(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
0126
Stable Diffusion
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
065
Stable Diffusion
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
165
FLUX
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
010
Nano Banana
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
08
Nano Banana
Cinematic 16:9 4K wide shot, photorealistic, ultra-detailed — A breathtaking night scene on Briggate, Leeds city centre, during a winter lights festival. Thousands of people — families, couples, lone wanderers, children on shoulders — fill the pedestrianised street, all moving with quiet purpose and wonder toward a cascading tunnel of illuminated arches constructed from thousands of warm pink, magenta, rose-gold and amber fairy lights, layered in concentric Romanesque archways that glow against the cold night sky. Golden fairy lights drape the bare winter trees lining the street like liquid starlight. Wes Anderson compositional symmetry — perfectly centred framing, the crowd forming a natural vanishing point toward the glowing arches. Every face is rendered with cinematic clarity: ruddy cheeks from the cold, breath misting, eyes wide with reflected light. A red-beanie'd grandmother. A young couple sharing a scarf. A teenage boy filming on his phone. A child reaching upward toward the lights. Wool coats, puffer jackets, scarves in burgundy and navy. Real people, real weight, real texture. The architecture flanking the street is Victorian sandstone, monumental and grand, warmly underlit — shopfronts glowing amber and blue in the peripheral bokeh. The foreground crowd is in soft cinematic focus, the arches dramatically sharp in the mid-ground, everything beyond dissolving into a beautiful urban bokeh of blue, gold, and white city lights. The mood is Hans Zimmer — swelling, intimate, vast. A feeling of collective human joy suspended in a single frozen second. The air feels cold, the light feels warm. Shot on IMAX 65mm with a shallow depth of field. Colour grade: deep shadows in teal and indigo, highlights in amber and rose. No artificial flatness — every texture breathes.
04
Seedream 5
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
10522
Stable Diffusion
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
057
FLUX
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
9384
Ideogram
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
0126
Stable Diffusion
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
010
Nano Banana
Cinematic 16:9 4K wide shot, photorealistic, ultra-detailed — A breathtaking night scene on Briggate, Leeds city centre, during a winter lights festival. Thousands of people — families, couples, lone wanderers, children on shoulders — fill the pedestrianised street, all moving with quiet purpose and wonder toward a cascading tunnel of illuminated arches constructed from thousands of warm pink, magenta, rose-gold and amber fairy lights, layered in concentric Romanesque archways that glow against the cold night sky. Golden fairy lights drape the bare winter trees lining the street like liquid starlight. Wes Anderson compositional symmetry — perfectly centred framing, the crowd forming a natural vanishing point toward the glowing arches. Every face is rendered with cinematic clarity: ruddy cheeks from the cold, breath misting, eyes wide with reflected light. A red-beanie'd grandmother. A young couple sharing a scarf. A teenage boy filming on his phone. A child reaching upward toward the lights. Wool coats, puffer jackets, scarves in burgundy and navy. Real people, real weight, real texture. The architecture flanking the street is Victorian sandstone, monumental and grand, warmly underlit — shopfronts glowing amber and blue in the peripheral bokeh. The foreground crowd is in soft cinematic focus, the arches dramatically sharp in the mid-ground, everything beyond dissolving into a beautiful urban bokeh of blue, gold, and white city lights. The mood is Hans Zimmer — swelling, intimate, vast. A feeling of collective human joy suspended in a single frozen second. The air feels cold, the light feels warm. Shot on IMAX 65mm with a shallow depth of field. Colour grade: deep shadows in teal and indigo, highlights in amber and rose. No artificial flatness — every texture breathes.
