suspense (Bored & Apathetic) a. Shooting Angle: A wide-angle "long shot" from a distance, character standing small against a massive, weathered iron door. b. Lighting Effects: Harsh, flickering overhead fluorescent light, creating a raw and unpolished aesthetic with a slight green tint. c. Background: An abandoned industrial warehouse with rusty textures, concrete pillars, and a cold, lonely vibe. d. Photography Description: Realistic Photography, 24mm ultra-wide lens, gritty texture, desaturated colors, sharp focus on the juxtaposition of the soft dress against the hard metal. e. Person Description: A 24-year-old East Asian woman with a sleek "hime-cut" hairstyle. Her expression is bored and apathetic, leaning one shoulder against the wall with an indifferent slouch. She wears a deep burgundy velvet-textured floral dress.

cinematographic, leading lines, vanishing point, Arri Alexa 35, wide angle lens, shot on-tripod, 1/160s, f/5.6, ISO 12800, natural color grade with heavy emphasis on the orange hues, endless underground terminal, a deeper level of the backrooms, a claustrophobic, infinite underground transit station, based on the backrooms concept, abandoned urban decay, decaying infrastructure, multiple rows of corroded metal benches, cracked tiled floor with strange liquid pools, rows of overhead signs like C3, C4 with increasingly illegible, distorted lettering as they recede into the distance, a lone, distant figure, predominant, buzzing sodium-vapor lamps casting an oppressive orange glow, mixed with flickering, cold fluorescent lights, high contrast shadows, peeling yellow paint on the walls, visible dust motes dancing in the light, a single, flickering bulb far down the corridor, the atmosphere is heavy and silent, text on signs: "EXIT" with small, unsettling, liminal space, deep depth of field --chaos 25 --ar 9:16 --raw --stylize 180

A young Caucasian girl, aged 13-15, smiles joyfully while cradling a small winged unicorn with hyper-detailed, lifelike features. The girl has long, light brown hair with natural flyaway strands, rosy cheeks, and realistic skin texture (slight pores, faint freckles). She wears a casual black cotton t-shirt and faded blue jeans, lit by harsh fluorescent overhead lights that cast sharp, naturalistic shadows. In her hands, the unicorn is anatomically plausible: its size proportionate to a small cat, with ultra-fine white fur showing individual strands, subtly matted in places for realism. Its wings are feathered in intricate detail (similar to a dove’s wing structure), veins visible under the light, and folded neatly against its body. The horn is pearlescent ivory, tapered like an antelope’s, with faint ridged texture—no cartoonish sparkles. The unicorn’s eyes are large but realistic, with moist reflective pupils and subtle eyelashes. The storage room backdrop features cluttered, dusty cardboard boxes labeled ‘Fragile,’ a concrete floor with scuff marks, and a flickering fluorescent panel. Shot on a Sony A7 IV with 85mm lens, f/2.8 aperture for shallow depth-of-field, emphasizing the unicorn’s fur texture and the girl’s hands. Style: Hyper-realistic CGI, photorealistic skin and fabric details, muted fantasy elements grounded in biological plausibility, ambient occlusion lighting blending harsh fluorescents with soft window light from an off-screen source.

