Panned out view Prompts

oil painting, a female fairy with red hair , purple eyes , elf ears, red hair styled in a pony tail, translucent colorful fairy wings, wearing a white dress with purple detailing, ornate, high detail, panned out view, Gloomy Illumination, dramatic, Glow effects, (dark fantasy:1.1), [style of John Blanche, style of Ed Binkley, style of Amy Brown],<lora:add_detail:1>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5)

oil painting, a standing female faun with (cloven hooves:1.1) , brown hair, cloven hooves instead of human feet, deer fur on her legs, Satyr, fantasy cleric character , (she has two deer legs:1.2) , she wears a light green cloak and holds a wooden staff with a small green orb on its top , panned out view, Mythology, high fantasy, <lora:add_detail:1>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5)

Wide angle view, camera moves up and pans to the left

Prompt principal (Stable Diffusion) “Realistic sports photography, 40-year-old male padel player, brunette buzz-cut (almost bald), five-day stubble, striking a powerful overhead smash above his shoulders on a professional blue padel court, using a dark pro padel paddle with holes (no tennis racket), distant full-body shot, dynamic pose frozen mid-air, dark blurred background to accentuate motion, natural side lighting creating dramatic highlights and realistic shadows, detailed clothing textures (technical T-shirt, shorts), visible ball trajectory blur, crisp depth of field, 85 mm lens look, f/2.8, ISO 400, 1/2000 s –‐ green eyes sharply in focus — sharp, photorealistic, high detail, RAW style” Variaciones Ángulo bajo + contraluz “Low-angle view, golden-hour backlighting, warm rim-light outlining the athlete, flare highlights, cinematic sports photo, ⌀85 mm, f/2.0, 1/4000 s, ISO 200” Plano lateral con motion blur de fondo “Side-view pan shot, background motion blur streaks, cool color grading, shutter 1/125 s, follows player, sense of speed, sports reportage style” Iluminación artificial nocturna “Night match under stadium LED floodlights, high-contrast lighting, cool white highlights, darker shadows, slight rain mist particles backlit, dramatic ambience” Prompt negativo (sugerencia) “tennis racket, extra limbs, extra balls, duplicate players, watermark, logo, text, cartoon, lowres, out of focus, deformed hands, bad anatomy, poorly rendered face, overexposed, underexposed” Parámetros recomendados Parámetro Valor sugerido Notas Modelo base SD 1.5 / SDXL (fotográfico) O usa tu checkpoint fotográfico favorito (por ej., Realistic Vision). Sampler DPM++ 2M Karras (ó Euler a) Karras suaviza luces; Euler a da contraste. Steps 30-40 (1.5) / 25-30 (SDXL) Menos ruido residual en caras. CFG Scale 6.5 – 7.5 Suficiente fidelidad sin over-constrain. Resolución 1344 × 768 px (16∶9) Escena panorámica con margen lateral. Aspect ratio --ar 16:9 (controlnet/resizable) Mantiene sensación de pista amplia. Seed Ajusta; prueba 123456 para reproducibilidad Cambia para variar composición. High-res fix / Upscale Latent → 2×, R-ESRGAN 4xSharp (0.33 denoise) Mejora texturas de pala y ropa. ControlNet (pose) Activado (weight 0.8) Introduce esqueletos de smash para consistencia corporal. LoRA / Embedding (opcional) “Sports-Photog-LoRA” @ 0.6 strength Refuerza estética fotográfica real. Explicación técnica Composición Partimos de un plano lejano (long shot) con fondo oscurecido mediante bokeh y sub-exposición selectiva; esto dirige la atención al smash y al contraste azul de la pista. El ángulo de 85 mm simula un tele corto común en fotografía deportiva. Iluminación Natural side lighting crea modelado en músculos y marca la barba. Para la variante nocturna, los LEDs ↑ contraste: compensa con rango dinámico (ISO 1600, pasos extra). Color & detalle La paleta fría (azul pista + verde ojos) contrasta con piel cálida; el prompt fija el paddle oscuro para evitar confusión con raqueta. Negativo & CFG El negative prompt elimina artefactos frecuentes (doble pala, tenis, textos). CFG ≈ 7 mantiene obediencia sin rigidez; sube a 8-9 si se desvían detalles clave (calvicie, ojos verdes). Flujo SDXL Genera base a 512 × 896 px (ratio 9:16 invertido si prefieres vertical), hi-res fix 2×, denoise ~ 0.25 con R-ESRGAN. Opcional: ControlNet Pose o OpenPose para clavar anatomía del smash.

A fierce young woman with long flowing blonde braids, wearing dark tactical survival gear, rides powerfully atop a massive white polar bear charging at full gallop across a frozen snowy wasteland. The bear runs with raw, realistic power — heavy paws pounding the snow, kicking up explosive sprays of white powder and ice with each stride, mouth open in a determined snarl, muscles rippling under thick fur as it shifts weight dynamically for speed and balance. The woman leans forward gripping the bear’s fur, her braids and hood whipping violently in the freezing wind, face set in intense focus with subtle weight shifts and natural body sways matching the bear’s rhythm.In the background, a colossal crashed futuristic spaceship lies broken and burning, flames roaring and thick black smoke billowing upward while glowing embers and debris fly through the air. Heavy snow falls continuously in dense swirling sheets, driven by strong winds.Camera tracks alongside the pair from a dynamic low-angle side view, panning right and dollying forward at high speed to keep them centered while the burning wreckage scrolls past dramatically, building epic tension with smooth fluid cinematic transitions.Subtle dialogue: the woman shouts urgently over the storm, “Faster, boy — don’t stop!”Sound design: thunderous bear paw impacts and snow crunching, powerful animal breathing and low growls, howling arctic wind with heavy snow whooshes, roaring flames and crackling explosions from the wrecked ship, distant metallic debris groans, and intense cinematic orchestral tension for maximum lifelike immersion. Realistic physics, natural weight shifts, dynamic fur/hair/snow reactions, lifelike gestures, and high-octane action cinematic pacing.

