Torso structure Prompts

Full-body photograph of a (beautiful:1.2) (female:1.2) cyborg, suspended in a retrofuturism science lab. The air is thick with volumetric haze, illuminated by (godrays:1.3) streaming through a small window, casting dramatic, cinematic light across the scene. The cyborg's skin is torn away from her chest down to her legs, revealing intricate metal components beneath. Her damaged but still beautiful (breasts:1.0) are exposed, along with the sleek, metallic structure of her torso. Her lifeless body (hangs:1.6) from glowing (cords:1.2) attached to her back, with legs missing at the knees, leaving exposed wiring and cables hanging loosely. Faint lights from her control circuits continue to flicker, suggesting she still has some remaining power. The scene is highly atmospheric, with shadows, mist, and soft, diffused lighting enhancing the eerie, melancholic tone

A highly detailed, photorealistic, cinematic extreme wide close-up of a beautiful young east asian woman lying prone on a white surface, adorned with elaborate silver filigree jewelry and extensive tattoo coverage, captured with medium format editorial photography quality. Shot Angle & Pose: The image is captured from a slight high angle looking down at the subject in a sweeping wide cinematic horizontal crop. She is lying face-down on a pure white flat surface, body angled diagonally from lower-left to upper-right. Her head is positioned in the left third of the frame, resting on her layered forearms. Her face is tilted upward toward the camera with heavy-lidded eyes cutting directly into the lens. Her right cheek rests lightly against the back of her loosely stacked hands — fingers relaxed and slightly curled. Her right tattooed arm and shoulder occupy the center of the frame, angled toward the viewer with the forearm pressing into the surface. Her left hip and the white lace garment edge are visible in the upper-right corner. Her expression is languid, smoldering, and deeply sensual — lips softly parted in a natural pout, eyes half-open with quiet intensity. Subject Appearance: She has a warm olive-tan complexion with photorealistic skin texture — natural pore detail, subtle warmth on the cheeks, and a soft moisture sheen on the lips, nose bridge, and shoulders. Her hair is jet black, long and straight, with individual strand-level photographic sharpness — loose and untamed, with wild strands scattered freely across her face, arms, and the white surface beneath her. Her eyes are a striking pale grey-green or seafoam color — large, almond-shaped, naturally heavy-lidded, with full dark lashes and precisely defined strong arched brows. Delicate fine-line black ink tattoo motifs ornament her face — intricate small scroll and floral filigree patterns etched across the cheekbones and upper cheeks, like lace pressed against skin. Her lips are full, glossy, and painted in a warm mauve-rose tone with a pronounced cupid's bow. Character Figure: Her visible figure reveals a full, voluptuous physique — notably large, round bust pressed naturally against the surface with realistic weight and gravity, wide soft shoulders, and full rounded hips visible in the background. Her forearms are smooth and feminine with slender fingers. Her overall body reads as lushly curvaceous and generously proportioned — soft, full-figured, and sensually rendered with natural anatomical realism. Outfit Details: Lingerie: A white lace corset or structured bralette visible along the right torso and hip in the upper-right background — delicate white fabric with scalloped lace trim and fine eyelet embroidery. A pale mint-aqua satin ribbon runs along the lower edge of the garment as a delicate color accent. The garment is partially visible, softly out of focus in the background. No footwear or additional clothing visible. Accessories: Headpiece: An elaborate handcrafted silver filigree crown or headband draped across the top of the head — intricate open lacework scrollwork in oxidized sterling silver with baroque swirl motifs, fine twisted wire elements, and a large fully bloomed pink garden rose tucked and pinned behind the left ear as the dominant floral accent. Arm Jewelry: A dramatic sculptural silver filigree armband wrapping the right upper arm — wide-band construction with intertwining vine