Framing vertical 45 Prompts

make 90s degree side position but not fully. But retain alignment with reference image when it comes to proportions.

Prompt Base “High-end editorial studio portrait of four women, photographed in a minimalist fine art studio setup. Ultra realistic photography, medium-full body composition, neutral monochromatic aesthetic, luxury fashion editorial style, soft feminine atmosphere, emotional elegance, subtle intimacy and connection between the subjects. Scene composition: Four women positioned in a carefully balanced triangular composition around a matte white cube pedestal. Two women seated on the cube with elegant posture and elongated leg positioning, two women standing slightly behind creating depth and visual layering. Relaxed hands, natural shoulder positioning, elongated neck posture, refined posture alignment. Subjects barefoot for a soft organic aesthetic. Camera framing: Vertical composition, centered framing, medium-wide shot, full lower leg visibility, negative space above subjects, symmetrical editorial balance, clean luxury magazine composition. Fidelidade das Modelos (ESSENCIAL) CRITICAL: Maintain exact facial identity and body proportions from the reference images attached by the user. Preserve: exact facial structure eye shape eyebrow shape lip anatomy skin texture natural asymmetries body shape body proportions age characteristics expression lines ethnicity traits hair density and hairline realistic skin pores natural neck anatomy realistic hands and fingers Avoid: face swapping distortion beauty filter effect artificial doll skin exaggerated symmetry unrealistic waist reduction plastic skin texture over-sharpened eyes AI-generated facial drift Identity preservation strength: 0.95 Face consistency priority: maximum Photorealism priority: maximum Figurino (Wardrobe Styling) Color palette: soft neutrals, monochromatic beige, ivory, champagne, warm nude, oatmeal, cream, soft taupe. Model 1 (standing left) fitted white long sleeve mock-neck crop top high-waisted beige tailored skirt matte fabric texture minimalist styling elegant silhouette Model 2 (front seated left) long fitted knit dress light cream/beige tone long sleeves textured ribbed fabric body-contouring but elegant fit side slit exposing lower leg naturally Model 3 (front seated right) fitted white long sleeve top champagne satin midi skirt silky reflective fabric luxury editorial movement in fabric folds Model 4 (standing right) oversized soft knit sweater monochromatic beige palette relaxed luxury styling elegant minimalism Styling Direction no visible logos no prints luxury quiet fashion aesthetic clean editorial wardrobe tonal harmony between all garments soft fabric draping premium textile realism Pose e Linguagem Corporal Pose geral elegant feminine posture relaxed confidence subtle emotional connection soft facial expressions editorial stillness natural asymmetry in posing Pernas e pés elongated leg posing pointed relaxed toes barefoot styling soft foot placement natural overlapping leg lines Mãos soft relaxed hands fingers naturally curved luxury editorial hand posing no stiff positioning Expressão facial calm confidence subtle closed-mouth smile soft gaze toward camera refined emotional neutrality luxury fashion editorial expression Cabelo e Maquiagem Hair Styling soft studio blowout glossy healthy hair texture soft volume loose editorial waves natural hair movement realistic flyaway strands polished but organic finish Makeup soft glam makeup satin skin finish subtle contour neutral eyeshadow palette softly defined brows natural lashes nude lipstick tones realistic skin texture maintained no heavy beauty retouch Cenário e Direção de Arte Background seamless neutral studio backdrop warm gray-beige background smooth paper backdrop minimalistic luxury aesthetic Props single matte white cube pedestal geometric studio element no additional props Floor seamless cyclorama floor soft matte texture no reflections Iluminação Técnica (MUITO IMPORTANTE) Lighting Setup Professional studio lighting, ultra soft editorial lighting. Key Light large octabox 120cm positioned front-left at 45 degrees soft diffused light feathered lighting technique Fill Light large white reflector right side soft shadow recovery low contrast fill Rim/Hair Light subtle overhead strip softbox soft separation from background delicate hair highlights Background Lighting minimal background spill subtle gradient falloff soft tonal separation Light Quality soft shadows creamy skin rendering natural skin tonality low contrast luxury editorial look cinematic softness evenly exposed highlights realistic fabric rendering Configuração de Câmera (Technical Photography Specs) full-frame professional camera 85mm portrait lens aperture f/4 ISO 100 shutter speed 1/160 ultra sharp focus on eyes shallow depth of field studio color calibration RAW photography look medium telephoto compression realistic skin tones high dynamic range ultra detailed fabric texture luxury editorial sharpness Qualidade e Renderização ultra realistic 8k resolution hyper detailed skin natural studio photography Vogue editorial quality Harper’s Bazaar aesthetic luxury campaign photography photorealistic texture rendering cinematic softness realistic anatomy realistic textile simulation premium color grading soft neutral tones fine art portraiture Negative Prompt (Importante) Avoid: low quality, distorted anatomy, extra fingers, bad hands, asymmetrical eyes, artificial skin, over retouching, plastic texture, exaggerated makeup, overexposed highlights, harsh shadows, cartoon effect, CGI appearance, duplicated limbs, warped fabric, floating feet, unrealistic body proportions, beauty filter effect, wax skin, oversaturated colors, stiff posing, fashion catalog look, cheap studio lighting, cluttered background. Primeira foto mulher gestante de 3 meses 2 semanas .atenção no tamanho da barriga ..

