((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
2190
ReV Animated
Ultra-realistic cinematic portrait of a stunning regal woman with golden-brown skin and luminous green eyes, standing confidently in a modern weather newsroom studio. She has voluminous platinum-blonde curls styled elegantly and wears a jeweled tiara adorned with sparkling emerald, ruby, and amethyst gemstones. Her flawless soft colorful glam makeup includes pink and gold eyeshadow, curled lashes, shimmering blush, and glossy pink lips. She wears the same ornate gemstone choker necklace and matching chandelier earrings, glowing under the studio lights. The newsroom background features digital weather maps, bright studio monitors, and soft LED lighting in cool blue and teal tones. She stands poised behind or beside the weather screen, ready to give a live weather report. Ultra-realistic, 8K detail, photorealistic skin texture, cinematic lighting, depth of field, luxury aesthetic, realistic reflection on jewels, smooth skin, soft focus background, newsroom realism, bokeh lighting. Negative Prompt (optional): low quality, cartoon, extra limbs, distorted face, watermark, bad lighting, unrealistic proportions, grainy, blurry, text overlay.
017
Nano Banana
Anchor (Studio): Good evening, I’m Brick Vance. We begin tonight with breaking news out of the Lower Valley. A local family is facing unimaginable hardship tonight. We’ve received reports that they are completely without electricity, without running water, and without central heating. Anchor: For more on this devastating story, we go live to our field reporter, Courtney Flint, who is standing by outside the family's dwelling. Courtney, what are the conditions like out there? Courtney (Field): (Standing in front of a damp, dark cave opening, wearing a perfectly tailored trench coat, clutching a microphone. It is sleeting.) Brick, it is an absolute nightmare. I’m standing outside the Grokson family cave, and the conditions are exactly as you described: absolutely zero electricity. No Wi-Fi, no lights, no plumbing. And to make matters worse, Brick? They have never had it. Ever. For their entire existence. Anchor (Studio): (Feigning deep shock) Never? Have local authorities provided an ETA on when the grid might be established? Courtney (Field): They haven't, Brick. In fact, electricity won't be invented for another 2.5 million years. I spoke with the homeowner, Grog, earlier today. (Cut to a clip of Grog, a filthy man in a poorly tied animal pelt, shivering violently holding a stick.) Grog (Subtitled): Yesterday, lightning hit a tree. We had fire. It was warm. Then it rained. Fire gone. Now we sit in dark. My son ate a poisonous beetle. Courtney (Voiceover): A devastating blow to a family already struggling with a 100% infant mortality rate. Grog tells me they’ve been forced to resort to sleeping huddled together on a pile of sharp rocks just to survive the freezing temperatures. Courtney (Live): Brick, the Groksons are asking the community for prayers, and also for anyone who might know how to smash two specific rocks together to make a spark. Back to you. Anchor (Studio): Just heartbreaking, Courtney. We’ll keep the Grokson family in our thoughts.
014
Grok Imagine Video
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
05
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
02
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0113
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0112
Stable Diffusion
Display the characters from reference image 1 as the anchor team for reference image 2. Recreate image 2. Create a futuristic Newsroom setting. A galactic broadcast studio architecture, television news, stage production set, raised anchor platform, camera blocking, studio lighting grid, full-scale anchor desk, ergonomic newsroom furniture. Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
01
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0103
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
2190
ReV Animated
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0113
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0112
Stable Diffusion
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0103
Openjourney
Ultra-realistic cinematic portrait of a stunning regal woman with golden-brown skin and luminous green eyes, standing confidently in a modern weather newsroom studio. She has voluminous platinum-blonde curls styled elegantly and wears a jeweled tiara adorned with sparkling emerald, ruby, and amethyst gemstones. Her flawless soft colorful glam makeup includes pink and gold eyeshadow, curled lashes, shimmering blush, and glossy pink lips. She wears the same ornate gemstone choker necklace and matching chandelier earrings, glowing under the studio lights. The newsroom background features digital weather maps, bright studio monitors, and soft LED lighting in cool blue and teal tones. She stands poised behind or beside the weather screen, ready to give a live weather report. Ultra-realistic, 8K detail, photorealistic skin texture, cinematic lighting, depth of field, luxury aesthetic, realistic reflection on jewels, smooth skin, soft focus background, newsroom realism, bokeh lighting. Negative Prompt (optional): low quality, cartoon, extra limbs, distorted face, watermark, bad lighting, unrealistic proportions, grainy, blurry, text overlay.