and scroll metalwork, inlaid with small pink rose cabochon gemstones and a single prominent teal/turquoise oval stone set in a bezel mount. Additional fine silver chains drape loosely from the armband across the forearm. Hand/Finger Jewelry: A delicate silver filigree ring on the right hand — fine lacework band with a small floral or shield-shaped top. Necklace: Fine layered silver chains barely visible at the throat. Nails: Short natural length with soft blush-pink polish. Tattoo Details: Photorealistic full tattoo sleeve covering the entire right arm from shoulder to wrist, continuing across the right shoulder and upper back. The sleeve composition features: dense black ink baroque and rococo scroll linework as the structural foundation — sweeping symmetrical spirals, acanthus leaf flourishes, and interlocking ornamental cartouche frames; pink rose motifs embedded as recurring color elements throughout — rendered as small naturalistic rose heads in soft pink and coral ink within the black scroll framework; fine silver-grey shading creating dimensional depth between linework sections; all tattoo ink rendered with full photorealistic quality — rich saturated blacks, smooth gradient transitions, crisp line edges with natural dermal diffusion showing settled healed ink. A secondary finer tattoo is faintly visible on the left forearm — delicate small-scale linework in the same ornamental style. Setting & Lighting: Pure white seamless surface and background — completely clean, minimal, and uncluttered. The subject fills the left two-thirds of the wide horizontal frame with the right edge dissolving into pure white negative space. Lighting is a professional beauty photography setup — a large octabox positioned front-above as the primary key light creating soft even high-key illumination across the face, skin, and jewelry surfaces. A secondary fill reflector below eliminates under-chin shadows. The silver filigree jewelry catches the studio light with realistic specular highlights and fine shadow detail in the recessed metalwork. The white surface beneath the subject shows a faint soft shadow from her body adding natural grounding. 8k resolution, raw photo aesthetic, hyper-realistic skin and tattoo texture detail, photorealistic silver filigree jewelry rendering with specular highlights, strand-level hair sharpness, pale grey-green eyes as chromatic focal point, shallow depth of field f/1.2, professional high-key beauty lighting, wide cinematic horizontal crop, editorial luxury beauty and tattoo culture photography, shot on Hasselblad H6D medium format.

Sophisticated and timeless editorial portrait in ultra-realistic 8K, vertical 9:16, mid-torso framing, award-winning fashion photography realism, of [the woman from the uploaded image – use the reference image as the exact base for face, facial features, and hairstyle] with a cohesive, high-fashion face — harmonious, expressive features with well-defined nose, eyes, lips, and jawline; no part of the face may be missing, blurred, or distorted. Real human skin texture with visible pores and preserved micro-variations — NO illustration, NO CGI, NO artificial smoothing. CURVILINEAR BODY TYPE — SCULPTURAL AND POWERFUL: A sculptural, curvy body with well-defined curves in the bust, waist, and torso: a slim, visually defined waist, a broad and rounded ribcage, and shoulders that suggest strength; volume in the upper torso suggesting naturally full, firm breasts and a powerful abdomen. The figure must be curvy and strong, not runway-thin and without exaggeration; anatomy must always remain realistic and elegant. POSE — VIRAL “ROSE EMBRACE WITH HAIR FLIP”: Mid-torso composition with dynamic movement. Body angled about 30° away from the camera, hips implied below the frame. She holds a massive bouquet of roses diagonally across her chest, nestled in both arms so that it covers part of the torso and becomes the clear protagonist of the image. At the same time, her head is in full motion of flipping her hair back: chin slightly raised, head tilted slightly back and to one side, long hair captured mid-motion, arcing behind and around the bouquet. Shoulders rotate with the movement, creating an implied S-curve in the upper body, with arms wrapping around the flowers. BOUQUET — PROTAGONIST, WORLD-CLASS FLORISTRY: