Cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students: directors, dancers, writers, actors, all working with simple social robots and making masks and hacking the devices
a Shakespeare stage play, yellow mist, atmospheric, set design by Michel Crête, Aerial acrobatics design by André Simard, hyperrealistic, 4K, Octane render, unreal engine, –ar 9:16 –uplightbioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism,
square cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students.
(23) A large-scale projection artwork, influenced by the immersive light shows of teamLab, depicts a female coder, her form dissolving into a dynamic matrix of data and code, reflecting the power and potential of digital creation, while combining art and technology. Conceptual art, immersive, interactive, digital.
Cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students: directors, dancers, writers, actors, all working with simple social robots and making masks and hacking the devices
a Shakespeare stage play, yellow mist, atmospheric, set design by Michel Crête, Aerial acrobatics design by André Simard, hyperrealistic, 4K, Octane render, unreal engine, –ar 9:16 –uplightbioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism,
square cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students.
(23) A large-scale projection artwork, influenced by the immersive light shows of teamLab, depicts a female coder, her form dissolving into a dynamic matrix of data and code, reflecting the power and potential of digital creation, while combining art and technology. Conceptual art, immersive, interactive, digital.
Cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students: directors, dancers, writers, actors, all working with simple social robots and making masks and hacking the devices
a Shakespeare stage play, yellow mist, atmospheric, set design by Michel Crête, Aerial acrobatics design by André Simard, hyperrealistic, 4K, Octane render, unreal engine, –ar 9:16 –uplightbioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism,
square cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students.
(23) A large-scale projection artwork, influenced by the immersive light shows of teamLab, depicts a female coder, her form dissolving into a dynamic matrix of data and code, reflecting the power and potential of digital creation, while combining art and technology. Conceptual art, immersive, interactive, digital.
square cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students.
Cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students: directors, dancers, writers, actors, all working with simple social robots and making masks and hacking the devices
a Shakespeare stage play, yellow mist, atmospheric, set design by Michel Crête, Aerial acrobatics design by André Simard, hyperrealistic, 4K, Octane render, unreal engine, –ar 9:16 –uplightbioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism,
(23) A large-scale projection artwork, influenced by the immersive light shows of teamLab, depicts a female coder, her form dissolving into a dynamic matrix of data and code, reflecting the power and potential of digital creation, while combining art and technology. Conceptual art, immersive, interactive, digital.
square cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students.
a Shakespeare stage play, yellow mist, atmospheric, set design by Michel Crête, Aerial acrobatics design by André Simard, hyperrealistic, 4K, Octane render, unreal engine, –ar 9:16 –uplightbioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism,
(23) A large-scale projection artwork, influenced by the immersive light shows of teamLab, depicts a female coder, her form dissolving into a dynamic matrix of data and code, reflecting the power and potential of digital creation, while combining art and technology. Conceptual art, immersive, interactive, digital.
Cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students: directors, dancers, writers, actors, all working with simple social robots and making masks and hacking the devices
a Shakespeare stage play, yellow mist, atmospheric, set design by Michel Crête, Aerial acrobatics design by André Simard, hyperrealistic, 4K, Octane render, unreal engine, –ar 9:16 –uplightbioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism,
square cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students.
(23) A large-scale projection artwork, influenced by the immersive light shows of teamLab, depicts a female coder, her form dissolving into a dynamic matrix of data and code, reflecting the power and potential of digital creation, while combining art and technology. Conceptual art, immersive, interactive, digital.
Cover of a project called "raw machine bodies" based on the exploration of the creative possibilities of minimal hardware components of machines (wearable sensors, accelerometers, pumps, sonars, light sensors, microphones) and actuators (led strips, motors), for theater students: directors, dancers, writers, actors, all working with simple social robots and making masks and hacking the devices