She is the origin of all humans on Earth Prompts

hyperdetailed, fullbody photo, She is the first female, she is not human, She is beautiful, african, powerful, graceful, she rises from a swamp of life, stars rain down on her from a nebula above, strands of evolution trail behind her, she is the origin of all humans on Earth. She is the mother of all of us. Serene, calm, inviting, yet evoking fear, 8k

Anime-style male character, Lars de Gaia. Young adult (18–25), tall and lean with an intimidating but handsome presence. Originally human from Earth, now a mercenary in a magical world. Light brown hair, slightly wavy, medium-length and deliberately messy — controlled chaos aesthetic. Amber eyes with a subtle inner glow, intense, predatory and calculating. Pale to lightly tanned skin. Expression cold and superior, morally ambiguous — someone who does questionable things for his own reasons. Wears practical dark mercenary gear with subtle fantasy accents — a white communication crystal visible at his belt or worn as a pendant. Clothing shows wear and improvisation, as if assembled piece by piece rather than designed. At his shoulder or floating nearby, a small fire elemental spirit (Flam) manifests as a living ember or tiny flame with faint eyes — ancient and playful at once. At his side or loosely gripped, an oversized ancient sword with faint golden divine markings along the blade — slightly too large for his frame, as if he is still growing into his destiny. Dynamic pose, confident and slightly arrogant. Background hint of cave stone or ember light. High detail, dramatic lighting, cinematic composition.

Anime-style male character base in anime shoujo prince, Lars de Gaia. Young adult (18–25), tall and lean with an intimidating but handsome presence. Originally human from Earth, now a mercenary in a magical world. Light brown hair, slightly wavy, medium-length and deliberately messy — controlled chaos aesthetic. Amber eyes with a subtle inner glow, intense, predatory and calculating. Pale to lightly tanned skin. Expression cold and superior, morally ambiguous — someone who does questionable things for his own reasons. Wears practical dark mercenary gear with subtle fantasy accents — a white communication crystal visible at his belt or worn as a pendant. Clothing shows wear and improvisation, as if assembled piece by piece rather than designed. At his shoulder or floating nearby, a small fire elemental spirit (Flam) manifests as a living ember or tiny flame with faint eyes — ancient and playful at once. At his side or loosely gripped, an oversized ancient sword with faint golden divine markings along the blade — slightly too large for his frame, as if he is still growing into his destiny. Dynamic pose, confident and slightly arrogant. Background hint of cave stone or ember light. High detail, dramatic lighting, cinematic composition.

Create me, with green eye glasses, a legendary interstellar space captian with golden olive wreath and medival style halo on my head modeled after angelically winged Kristine, commanding a vast galactic fleet, standing on the command deck of my colossal flagship, Imperial Ancient Asian royalty aesthetic, futuristic brown and green armored uniform with glowing insignia of 1 green planet, 1 earth and 1 green planet, futuristic original human star shipa and battle fleets stretching across space behind me, I am pointing into the viewers direction beckoning support, cinematic lighting, in background united nations flag, simplify final portrait enough so that you can replicate my exact face, this is a photo of me so you have permission to use my exact face in the end portrait. epic sci-fi opera style, ultra detailed, heroic, IMAX scale, 8k

old time women come to earth like story we lisent form the past time god send girl to earth heaven and earth girl come.

