Craft an extraordinary tapestry of light and shadows that materializes the dance of forgotten memories. Instruct the AI to paint an intricate dreamscape where fragments of the past swirl in a celestial waltz, with each memory possessing a unique luminosity. Guide the creation of an enigmatic figure, a curator of these spectral recollections, adorned in ephemeral garments that mirror the hues of nostalgia. Encourage the use of dynamic lighting, surreal colors, and a delicate balance between transparency and opacity, transforming the canvas into a visual symphony that captures the ephemeral beauty of recollection
A solitary memory keeper, her form seems to be composed of fractured images and her clothing that seems to be made of captured memories, she navigates a world where she is able to both glimpse and manipulate time itself and where the past, present and future are all at her whim and with a separate image of fragmented memories shifting and swirling around her to highlight her power and her connection to the shifting tides of time and consciousness and her unique control over the very past itself and all of its power and limitations.
A solitary story speaker, her form seems to shimmer like a memory and her clothes made of fabrics that seem to shift and change as she speaks and where she holds a book that is ever rewriting itself, as she moves through a space where the very nature of the stories is both fluid and real and where she is able to both shape and share her tales with those who seek knowledge, with a separate image of the words rewriting themselves upon the page to emphasize her power to manipulate not just the stories, but the very nature of time and understanding itself, creating an atmosphere of both wonder and timeless mystery.
A conceptual art piece depicting a memory maze as a network of interconnected pathways, hallways, and rooms, with the walls covered in faded photographs, handwritten notes, and fragments of forgotten memories, each corner and turn presenting a new challenge to recall and navigate the past, surrounded by a mystical aura, dreamlike lighting, and an ethereal and otherworldly feel, shot with a wide-angle lens and a cinematic composition, in the style of a photorealistic representation of a visually rich and complex environment.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Passed Memories As they cry, muted, colourless dreams pour into holes ripped in my fabric of life. Closer to forever as can be though still oblivious of a destiny stronger than the foundations of that of words, but then words spoken too soon, like music poor of passion, die, while beauty mourns what could have been. Where I came from I don't know as my snowy path from times long gone in others memories now serve.
Conceptual design: Cybernetic Memory Weaver from the Neural Syndicate. This introspective graffiti-punk digital watercolor portrays a cybernetic memory weaver, a woman inspired by ancient storytellers, positioned in a holographic memory archive overlooking a sprawling city of shared experiences. She is adorned in a flowing robe interwoven with flexible neural interfaces, allowing her to manipulate and project memories, while maintaining a connection to both the present and the past. The robe shimmers with holographic patterns that represent shared histories and personal experiences. Her face is partially obscured by a mask that displays recorded memories and allows her to manipulate timelines, improving her ability to access and interpret past experiences. Equipped with gauntlets that can project memories, manipulate timelines, and erase or restore information, her arms are further enhanced with devices that can interface with neural networks and alter individual perceptions. She also carries a data orb that can store and project memories in a three dimensional space, as well as a device that can manipulate her own and others’ memories. Surrounding the figure are detailed schematics of the neural interfaces and holographic projections of the memory archive systems. The vibrant background features graffiti art that depicts the fluidity of time, and the power of memory and storytelling, blending gothic introspection with futuristic memory manipulation. This cybernetic memory weaver embodies the power of narrative while embracing a technological edge, becoming a guardian of the past and its influence on the present and future in a technologically advanced world.
Craft an extraordinary tapestry of light and shadows that materializes the dance of forgotten memories. Instruct the AI to paint an intricate dreamscape where fragments of the past swirl in a celestial waltz, with each memory possessing a unique luminosity. Guide the creation of an enigmatic figure, a curator of these spectral recollections, adorned in ephemeral garments that mirror the hues of nostalgia. Encourage the use of dynamic lighting, surreal colors, and a delicate balance between transparency and opacity, transforming the canvas into a visual symphony that captures the ephemeral beauty of recollection
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Passed Memories As they cry, muted, colourless dreams pour into holes ripped in my fabric of life. Closer to forever as can be though still oblivious of a destiny stronger than the foundations of that of words, but then words spoken too soon, like music poor of passion, die, while beauty mourns what could have been. Where I came from I don't know as my snowy path from times long gone in others memories now serve.