Title: EL ELEVADOR 13 Genre: Mystery, Psychological Suspense, Thriller Duration: 15 seconds Aspect Ratio: 16:9 Style: Modern Hollywood psychological thriller. Ultra-photorealistic. IMAX-quality cinematography. 8K HDR. Dolby Vision color grading. Realistic human performances. Premium VFX. Volumetric lighting. High dynamic range. Subtle film grain. Extremely detailed facial expressions. Professional cinematic editing. Smooth temporal consistency. Natural body motion. Realistic reflections and shadows. Camera Direction: Open with a slow cinematic dolly toward a luxurious glass elevator inside a modern skyscraper at night. Cut to an interior medium shot showing six strangers standing in silence. The elevator doors close. The camera slowly pushes toward the digital floor display. The display changes: 22... 23... 24... 25... Then suddenly: 13. Everyone looks confused. The elevator jolts violently. Lights flicker repeatedly. A low-angle shot captures terrified faces. One woman slowly turns toward the security camera. The camera whip-pans toward the elevator doors. The doors begin opening very slowly. Dense black fog rolls inside. Beyond the doorway is an impossibly long hotel corridor illuminated by flickering golden lights. The corridor should not exist. The camera slowly moves toward the opening. At the far end of the corridor stands a tall shadowy figure wearing an elegant black suit. Its face is completely hidden by darkness. The figure slowly raises one hand. The elevator lights instantly shut off. Complete darkness. A metallic whisper echoes. Hard cut to black exactly before the figure enters the elevator. Dialogue Language: Latin American Spanish only. Dialogue: Hombre: "¿Por qué marcó el piso trece?" Mujer: "Este edificio no tiene piso trece..." Niño: "Mamá... alguien nos está mirando." Guardia: "¡No abran la puerta!" Susurro desconocido: "Bienvenidos..." Audio Design: Realistic elevator motor. Metal cables under tension. Soft electrical humming. Flickering fluorescent lights. Heavy breathing. Heartbeat gradually increasing. Deep cinematic drones. Low-frequency rumble. Metal creaking. Wind emerging from the corridor. Subtle whispering voices. Hollywood suspense trailer music with rising orchestral strings. Powerful bass impacts. One second of complete silence before the final whisper. Editing Style: Fast cinematic trailer pacing. Professional match cuts. Smooth transitions. Alternating wide shots, close-ups, and POV shots. Natural motion blur. High realism. Every second increases suspense. End with a powerful cliffhanger that feels like the final shot of a Hollywood movie trailer. Negative Prompt: No subtitles. No captions. No logos. No watermark. No text overlays. No cartoon style. No anime. No low resolution. No CGI look. No distorted faces. No extra limbs. No exaggerated horror effects. Keep all characters anatomically correct and visually consistent throughout the sequence.

designs that glow

Grungy early-2000s lo-fi disposable flash snapshot in a dim concrete stairwell with flickering fluorescent light. The same rebellious figure as before leans on the railing, messy hair falling across her face. Outfit: cropped ribbed tank top, frayed denim skirt, layered waistband visible in Y2K street style. Harsh flash with film grain, dust, and scratches, giving raw rebellious magazine energy.

designs that glow

animate the warm bulbs lits switching on and off due to a loos connection pulsating feel and animate the bees walking around. no camera movement.

duplication fast moving shades

A dimly lit metro train at midnight, wet reflections from rain outside the windows, 8 passengers seated including a calm, middle-aged man (retired assassin type) observing the scene, one young female college student nervously glancing at a group of 6 thugs whispering nearby. Cinematic lighting with flickering fluorescent lights, realistic wet textures on seats and floor, moody atmospheric shadows, stylized John Wick aesthetic, cinematic composition, 4K ultra-detailed, photorealistic, high contrast, handheld perspective to create tension, no over-the-top effects, ultra-realistic facial expressions and body language.

generate blue and yellow backlighting

A dimly lit metro train at midnight, wet reflections from rain outside the windows, 8 passengers seated including a calm, middle-aged man (retired assassin type) observing the scene, one young female college student nervously glancing at a group of 6 thugs whispering nearby. Cinematic lighting with flickering fluorescent lights, realistic wet textures on seats and floor, moody atmospheric shadows, stylized John Wick aesthetic, cinematic composition, 4K ultra-detailed, photorealistic, high contrast, handheld perspective to create tension, no over-the-top effects, ultra-realistic facial expressions and body language.