Prompt Base “High-end editorial studio portrait of four women, photographed in a minimalist fine art studio setup. Ultra realistic photography, medium-full body composition, neutral monochromatic aesthetic, luxury fashion editorial style, soft feminine atmosphere, emotional elegance, subtle intimacy and connection between the subjects. Scene composition: Four women positioned in a carefully balanced triangular composition around a matte white cube pedestal. Two women seated on the cube with elegant posture and elongated leg positioning, two women standing slightly behind creating depth and visual layering. Relaxed hands, natural shoulder positioning, elongated neck posture, refined posture alignment. Subjects barefoot for a soft organic aesthetic. Camera framing: Vertical composition, centered framing, medium-wide shot, full lower leg visibility, negative space above subjects, symmetrical editorial balance, clean luxury magazine composition. Fidelidade das Modelos (ESSENCIAL) CRITICAL: Maintain exact facial identity and body proportions from the reference images attached by the user. Preserve: exact facial structure eye shape eyebrow shape lip anatomy skin texture natural asymmetries body shape body proportions age characteristics expression lines ethnicity traits hair density and hairline realistic skin pores natural neck anatomy realistic hands and fingers Avoid: face swapping distortion beauty filter effect artificial doll skin exaggerated symmetry unrealistic waist reduction plastic skin texture over-sharpened eyes AI-generated facial drift Identity preservation strength: 0.95 Face consistency priority: maximum Photorealism priority: maximum Figurino (Wardrobe Styling) Color palette: soft neutrals, monochromatic beige, ivory, champagne, warm nude, oatmeal, cream, soft taupe. Model 1 (standing left) fitted white long sleeve mock-neck crop top high-waisted beige tailored skirt matte fabric texture minimalist styling elegant silhouette Model 2 (front seated left) long fitted knit dress light cream/beige tone long sleeves textured ribbed fabric body-contouring but elegant fit side slit exposing lower leg naturally Model 3 (front seated right) fitted white long sleeve top champagne satin midi skirt silky reflective fabric luxury editorial movement in fabric folds Model 4 (standing right) oversized soft knit sweater monochromatic beige palette relaxed luxury styling elegant minimalism Styling Direction no visible logos no prints luxury quiet fashion aesthetic clean editorial wardrobe tonal harmony between all garments soft fabric draping premium textile realism Pose e Linguagem Corporal Pose geral elegant feminine posture relaxed confidence subtle emotional connection soft facial expressions editorial stillness natural asymmetry in posing Pernas e pés elongated leg posing pointed relaxed toes barefoot styling soft foot placement natural overlapping leg lines Mãos soft relaxed hands fingers naturally curved luxury editorial hand posing no stiff positioning Expressão facial calm confidence subtle closed-mouth smile soft gaze toward camera refined emotional neutrality luxury fashion editorial expression Cabelo e Maquiagem Hair Styling soft studio blowout glossy healthy hair texture soft volume loose editorial waves natural hair movement realistic flyaway strands polished but organic finish Makeup soft glam makeup satin skin finish subtle contour neutral eyeshadow palette softly defined brows natural lashes nude lipstick tones realistic skin texture maintained no heavy beauty retouch Cenário e Direção de Arte Background seamless neutral studio backdrop warm gray-beige background smooth paper backdrop minimalistic luxury aesthetic Props single matte white cube pedestal geometric studio element no additional props Floor seamless cyclorama floor soft matte texture no reflections Iluminação Técnica (MUITO IMPORTANTE) Lighting Setup Professional studio lighting, ultra soft editorial lighting. Key Light large octabox 120cm positioned front-left at 45 degrees soft diffused light feathered lighting technique Fill Light large white reflector right side soft shadow recovery low contrast fill Rim/Hair Light subtle overhead strip softbox soft separation from background delicate hair highlights Background Lighting minimal background spill subtle gradient falloff soft tonal separation Light Quality soft shadows creamy skin rendering natural skin tonality low contrast luxury editorial look cinematic softness evenly exposed highlights realistic fabric rendering Configuração de Câmera (Technical Photography Specs) full-frame professional camera 85mm portrait lens aperture f/4 ISO 100 shutter speed 1/160 ultra sharp focus on eyes shallow depth of field studio color calibration RAW photography look medium telephoto compression realistic skin tones high dynamic range ultra detailed fabric texture luxury editorial sharpness Qualidade e Renderização ultra realistic 8k resolution hyper detailed skin natural studio photography Vogue editorial quality Harper’s Bazaar aesthetic luxury campaign photography photorealistic texture rendering cinematic softness realistic anatomy realistic textile simulation premium color grading soft neutral tones fine art portraiture Negative Prompt (Importante) Avoid: low quality, distorted anatomy, extra fingers, bad hands, asymmetrical eyes, artificial skin, over retouching, plastic texture, exaggerated makeup, overexposed highlights, harsh shadows, cartoon effect, CGI appearance, duplicated limbs, warped fabric, floating feet, unrealistic body proportions, beauty filter effect, wax skin, oversaturated colors, stiff posing, fashion catalog look, cheap studio lighting, cluttered background.