017
Nano Banana
Anchor (Studio): Good evening, I’m Brick Vance. We begin tonight with breaking news out of the Lower Valley. A local family is facing unimaginable hardship tonight. We’ve received reports that they are completely without electricity, without running water, and without central heating. Anchor: For more on this devastating story, we go live to our field reporter, Courtney Flint, who is standing by outside the family's dwelling. Courtney, what are the conditions like out there? Courtney (Field): (Standing in front of a damp, dark cave opening, wearing a perfectly tailored trench coat, clutching a microphone. It is sleeting.) Brick, it is an absolute nightmare. I’m standing outside the Grokson family cave, and the conditions are exactly as you described: absolutely zero electricity. No Wi-Fi, no lights, no plumbing. And to make matters worse, Brick? They have never had it. Ever. For their entire existence. Anchor (Studio): (Feigning deep shock) Never? Have local authorities provided an ETA on when the grid might be established? Courtney (Field): They haven't, Brick. In fact, electricity won't be invented for another 2.5 million years. I spoke with the homeowner, Grog, earlier today. (Cut to a clip of Grog, a filthy man in a poorly tied animal pelt, shivering violently holding a stick.) Grog (Subtitled): Yesterday, lightning hit a tree. We had fire. It was warm. Then it rained. Fire gone. Now we sit in dark. My son ate a poisonous beetle. Courtney (Voiceover): A devastating blow to a family already struggling with a 100% infant mortality rate. Grog tells me they’ve been forced to resort to sleeping huddled together on a pile of sharp rocks just to survive the freezing temperatures. Courtney (Live): Brick, the Groksons are asking the community for prayers, and also for anyone who might know how to smash two specific rocks together to make a spark. Back to you. Anchor (Studio): Just heartbreaking, Courtney. We’ll keep the Grokson family in our thoughts.
014
Grok Imagine Video
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
05
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
02
Seedream 5
Display the characters from reference image 1 as the anchor team for reference image 2. Recreate image 2. Create a futuristic Newsroom setting. A galactic broadcast studio architecture, television news, stage production set, raised anchor platform, camera blocking, studio lighting grid, full-scale anchor desk, ergonomic newsroom furniture. Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
01
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
2190
ReV Animated
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0113
Openjourney
Display the characters from reference image 1 as the anchor team for reference image 2. Recreate image 2. Create a futuristic Newsroom setting. A galactic broadcast studio architecture, television news, stage production set, raised anchor platform, camera blocking, studio lighting grid, full-scale anchor desk, ergonomic newsroom furniture. Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
01
Seedream 5
Ultra-realistic cinematic portrait of a stunning regal woman with golden-brown skin and luminous green eyes, standing confidently in a modern weather newsroom studio. She has voluminous platinum-blonde curls styled elegantly and wears a jeweled tiara adorned with sparkling emerald, ruby, and amethyst gemstones. Her flawless soft colorful glam makeup includes pink and gold eyeshadow, curled lashes, shimmering blush, and glossy pink lips. She wears the same ornate gemstone choker necklace and matching chandelier earrings, glowing under the studio lights. The newsroom background features digital weather maps, bright studio monitors, and soft LED lighting in cool blue and teal tones. She stands poised behind or beside the weather screen, ready to give a live weather report. Ultra-realistic, 8K detail, photorealistic skin texture, cinematic lighting, depth of field, luxury aesthetic, realistic reflection on jewels, smooth skin, soft focus background, newsroom realism, bokeh lighting. Negative Prompt (optional): low quality, cartoon, extra limbs, distorted face, watermark, bad lighting, unrealistic proportions, grainy, blurry, text overlay.
