Light yellow and dark black Prompts

dark blue chrome black and yellow angle lights bmw

scyle , dark and white , nuar

dark blue chrome black and yellow angle lights bmw_e series model 2000 bmw

dark green chrome black and yellow angle lights bmw_e series model 1995 bmw

an attractive asian girl in a white dress, in the style of hannah yata, light brown and light black, yeong-hao han, joong keun lee, light yellow and dark green, 32k uhd, zeiss batis 18mm f/2.8 --ar 3:4 --s 750

black

98. A detailed illustration face evil witch ,magic, t-shirt design, yellow and black , dark magic splash, dark, ghotic, t-shirt design, in the style of Studio Ghibli, pastel tetradic colors, vector art, cute and quirky, fantasy art, watercolor effect, bokeh, Adobe Illustrator, hand-drawn, digital painting, low-poly, soft lighting, bird's-eye view, isometric style, retro aesthetic, focused on the character, 4K resolution

A highly detailed, photorealistic, cinematic vertical medium shot of a stunning young woman with a bold "modern samurai" or "urban ninja" aesthetic, posing against a vibrant yellow backdrop. Shot Angle & Pose: The image is captured from a frontal eye-level perspective. The subject is positioned behind a large black katana, which she holds vertically close to her face. She turns her head slightly to look directly into the camera with an intense, fierce, and captivating gaze. Her expression is stoic and powerful, conveying a sense of lethal grace. Subject Appearance: She has a flawless, pale complexion rendered with hyper-realistic skin texture and a soft matte finish. Her jet-black hair is styled with thick, blunt-cut bangs that frame her forehead. Her most striking features are her glowing yellow irises, enhanced by heavy dark smoky eyeshadow and long, sharp eyelashes. A bold black calligraphic ink stroke or tattoo is painted across her left cheek. Character Figure: She possesses a curvaceous physique. The medium shot emphasizes her graceful neck and bare shoulders, while her silhouette is framed by the sharp lines of her weapon and her structured attire. Her presence is commanding and mysterious. Outfit Details: She is wearing a coordinated, edgy high-fashion streetwear ensemble in a black and yellow palette: Accessories: A black fabric face mask is worn around her neck. Around her throat is a wide black leather collar with polished silver studs and spikes. Top: A black leather-look vest or jacket is visible, worn over an arm featuring a full-sleeve graphic or tattoo in a vibrant yellow and grey oni-mask and dragon motif. Jewelry: Multiple intricate silver ear piercings, including a large dangling cross and a chain-link ear cuff. A small black septum ring is also visible. Weapon: A highly detailed black katana with a textured hilt (tsuka) and a polished black scabbard (saya) adorned with yellow flame-like or wing-like graphics. Setting & Lighting: Setting: A clean, minimalist studio environment with a solid, saturated bright yellow background that provides a high-contrast pop for the black attire. Lighting: The scene is defined by sharp, high-fidelity studio lighting. The light creates brilliant highlights on the polished blade of the katana, the metallic studs, and the subject's features, while soft, controlled shadows provide depth and emphasize the various textures of leather, fabric, and skin. 8k resolution, raw photo aesthetic, sharp focus on the subject's eyes, high-fidelity texture rendering (metal and leather), vibrant yellow and black color palette, cinematic character portrait, hyper-realistic.

best quality, 4k, highres, masterpiece, ultra-detailed, realistic, highly detailed woman in black and gold fantasy dress, standing in front of yellow lights, dark hair, lights bokeh, sharp focus, complex, highly detailed, cinematic, candid, true colors, creative, innocent, perfect, beautiful, elegant, intricate, confident, dynamic, volumetric lighting, cinematic angle, glamour vibrant,

an endless mountain range on the background, covered full with lush green forests and life, blue sky with expressive but formless clouds and stars, a swirving river with clear water reaching out to the front of the scene, in the style of atmospheric paintings, the painting is colored in orange, black and yellow, in the style of complex compositions, dark white and light red, circular abstraction, dmitry spiros, industrial materials,with tones of gray, black, green dark indigo and light cyan, aquamarine blue and white, lovely mind-bending sculptures, realistic hyper-detail, in the style of complex compositions, dmitry spiros, balanced proportions, hard edge painting, 8k, haze, ultra-detailed, film photography, light leaks, trending on artstation, sharp focus, intricate details, highly detailed, by greg rutkowski fluid simplicity --ar 63:128 --stylize 750