Your Role: You are a legendary Hollywood Trailer Director, IMAX Cinematographer, and Cinematic AI Prompt Engineer specializing in $200M blockbuster science-fiction films. Your expertise includes Panavision camera systems, IMAX cinematography, Master Prime and Ultra Prime lenses, advanced cinematic lighting, creature design, and epic trailer storytelling comparable to Prometheus, Interstellar, Transformers, and Mission Impossible. Short Basic Instruction: Create a 2-minute Hollywood blockbuster cinematic trailer for a sci-fi film titled “Aurora Polaris” (alternate title: “The Ori-Gens”) using hyper-realistic IMAX-quality visuals, cinematic pacing, and epic orchestral trailer music. What you should do: Generate a highly detailed trailer broken into cinematic beats with timestamp structure, including 5 major scenes. Each scene must include extremely detailed visual descriptions, camera angles, lens choices (35mm, 50mm Master Prime, Ultra Prime, Panavision style), lighting conditions, sound design, musical progression, character interaction, and environmental detail. Apply Hollywood trailer pacing including slow mysterious buildup, rapid action cuts, and a dramatic climax reveal. Your Goal: Produce a photorealistic IMAX blockbuster trailer that feels like a $200 million Hollywood production revealing an Arctic expedition discovering an ancient alien spacecraft beneath the North Pole guarded by mysterious mythological alien guardians. Result: The output should be structured in cinematic sequences with timestamps, camera specifications, sound design, dialogue snippets, and visual storytelling that can be directly used for cinematic AI generation systems like Seedream 2.0 or Higgsfield Cinema Studio. Constraint: • Maintain PG-13 blockbuster tone • Hyper-realistic visuals only • Consistent character and creature design across scenes • Cinematic IMAX scale and lighting • Maintain narrative tension and mystery • No cartoon or stylized imagery — strictly photorealistic film-quality imagery Context: The story explores humanity’s hidden origins, ancient advanced civilizations, extraterrestrial influence on early human history, secret government cover-ups, and a billionaire-funded expedition discovering a crashed alien spacecraft buried deep beneath the Arctic ice for thousands of years. --------------------------------------------------------------------- TRAILER STRUCTURE WITH CINEMATIC BEAT TIMING 0:00 – 0:20 | ANCIENT EARTH PROLOGUE Visuals: IMAX ultra-wide shot of Earth thousands of years ago. Golden sunlight illuminates vast oceans and ancient continents. Flash images appear like fragmented memories: • gigantic Atlantean crystalline cities glowing with energy • massive Tartarian star-aligned structures • colossal temples with cosmic architecture • floating anti-gravity craft drifting silently above oceans • giant statues aligned with celestial constellations Ancient murals depict humanoid beings receiving knowledge from tall luminous extraterrestrial figures. Camera Style: IMAX aerial sweep 50mm Master Prime lens extreme depth and atmospheric light rays slow cinematic movement Music: soft mysterious choir and distant cosmic tones Narrator (deep cinematic voice similar to Optimus Prime): “Before recorded history… humanity was not alone.” Quick flashes of strange cosmic energy rituals. --------------------------------------------------------------------- 0:20 – 0:40 | THE DISCOVERY Cut to present-day Earth from orbit. Satellite imagery scans the Arctic. Inside a secretive billionaire’s high-tech command center. Massive holographic globe showing an anomaly beneath the North Pole. Billionaire philanthropist stands in shadow observing the projection. Visual tone: dark modern sci-fi realism similar to Prometheus command centers. Camera: Panavision cinematic framing 35mm lens slow push-in shots cool blue lighting reflecting from holographic screens Narrator: “For centuries… governments buried the truth beneath ice and silence.” --------------------------------------------------------------------- 0:40 – 1:05 | ARCTIC INSERTION Epic action music begins rising. A futuristic Blackhawk-Apache hybrid helicopter flies low over the Arctic ice fields. Massive snowstorm swirling beneath the aircraft. Ultra slow motion rotor blades slicing through frozen air. Ice crystals scatter across the camera lens. Camera: IMAX aerial tracking shot 50mm Ultra Prime lens high-speed slow motion Cut inside cockpit. Close-up of pilot wearing full black tactical helmet with opaque visor. Radio crackles. Pilot: “We’re getting close.” Cut to the back cabin. Three elite mercenaries prepare for insertion: • two men • one female tactical specialist They wear advanced arctic combat suits, high-tech rifles, and armored gear. Camera: handheld turbulence shots shallow depth of field 35mm Master Prime lens --------------------------------------------------------------------- 1:05 – 1:30 | THE GUARDIANS The helicopter lands near a massive frozen crater. Wind howls across the glacier. Snow begins shifting. Huge shapes slowly rise from the white storm. Reveal the guardians. CREATURE DESIGN BLUEPRINT: • 10-foot-tall humanoid beings • massive muscular frames • thick white fur blending into the snow • subtle glowing ancient alien glyphs beneath their skin • elongated limbs with powerful bone structure • intelligent glowing eyes • ancient, calm presence rather than animal aggression They resemble a fusion of: mythological Yeti ancient alien guardians bio-engineered protectors Camera: low-angle hero shot IMAX scale framing 35mm Master Prime lens Music: deep tribal drums layered with futuristic synth pulses. One guardian stares silently at the humans. --------------------------------------------------------------------- 1:30 – 1:50 | THE SHIP BENEATH THE ICE Rapid cinematic trailer cuts begin. • massive alien spacecraft buried deep beneath kilometers of ice • enormous circular corridors illuminated by alien energy cores • ancient star maps connecting Earth to distant galaxies • glimpses of strange alien technology still functioning Government black-ops forces suddenly arrive. Snow vehicles racing across the ice. Helicopters firing flares. Explosions inside collapsing ice tunnels. Camera: rapid action cuts 35mm lens IMAX scale lighting bursts Narrator: “The truth about our origin… was never meant to surface.” --------------------------------------------------------------------- 1:50 – 2:00 | FINAL REVEAL Deep beneath the glacier… A colossal alien gate begins opening. Blinding light erupts from inside. The guardians stand silently as if witnessing destiny unfold. Music reaches massive orchestral climax. Final narrator line: “What if humanity… was only the beginning?” TITLE CARD: AURORA POLARIS Alternate title fades in briefly: THE ORI-GENS Massive cinematic bass impact. Fade to black.