017
Nano Banana
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
05
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
02
Seedream 5
Anchor (Studio): Good evening, I’m Brick Vance. We begin tonight with breaking news out of the Lower Valley. A local family is facing unimaginable hardship tonight. We’ve received reports that they are completely without electricity, without running water, and without central heating. Anchor: For more on this devastating story, we go live to our field reporter, Courtney Flint, who is standing by outside the family's dwelling. Courtney, what are the conditions like out there? Courtney (Field): (Standing in front of a damp, dark cave opening, wearing a perfectly tailored trench coat, clutching a microphone. It is sleeting.) Brick, it is an absolute nightmare. I’m standing outside the Grokson family cave, and the conditions are exactly as you described: absolutely zero electricity. No Wi-Fi, no lights, no plumbing. And to make matters worse, Brick? They have never had it. Ever. For their entire existence. Anchor (Studio): (Feigning deep shock) Never? Have local authorities provided an ETA on when the grid might be established? Courtney (Field): They haven't, Brick. In fact, electricity won't be invented for another 2.5 million years. I spoke with the homeowner, Grog, earlier today. (Cut to a clip of Grog, a filthy man in a poorly tied animal pelt, shivering violently holding a stick.) Grog (Subtitled): Yesterday, lightning hit a tree. We had fire. It was warm. Then it rained. Fire gone. Now we sit in dark. My son ate a poisonous beetle. Courtney (Voiceover): A devastating blow to a family already struggling with a 100% infant mortality rate. Grog tells me they’ve been forced to resort to sleeping huddled together on a pile of sharp rocks just to survive the freezing temperatures. Courtney (Live): Brick, the Groksons are asking the community for prayers, and also for anyone who might know how to smash two specific rocks together to make a spark. Back to you. Anchor (Studio): Just heartbreaking, Courtney. We’ll keep the Grokson family in our thoughts.
014
Grok Imagine Video
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0112
Stable Diffusion
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0103
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
2190
ReV Animated
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0113
Openjourney
Display the characters from reference image 1 as the anchor team for reference image 2. Recreate image 2. Create a futuristic Newsroom setting. A galactic broadcast studio architecture, television news, stage production set, raised anchor platform, camera blocking, studio lighting grid, full-scale anchor desk, ergonomic newsroom furniture. Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
01
Seedream 5
Ultra-realistic cinematic portrait of a stunning regal woman with golden-brown skin and luminous green eyes, standing confidently in a modern weather newsroom studio. She has voluminous platinum-blonde curls styled elegantly and wears a jeweled tiara adorned with sparkling emerald, ruby, and amethyst gemstones. Her flawless soft colorful glam makeup includes pink and gold eyeshadow, curled lashes, shimmering blush, and glossy pink lips. She wears the same ornate gemstone choker necklace and matching chandelier earrings, glowing under the studio lights. The newsroom background features digital weather maps, bright studio monitors, and soft LED lighting in cool blue and teal tones. She stands poised behind or beside the weather screen, ready to give a live weather report. Ultra-realistic, 8K detail, photorealistic skin texture, cinematic lighting, depth of field, luxury aesthetic, realistic reflection on jewels, smooth skin, soft focus background, newsroom realism, bokeh lighting. Negative Prompt (optional): low quality, cartoon, extra limbs, distorted face, watermark, bad lighting, unrealistic proportions, grainy, blurry, text overlay.
017
Nano Banana
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
02
Seedream 5
Anchor (Studio): Good evening, I’m Brick Vance. We begin tonight with breaking news out of the Lower Valley. A local family is facing unimaginable hardship tonight. We’ve received reports that they are completely without electricity, without running water, and without central heating. Anchor: For more on this devastating story, we go live to our field reporter, Courtney Flint, who is standing by outside the family's dwelling. Courtney, what are the conditions like out there? Courtney (Field): (Standing in front of a damp, dark cave opening, wearing a perfectly tailored trench coat, clutching a microphone. It is sleeting.) Brick, it is an absolute nightmare. I’m standing outside the Grokson family cave, and the conditions are exactly as you described: absolutely zero electricity. No Wi-Fi, no lights, no plumbing. And to make matters worse, Brick? They have never had it. Ever. For their entire existence. Anchor (Studio): (Feigning deep shock) Never? Have local authorities provided an ETA on when the grid might be established? Courtney (Field): They haven't, Brick. In fact, electricity won't be invented for another 2.5 million years. I spoke with the homeowner, Grog, earlier today. (Cut to a clip of Grog, a filthy man in a poorly tied animal pelt, shivering violently holding a stick.) Grog (Subtitled): Yesterday, lightning hit a tree. We had fire. It was warm. Then it rained. Fire gone. Now we sit in dark. My son ate a poisonous beetle. Courtney (Voiceover): A devastating blow to a family already struggling with a 100% infant mortality rate. Grog tells me they’ve been forced to resort to sleeping huddled together on a pile of sharp rocks just to survive the freezing temperatures. Courtney (Live): Brick, the Groksons are asking the community for prayers, and also for anyone who might know how to smash two specific rocks together to make a spark. Back to you. Anchor (Studio): Just heartbreaking, Courtney. We’ll keep the Grokson family in our thoughts.