an endless mountain range on the background, covered full with lush green forests and life, blue sky with expressive but formless clouds and stars, a swirving river with clear water reaching out to the front of the scene, in the style of atmospheric paintings, the painting is colored in orange, black and yellow, in the style of complex compositions, dark white and light red, circular abstraction, dmitry spiros, industrial materials, with tones of gray, black, green dark indigo and light cyan, aquamarine blue and white, lovely mind-bending sculptures, realistic hyper-detail, in the style of complex compositions, dmitry spiros, balanced proportions, hard edge painting, 8k, haze, ultra-detailed, film photography, light leaks, trending on artstation, sharp focus, intricate details, highly detailed, by greg rutkowski fluid simplicity --ar 63:128 --stylize 750

the painting is colored in orange, black and yellow, in the style of complex compositions, dark white and light red, circular abstraction, dmitry spiros, industrial materials, balanced proportions, hard edge painting --ar 71:128 --stylize 750 --v 5.2

dark red black and yellow neon lights bmw_e series model 1995 bmw frozen

scyle , dark and white , nuar

Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.

with orange background

dark

Digital painting, anime style of Makoto Shinkai studio, autumn, facing the sea, a café on the pier, the ancient maple tree formed a canopy above the street, lamps, severe heavy fog, damp, no one, orange, black gold, yellow, red, dark black, motherboard, massive information, high-order horizon, ultra wide shot, wide view, realistic, HD, clear, cinematic, detailed, texture, ambient light, back light, rim light, high resolution, high contrast ratio

the painting is colored in orange, black and yellow, in the style of complex compositions, dark white and light red, circular abstraction, dmitry spiros, industrial materials, balanced proportions, hard edge painting --ar 71:128 --stylize 750 --v 5.2

((portrait photography)), (((extreme close up:1. 2))), clip from a movie, ((glossy film stock:1. 2)), ((weathered film stock)), (extremely detailed CG unity 8k wallpaper) full shot body photo of a desert witch, (portrait), action scene, ((wide angle:1. 3)), ((film grain:1. 3)), Beautiful Dungeons & dragons witch, ((nomadic witch)), fitness girl, ((midriff)), (outdoors), ((dark skin:1. 2)), ((tattered off-white harem sorceress gear)), (((tattered linen witch clothing))), (skirt), detailed symmetrical face, ((light brown hair:1. 3)), (messy ringlet hair hair), ((embroidered and intricate witch hat)), (pointed hat), ((yellow eyes)), reflective eyes, dark eyebrows, ((mascara)), makeup, (dark lipstick), dust particles, detailed lighting, rim lighting, dramatic lighting, chiaroscuro, (desert) ((sand dunes)), ((rocky cliffs)), (muscle girl), ((legs)), ((thighs)), ((from below:1. 3)), professional majestic impressionism oil painting by Waterhouse, John Constable, Ed Blinkey, Atey Ghailan, Studio Ghibli, by Jeremy Mann, Greg Manchess, Antonio Moro, trending on ArtStation, trending on CGSociety, Intricate, High Detail, dramatic, makoto shinkai kyoto, trending on artstation, trending on CGsociety Negative prompt: purple hair, tiling, 2 characters, (veil), (long hair), (braided hair), low resolution, (white armor:1.5), (white clothing), ((helmet)), hat, glasses, (blue armor:1.4), ((black hair)), ((red hair:1.4)), (brunette), Dress, canvas frame, cartoon, 3d, ((disfigured)), ((bad art)), ((deformed)),((extra limbs)),((close up)),((b&w)), weird colors, blurry, (((duplicate))), ((morbid)), ((mutilated)), [out of frame], extra fingers, mutated hands, ((poorly drawn hands)), ((poorly drawn face)), (((mutation))), (((deformed))), ((ugly)), blurry, ((bad anatomy)), (((bad proportions))), ((extra limbs)), cloned face, (((disfigured))), out of frame, ugly, extra limbs, (bad anatomy), gross proportions, (malformed limbs), ((missing arms)), ((missing legs)), (((extra arms))), (((extra legs))), mutated hands, (fused fingers), (too many fingers), (((long neck))), Photoshop, ugly, tiling, poorly drawn hands, poorly drawn feet, poorly drawn face, out of frame, mutation, mutated, extra limbs, extra legs, extra arms, disfigured, deformed, cross-eye, body out of frame, blurry, bad art, bad anatomy, 3d render

