(Debra Jo Rupp) as a Housewife, (1940), low light, close-up, kitchen in the background, an old radio, highly detailed, cooking, stylized, Camera: 1940 Leica M3 rangefinder camera paired with Summicron 35mm f/2 lens, with large aperture of f/8. 0, ISO 400, shutter speed 1/125, on 1940s Kodak film. ::3 Hyper-realistic,
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
(Debra Jo Rupp) as a Housewife, (1940), low light, close-up, kitchen in the background, an old radio, highly detailed, cooking, stylized, Camera: 1940 Leica M3 rangefinder camera paired with Summicron 35mm f/2 lens, with large aperture of f/8. 0, ISO 400, shutter speed 1/125, on 1940s Kodak film. ::3 Hyper-realistic,
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
(Debra Jo Rupp) as a Housewife, (1940), low light, close-up, kitchen in the background, an old radio, highly detailed, cooking, stylized, Camera: 1940 Leica M3 rangefinder camera paired with Summicron 35mm f/2 lens, with large aperture of f/8. 0, ISO 400, shutter speed 1/125, on 1940s Kodak film. ::3 Hyper-realistic,
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
(Debra Jo Rupp) as a Housewife, (1940), low light, close-up, kitchen in the background, an old radio, highly detailed, cooking, stylized, Camera: 1940 Leica M3 rangefinder camera paired with Summicron 35mm f/2 lens, with large aperture of f/8. 0, ISO 400, shutter speed 1/125, on 1940s Kodak film. ::3 Hyper-realistic,
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
(Debra Jo Rupp) as a Housewife, (1940), low light, close-up, kitchen in the background, an old radio, highly detailed, cooking, stylized, Camera: 1940 Leica M3 rangefinder camera paired with Summicron 35mm f/2 lens, with large aperture of f/8. 0, ISO 400, shutter speed 1/125, on 1940s Kodak film. ::3 Hyper-realistic,
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.
(Debra Jo Rupp) as a Housewife, (1940), low light, close-up, kitchen in the background, an old radio, highly detailed, cooking, stylized, Camera: 1940 Leica M3 rangefinder camera paired with Summicron 35mm f/2 lens, with large aperture of f/8. 0, ISO 400, shutter speed 1/125, on 1940s Kodak film. ::3 Hyper-realistic,
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
"Real and natural image with photoshop with high quality and details and size 1000kb from 3 images of plan section plan post-production and perspective from four directions of a 5-story villa, in a modern style inspired by an Iranian garden full of bedo trees, 8k natural image with a blue sky background full of small birds' eyebrows with a vray wide camera, vray gi on, shutter speed 120T, film speed 100 f-number 7 subdivision 100 0 samplesize 0.01 sharpenedges, smartsharpen, with human vision and 4k resolution with natural light and corona rendering engine in the light of 2 o'clock in the afternoon.
Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.