04
Seedream 5
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
9384
Ideogram
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
065
Stable Diffusion
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
165
FLUX
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
08
Nano Banana
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
10522
Stable Diffusion
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
057
FLUX
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
0126
Stable Diffusion
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
010
Nano Banana
Cinematic 16:9 4K wide shot, photorealistic, ultra-detailed — A breathtaking night scene on Briggate, Leeds city centre, during a winter lights festival. Thousands of people — families, couples, lone wanderers, children on shoulders — fill the pedestrianised street, all moving with quiet purpose and wonder toward a cascading tunnel of illuminated arches constructed from thousands of warm pink, magenta, rose-gold and amber fairy lights, layered in concentric Romanesque archways that glow against the cold night sky. Golden fairy lights drape the bare winter trees lining the street like liquid starlight. Wes Anderson compositional symmetry — perfectly centred framing, the crowd forming a natural vanishing point toward the glowing arches. Every face is rendered with cinematic clarity: ruddy cheeks from the cold, breath misting, eyes wide with reflected light. A red-beanie'd grandmother. A young couple sharing a scarf. A teenage boy filming on his phone. A child reaching upward toward the lights. Wool coats, puffer jackets, scarves in burgundy and navy. Real people, real weight, real texture. The architecture flanking the street is Victorian sandstone, monumental and grand, warmly underlit — shopfronts glowing amber and blue in the peripheral bokeh. The foreground crowd is in soft cinematic focus, the arches dramatically sharp in the mid-ground, everything beyond dissolving into a beautiful urban bokeh of blue, gold, and white city lights. The mood is Hans Zimmer — swelling, intimate, vast. A feeling of collective human joy suspended in a single frozen second. The air feels cold, the light feels warm. Shot on IMAX 65mm with a shallow depth of field. Colour grade: deep shadows in teal and indigo, highlights in amber and rose. No artificial flatness — every texture breathes.
04
Seedream 5
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
10522
Stable Diffusion
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
065
Stable Diffusion
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
08
Nano Banana
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
057
FLUX
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
165
FLUX
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
9384
Ideogram
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
0126
Stable Diffusion
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
10522
Stable Diffusion
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
065
Stable Diffusion
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
165
FLUX
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
057
FLUX
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
010
Nano Banana
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
9384
Ideogram
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
08
Nano Banana
Cinematic 16:9 4K wide shot, photorealistic, ultra-detailed — A breathtaking night scene on Briggate, Leeds city centre, during a winter lights festival. Thousands of people — families, couples, lone wanderers, children on shoulders — fill the pedestrianised street, all moving with quiet purpose and wonder toward a cascading tunnel of illuminated arches constructed from thousands of warm pink, magenta, rose-gold and amber fairy lights, layered in concentric Romanesque archways that glow against the cold night sky. Golden fairy lights drape the bare winter trees lining the street like liquid starlight. Wes Anderson compositional symmetry — perfectly centred framing, the crowd forming a natural vanishing point toward the glowing arches. Every face is rendered with cinematic clarity: ruddy cheeks from the cold, breath misting, eyes wide with reflected light. A red-beanie'd grandmother. A young couple sharing a scarf. A teenage boy filming on his phone. A child reaching upward toward the lights. Wool coats, puffer jackets, scarves in burgundy and navy. Real people, real weight, real texture. The architecture flanking the street is Victorian sandstone, monumental and grand, warmly underlit — shopfronts glowing amber and blue in the peripheral bokeh. The foreground crowd is in soft cinematic focus, the arches dramatically sharp in the mid-ground, everything beyond dissolving into a beautiful urban bokeh of blue, gold, and white city lights. The mood is Hans Zimmer — swelling, intimate, vast. A feeling of collective human joy suspended in a single frozen second. The air feels cold, the light feels warm. Shot on IMAX 65mm with a shallow depth of field. Colour grade: deep shadows in teal and indigo, highlights in amber and rose. No artificial flatness — every texture breathes.