post apocalyptic ambiance, abstract cyperpunk, pan view, style of azure and ivory, foreground with female-shaped silvery mermaid, no human, scaly skin, (((inside a water bubble))),swimming with wide arms, wrists bent, pearl bracelets, transparent tail, yellow eyes, glowing heart, background with fluorescent jellyfish, lantern fish, ship wrecks, cinematic ambiance, volumetric lighting, severe sun-led lighting, hypermaximalist, redshift render, ((rippled shadowing)), restore faces

Henri-Edmond Cross Helene Schjerfbeck Henry Moret watercolor pan view one rider on the horse passing by (a couple hugging under a tree) high wisterias wood, long branches, ((rare leaves)), flowery trees open spaces wide bulging road in the middle (((far away maritime town background)))) summer afternoon, vivacious sun, shining lighting, (sharp shadowing) ((flaming ivory sun)) in the azure sky style of green and yellow multi-layered opal texture intricate details, enhanced compassionate, stylize 400, chaos 0.25

The pans left to right of three windows with curtains fluttering, outside gentles waves on a sea

oil painting, a female fairy with red hair , purple eyes , elf ears, red hair styled in a pony tail, translucent colorful fairy wings, wearing a white dress with purple detailing, ornate, high detail, panned out view, Gloomy Illumination, dramatic, Glow effects, (dark fantasy:1.1), [style of John Blanche, style of Ed Binkley, style of Amy Brown],<lora:add_detail:1>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5) with a bold stylish visible sentence on the background "PROMT-HERO IS AWESOME"

Henri-Edmond Cross Helene Schjerfbeck Henry Moret watercolor, ((((muted colors)))) pan view one rider on the horse passing by (a couple hugging under a tree) hinted characters, creative characters' dresses high wisterias wood, long branches, ((rare leaves)), flowery trees open spaces wide bulging road in the middle (((far away maritime town background)))) summer afternoon, vivacious sun, shining lighting, (sharp shadowing) ((flaming ivory sun)) in the azure sky style of green and yellow multi-layered opal texture intricate details, enhanced compassionate, stylize 750, chaos 0.25

oil painting, a female fairy with red hair , purple eyes , elf ears, red hair styled in a pony tail, translucent colorful fairy wings, wearing a white dress with purple detailing, ornate, high detail, panned out view, Gloomy Illumination, dramatic, Glow effects, (dark fantasy:1.1), [style of John Blanche, style of Ed Binkley, style of Amy Brown],<lora:add_detail:1>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5)

fixed view

Set the scene in an abandoned hospital deep in the mountains of Japan, originally built in the 1970s. The exterior is covered in vines, with cracked concrete, shattered windows, and rusted metal doors. The camera must remain completely fixed — like a static surveillance camera view — no panning, no handheld movement. The video starts quietly with eerie ambient sounds: buzzing fluorescent lights, distant metal creaks, faint echoes. An empty hospital room. Curtains flutter slightly without wind. A hallway monitor begins to flicker erratically. Footsteps echo from the far end of the corridor — slow, deliberate, approaching. Midway through, the emergency lights start shutting off one by one. The screen flickers between light and shadow. Each flicker reveals brief, glitchy images of faceless nurses or doctors standing still, watching, then disappearing. 🔻 Climactic Jump Scare – Final Segment 🔻 Suddenly, the screen freezes. Total silence. Then without warning — a horrifying, skinless female face slams directly into the camera lens, accompanied by a piercing, high-pitched scream that distorts the audio. The screen cracks, glitching violently, then cuts to black for a split second. When it returns, the audio is reversed and warped. A whisper plays backward, saying: "You can’t leave." Final shot: a glitchy app interface appears for 1 second — showing a locked door puzzle UI from the game. Then the video abruptly ends.

oil painting, a female fairy with red hair , purple eyes , elf ears, red hair styled in a pony tail, translucent colorful fairy wings, wearing a white dress with purple detailing, ornate, high detail, panned out view, Gloomy Illumination, dramatic, Glow effects, (dark fantasy:1.1), [style of John Blanche, style of Ed Binkley, style of Amy Brown],<lora:add_detail:1>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5)

Bald 50th-aged Asian man He has a short beard, turns to the 45 degree side, wears a black fedora hat and a flower-patterned T-shirt. He's cooking fried-rice with sea foods. There's a fire burning around the pan. In the Thai kitchen, on the wall there are pots and pans hanging. A wide angle view, you can see everything. The details are very detailed, the picture is realistic, exaggerated, there is colorful smoke in the background.hiperrealistic portrait, ink, abraham lincol, portrait isolated on white background

zoom out

pivoted window with a scenic beauty

pivoted window with a scenic beauty

Henri-Edmond Cross Helene Schjerfbeck Henry Moret watercolor pan view one rider on the horse passing by (a couple hugging under a tree) high wisterias wood, long branches, ((rare leaves)), flowery trees open spaces wide bulging road in the middle (((far away maritime town background)))) summer afternoon, vivacious sun, shining lighting, (sharp shadowing) ((flaming ivory sun)) in the azure sky style of green and yellow multi-layered opal texture intricate details, enhanced compassionate, stylize 400, chaos 0.25

view fixed

view fixed

view fixed

create a (7/8) View position view

view fixed