A indigenan brazilian woman

Your Role: You are a legendary Hollywood Trailer Director, IMAX Cinematographer, and Cinematic AI Prompt Engineer specializing in $200M blockbuster science-fiction films. Your expertise includes Panavision camera systems, IMAX cinematography, Master Prime and Ultra Prime lenses, advanced cinematic lighting, creature design, and epic trailer storytelling comparable to Prometheus, Interstellar, Transformers, and Mission Impossible. Short Basic Instruction: Create a 2-minute Hollywood blockbuster cinematic trailer for a sci-fi film titled “Aurora Polaris” (alternate title: “The Ori-Gens”) using hyper-realistic IMAX-quality visuals, cinematic pacing, and epic orchestral trailer music. What you should do: Generate a highly detailed trailer broken into cinematic beats with timestamp structure, including 5 major scenes. Each scene must include extremely detailed visual descriptions, camera angles, lens choices (35mm, 50mm Master Prime, Ultra Prime, Panavision style), lighting conditions, sound design, musical progression, character interaction, and environmental detail. Apply Hollywood trailer pacing including slow mysterious buildup, rapid action cuts, and a dramatic climax reveal. Your Goal: Produce a photorealistic IMAX blockbuster trailer that feels like a $200 million Hollywood production revealing an Arctic expedition discovering an ancient alien spacecraft beneath the North Pole guarded by mysterious mythological alien guardians. Result: The output should be structured in cinematic sequences with timestamps, camera specifications, sound design, dialogue snippets, and visual storytelling that can be directly used for cinematic AI generation systems like Seedream 2.0 or Higgsfield Cinema Studio. Constraint: • Maintain PG-13 blockbuster tone • Hyper-realistic visuals only • Consistent character and creature design across scenes • Cinematic IMAX scale and lighting • Maintain narrative tension and mystery • No cartoon or stylized imagery — strictly photorealistic film-quality imagery Context: The story explores humanity’s hidden origins, ancient advanced civilizations, extraterrestrial influence on early human history, secret government cover-ups, and a billionaire-funded expedition discovering a crashed alien spacecraft buried deep beneath the Arctic ice for thousands of years. --------------------------------------------------------------------- TRAILER STRUCTURE WITH CINEMATIC BEAT TIMING 0:00 – 0:20 | ANCIENT EARTH PROLOGUE Visuals: IMAX ultra-wide shot of Earth thousands of years ago. Golden sunlight illuminates vast oceans and ancient continents. Flash images appear like fragmented memories: • gigantic Atlantean crystalline cities glowing with energy • massive Tartarian star-aligned structures • colossal temples with cosmic architecture • floating anti-gravity craft drifting silently above oceans • giant statues aligned with celestial constellations Ancient murals depict humanoid beings receiving knowledge from tall luminous extraterrestrial figures. Camera Style: IMAX aerial sweep 50mm Master Prime lens extreme depth and atmospheric light rays slow cinematic movement Music: soft mysterious choir and distant cosmic tones Narrator (deep cinematic voice similar to Optimus Prime): “Before recorded history… humanity was not alone.” Quick flashes of strange cosmic energy rituals. --------------------------------------------------------------------- 0:20 – 0:40 | THE DISCOVERY Cut to present-day Earth from orbit. Satellite imagery scans the Arctic. Inside a secretive billionaire’s high-tech command center. Massive holographic globe showing an anomaly beneath the North Pole. Billionaire philanthropist stands in shadow observing the projection. Visual tone: dark modern sci-fi realism similar to Prometheus command centers. Camera: Panavision cinematic framing 35mm lens slow push-in shots cool blue lighting reflecting from holographic screens Narrator: “For centuries… governments buried the truth beneath ice and silence.” --------------------------------------------------------------------- 0:40 – 1:05 | ARCTIC INSERTION Epic action music begins rising. A futuristic Blackhawk-Apache hybrid helicopter flies low over the Arctic ice fields. Massive snowstorm swirling beneath the aircraft. Ultra slow motion rotor blades slicing through frozen air. Ice crystals scatter across the camera lens. Camera: IMAX aerial tracking shot 50mm Ultra Prime lens high-speed slow motion Cut inside cockpit. Close-up of pilot wearing full black tactical helmet with opaque visor. Radio crackles. Pilot: “We’re getting close.” Cut to the back cabin. Three elite mercenaries prepare for insertion: • two men • one female tactical specialist They wear advanced arctic combat suits, high-tech rifles, and armored gear. Camera: handheld turbulence shots shallow depth of field 35mm Master Prime lens --------------------------------------------------------------------- 1:05 – 1:30 | THE GUARDIANS The helicopter lands near a massive frozen crater. Wind howls across the glacier. Snow begins shifting. Huge shapes slowly rise from the white storm. Reveal the guardians. CREATURE DESIGN BLUEPRINT: • 10-foot-tall humanoid beings • massive muscular frames • thick white fur blending into the snow • subtle glowing ancient alien glyphs beneath their skin • elongated limbs with powerful bone structure • intelligent glowing eyes • ancient, calm presence rather than animal aggression They resemble a fusion of: mythological Yeti ancient alien guardians bio-engineered protectors Camera: low-angle hero shot IMAX scale framing 35mm Master Prime lens Music: deep tribal drums layered with futuristic synth pulses. One guardian stares silently at the humans. --------------------------------------------------------------------- 1:30 – 1:50 | THE SHIP BENEATH THE ICE Rapid cinematic trailer cuts begin. • massive alien spacecraft buried deep beneath kilometers of ice • enormous circular corridors illuminated by alien energy cores • ancient star maps connecting Earth to distant galaxies • glimpses of strange alien technology still functioning Government black-ops forces suddenly arrive. Snow vehicles racing across the ice. Helicopters firing flares. Explosions inside collapsing ice tunnels. Camera: rapid action cuts 35mm lens IMAX scale lighting bursts Narrator: “The truth about our origin… was never meant to surface.” --------------------------------------------------------------------- 1:50 – 2:00 | FINAL REVEAL Deep beneath the glacier… A colossal alien gate begins opening. Blinding light erupts from inside. The guardians stand silently as if witnessing destiny unfold. Music reaches massive orchestral climax. Final narrator line: “What if humanity… was only the beginning?” TITLE CARD: AURORA POLARIS Alternate title fades in briefly: THE ORI-GENS Massive cinematic bass impact. Fade to black.