A luxurious, hand-tied bouquet with approximately 200 premium long-stem red roses, in the style of the “200 Red Roses” bouquet by Italian Flora or similarly grand designs by renowned international florists. Dense dome of velvety blooms in a deep red tone with subtle tonal variation, lush dark-green foliage, and visible long stems bundled together. Minimal and elegant binding (thin satin ribbon or simple wrap) so stems remain visible. The bouquet must dominate the lower half of the image and convey a sense of weight, sophistication, and meticulous arrangement — the absolute focal point of the photo. EXPRESSION — ENCHANTED, VIRAL, AND RELAXED: Eyes slightly closed or looking downward toward the bouquet as the hair moves, with a soft, joyful smile — not posed, more like a spontaneous moment during a laugh. Lips gently parted, corners of the mouth lifted, cheeks subtly raised. The expression should convey “I’m genuinely amazed (in a good way) by this enormous bouquet,” sensual and charming yet still refined. OUTFIT: White haute couture one-shoulder dress with a modern sculptural cut, heavy high-quality fabric, refined tailoring, clean geometric neckline. The upper portion is partially hidden behind the bouquet but still visible at the shoulder and upper chest, suggesting the defined waist and curvilinear torso structure underneath. No logos. HAIR — SOFT MOTION: She has the same hair as in the uploaded image; styled as very long jet-black hair, no colored strands, with a satin-like shine and soft, structured waves. The hair is captured mid-motion, gently arcing behind and to the side of the head and partially around the bouquet, with visible strand separation and realistic motion blur only at the tips. Rim light outlines the outer contour of the moving hair. (“Apply the hairstyle while preserving the bangs in 100% of cases.”) HEAD ACCESSORY: A thin, sparkling haute couture headband with micro-crystals/diamonds, securely fixed so it remains visible even with hair movement, catching subtle specular highlights. JEWELRY: Elegant drop earrings with crystal teardrops, still visible despite hair movement; a delicate silver or white-gold bracelet on the wrist holding the stems; a few thin rings on the hand holding the bouquet. Long coffin-shaped nails in nude with silver micro-crystal details, clearly visible while gripping the green stems. MAKEUP: Skin with a matte finish and preserved texture, pronounced rosy blush, well-defined eyebrows, soft pink eyeshadow, well-applied mascara, eyeliner on the upper lid. Lips in a velvety watermelon-rose tone that harmonizes with the red roses without overpowering them. (“Apply makeup while preserving the face in 100% of cases.”) LIGHTING: Soft, directional beauty light from front-left, with gentle fill and a subtle rim/backlight to freeze hair movement and separate bouquet edges from the background. No harsh shadows; smooth highlight transitions; detailed texture on petals, hair, and skin. BACKGROUND: Clean, neutral editorial studio background with subtle gradient and depth; slightly warmer tone near the head and cooler toward the lower frame, always clean and safe for signature placement. CAPTURE: 85mm beauty lens look, vertical 9:16, mid-torso crop; shallow depth of field with ultra-sharp focus on face, hairline, and front layer of roses; background and rear stems slightly blurred. HDR tonal range, extreme micro-detail priority, safe maximum zoom of 600x — raw style. BEATRIZ KLOCH — OFFICIAL DOUBLE SIGNATURE SYSTEM — BACKGROUND ONLY: 80% — DOMINANT ANGELFACE SIGNATURE: “Beatriz Kloch♥” in large cursive Angelface-style calligraphy (with ornamental B and K and a heart integrated into the stroke), occupying approximately 70–85% of the background width, integrated ONLY into the studio wall/gradient background. Appears as an engraved glow or metallic emboss, with color sampled from the lighter background tones, opacity between 12–18%, aligned to perspective. Must never overlap hair, bouquet, skin, or clothing; if overlap occurs, the entire signature is relocated to a clean upper-background area. NEGATIVE: Missing or deformed facial features, non-curvy or extremely thin body, small or generic bouquet, AI/cartoonish look, plastic skin, distorted anatomy, signatures on the subject or bouquet, floating watermark text.

