Perspective control Prompts

high resolution photography, modern, with a minimalist flair, underscored by the interplay of straight and curved lines, photograph captures a striking contrast between sharp angles and soft curves, guiding the eye through the space,architectural photography that revels in the subtlety of textures and the dramatic interplay of illumination, Canon EOS 5DS R, renowned for its detailed resolution, perfect for architectural shots, Canon TS-E 17mm f/4L Tilt-Shift Lens, allowing for control over perspective and maintaining the integrity of the space’s lines, tripod-mounted setup with a long exposure to accentuate the ambient lighting and capture the blurred motion of a passing figure, interaction of light and structure, lights installation, solitary figure in motion, rendered as a blur, suggesting the transitory nature of human presence in contrast to the permanence of the built environment, contemporary building, possibly an office meeting room, carpet floors meet textured walls with alignment, with hidden light sources creating a geometric across the ceiling, while ambient light softly glows around, precise details in the textures of the wall, and the soft glow of ambient lights, casting morning sun light, environment is an ode to contemporary design, where each element from the architecture to the lighting is crafted to create a sense of movement and depth, all captured in a moment where a figure passes by, high detailing, ultra realistic, UHD --ar 9:16 --style raw --stylize 200

tilt-shift photo of Kaiju attacks the city, a masterpiece, horror, Sci-Fi, Tilt- photo, , intricate detail, deviantart, artstation, Flickr, Pixiv, octane render, ultradetailed, Deep Color, 8k, Dynamic lighting, Unreal Engine 5, HDR, artgerm, WLOP , selective focus, miniature effect, blurred background, highly detailed, vibrant, perspective control

Control camera: [Truck left,Pedestal up]

tilt-shift photo of in style of trap music video grainy closeup still of glowing bokeh, focus on his face extreme bokeh, shot of black hooded man dancing in front neon string shaped as a heart , (purple floatin liquid particles:1.3) as his vomit like impossible purple caramel liquid scarf, very dynamic focused and provoking shot, very attractive personalities, sharp, high detail . Selective focus, miniature effect, blurred background, highly detailed, vibrant, perspective control

tilt-shift photo of blonde woman having fun in her backyard, dancing, arms in the air . selective focus, miniature effect, blurred background, highly detailed, vibrant, perspective control

tilt-shift photo of naturally beautiful woman with high cheek bones and a narrow nose with a big smile, looking at the viewer with her hand on her head, long messy brunette hair, unbuttoned flannel shirt, outside . selective focus, miniature effect, blurred background, highly detailed, vibrant, perspective control

high resolution photography, modern, with a minimalist flair, underscored by the interplay of straight and curved lines, photograph captures a striking contrast between sharp angles and soft curves, guiding the eye through the space,architectural photography that revels in the subtlety of textures and the dramatic interplay of illumination, Canon EOS 5DS R, renowned for its detailed resolution, perfect for architectural shots, Canon TS-E 17mm f/4L Tilt-Shift Lens, allowing for control over perspective and maintaining the integrity of the space’s lines, tripod-mounted setup with a long exposure to accentuate the ambient lighting and capture the blurred motion of a passing figure, interaction of light and structure, lights installation, solitary figure in motion, rendered as a blur, suggesting the transitory nature of human presence in contrast to the permanence of the built environment, contemporary building, possibly an office meeting room, carpet floors meet textured walls with alignment, with hidden light sources creating a geometric across the ceiling, while ambient light softly glows around, precise details in the textures of the wall, and the soft glow of ambient lights, casting morning sun light, environment is an ode to contemporary design, where each element from the architecture to the lighting is crafted to create a sense of movement and depth, all captured in a moment where a figure passes by, high detailing, ultra realistic, UHD --ar 9:16 --style raw --stylize 200