make quarter view angle

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

make side position 90 degree. Make sure it aligns with proportions of reference image.

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

Primary subject: the phone / Evergreen AI booking UI must be the star of the image — large, crystal‑clear, legible. Phone size & placement: phone should occupy ~40–60% of the frame (or top half in vertical), held close to camera or placed on bench; phone must be sharply in focus. Phone UI: show a real booking screen with a clear CTA (“Book Job” or “Confirm Appointment”), a ringing icon labeled “Evergreen AI Reception”, and UI accents in your website colors blue #1E90FF and purple #7B3FBF. Worker role: plumber/technician is background context only — at least 3 meters away, actively working (kneeling/reaching), neutral professional expression (no sadness, no posing, no eye contact). No Evergreen branding on uniform. Branding rules: No Evergreen on uniforms or van rear. If any Evergreen appears, it must be only on the phone UI and optionally a tiny decal near the van door handle. Uniforms should read a generic “Plumbing Co.”. Composition & crops: primary crops 4:5 (portrait) for feed, 1:1 (square) for posts, 9:16 only for Reels. Style & technicals: photorealistic, ultra‑realistic lighting, 4K detail, shallow depth of field with phone in sharp focus, cinematic color grading. Common fixes: if phone UI is fuzzy, run a macro close‑up or replace the phone screen in an editor with a real screenshot (perspective transform). Avoid: influencer/fashion look, large logos on van/uniform, black mouth artifacts, text artifacts, sad expressions, eye contact with camera. Single optimized prompt for PromptHero (paste exactly) Foreground phone occupies 45% of the frame, held close to camera by a technician’s hand; phone screen fully visible and sharply legible showing the Evergreen AI booking UI with a clear “Book Job” CTA and a ringing icon labeled “Evergreen AI Reception”; phone UI uses subtle accents blue #1E90FF and purple #7B3FBF; background shows a plumber at least 3 meters away, head down and actively working (kneeling or reaching), neutral professional expression, not looking at the camera; plumber wears a generic “Plumbing Co.” navy work shirt with a small embroidered wordmark on chest and sleeve (no Evergreen branding on clothing); a service van parked in the driveway with a tiny decal near the door handle only (no logo on rear); composition framed for 4:5 portrait and 1:1 square crops, photorealistic, ultra‑realistic lighting, 4K detail, natural skin tones, authentic workwear textures, phone and its screen are the primary subject and in sharp focus, plumber is secondary and slightly out of focus but clearly identifiable as working, shallow depth of field, cinematic color grading, do not add extra logos or cartoon elements. Negative constraints: avoid eye contact with camera; avoid sad or frowning expressions; avoid blacked out mouths; avoid missing teeth; avoid text artifacts; avoid watermark; avoid fashion model look; avoid exaggerated smiles; avoid large logos on van or uniform.