04
Seedream 5
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
0126
Stable Diffusion
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
165
FLUX
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
9384
Ideogram
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
065
Stable Diffusion
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
010
Nano Banana
Cinematic 16:9 4K wide shot, photorealistic, ultra-detailed — A breathtaking night scene on Briggate, Leeds city centre, during a winter lights festival. Thousands of people — families, couples, lone wanderers, children on shoulders — fill the pedestrianised street, all moving with quiet purpose and wonder toward a cascading tunnel of illuminated arches constructed from thousands of warm pink, magenta, rose-gold and amber fairy lights, layered in concentric Romanesque archways that glow against the cold night sky. Golden fairy lights drape the bare winter trees lining the street like liquid starlight. Wes Anderson compositional symmetry — perfectly centred framing, the crowd forming a natural vanishing point toward the glowing arches. Every face is rendered with cinematic clarity: ruddy cheeks from the cold, breath misting, eyes wide with reflected light. A red-beanie'd grandmother. A young couple sharing a scarf. A teenage boy filming on his phone. A child reaching upward toward the lights. Wool coats, puffer jackets, scarves in burgundy and navy. Real people, real weight, real texture. The architecture flanking the street is Victorian sandstone, monumental and grand, warmly underlit — shopfronts glowing amber and blue in the peripheral bokeh. The foreground crowd is in soft cinematic focus, the arches dramatically sharp in the mid-ground, everything beyond dissolving into a beautiful urban bokeh of blue, gold, and white city lights. The mood is Hans Zimmer — swelling, intimate, vast. A feeling of collective human joy suspended in a single frozen second. The air feels cold, the light feels warm. Shot on IMAX 65mm with a shallow depth of field. Colour grade: deep shadows in teal and indigo, highlights in amber and rose. No artificial flatness — every texture breathes.
04
Seedream 5
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
057
FLUX
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
08
Nano Banana
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
10522
Stable Diffusion
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
0126
Stable Diffusion
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
010
Nano Banana
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
10522
Stable Diffusion
(Gal Gadot wearing a costume of ((harley quinn))), so beatufull, full body. (75mm, Technicolor, Panavision, masterpieces), ((extremely detailed)), best details, fine details, (best quality, high definition), high quality image, 4k, 8k, HD, UHD, HDR, DSLR, photorealistic, Technicolor, sharp focus, key visual, depth of field, (((Real Person)), ((real people)), ((extremely realistic)), ((realistic)), reality, (((realism))), real)
065
Stable Diffusion
Create a Real Eye of a Model Face - A real photo of numerous tiny people, reminiscent of midgets, performing permanent lip makeup on a giant face. They use miniature tattoo machines, climb tiny ladders and scaffolding to reach different areas of the eye, and work together like a professional beauty studio. Some hold containers of pigment, others stretch the skin or give instructions, creating a lively and detailed atmosphere. The midgets are dressed in white and pink suits. The giant face must look realistic, with natural skin texture and plump lips, while the tiny artists wear work aprons and use intricate, detailed tools. Pink background. The scene must be highly detailed and visually appealing --ar 9:16
9384
Ideogram
Create an original Kalamkari-style artwork of two consenting adult South Asian lovers, with their general facial features, age range, warm medium-brown skin tone, dark hair, and affectionate couple chemistry inspired by the attached reference image, but render them as fictional painted figures rather than exact portraits of real people. Depict the couple in a tasteful, romantic, glamorous mood: elegant, intimate, affectionate, visually striking, and culturally rooted, while remaining non-explicit. The composition should feel lyrical, ornamental, graceful, handcrafted, narrative-rich, and deeply decorative, in the spirit of traditional Kalamkari art. Place the couple in a close romantic pose, seated or gently reclining together, leaning toward one another with tenderness and emotional warmth. Their expressions should be soft, loving, serene, and emotionally connected. Their body language should communicate intimacy, affection, and gentle protectiveness without explicit sexuality. They are looking at the camera with a half-smile. The woman should wear a richly ornamented traditional Indian outfit interpreted through Kalamkari aesthetics, such as a decorative mini blouse and half-saree ensemble or draped ensemble, with: visible décolletage visible midriff visible legs flowing drapery ornamental textile borders intricate floral and vine motifs hand-drawn patterning elaborate jewellery such as earrings, necklaces, bangles, anklets, waist ornaments, and