ultra-realistic cinematic photograph, vertical 9:16, 16K, dynamic style CORE LORĒ PRESENCE: calm, self-contained, emotionally restrained no posing, no performance, no smile no direct eye contact — gaze slightly downward or past the window subtle controlled tension in stillness SCENE: luxury high-rise interior at night floor-to-ceiling glass window directly beside subject rain on glass (sharp droplets and streaks clearly visible) outside: cold blue city lights, soft bokeh, distant skyline interior minimal, dark, high-end materials SUBJECT: European woman, early 30s very slim, long legs, narrow waist, natural proportions (NO thick legs) lightly sun-kissed skin with warm undertones wet skin with subtle water droplets catching light HAIR: dark auburn / deep copper tone slightly wet, natural strands sticking lightly to neck and shoulders loose, imperfect, no styling polish WARDROBE: wrapped in a white towel towel thick, matte cotton texture (NOT silky, NOT glossy) naturally wrapped around body, slightly asymmetrical tension secure but imperfect — small folds, pressure marks no nudity, no exposure POSE: standing close to the window body slightly turned away from camera (3/4 back angle) weight on one leg, relaxed hip shift one arm loosely holding towel in place other arm relaxed or lightly touching glass full-body framing LIGHTING (CRITICAL): PRIMARY: strong cold blue light from window (side light) defines silhouette, legs, and body contour SECONDARY: very soft warm interior fill (low intensity) gently lifts face, collarbones, thighs ACCENTS: subtle rim light outlining hair and shoulders water droplets catching highlights clear separation: cool environment vs warm skin CAMERA: low angle (below hip line) camera placed several meters away full-body vertical composition 35mm lens natural perspective, no distortion MOOD: quiet, intimate, controlled post-shower stillness, not sensual, not performative cinematic realism, not influencer content AVOID: direct eye contact, smile, posing glossy towel, plastic skin, overexposure flat lighting, darkness losing detail fashion/runway vibe, glamour, artificial sharpness

Perspective drawing

A heavier set cyborg soldier sittin in his futuristic apartment on the couch playing a gaming console. Have home holding the controller focused on the game, have the perspective as if the camera is a bit behind the tv and the tv screen is illuminating his face. Make it a black man, with his face exposed. Have him dawning sleek red armor on his cyborg torso and legs. Extreme hyper realism, extreme details , cinematic with low light and neon tones in the lights

ultra-realistic cinematic photograph, vertical 9:16, 16K, dynamic style CORE LORĒ PRESENCE: calm, self-contained, emotionally restrained no posing, no performance, no smile no direct eye contact — gaze slightly downward or past the window subtle controlled tension in stillness SCENE: luxury high-rise interior at night floor-to-ceiling glass window directly beside subject rain on glass (sharp droplets and streaks clearly visible) outside: cold blue city lights, soft bokeh, distant skyline interior minimal, dark, high-end materials SUBJECT: European woman, early 30s very slim, long legs, narrow waist, natural proportions (NO thick legs) lightly sun-kissed skin with warm undertones wet skin with subtle water droplets catching light HAIR: dark auburn / deep copper tone slightly wet, natural strands sticking lightly to neck and shoulders loose, imperfect, no styling polish WARDROBE: wrapped in a white towel towel thick, matte cotton texture (NOT silky, NOT glossy) naturally wrapped around body, slightly asymmetrical tension secure but imperfect — small folds, pressure marks no nudity, no exposure POSE: standing close to the window body slightly turned away from camera (3/4 back angle) weight on one leg, relaxed hip shift one arm loosely holding towel in place other arm relaxed or lightly touching glass full-body framing LIGHTING (CRITICAL): PRIMARY: strong cold blue light from window (side light) defines silhouette, legs, and body contour SECONDARY: very soft warm interior fill (low intensity) gently lifts face, collarbones, thighs ACCENTS: subtle rim light outlining hair and shoulders water droplets catching highlights clear separation: cool environment vs warm skin CAMERA: low angle (below hip line) camera placed several meters away full-body vertical composition 35mm lens natural perspective, no distortion MOOD: quiet, intimate, controlled post-shower stillness, not sensual, not performative cinematic realism, not influencer content AVOID: direct eye contact, smile, posing glossy towel, plastic skin, overexposure flat lighting, darkness losing detail fashion/runway vibe, glamour, artificial sharpness