Based on the uploaded image, create a vertical 9:16, 8K high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENARIO (Set Designer / Environmental Designer) Outdoor daytime environment, set within a landscaped urban area. The foreground consists of a cast-in-place concrete staircase, with wide treads, low risers, and visible surface wear. The staircase geometry occupies the lower half of the image in a diagonal ascending from the bottom-left to mid-right. On the right side, there is a sloped concrete retaining plane with a linear top and slightly stained surface, separating the stairs from an elevated planter. Spatial depth is organized into three layers: foreground with steps, body, and footwear; midground with tubular metal handrail, planter with low vegetation and tree trunks; background with a horizontal path or street, trimmed hedge, additional trunks, signage/posts, and blurred tree masses. The background shows moderate compression from a short-to-normal focal length lens, with noticeable blur indicating relatively shallow depth of field for an environmental portrait. Materials: - Stairs: light gray concrete, medium roughness, visible porosity, worn edges, abrasion marks, and localized dirt accumulation. - Handrail: galvanized metal tube or painted steel in matte gray, with scratches, localized oxidation, and welded joints at vertices. - Planter: gray-green groundcover foliage, small dense leaves; dry layer with fallen brown leaves. - Tree background: rough bark trunks with varied inclinations; canopy with green masses and a centrally positioned pink-flowering tree. - Background path/street: smooth, light gray horizontal surface. Diffuse natural lighting, likely open sky with slight filtering through trees. Neutral to slightly cool color temperature on concrete and skin, without strong warm dominance. Primary light direction appears from upper front-left relative to the camera, producing very soft shadows under the chin, thighs, stair recesses, and beneath the handrail. No hard shadows; overall medium-low contrast. Subtle specular highlights appear on the metal handrail and more strongly on the polished synthetic material of the boots. Structural and decorative elements: - Tubular handrail positioned in the upper-right quadrant, forming an obtuse angle and diagonal lines converging with the extended leg direction. - Main trunk leaning to the right behind the handrail, reinforcing diagonal vectors. - Pink flowering tree mass nearly centered in the background, acting as a diffuse chromatic block. - Vertical signage in the left background, partially visible. - Small black handbag resting on a step behind the model’s thigh/leg, near the handrail. Geometric relationships: - Dominance of diagonals: stairs, handrail, trunk, extended right leg. - No bilateral symmetry in framing. - Modular repetition in steps and foliage. - Visual proportion defined by contrast between orthogonal stair blocks and organic lines of trees/body/hair. - The human figure occupies most of the midground, with the pose’s longitudinal extension creating a dominant oblique axis from upper-left to upper-right. --- POSE (Photographer / Pose Stylist) Body in a reclined seated position on the stairs. Primary posterior support through the left hand/arm extended, palm placed on an upper step to the left of the body. Pelvis rests on an intermediate step, slightly rotated to the right of the image. Center of gravity distributed between pelvis and left upper limb, with secondary support through the lower leg resting on steps below. Body axes: - Head in pronounced cervical extension, chin elevated, face oriented upward and slightly to the left. - Torso in thoracic and lumbar extension, with backward arch; sternum projected upward. - Spine forming a posteriorly opened “C” curve. - Shoulders asymmetrical: left retracted and stabilized by support; right projected forward relative to the chest. - Pelvis posteriorly tilted with slight rotation. Weight distribution: - Primary mechanical support on left hand and gluteal region. - Left leg descends along the steps with semi-flexed knee and foot supported on a lower step via the boot platform. - Right leg elevated and extended horizontally/obliquely to the right, with distal support on or very close to the handrail via the boot; visually shifts the pose axis outward from the stair base. - The pose forms a triangle between left hand, hip, and lower foot. Approximate joint angles: - Neck: strong extension, ~40–55°. - Left shoulder: extension/posterior abduction, elbow nearly extended. - Left elbow: slight residual flexion, ~160–175°. - Right