Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "sitting on the BRABUS 09 Modern leather sofa‑bed, leaning slightly back against the armrest, with one leg bent and tucked under her, the other leg extended forward, foot resting on the floor. She holds three of the five large red roses in her left hand, resting them near her chest, while her right hand gently touches the embroidered 'vgeux' on the heart area of the dress. Her posture is relaxed yet elegant, with a slight twist of the torso toward the camera, emphasizing the dress's décolleté and the white embroidery in Kudry Sans font. The roses have prominent heads and are arranged casually, with two more roses placed on the sofa beside her.", "posture": "leaning, one leg tucked, relaxed elegance", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; three held in left hand, two resting on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "sitting on the BRABUS 09 Modern leather sofa‑bed, leaning slightly back against the armrest, with one leg bent and tucked under her, the other leg extended forward, foot resting on the floor. She holds three of the five large red roses in her left hand, resting them near her chest, while her right hand gently touches the embroidered 'vgeux' on the heart area of the dress. Her posture is relaxed yet elegant, with a slight twist of the torso toward the camera, emphasizing the dress's décolleté and the white embroidery in Kudry Sans font. The roses have prominent heads and are arranged casually, with two more roses placed on the sofa beside her.", "posture": "leaning, one leg tucked, relaxed elegance", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; three held in left hand, two resting on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "sitting on the BRABUS 09 Modern leather sofa‑bed, leaning slightly back against the armrest, with one leg bent and tucked under her, the other leg extended forward, foot resting on the floor. She holds three of the five large red roses in her left hand, resting them near her chest, while her right hand gently touches the embroidered 'vgeux' on the heart area of the dress. Her posture is relaxed yet elegant, with a slight twist of the torso toward the camera, emphasizing the dress's décolleté and the white embroidery in Kudry Sans font. The roses have prominent heads and are arranged casually, with two more roses placed on the sofa beside her.", "posture": "leaning, one leg tucked, relaxed elegance", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; three held in left hand, two resting on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "sitting on the BRABUS 09 Modern leather sofa‑bed, leaning slightly back against the armrest, with one leg bent and tucked under her, the other leg extended forward, foot resting on the floor. She holds three of the five large red roses in her left hand, resting them near her chest, while her right hand gently touches the embroidered 'vgeux' on the heart area of the dress. Her posture is relaxed yet elegant, with a slight twist of the torso toward the camera, emphasizing the dress's décolleté and the white embroidery in Kudry Sans font. The roses have prominent heads and are arranged casually, with two more roses placed on the sofa beside her.", "posture": "leaning, one leg tucked, relaxed elegance", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; three held in left hand, two resting on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "sitting on the BRABUS 09 Modern leather sofa‑bed, leaning slightly back against the armrest, with one leg bent and tucked under her, the other leg extended forward, foot resting on the floor. She holds three of the five large red roses in her left hand, resting them near her chest, while her right hand gently touches the embroidered 'vgeux' on the heart area of the dress. Her posture is relaxed yet elegant, with a slight twist of the torso toward the camera, emphasizing the dress's décolleté and the white embroidery in Kudry Sans font. The roses have prominent heads and are arranged casually, with two more roses placed on the sofa beside her.", "posture": "leaning, one leg tucked, relaxed elegance", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; three held in left hand, two resting on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "9:16", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%)", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "in love gaze with a mix of passion and slight daring, eyes intense (hunter eyes) but softened by affection, lips slightly parted, a hint of a confident smirk, capturing a blend of adoration, desire and boldness", "gaze": "directly at camera, smoldering, with a touch of vulnerability", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "sitting on the BRABUS 09 Modern leather sofa‑bed, leaning slightly back against the armrest, with one leg bent and tucked under her, the other leg extended forward, foot resting on the floor. She holds three of the five large red roses in her left hand, resting them near her chest, while her right hand gently touches the embroidered 'vgeux' on the heart area of the dress. Her posture is relaxed yet elegant, with a slight twist of the torso toward the camera, emphasizing the dress's décolleté and the white embroidery in Kudry Sans font. The roses have prominent heads and are arranged casually, with two more roses placed on the sofa beside her.", "posture": "leaning, one leg tucked, relaxed elegance", "anatomy": { "curves": "subtle feminine curves", "chest": "full bust with natural projection", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "Black evening dress by Philosophy di Lorenzo Serafini, made of stretch cotton poplin (93% cotton, 7% elastane). The dress features a crossed top that opens the décolleté, leaving shoulders half‑open, tied with a bow at the back. Embroidered in white Kudry Sans font on the heart area is the text 'vgeux', clearly visible. The dress is form‑fitting, with a perforated floral pattern (broderie anglaise) covering the fabric." }, "accessories": "Five