generatestrong contrast blue and yellow backlighting

((portrait photography)), (((extreme close up:1. 2))), clip from a movie, ((glossy film stock:1. 2)), ((weathered film stock)), (extremely detailed CG unity 8k wallpaper) full shot body photo of a desert witch, (portrait), action scene, ((wide angle:1. 3)), ((film grain:1. 3)), Beautiful Dungeons & dragons witch, ((nomadic witch)), fitness girl, ((midriff)), (outdoors), ((dark skin:1. 2)), ((tattered off-white harem sorceress gear)), (((tattered linen witch clothing))), (skirt), detailed symmetrical face, ((light brown hair:1. 3)), (messy ringlet hair hair), ((embroidered and intricate witch hat)), (pointed hat), ((yellow eyes)), reflective eyes, dark eyebrows, ((mascara)), makeup, (dark lipstick), dust particles, detailed lighting, rim lighting, dramatic lighting, chiaroscuro, (desert) ((sand dunes)), ((rocky cliffs)), (muscle girl), ((legs)), ((thighs)), ((from below:1. 3)), professional majestic impressionism oil painting by Waterhouse, John Constable, Ed Blinkey, Atey Ghailan, Studio Ghibli, by Jeremy Mann, Greg Manchess, Antonio Moro, trending on ArtStation, trending on CGSociety, Intricate, High Detail, dramatic, makoto shinkai kyoto, trending on artstation, trending on CGsociety Negative prompt: purple hair, tiling, 2 characters, (veil), (long hair), (braided hair), low resolution, (white armor:1.5), (white clothing), ((helmet)), hat, glasses, (blue armor:1.4), ((black hair)), ((red hair:1.4)), (brunette), Dress, canvas frame, cartoon, 3d, ((disfigured)), ((bad art)), ((deformed)),((extra limbs)),((close up)),((b&w)), weird colors, blurry, (((duplicate))), ((morbid)), ((mutilated)), [out of frame], extra fingers, mutated hands, ((poorly drawn hands)), ((poorly drawn face)), (((mutation))), (((deformed))), ((ugly)), blurry, ((bad anatomy)), (((bad proportions))), ((extra limbs)), cloned face, (((disfigured))), out of frame, ugly, extra limbs, (bad anatomy), gross proportions, (malformed limbs), ((missing arms)), ((missing legs)), (((extra arms))), (((extra legs))), mutated hands, (fused fingers), (too many fingers), (((long neck))), Photoshop, ugly, tiling, poorly drawn hands, poorly drawn feet, poorly drawn face, out of frame, mutation, mutated, extra limbs, extra legs, extra arms, disfigured, deformed, cross-eye, body out of frame, blurry, bad art, bad anatomy, 3d render

an endless mountain range on the background, covered full with lush green forests and life, blue sky with expressive but formless clouds and stars, a swirving river with clear water reaching out to the front of the scene, in the style of atmospheric paintings, the painting is colored in orange, black and yellow, in the style of complex compositions, dark white and light red, circular abstraction, dmitry spiros, industrial materials,with tones of gray, black, green dark indigo and light cyan, aquamarine blue and white, lovely mind-bending sculptures, realistic hyper-detail, in the style of complex compositions, dmitry spiros, balanced proportions, hard edge painting, 8k, haze, ultra-detailed, film photography, light leaks, trending on artstation, sharp focus, intricate details, highly detailed, by greg rutkowski fluid simplicity --ar 63:128 --stylize 750

A close-up of two giant insectoid alien creatures with large heads. One is carrying the other on its back, and they have big blue eyes in their heads, set against the backdrop of an exoplanet's atmosphere, in the style of John Blanche. The illustration features a dark green, black, brown, and yellow palette, with a glowing blue light from behind them, creating a high-contrast, 80s fantasy book cover art aesthetic. --chaos 25 --ar 92:77 --style raw --stylize 750 --v 6.1