{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
026
Nano Banana
Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.
151
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
08
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
026
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
08
Nano Banana
Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.
151
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
026
Nano Banana
Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.
151
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
08
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
026
Nano Banana
Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.
151
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
08
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
026
Nano Banana
Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.
151
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
08
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
026
Nano Banana
Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.
151
Nano Banana
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "semi‑reclining on the BRABUS 09 Modern leather sofa‑bed, leaning against the padded bolster (20 cm diameter) positioned at the side, legs extended along the seat length, one leg slightly bent. Her left arm rests casually on the backrest, fingers lightly touching the leather, while her right hand holds a single large red rose, its prominent bloom near her collarbone, just below the embroidered 'vgeux' on her dress. The remaining four roses are scattered gracefully on the sofa around her. Her body is angled toward the camera, the crossed top of the Philosophy dress revealing the décolleté, with the white Kudry Sans embroidery clearly visible on the heart area. The pose exudes relaxed confidence and intimate allure.", "posture": "semi‑reclined, legs extended, one arm on backrest", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; one held in hand, four on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
08
Nano Banana