A smily mouse, happily walking in the fields, Painterly digital illustration, warm autumn color palette (burnt orange, ochre, rust, earthy browns, muted beige), soft atmospheric lighting, diffuse zenithal light, subtle gradients and smooth blending, layered glazing technique, semi-transparent shadows, no harsh contrast, oil painting simulation, textured brushwork, soft edges with selective sharp details, depth through aerial perspective, desaturated blurred background, cohesive color harmony, controlled saturation, volumetric modeling through color shifts, fine fur texture rendering, fabric folds with warm highlights and deep red-brown shadows, dynamic motion captured mid-air, floating leaves with color echo, whimsical narrative tone, semi-realistic style, inspired by classical European painting, romanticism, and vintage storybook illustration, high detail, cinematic composition, shallow depth of field, gentle color transitions, rich but restrained chroma

A scene from a neo-noir horror crime thriller set in a landfill in a small provincial town in South Korea. Midnight, torrential rain pours down, cutting through the darkness, with thick, sharp streaks of rain clearly illuminated by the warm light of a distant streetlamp. The atmosphere is cold, oppressive, and cinematic. Camera & Lens: Shot with a full-frame cinema camera (similar to the ARRI Alexa Mini). 35mm prime lens, aperture f/8 for deep depth of field, ISO 800, shutter angle 180°. The camera is positioned high above the streetlamp, looking down, adopting a strict and mechanical composition reminiscent of a surveillance camera. Fixed framing without handheld movement. A precise, controlled, and emotionless perspective. Image Profile & Neo-Noir Expression: 35mm film emulation with subtle grain texture. Strong contrast, deep blacks, and refined highlights. Cool color correction dominated by cyan tones, low saturation. The restrained warm tones of the sodium streetlights create color contrast. Shadows are suppressed and contrasts are emphasized, while reflections from the wet surfaces create dramatic tension. Lighting: Using only minimal practical lighting — a single distant streetlight and faint ambient light. The solid, sharp contrast characteristic of Neo-Noir. Raindrops partially catch the light and glisten. No artificial fill light is used. Foreground Composition: A large, rain-soaked industrial trash can is filled with black garbage bags and various types of waste. Wearing a tube top that exposes the skin and dirty dark gray latex leggings, and with her shoes off, only her feet are visible. A Korean woman lies inside, appearing like a corpse. Her face is obscured by trash, and due to the high, downward composition, her face is completely invisible. Her top and bottom are stained, soaked in rain and mud. Floor Details: The floor shows traces of where the body was dragged, and broken light reflects off the muddy puddles. Cigarette butts float on the surface, and a thin film of oil spreads across the rainwater. Fine ripples caused by the heavy rain distort the reflections. High heels worn, a smartphone, a wallet, keys, a small cosmetic pouch, a compact mirror with a broken corner, and paper receipts are scattered about, all wet with rain and reflecting faint light. Background Depth: A narrow alley lined with several trash cans and garbage bags. Steam rises from the sewer and mixes with the air in the rain. The blurry silhouette of a figure walking into the darkness in the distance appears partially distorted amidst the heavy rain and atmospheric distortion. Atmosphere & Tone: Gloomy and cold, with the characteristic tension of Neo-Noir that permeates like air. The narrative is hinted at through geometric compositions, contrasts, and environmental details. The textures of wet surfaces, fabrics, and industrial materials are realistically emphasized.