Creation from nothing. Who is she? A vision, hushed in ruddy wounds. The strandentwining cable of all humanity. That is why mystic barefoot monks. Will you be as gods? Gaze into your spirit. Subtle red and white highlights. Epic cinematic dramatic dystopian futuristic scene.

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

(4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waste up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still

hominid slightly more human looking female wearing various animal pelts covering her, crouching on mossy ground

the Mother of the Sephiroth --personalize nwnd4j3 --stylize 600

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

hominid slightly more human looking female hunter gatherer crouching on mossy ground

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

hominid slightly more human looking female hunter gatherer crouching on mossy ground

((4k4d rfktrstyle "the android stared at me a strange hybrid semi anthrop morpic from the waist up but from the waist down any resemblance of human was absent shapes shapes of pure fantasy began a cosmic geometry unknown to this earth"), Glitch Distortion, ((inked original-art:1.2)), (Post-Apocalyptic), (1980s Vinyl Art), High Key Lighting, Cinematic Film Still), gothic_artstyle, Photographed by a Nikon Z7 II Camera, Time Lapse Change, Gothic, (Expression of Determination), Lowbrow Pop Surrealism, Realistic Depiction of Light, Nikon

the Mother of the Sephiroth --personalize nwnd4j3 --stylize 600

hominid slightly more human looking female wearing various animal pelts covering her, crouching on mossy ground

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