A solitary memory keeper, her form seems to be composed of fractured images and her clothing that seems to be made of captured memories, she navigates a world where she is able to both glimpse and manipulate time itself and where the past, present and future are all at her whim and with a separate image of fragmented memories shifting and swirling around her to highlight her power and her connection to the shifting tides of time and consciousness and her unique control over the very past itself and all of its power and limitations.
A solitary story speaker, her form seems to shimmer like a memory and her clothes made of fabrics that seem to shift and change as she speaks and where she holds a book that is ever rewriting itself, as she moves through a space where the very nature of the stories is both fluid and real and where she is able to both shape and share her tales with those who seek knowledge, with a separate image of the words rewriting themselves upon the page to emphasize her power to manipulate not just the stories, but the very nature of time and understanding itself, creating an atmosphere of both wonder and timeless mystery.
A conceptual art piece depicting a memory maze as a network of interconnected pathways, hallways, and rooms, with the walls covered in faded photographs, handwritten notes, and fragments of forgotten memories, each corner and turn presenting a new challenge to recall and navigate the past, surrounded by a mystical aura, dreamlike lighting, and an ethereal and otherworldly feel, shot with a wide-angle lens and a cinematic composition, in the style of a photorealistic representation of a visually rich and complex environment.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Conceptual design: Cybernetic Memory Weaver from the Neural Syndicate. This introspective graffiti-punk digital watercolor portrays a cybernetic memory weaver, a woman inspired by ancient storytellers, positioned in a holographic memory archive overlooking a sprawling city of shared experiences. She is adorned in a flowing robe interwoven with flexible neural interfaces, allowing her to manipulate and project memories, while maintaining a connection to both the present and the past. The robe shimmers with holographic patterns that represent shared histories and personal experiences. Her face is partially obscured by a mask that displays recorded memories and allows her to manipulate timelines, improving her ability to access and interpret past experiences. Equipped with gauntlets that can project memories, manipulate timelines, and erase or restore information, her arms are further enhanced with devices that can interface with neural networks and alter individual perceptions. She also carries a data orb that can store and project memories in a three dimensional space, as well as a device that can manipulate her own and others’ memories. Surrounding the figure are detailed schematics of the neural interfaces and holographic projections of the memory archive systems. The vibrant background features graffiti art that depicts the fluidity of time, and the power of memory and storytelling, blending gothic introspection with futuristic memory manipulation. This cybernetic memory weaver embodies the power of narrative while embracing a technological edge, becoming a guardian of the past and its influence on the present and future in a technologically advanced world.
A solitary memory keeper, her form seems to be composed of fractured images and her clothing that seems to be made of captured memories, she navigates a world where she is able to both glimpse and manipulate time itself and where the past, present and future are all at her whim and with a separate image of fragmented memories shifting and swirling around her to highlight her power and her connection to the shifting tides of time and consciousness and her unique control over the very past itself and all of its power and limitations.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Passed Memories As they cry, muted, colourless dreams pour into holes ripped in my fabric of life. Closer to forever as can be though still oblivious of a destiny stronger than the foundations of that of words, but then words spoken too soon, like music poor of passion, die, while beauty mourns what could have been. Where I came from I don't know as my snowy path from times long gone in others memories now serve.