A scene from a neo-noir horror crime thriller set in a landfill in a small provincial town in South Korea. Midnight, torrential rain pours down, cutting through the darkness, with thick, sharp streaks of rain clearly illuminated by the warm light of a distant streetlamp. The atmosphere is cold, oppressive, and cinematic. Camera & Lens: Shot with a full-frame cinema camera (similar to the ARRI Alexa Mini). 35mm prime lens, aperture f/8 for deep depth of field, ISO 800, shutter angle 180°. The camera is positioned high above the streetlamp, looking down, adopting a strict and mechanical composition reminiscent of a surveillance camera. Fixed framing without handheld movement. A precise, controlled, and emotionless perspective. Image Profile & Neo-Noir Expression: 35mm film emulation with subtle grain texture. Strong contrast, deep blacks, and refined highlights. Cool color correction dominated by cyan tones, low saturation. The restrained warm tones of the sodium streetlights create color contrast. Shadows are suppressed and contrasts are emphasized, while reflections from the wet surfaces create dramatic tension. Lighting: Using only minimal practical lighting — a single distant streetlight and faint ambient light. The solid, sharp contrast characteristic of Neo-Noir. Raindrops partially catch the light and glisten. No artificial fill light is used. Foreground Composition: A large, rain-soaked industrial trash can is filled with black garbage bags and various types of waste. Wearing a tube top that exposes the skin and dirty dark gray latex leggings, and with her shoes off, only her feet are visible. A Korean woman lies inside, appearing like a corpse. Her face is obscured by trash, and due to the high, downward composition, her face is completely invisible. Her top and bottom are stained, soaked in rain and mud. Floor Details: The floor shows traces of where the body was dragged, and broken light reflects off the muddy puddles. Cigarette butts float on the surface, and a thin film of oil spreads across the rainwater. Fine ripples caused by the heavy rain distort the reflections. High heels worn, a smartphone, a wallet, keys, a small cosmetic pouch, a compact mirror with a broken corner, and paper receipts are scattered about, all wet with rain and reflecting faint light. Background Depth: A narrow alley lined with several trash cans and garbage bags. Steam rises from the sewer and mixes with the air in the rain. The blurry silhouette of a figure walking into the darkness in the distance appears partially distorted amidst the heavy rain and atmospheric distortion. Atmosphere & Tone: Gloomy and cold, with the characteristic tension of Neo-Noir that permeates like air. The narrative is hinted at through geometric compositions, contrasts, and environmental details. The textures of wet surfaces, fabrics, and industrial materials are realistically emphasized.

A scene from a neo-noir horror crime thriller set in a landfill in a small provincial town in South Korea. Midnight, torrential rain pours down, cutting through the darkness, with thick, sharp streaks of rain clearly illuminated by the warm light of a distant streetlamp. The atmosphere is cold, oppressive, and cinematic. Camera & Lens: Shot with a full-frame cinema camera (similar to the ARRI Alexa Mini). 35mm prime lens, aperture f/8 for deep depth of field, ISO 800, shutter angle 180°. The camera is positioned high above the streetlamp, looking down, adopting a strict and mechanical composition reminiscent of a surveillance camera. Fixed framing without handheld movement. A precise, controlled, and emotionless perspective. Image Profile & Neo-Noir Expression: 35mm film emulation with subtle grain texture. Strong contrast, deep blacks, and refined highlights. Cool color correction dominated by cyan tones, low saturation. The restrained warm tones of the sodium streetlights create color contrast. Shadows are suppressed and contrasts are emphasized, while reflections from the wet surfaces create dramatic tension. Lighting: Using only minimal practical lighting — a single distant streetlight and faint ambient light. The solid, sharp contrast characteristic of Neo-Noir. Raindrops partially catch the light and glisten. No artificial fill light is used. Foreground Composition: A large, rain-soaked industrial trash can is filled with black garbage bags and various types of waste. Wearing a tube top that exposes the skin and dirty dark gray latex leggings, and with her shoes off, only her feet are visible. A Korean woman lies inside, appearing like a corpse. Her face is obscured by trash, and due to the high, downward composition, her face is completely invisible. Her top and bottom are stained, soaked in rain and mud. Floor Details: The floor shows traces of where the body was dragged, and broken light reflects off the muddy puddles. Cigarette butts float on the surface, and a thin film of oil spreads across the rainwater. Fine ripples caused by the heavy rain distort the reflections. High heels worn, a smartphone, a wallet, keys, a small cosmetic pouch, a compact mirror with a broken corner, and paper receipts are scattered about, all wet with rain and reflecting faint light. Background Depth: A narrow alley lined with several trash cans and garbage bags. Steam rises from the sewer and mixes with the air in the rain. The blurry silhouette of a figure walking into the darkness in the distance appears partially distorted amidst the heavy rain and atmospheric distortion. Atmosphere & Tone: Gloomy and cold, with the characteristic tension of Neo-Noir that permeates like air. The narrative is hinted at through geometric compositions, contrasts, and environmental details. The textures of wet surfaces, fabrics, and industrial materials are realistically emphasized.