hair ornaments The man should wear a richly patterned traditional Indian garment, such as a dhoti or draped lower cloth, and be bare-chested, harmonised with the woman’s attire. His pose should feel affectionate, graceful, and protective, with one arm gently around or near the woman. Render the image in an authentic Kalamkari painting style, with: hand-drawn flowing outlines fine pen-like contour work decorative floral creepers and scrollwork ornamental infill patterns stylised human figures narrative textile-art composition traditional hand-painted fabric aesthetic flat yet lively decorative space dense but graceful detailing mythic and romantic storytelling quality subtle parchment or dyed-cloth texture artisanal, handcrafted feel Use a rich Kalamkari-inspired palette with earthy and natural tones such as deep red, rust, maroon, indigo, black, mustard, beige, muted green, terracotta, ivory, and brown. Use elegant linework, natural-dye-like colour treatment, ornamental borders, and detailed patterning while avoiding photorealism. Surround the couple with abundant Kalamkari-style nature and decorative motifs such as curling vines, lotus flowers, creepers, parrots, peacocks, swans, deer, elephants, fish, stylised trees, leaves, floral scrolls, temple-inspired arches, sun and moon symbols, and flowing ornamental forms. The environment should feel alive, romantic, story-rich, and woven together through intricate hand-drawn decoration. Keep the couple as the clear focal point while making the full composition lush, vibrant, patterned, and richly filled. The background should not be plain; it should include floral networks, decorative foliage, animal and bird motifs, ornamental borders, and flowing narrative elements arranged in a balanced but organic Kalamkari composition. Make the artwork look like a masterfully crafted traditional Kalamkari painting or painted textile panel, with elegant contour drawing, detailed floral ornamentation, rhythmic linework, earthy natural-dye colours, richly patterned garments, and a glamorous yet tasteful romantic mood. Preserve the handcrafted spirit of Kalamkari art while enhancing the scene with romantic elegance, refined textile-like detailing, and a fully decorated composition. Constraints: adult subjects only, no underage subjects, no explicit nudity, no graphic sexuality, no exact likeness of real people, no real event, no text, no watermark, no photorealism, no bad anatomy, no distorted limbs, no extra fingers.
08
Nano Banana
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
165
FLUX
Cinematic 16:9 4K wide shot, photorealistic, ultra-detailed — A breathtaking night scene on Briggate, Leeds city centre, during a winter lights festival. Thousands of people — families, couples, lone wanderers, children on shoulders — fill the pedestrianised street, all moving with quiet purpose and wonder toward a cascading tunnel of illuminated arches constructed from thousands of warm pink, magenta, rose-gold and amber fairy lights, layered in concentric Romanesque archways that glow against the cold night sky. Golden fairy lights drape the bare winter trees lining the street like liquid starlight. Wes Anderson compositional symmetry — perfectly centred framing, the crowd forming a natural vanishing point toward the glowing arches. Every face is rendered with cinematic clarity: ruddy cheeks from the cold, breath misting, eyes wide with reflected light. A red-beanie'd grandmother. A young couple sharing a scarf. A teenage boy filming on his phone. A child reaching upward toward the lights. Wool coats, puffer jackets, scarves in burgundy and navy. Real people, real weight, real texture. The architecture flanking the street is Victorian sandstone, monumental and grand, warmly underlit — shopfronts glowing amber and blue in the peripheral bokeh. The foreground crowd is in soft cinematic focus, the arches dramatically sharp in the mid-ground, everything beyond dissolving into a beautiful urban bokeh of blue, gold, and white city lights. The mood is Hans Zimmer — swelling, intimate, vast. A feeling of collective human joy suspended in a single frozen second. The air feels cold, the light feels warm. Shot on IMAX 65mm with a shallow depth of field. Colour grade: deep shadows in teal and indigo, highlights in amber and rose. No artificial flatness — every texture breathes.
04
Seedream 5
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view HD Photo. When I met you in the restaurant You could tell I was no debutante, You asked me what's my pleasure A movie or a measure, I'll have a cup of tea. And tell you of my dreaming. I don't want to live on charity, Pleasure's real or is it fantasy, Real to real is living rarity, People stop and stare at me, We just walk on by. We just keep on dreaming. Feet, feet, walking a two mile, Meet, meet, meet me at the turnstile, I never met him, I'll never forget him. Dream, dream, even for a little while filling up an idle hour, Fade away, Radiate. I sit by and watch the river flow I sit by and watch the traffic go. Imagine something of your very own, Something you can have and hold I'd build a road in gold, Just to have some dreaming, Dreaming is free. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
057
FLUX