A solitary story speaker, her form seems to shimmer like a memory and her clothes made of fabrics that seem to shift and change as she speaks and where she holds a book that is ever rewriting itself, as she moves through a space where the very nature of the stories is both fluid and real and where she is able to both shape and share her tales with those who seek knowledge, with a separate image of the words rewriting themselves upon the page to emphasize her power to manipulate not just the stories, but the very nature of time and understanding itself, creating an atmosphere of both wonder and timeless mystery.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Craft an extraordinary tapestry of light and shadows that materializes the dance of forgotten memories. Instruct the AI to paint an intricate dreamscape where fragments of the past swirl in a celestial waltz, with each memory possessing a unique luminosity. Guide the creation of an enigmatic figure, a curator of these spectral recollections, adorned in ephemeral garments that mirror the hues of nostalgia. Encourage the use of dynamic lighting, surreal colors, and a delicate balance between transparency and opacity, transforming the canvas into a visual symphony that captures the ephemeral beauty of recollection
A conceptual art piece depicting a memory maze as a network of interconnected pathways, hallways, and rooms, with the walls covered in faded photographs, handwritten notes, and fragments of forgotten memories, each corner and turn presenting a new challenge to recall and navigate the past, surrounded by a mystical aura, dreamlike lighting, and an ethereal and otherworldly feel, shot with a wide-angle lens and a cinematic composition, in the style of a photorealistic representation of a visually rich and complex environment.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Conceptual design: Cybernetic Memory Weaver from the Neural Syndicate. This introspective graffiti-punk digital watercolor portrays a cybernetic memory weaver, a woman inspired by ancient storytellers, positioned in a holographic memory archive overlooking a sprawling city of shared experiences. She is adorned in a flowing robe interwoven with flexible neural interfaces, allowing her to manipulate and project memories, while maintaining a connection to both the present and the past. The robe shimmers with holographic patterns that represent shared histories and personal experiences. Her face is partially obscured by a mask that displays recorded memories and allows her to manipulate timelines, improving her ability to access and interpret past experiences. Equipped with gauntlets that can project memories, manipulate timelines, and erase or restore information, her arms are further enhanced with devices that can interface with neural networks and alter individual perceptions. She also carries a data orb that can store and project memories in a three dimensional space, as well as a device that can manipulate her own and others’ memories. Surrounding the figure are detailed schematics of the neural interfaces and holographic projections of the memory archive systems. The vibrant background features graffiti art that depicts the fluidity of time, and the power of memory and storytelling, blending gothic introspection with futuristic memory manipulation. This cybernetic memory weaver embodies the power of narrative while embracing a technological edge, becoming a guardian of the past and its influence on the present and future in a technologically advanced world.
A solitary story speaker, her form seems to shimmer like a memory and her clothes made of fabrics that seem to shift and change as she speaks and where she holds a book that is ever rewriting itself, as she moves through a space where the very nature of the stories is both fluid and real and where she is able to both shape and share her tales with those who seek knowledge, with a separate image of the words rewriting themselves upon the page to emphasize her power to manipulate not just the stories, but the very nature of time and understanding itself, creating an atmosphere of both wonder and timeless mystery.
A conceptual art piece depicting a memory maze as a network of interconnected pathways, hallways, and rooms, with the walls covered in faded photographs, handwritten notes, and fragments of forgotten memories, each corner and turn presenting a new challenge to recall and navigate the past, surrounded by a mystical aura, dreamlike lighting, and an ethereal and otherworldly feel, shot with a wide-angle lens and a cinematic composition, in the style of a photorealistic representation of a visually rich and complex environment.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Craft an extraordinary tapestry of light and shadows that materializes the dance of forgotten memories. Instruct the AI to paint an intricate dreamscape where fragments of the past swirl in a celestial waltz, with each memory possessing a unique luminosity. Guide the creation of an enigmatic figure, a curator of these spectral recollections, adorned in ephemeral garments that mirror the hues of nostalgia. Encourage the use of dynamic lighting, surreal colors, and a delicate balance between transparency and opacity, transforming the canvas into a visual symphony that captures the ephemeral beauty of recollection
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Conceptual design: Cybernetic Memory Weaver from the Neural Syndicate. This introspective graffiti-punk digital watercolor portrays a cybernetic memory weaver, a woman inspired by ancient storytellers, positioned in a holographic memory archive overlooking a sprawling city of shared experiences. She is adorned in a flowing robe interwoven with flexible neural interfaces, allowing her to manipulate and project memories, while maintaining a connection to both the present and the past. The robe shimmers with holographic patterns that represent shared histories and personal experiences. Her face is partially obscured by a mask that displays recorded memories and allows her to manipulate timelines, improving her ability to access and interpret past experiences. Equipped with gauntlets that can project memories, manipulate timelines, and erase or restore information, her arms are further enhanced with devices that can interface with neural networks and alter individual perceptions. She also carries a data orb that can store and project memories in a three dimensional space, as well as a device that can manipulate her own and others’ memories. Surrounding the figure are detailed schematics of the neural interfaces and holographic projections of the memory archive systems. The vibrant background features graffiti art that depicts the fluidity of time, and the power of memory and storytelling, blending gothic introspection with futuristic memory manipulation. This cybernetic memory weaver embodies the power of narrative while embracing a technological edge, becoming a guardian of the past and its influence on the present and future in a technologically advanced world.