Change the perspective so it’s seen from above 3 meters

A scene from a neo-noir horror crime thriller set in a landfill in a small provincial town in South Korea. Midnight, torrential rain pours down, cutting through the darkness, with thick, sharp streaks of rain clearly illuminated by the warm light of a distant streetlamp. The atmosphere is cold, oppressive, and cinematic. Camera & Lens: Shot with a full-frame cinema camera (similar to the ARRI Alexa Mini). 35mm prime lens, aperture f/8 for deep depth of field, ISO 800, shutter angle 180°. The camera is positioned high above the streetlamp, looking down, adopting a strict and mechanical composition reminiscent of a surveillance camera. Fixed framing without handheld movement. A precise, controlled, and emotionless perspective. Image Profile & Neo-Noir Expression: 35mm film emulation with subtle grain texture. Strong contrast, deep blacks, and refined highlights. Cool color correction dominated by cyan tones, low saturation. The restrained warm tones of the sodium streetlights create color contrast. Shadows are suppressed and contrasts are emphasized, while reflections from the wet surfaces create dramatic tension. Lighting: Using only minimal practical lighting — a single distant streetlight and faint ambient light. The solid, sharp contrast characteristic of Neo-Noir. Raindrops partially catch the light and glisten. No artificial fill light is used. Foreground Composition: A large, rain-soaked industrial trash can is filled with black garbage bags and various types of waste. Wearing a tube top that exposes the skin and dirty dark gray latex leggings, and with her shoes off, only her feet are visible. A Korean woman lies inside, appearing like a corpse. Her face is obscured by trash, and due to the high, downward composition, her face is completely invisible. Her top and bottom are stained, soaked in rain and mud. Floor Details: The floor shows traces of where the body was dragged, and broken light reflects off the muddy puddles. Cigarette butts float on the surface, and a thin film of oil spreads across the rainwater. Fine ripples caused by the heavy rain distort the reflections. High heels worn, a smartphone, a wallet, keys, a small cosmetic pouch, a compact mirror with a broken corner, and paper receipts are scattered about, all wet with rain and reflecting faint light. Background Depth: A narrow alley lined with several trash cans and garbage bags. Steam rises from the sewer and mixes with the air in the rain. The blurry silhouette of a figure walking into the darkness in the distance appears partially distorted amidst the heavy rain and atmospheric distortion. Atmosphere & Tone: Gloomy and cold, with the characteristic tension of Neo-Noir that permeates like air. The narrative is hinted at through geometric compositions, contrasts, and environmental details. The textures of wet surfaces, fabrics, and industrial materials are realistically emphasized.

make 70 degree side position perspective.