014
Grok Imagine Video
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
05
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0112
Stable Diffusion
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0103
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
2190
ReV Animated
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Display the characters from reference image 1 as the anchor team for reference image 2. Recreate image 2. Create a futuristic Newsroom setting. A galactic broadcast studio architecture, television news, stage production set, raised anchor platform, camera blocking, studio lighting grid, full-scale anchor desk, ergonomic newsroom furniture. Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
01
Seedream 5
Ultra-realistic cinematic portrait of a stunning regal woman with golden-brown skin and luminous green eyes, standing confidently in a modern weather newsroom studio. She has voluminous platinum-blonde curls styled elegantly and wears a jeweled tiara adorned with sparkling emerald, ruby, and amethyst gemstones. Her flawless soft colorful glam makeup includes pink and gold eyeshadow, curled lashes, shimmering blush, and glossy pink lips. She wears the same ornate gemstone choker necklace and matching chandelier earrings, glowing under the studio lights. The newsroom background features digital weather maps, bright studio monitors, and soft LED lighting in cool blue and teal tones. She stands poised behind or beside the weather screen, ready to give a live weather report. Ultra-realistic, 8K detail, photorealistic skin texture, cinematic lighting, depth of field, luxury aesthetic, realistic reflection on jewels, smooth skin, soft focus background, newsroom realism, bokeh lighting. Negative Prompt (optional): low quality, cartoon, extra limbs, distorted face, watermark, bad lighting, unrealistic proportions, grainy, blurry, text overlay.
017
Nano Banana
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0112
Stable Diffusion
Anchor (Studio): Good evening, I’m Brick Vance. We begin tonight with breaking news out of the Lower Valley. A local family is facing unimaginable hardship tonight. We’ve received reports that they are completely without electricity, without running water, and without central heating. Anchor: For more on this devastating story, we go live to our field reporter, Courtney Flint, who is standing by outside the family's dwelling. Courtney, what are the conditions like out there? Courtney (Field): (Standing in front of a damp, dark cave opening, wearing a perfectly tailored trench coat, clutching a microphone. It is sleeting.) Brick, it is an absolute nightmare. I’m standing outside the Grokson family cave, and the conditions are exactly as you described: absolutely zero electricity. No Wi-Fi, no lights, no plumbing. And to make matters worse, Brick? They have never had it. Ever. For their entire existence. Anchor (Studio): (Feigning deep shock) Never? Have local authorities provided an ETA on when the grid might be established? Courtney (Field): They haven't, Brick. In fact, electricity won't be invented for another 2.5 million years. I spoke with the homeowner, Grog, earlier today. (Cut to a clip of Grog, a filthy man in a poorly tied animal pelt, shivering violently holding a stick.) Grog (Subtitled): Yesterday, lightning hit a tree. We had fire. It was warm. Then it rained. Fire gone. Now we sit in dark. My son ate a poisonous beetle. Courtney (Voiceover): A devastating blow to a family already struggling with a 100% infant mortality rate. Grog tells me they’ve been forced to resort to sleeping huddled together on a pile of sharp rocks just to survive the freezing temperatures. Courtney (Live): Brick, the Groksons are asking the community for prayers, and also for anyone who might know how to smash two specific rocks together to make a spark. Back to you. Anchor (Studio): Just heartbreaking, Courtney. We’ll keep the Grokson family in our thoughts.
014
Grok Imagine Video
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
02
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0113
Openjourney
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
05
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0103
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
2190
ReV Animated
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Ultra-realistic cinematic portrait of a stunning regal woman with golden-brown skin and luminous green eyes, standing confidently in a modern weather newsroom studio. She has voluminous platinum-blonde curls styled elegantly and wears a jeweled tiara adorned with sparkling emerald, ruby, and amethyst gemstones. Her flawless soft colorful glam makeup includes pink and gold eyeshadow, curled lashes, shimmering blush, and glossy pink lips. She wears the same ornate gemstone choker necklace and matching chandelier earrings, glowing under the studio lights. The newsroom background features digital weather maps, bright studio monitors, and soft LED lighting in cool blue and teal tones. She stands poised behind or beside the weather screen, ready to give a live weather report. Ultra-realistic, 8K detail, photorealistic skin texture, cinematic lighting, depth of field, luxury aesthetic, realistic reflection on jewels, smooth skin, soft focus background, newsroom realism, bokeh lighting. Negative Prompt (optional): low quality, cartoon, extra limbs, distorted face, watermark, bad lighting, unrealistic proportions, grainy, blurry, text overlay.