A solitary memory keeper, her form seems to be composed of fractured images and her clothing that seems to be made of captured memories, she navigates a world where she is able to both glimpse and manipulate time itself and where the past, present and future are all at her whim and with a separate image of fragmented memories shifting and swirling around her to highlight her power and her connection to the shifting tides of time and consciousness and her unique control over the very past itself and all of its power and limitations.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Passed Memories As they cry, muted, colourless dreams pour into holes ripped in my fabric of life. Closer to forever as can be though still oblivious of a destiny stronger than the foundations of that of words, but then words spoken too soon, like music poor of passion, die, while beauty mourns what could have been. Where I came from I don't know as my snowy path from times long gone in others memories now serve.
Craft an extraordinary tapestry of light and shadows that materializes the dance of forgotten memories. Instruct the AI to paint an intricate dreamscape where fragments of the past swirl in a celestial waltz, with each memory possessing a unique luminosity. Guide the creation of an enigmatic figure, a curator of these spectral recollections, adorned in ephemeral garments that mirror the hues of nostalgia. Encourage the use of dynamic lighting, surreal colors, and a delicate balance between transparency and opacity, transforming the canvas into a visual symphony that captures the ephemeral beauty of recollection
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Passed Memories As they cry, muted, colourless dreams pour into holes ripped in my fabric of life. Closer to forever as can be though still oblivious of a destiny stronger than the foundations of that of words, but then words spoken too soon, like music poor of passion, die, while beauty mourns what could have been. Where I came from I don't know as my snowy path from times long gone in others memories now serve.
A solitary memory keeper, her form seems to be composed of fractured images and her clothing that seems to be made of captured memories, she navigates a world where she is able to both glimpse and manipulate time itself and where the past, present and future are all at her whim and with a separate image of fragmented memories shifting and swirling around her to highlight her power and her connection to the shifting tides of time and consciousness and her unique control over the very past itself and all of its power and limitations.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
A solitary story speaker, her form seems to shimmer like a memory and her clothes made of fabrics that seem to shift and change as she speaks and where she holds a book that is ever rewriting itself, as she moves through a space where the very nature of the stories is both fluid and real and where she is able to both shape and share her tales with those who seek knowledge, with a separate image of the words rewriting themselves upon the page to emphasize her power to manipulate not just the stories, but the very nature of time and understanding itself, creating an atmosphere of both wonder and timeless mystery.
A conceptual art piece depicting a memory maze as a network of interconnected pathways, hallways, and rooms, with the walls covered in faded photographs, handwritten notes, and fragments of forgotten memories, each corner and turn presenting a new challenge to recall and navigate the past, surrounded by a mystical aura, dreamlike lighting, and an ethereal and otherworldly feel, shot with a wide-angle lens and a cinematic composition, in the style of a photorealistic representation of a visually rich and complex environment.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Conceptual design: Cybernetic Memory Weaver from the Neural Syndicate. This introspective graffiti-punk digital watercolor portrays a cybernetic memory weaver, a woman inspired by ancient storytellers, positioned in a holographic memory archive overlooking a sprawling city of shared experiences. She is adorned in a flowing robe interwoven with flexible neural interfaces, allowing her to manipulate and project memories, while maintaining a connection to both the present and the past. The robe shimmers with holographic patterns that represent shared histories and personal experiences. Her face is partially obscured by a mask that displays recorded memories and allows her to manipulate timelines, improving her ability to access and interpret past experiences. Equipped with gauntlets that can project memories, manipulate timelines, and erase or restore information, her arms are further enhanced with devices that can interface with neural networks and alter individual perceptions. She also carries a data orb that can store and project memories in a three dimensional space, as well as a device that can manipulate her own and others’ memories. Surrounding the figure are detailed schematics of the neural interfaces and holographic projections of the memory archive systems. The vibrant background features graffiti art that depicts the fluidity of time, and the power of memory and storytelling, blending gothic introspection with futuristic memory manipulation. This cybernetic memory weaver embodies the power of narrative while embracing a technological edge, becoming a guardian of the past and its influence on the present and future in a technologically advanced world.