A scene from a neo-noir horror crime thriller set in a landfill in a small provincial town in South Korea. Midnight, torrential rain pours down, cutting through the darkness, with thick, sharp streaks of rain clearly illuminated by the warm light of a distant streetlamp. The atmosphere is cold, oppressive, and cinematic. Camera & Lens: Shot with a full-frame cinema camera (similar to the ARRI Alexa Mini). 35mm prime lens, aperture f/8 for deep depth of field, ISO 800, shutter angle 180°. The camera is positioned high above the streetlamp, looking down, adopting a strict and mechanical composition reminiscent of a surveillance camera. Fixed framing without handheld movement. A precise, controlled, and emotionless perspective. Image Profile & Neo-Noir Expression: 35mm film emulation with subtle grain texture. Strong contrast, deep blacks, and refined highlights. Cool color correction dominated by cyan tones, low saturation. The restrained warm tones of the sodium streetlights create color contrast. Shadows are suppressed and contrasts are emphasized, while reflections from the wet surfaces create dramatic tension. Lighting: Using only minimal practical lighting — a single distant streetlight and faint ambient light. The solid, sharp contrast characteristic of Neo-Noir. Raindrops partially catch the light and glisten. No artificial fill light is used. Foreground Composition: A large, rain-soaked industrial trash can is filled with black garbage bags and various types of waste. Wearing a tube top that exposes the skin and dirty dark gray latex leggings, and with her shoes off, only her feet are visible. A Korean woman lies inside, appearing like a corpse. Her face is obscured by trash, and due to the high, downward composition, her face is completely invisible. Her top and bottom are stained, soaked in rain and mud. Floor Details: The floor shows traces of where the body was dragged, and broken light reflects off the muddy puddles. Cigarette butts float on the surface, and a thin film of oil spreads across the rainwater. Fine ripples caused by the heavy rain distort the reflections. High heels worn, a smartphone, a wallet, keys, a small cosmetic pouch, a compact mirror with a broken corner, and paper receipts are scattered about, all wet with rain and reflecting faint light. Background Depth: A narrow alley lined with several trash cans and garbage bags. Steam rises from the sewer and mixes with the air in the rain. The blurry silhouette of a figure walking into the darkness in the distance appears partially distorted amidst the heavy rain and atmospheric distortion. Atmosphere & Tone: Gloomy and cold, with the characteristic tension of Neo-Noir that permeates like air. The narrative is hinted at through geometric compositions, contrasts, and environmental details. The textures of wet surfaces, fabrics, and industrial materials are realistically emphasized.

make quarter view angle

Create different views and vantage points

Control camera: [Truck left,Pedestal up]

ultra-realistic cinematic photograph, vertical 9:16, 16K, dynamic style CORE LORĒ PRESENCE: calm, self-contained, emotionally restrained no posing, no performance, no smile no direct eye contact — gaze slightly downward or past the window subtle controlled tension in stillness SCENE: luxury high-rise interior at night floor-to-ceiling glass window directly beside subject rain on glass (sharp droplets and streaks clearly visible) outside: cold blue city lights, soft bokeh, distant skyline interior minimal, dark, high-end materials SUBJECT: European woman, early 30s very slim, long legs, narrow waist, natural proportions (NO thick legs) lightly sun-kissed skin with warm undertones wet skin with subtle water droplets catching light HAIR: dark auburn / deep copper tone slightly wet, natural strands sticking lightly to neck and shoulders loose, imperfect, no styling polish WARDROBE: wrapped in a white towel towel thick, matte cotton texture (NOT silky, NOT glossy) naturally wrapped around body, slightly asymmetrical tension secure but imperfect — small folds, pressure marks no nudity, no exposure POSE: standing close to the window body slightly turned away from camera (3/4 back angle) weight on one leg, relaxed hip shift one arm loosely holding towel in place other arm relaxed or lightly touching glass full-body framing LIGHTING (CRITICAL): PRIMARY: strong cold blue light from window (side light) defines silhouette, legs, and body contour SECONDARY: very soft warm interior fill (low intensity) gently lifts face, collarbones, thighs ACCENTS: subtle rim light outlining hair and shoulders water droplets catching highlights clear separation: cool environment vs warm skin CAMERA: low angle (below hip line) camera placed several meters away full-body vertical composition 35mm lens natural perspective, no distortion MOOD: quiet, intimate, controlled post-shower stillness, not sensual, not performative cinematic realism, not influencer content AVOID: direct eye contact, smile, posing glossy towel, plastic skin, overexposure flat lighting, darkness losing detail fashion/runway vibe, glamour, artificial sharpness

generate another closer perspective from the image keeping all the variables constant