017
Nano Banana
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Anchor (Studio): Good evening, I’m Brick Vance. We begin tonight with breaking news out of the Lower Valley. A local family is facing unimaginable hardship tonight. We’ve received reports that they are completely without electricity, without running water, and without central heating. Anchor: For more on this devastating story, we go live to our field reporter, Courtney Flint, who is standing by outside the family's dwelling. Courtney, what are the conditions like out there? Courtney (Field): (Standing in front of a damp, dark cave opening, wearing a perfectly tailored trench coat, clutching a microphone. It is sleeting.) Brick, it is an absolute nightmare. I’m standing outside the Grokson family cave, and the conditions are exactly as you described: absolutely zero electricity. No Wi-Fi, no lights, no plumbing. And to make matters worse, Brick? They have never had it. Ever. For their entire existence. Anchor (Studio): (Feigning deep shock) Never? Have local authorities provided an ETA on when the grid might be established? Courtney (Field): They haven't, Brick. In fact, electricity won't be invented for another 2.5 million years. I spoke with the homeowner, Grog, earlier today. (Cut to a clip of Grog, a filthy man in a poorly tied animal pelt, shivering violently holding a stick.) Grog (Subtitled): Yesterday, lightning hit a tree. We had fire. It was warm. Then it rained. Fire gone. Now we sit in dark. My son ate a poisonous beetle. Courtney (Voiceover): A devastating blow to a family already struggling with a 100% infant mortality rate. Grog tells me they’ve been forced to resort to sleeping huddled together on a pile of sharp rocks just to survive the freezing temperatures. Courtney (Live): Brick, the Groksons are asking the community for prayers, and also for anyone who might know how to smash two specific rocks together to make a spark. Back to you. Anchor (Studio): Just heartbreaking, Courtney. We’ll keep the Grokson family in our thoughts.
014
Grok Imagine Video
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0112
Stable Diffusion
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
Display the characters from reference image 1 as the anchor team for reference image 2. Recreate image 2. Create a futuristic Newsroom setting. A galactic broadcast studio architecture, television news, stage production set, raised anchor platform, camera blocking, studio lighting grid, full-scale anchor desk, ergonomic newsroom furniture. Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
01
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
05
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
02
Seedream 5
Create a futuristic Newsroom setting. A galactic broadcast studio architecture television news stage production set raised anchor platform camera blocking studio lighting grid full-scale anchor desk ergonomic newsroom furniture Brighten the lighting and atmosphere like a daytime newsroom. Imagine this visual hierarchy: Foreground: Large, functional anchor desk with ample legroom and integrated displays. Middle ground: A circular raised stage with subtle illuminated rings and camera tracks. Background: A massive curved LED wall that changes between galaxy views, tactical maps, live reports, and breaking news graphics. Beyond the wall (through glass): A busy newsroom and control center where staff, holographic displays, and activity are visible. Wide-angle television studio showing the entire anchor platform, full desk, visible chairs, floor, walkways, and the complete set architecture. The desk is correctly proportioned for two seated presenters with visible legroom beneath. The camera is positioned at standing eye level, approximately 25 feet from the set. LED Galaxy Wall -------------------------------------- Astralis Star Reference image 1 -------------------------------------- Anchor Desk (larger) -------------------------------------- Raised Circular Platform -------------------------------------- Camera Track Ring -------------------------------------- Production Floor -------------------------------------- Anchor 1 Reference Character image 1 Anchor 2 Reference Character image 2 Make the anchors proportionate in scale. Ultra-realistic. No Earth.
04
Seedream 5
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0113
Openjourney
((Best Quality, 8K, Masterpiece: 1.3)), ((A Manon who conforms to the official Street Fighter 6, doing the action of the opening of the game)), short pink shiny hair, (Manon wearing a Street Fighter 6 costume), European Frenchman, 175cm, 30 years old, detailed face, detailed skin texture, (big eyes: 1.2 long eyelashes), long legs, perfect body proportions, mid-chest, (fitness figure, with obvious muscles), pink nails, perfect facial features, symmetrical face, three-dimensional, full of confident eyes sparkling, best light, ray tracing, photon mapping, (in the distance is the Eiffel Tower in Paris, walking the red carpet in front of the palace, like a star shooting a magazine, the focus of the whole scene, there are super many reporters on both sides of the red carpet, lively lights in Paris at night), (movie lighting), official illustrations, CG of game characters, (fine modeling, texture of clothes), (overhead shot, close-up of faces, shooting angles from top to bottom), complex reflections, there are light particles on the characters shining, (Shiny Glitter on Body: 1.6), there were Street Fighter 6's Ken and ChunLi in the crowd
0103
Openjourney