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Craft an extraordinary tapestry of light and shadows that materializes the dance of forgotten memories. Instruct the AI to paint an intricate dreamscape where fragments of the past swirl in a celestial waltz, with each memory possessing a unique luminosity. Guide the creation of an enigmatic figure, a curator of these spectral recollections, adorned in ephemeral garments that mirror the hues of nostalgia. Encourage the use of dynamic lighting, surreal colors, and a delicate balance between transparency and opacity, transforming the canvas into a visual symphony that captures the ephemeral beauty of recollection
Conceptual design: Cybernetic Memory Weaver from the Neural Syndicate. This introspective graffiti-punk digital watercolor portrays a cybernetic memory weaver, a woman inspired by ancient storytellers, positioned in a holographic memory archive overlooking a sprawling city of shared experiences. She is adorned in a flowing robe interwoven with flexible neural interfaces, allowing her to manipulate and project memories, while maintaining a connection to both the present and the past. The robe shimmers with holographic patterns that represent shared histories and personal experiences. Her face is partially obscured by a mask that displays recorded memories and allows her to manipulate timelines, improving her ability to access and interpret past experiences. Equipped with gauntlets that can project memories, manipulate timelines, and erase or restore information, her arms are further enhanced with devices that can interface with neural networks and alter individual perceptions. She also carries a data orb that can store and project memories in a three dimensional space, as well as a device that can manipulate her own and others’ memories. Surrounding the figure are detailed schematics of the neural interfaces and holographic projections of the memory archive systems. The vibrant background features graffiti art that depicts the fluidity of time, and the power of memory and storytelling, blending gothic introspection with futuristic memory manipulation. This cybernetic memory weaver embodies the power of narrative while embracing a technological edge, becoming a guardian of the past and its influence on the present and future in a technologically advanced world.
A solitary memory keeper, her form seems to be composed of fractured images and her clothing that seems to be made of captured memories, she navigates a world where she is able to both glimpse and manipulate time itself and where the past, present and future are all at her whim and with a separate image of fragmented memories shifting and swirling around her to highlight her power and her connection to the shifting tides of time and consciousness and her unique control over the very past itself and all of its power and limitations.
A conceptual art piece depicting a memory maze as a network of interconnected pathways, hallways, and rooms, with the walls covered in faded photographs, handwritten notes, and fragments of forgotten memories, each corner and turn presenting a new challenge to recall and navigate the past, surrounded by a mystical aura, dreamlike lighting, and an ethereal and otherworldly feel, shot with a wide-angle lens and a cinematic composition, in the style of a photorealistic representation of a visually rich and complex environment.
A solitary story speaker, her form seems to shimmer like a memory and her clothes made of fabrics that seem to shift and change as she speaks and where she holds a book that is ever rewriting itself, as she moves through a space where the very nature of the stories is both fluid and real and where she is able to both shape and share her tales with those who seek knowledge, with a separate image of the words rewriting themselves upon the page to emphasize her power to manipulate not just the stories, but the very nature of time and understanding itself, creating an atmosphere of both wonder and timeless mystery.
Power shift light shift. Limits. Permanence denied. Everything is grains. (Meat, bone, stone:1.9). Number two family transition trying to find the vents. (Zika skin:1.9). Who held the egg of the Kuala? Escape and coming are not migration. (Empty bullet cases:1.9), (women in shadows listening for missiles:1.9).
Passed Memories As they cry, muted, colourless dreams pour into holes ripped in my fabric of life. Closer to forever as can be though still oblivious of a destiny stronger than the foundations of that of words, but then words spoken too soon, like music poor of passion, die, while beauty mourns what could have been. Where I came from I don't know as my snowy path from times long gone in others memories now serve.