large, premium red roses with prominent heads; three held in left hand, two resting on the sofa." }, "environment": { "setting": "Interior at night, featuring the BRABUS 09 Modern leather sofa‑bed (dimensions: width 1790 mm, depth 1030 mm, height 770 mm) upholstered in premium black leather with deep button tufting, a fiber‑tex bolster (20 cm diameter), compact armrests, and solid alder legs. Behind the sofa, a wall clad in 'Golden Nephrite' marble slabs (90x180 cm) with a matte or semi‑polished finish, showing natural black background with intricate gold veins. The floor is dark polished stone or wood, partially visible. Ambient lighting is low, but the scene is lit by a carefully balanced on‑camera flash (early 1990s compact digital camera aesthetic) that highlights the textures without overexposing the skin or making it appear greasy. The flash creates a soft grain, moderate contrast, and subtle specular highlights on the leather, marble, and roses.", "background": { "description": "Luxurious marble wall with gold veining, partially blurred due to flash depth‑of‑field, emphasizing the sofa and model.", "lighting": "Harsh on‑camera flash (90s compact camera) but controlled to avoid overexposure and greasiness; grainy texture, cool flash white balance mixed with warm ambient, slight desaturation." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) in a dark room, adjusted to preserve skin detail", "quality": "harsh flash but with balanced exposure, moderate contrast, overexposed highlights minimized, deep shadows in background", "effects": [ "strong flash creating specular highlights on leather, marble veins, and rose petals", "controlled highlights on skin, not greasy or washed out", "background dark with faint marble detail", "grainy texture characteristic of early compact digital cameras", "slightly desaturated colors, cool cast" ], "color_cast": "cool flash white balance, slightly desaturated, gold veins in marble catch warm reflections", "contrast": "high but skin tones remain natural" }, "camera_and_technical": { "perspective": "slightly low angle, looking up to emphasize confidence and the sofa", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "vertical 9:16, medium shot (from upper thighs to above head), subject centered, sofa and marble wall visible", "focus": "slightly soft, typical of low‑resolution cameras, with good detail on face, dress, and roses", "visual_fidelity": "grainy, slightly desaturated, flash photography style, ultra high quality real image (realistic despite lo‑fi look), luxurious nocturnal portrait" }, "realism_constraints": { "allowed": [ "grain", "slight desaturation", "controlled highlights", "harsh shadows", "imperfect composition", "natural skin texture", "minor asymmetry" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography look", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "greasy skin", "oily face", "overexposed skin" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed", "shiny T-zone", "glossy skin", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional motion blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "watermark", "text on clothing (other than the intended 'vgeux')", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic", "8k", "masterpiece", "makeup", "stylized", "modern digital" ] }
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.
Create a BioRender-style vector infographic. Place the panel header “研究目标” as a small caption in the upper-left corner (not a large title). Set its font size to ~80% of the main box titles, use regular weight (not bold), and keep it visually subtle. Use a clean professional layout, flat colors, thick outlines, minimal shadows, and consistent sans-serif font (Microsoft YaHei). Canvas: 16:9 or 16:10 landscape. The figure should be non-technical (no equations), focusing on goals hierarchy. All text inside boxes must be Chinese exactly as provided. Layout Split the figure into two parts: Left Part (Overall Goals Pyramid): Draw a 3-layer stacked pyramid (or three stacked rounded rectangles) labeled from top to bottom: “理论目标”, “方法目标”, “应用目标”. Use subtle distinct colors for each layer. Add a small left-side label “总体目标” above the pyramid. Right Part (Three Specific Objectives Cards): Place three numbered rounded-rectangle cards vertically aligned (G1, G2, G3). Each card contains the specific objective text. Draw thin arrows from each card to the related pyramid layer(s): G1 arrows to “理论目标” (primary) and slightly to “方法目标” (secondary) G2 arrows to “方法目标” (primary) and slightly to “理论目标” (secondary) G3 arrows to “应用目标” (primary) and slightly to “方法目标” (secondary) Bottom Bar (One-line Summary): Add a wide rounded rectangle at the bottom spanning the width, labeled “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系”. Icons (small, minimal, optional) Next to “理论目标”: a Lyapunov/analysis icon (V(x)) Next to “方法目标”: a neural network + event-trigger clock icon Next to “应用目标”: drone + robot icons Next to bottom bar: a balance scale icon labeled “性能—通信—能耗” Chinese text to place (exact) Overall Goals (left pyramid): Top layer title: “理论目标” Text: “建立一致性误差动力学描述与统一的收敛/有界性分析框架;给出误差判据、误差上界、无Zeno与IET下界等可验证结论。” Middle layer title: “方法目标” Text: “提出以DRNN为核心的学习辨识器、动态事件触发机制与分布式控制协议协同设计方法;揭示触发参数、拓扑、辨识误差与一致性性能的定性—定量关系;建立‘一致性性能—通信资源与能耗开销’权衡机制。” Bottom layer title: “应用目标” Text: “依托多无人机与多机器人平台开展仿真与实验验证;形成可推广的低通信、高可靠、可验证协同控制方法;服务无人系统集群、网络化制造单元及分布式能源等场景。” Right cards (specific objectives): Card 1 header: “具体目标1(G1)” Body: “构造显式利用触发区间信息的looped-functional型Lyapunov分析工具,降低收敛性与有界性结论的保守性;推导误差上界、无Zeno条件与IET下界;刻画IET与拓扑结构、触发参数及系统状态之间的定性—定量关系。” Card 2 header: “具体目标2(G2)” Body: “建立基于DRNN学习辨识的分布式事件触发一致性控制框架;研究学习误差、触发误差与拓扑耦合误差对闭环性能的影响;设计权值更新律与触发机制,实现对未知非线性/不确定项的在线补偿并提升鲁棒性。” Card 3 header: “具体目标3(G3)” Body: “面向模型信息不完备与参数不确定等情形,研究模型弱依赖的学习辨识–事件触发一致性控制方法;给出一致性误差收敛性与有界性条件,以及DRNN权值与内部递归状态的有界性结论;提升方法的工程可实施性与适用范围。” Bottom bar text: “预期形成:低通信、高可靠、可验证的一致性控制理论与方法体系” Negative prompt Avoid photorealism, avoid dense paragraphs, avoid tiny illegible text, avoid complex mathematical derivations, avoid cluttered decorative elements.