Flickering lights in the hallway

A dimly lit metro train at midnight, wet reflections from rain outside the windows, 8 passengers seated including a calm, middle-aged man (retired assassin type) observing the scene, one young female college student nervously glancing at a group of 6 thugs whispering nearby. Cinematic lighting with flickering fluorescent lights, realistic wet textures on seats and floor, moody atmospheric shadows, stylized John Wick aesthetic, cinematic composition, 4K ultra-detailed, photorealistic, high contrast, handheld perspective to create tension, no over-the-top effects, ultra-realistic facial expressions and body language.

classicnegative cinematic portrait photo, an astronaut in a rusty grey spacesuit on an abandoned spaceship, flickering fluorescent ceiling light tubes, blinking control panels, dramatic atmosphere, alien movie, sci-fi, haze, bloom, halation, centred, rule of thirds <lora:add_detail:0.4> <lora:epi_noiseoffset2:0.4> <lora:hairdetailer:0.6>

A dimly lit metro train at midnight, wet reflections from rain outside the windows, 8 passengers seated including a calm, middle-aged man (retired assassin type) observing the scene, one young female college student nervously glancing at a group of 6 thugs whispering nearby. Cinematic lighting with flickering fluorescent lights, realistic wet textures on seats and floor, moody atmospheric shadows, stylized John Wick aesthetic, cinematic composition, 4K ultra-detailed, photorealistic, high contrast, handheld perspective to create tension, no over-the-top effects, ultra-realistic facial expressions and body language.

gaming flashing colors, animate the image

classicnegative cinematic portrait photo, an astronaut in a rusty grey spacesuit on an abandoned spaceship, flickering fluorescent ceiling light tubes, blinking control panels, dramatic atmosphere, alien movie, sci-fi, haze, bloom, halation, centred, rule of thirds <lora:add_detail:0.4> <lora:epi_noiseoffset2:0.4> <lora:hairdetailer:0.6>

"A massive, cylindrical underground silo carved into a desolate, toxic wasteland under a hazy orange sky. The exterior is industrial and imposing, with heavy metal doors, riveted walls, and ventilation shafts. Inside the silo, show spiraling staircases spanning hundreds of levels, cramped living quarters, flickering fluorescent lights, and residents in utilitarian clothing. Outside, a barren landscape with dead trees and cracked earth, viewed through a cracked camera feed or a surveillance monitor. Include subtle dystopian details like faded 'Rules of the Silo' posters, a guarded central server room, and a mysterious janitorial closet hiding secrets. Moody, gritty, and atmospheric."

Close-up professional cinematic 3D animation of a long-furred wolf man gripping the silver edge of the indoor pool, water streaming down his arms as he hauls himself up with a powerful motion. Droplets glisten on his thick fur, and his green swim trunks cling tightly as ripples spread behind him. Overhead fluorescent lights flicker softly, casting broken reflections across the slick tiled floor.

car with neon light

Set the scene in an abandoned hospital deep in the mountains of Japan, originally built in the 1970s. The exterior is covered in vines, with cracked concrete, shattered windows, and rusted metal doors. The camera must remain completely fixed — like a static surveillance camera view — no panning, no handheld movement. The video starts quietly with eerie ambient sounds: buzzing fluorescent lights, distant metal creaks, faint echoes. An empty hospital room. Curtains flutter slightly without wind. A hallway monitor begins to flicker erratically. Footsteps echo from the far end of the corridor — slow, deliberate, approaching. Midway through, the emergency lights start shutting off one by one. The screen flickers between light and shadow. Each flicker reveals brief, glitchy images of faceless nurses or doctors standing still, watching, then disappearing. 🔻 Climactic Jump Scare – Final Segment 🔻 Suddenly, the screen freezes. Total silence. Then without warning — a horrifying, skinless female face slams directly into the camera lens, accompanied by a piercing, high-pitched scream that distorts the audio. The screen cracks, glitching violently, then cuts to black for a split second. When it returns, the audio is reversed and warped. A whisper plays backward, saying: "You can’t leave." Final shot: a glitchy app interface appears for 1 second — showing a locked door puzzle UI from the game. Then the video abruptly ends.

LED DISPLAY, bule,light