Create Side position 90 degree. Side position angle.

Expand the frame to the sides.

can you make the angle to go more to 90 degree but not fully somewhere in the middle maybe 15 degree

create a side 90 degree angle to the right. Make sure every part follows same direction.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a simple studio with a light gray background, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. The background, originally light gray, becomes very dark with a bright hotspot behind the subject. Ultra‑realistic skin texture, visible pores, natural imperfections, hair strands, fabric details – all rendered with natural grain and no smoothing. The composition is slightly tilted, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, candid, with a spontaneous, friendly energy.", "scene": { "location": "Simple photo studio with a light gray seamless background, but the flash overpowers the ambient light, making the background very dark with a central bright spot. No other props or distractions.", "protagonist": "A young woman (mid‑20s), natural beauty, athletic but feminine build, sun‑kissed skin with slight tan lines. She stands facing the camera with a slight body angle (~10‑15°), shoulders relaxed, head slightly tilted to the right. She has a natural, friendly smile showing teeth, direct eye contact with the camera. Her long straight brown hair falls naturally over her shoulders. She wears a simple black top (cotton or similar, matte). Her pose is natural, not overly posed. Her skin has visible pores, tiny freckles across the nose and cheeks, and a healthy natural glow. The flash creates specular highlights on her face, shoulders, and the raised thumb.", "hands_and_gesture": { "right_hand": "Raised near chest level, elbow slightly bent. The hand forms a clear, strong thumbs‑up gesture: the fist is tightly closed (all four fingers curled inward), the thumb is extended straight upward, vertical, pointing to the sky. The palm is slightly angled toward the camera (approx. 30‑45°), making the gesture clearly readable. The thumb is well‑defined, no blur.", "left_hand": "Not visible (behind the body or out of frame)." } }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient studio light is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, specular highlights on skin, hair, and the raised thumb; deep black shadows on the side of the face and under the chin; overexposed patches on the forehead, nose, and the black top where the flash hits directly.", "effects": [ "strong, direct flash creating hard specular highlights on every sweat droplet and skin texture, making the skin look slightly washed out", "background very dark – the light gray backdrop appears almost black except for a bright circular hotspot behind the subject", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors, skin tones pale with a slight blue/green cast from the flash", "extremely high contrast – bright whites next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (e.g., hair strands, thumb edge, top rim)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark background", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The skin loses its warm undertones, appearing pale. The black top appears deep charcoal with bright reflections.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, slightly low angle (camera at chest level), subject centered but with slight right offset (rule of thirds). Medium shot (from mid‑chest to above head). Camera distance ~1.5‑2 m.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/2.8‑f/4, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "vertical 4:5, medium shot, subject slightly right of center, slight tilt (~2‑3°), a small intruding element (a finger or strap) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the subject’s face and right hand are relatively sharp, background out of focus and very dark.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows with no detail", "very dark background", "imperfect composition (slight tilt, intruding element, lens micro‑scratch, vertical banding, vignette)", "natural skin texture (pores, freckles, sweat, fine hairs)", "visible fabric texture (cotton top)", "chromatic aberration", "barrel distortion", "lens flare" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible brand logos", "overly posed expression", "incorrect hand gesture (open hand, peace sign, OK sign, pointing finger)", "deformed hands", "extra fingers", "missing fingers", "blurred thumb", "thumb not vertical" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "incorrect hand gesture", "open hand", "pointing finger", "ok gesture", "peace sign", "blurred hands", "bad anatomy", "twisted fingers", "broken thumb", "unnatural pose", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash", "modern smartphone", "daylight", "no flash look", "bright background", "detailed background", "visible left hand" ] }

make one quarter perspective angle position from the back.

Make side position 90 degree angle but make him not full 90 degree show foot on other side a little bit.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

make in dimensions 1:2 horizontal

make 70 degree side position perspective.

به عمودی تبدیل کن

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

Make it to be Front View symmetrical angle.

به عمودی تبدیل کن

Only replace the wooden vertical panels with thin metal with greenery

90 degree position side.