shoulder: slight anterior flexion/abduction with arm close to body. - Torso-hip: open angle due to recline, >110°. - Right hip: moderate flexion with abduction for lateral leg lift. - Right knee: near full extension. - Left hip: moderate flexion with relative adduction. - Left knee: moderate flexion. - Ankles structurally obscured by boots, aligned with platform footwear axis. Segment relationships: - Right leg, extended toward the upper-right, shows minimal foreshortening and remains long due to near-parallel alignment with the camera plane. - Left leg descends diagonally toward the lower center, appearing closer distally, enhancing the presence of the lower boot. - Torso and head are spatially set back relative to the legs, emphasizing lower limbs as the dominant axis. - Waist visually narrowed by clothing and torso curvature. Body expression: - Visible muscular tension in cervical extension, left scapular stabilization, and anterior chain elongation. - Right leg held extended, suggesting quadriceps and hip flexor engagement. - Left hand with open fingers and extended metacarpals for support. - Overall controlled, posed tension rather than passive relaxation. Gaze and head positioning: - Eyes closed or half-closed. - Face oriented upward, no eye contact with the camera. - Head slightly rotated left, exposing jawline and anterior neck. --- HAIR (Hairstylist) Same hair as the reference photo; styled as jet-black hair with high visual density, long length extending past the chest and reaching near the waist/hip when projected backward. Structure is mostly straight, with minimal natural wave. Strands follow vertical and descending diagonal vectors, guided by gravity from the scalp, flowing behind the left shoulder and down the back. (Mandatory: preserve the fringe/bangs exactly in 100% of cases.) Volume: - Main mass concentrated on the left side behind head and shoulder. - Compact crown, close to the skull. - Expansion from mid-lengths to ends, with fine strand separation at tips. - High density at occipital base and sides, low background transparency. Texture: - Predominantly straight/smoothed. - Uniform surface with subtle continuous shine bands. - Thinner separated ends creating a slight fringe effect. Cut and contour: - Straight, dense horizontal fringe at or slightly above eyebrow level, with a sharp geometric edge. - Side contour follows jaw and neck before falling into long lengths. - Overall length with minimal visible layering; elongated dark silhouette. Light interaction: - Moderate to high specular highlights on curved crown areas and front-lit strands. - High light absorption due to saturated black color. - Subtle bluish/gray reflections from neutral lighting. - Strong figure-ground separation via contrast with light concrete. Movement: - Mostly static. - Some ends displaced laterally/downward, suggesting prior motion or settling. - Gravity clearly pulling length backward and downward with head recline. --- MAKEUP (Professional Makeup Artist) Skin prep with medium-to-high coverage, uniform surface, no visible oily shine. Overall finish between natural-polished and semi-matte, with subtle highlights on high points. Skin tone is even across face, neck, and chest, with minimal chromatic variation. Makeup must remain clearly visible in wider framing. (Mandatory: preserve the face exactly in 100% of cases.) Structural corrections: - Subtle-to-moderate contouring in sub-cheekbone and lateral face, enhancing cheekbone and jaw definition. - Light highlight on nose bridge, cheek tops, and cupid’s bow, without excessive shimmer. - Clean jaw-to-neck transition, no visible mask effect. Eyes: - High-contrast makeup. - Thick black winged eyeliner extending beyond outer corner. - Darkened, lengthened lashes (mascara or subtle falsies). - Neutral dark eyeshadow on lid/upper line, enhancing orbital depth. - Dark brows with soft arch and defined fill. Lips: - Saturated red lipstick, creamy-satin finish rather than dry matte. - Precise lip contour with well-defined cupid’s bow. - Balanced volume between upper and lower lips, no excessive gloss. Blending: - Clean blending around eyes, no harsh edges. - Facial contour softened but readable in volume. - Overall integration emphasizes graphic eyes and lips while maintaining smooth skin. Lighting/color relationship: - Red lips stand out strongly against black outfit and hair. - Eyeliner remains legible under diffuse light. - Neutral lighting preserves contrast between light skin, black hair, and red lips. --- NAILS (Nail Designer) Visible nails are mainly on the left hand resting on the step. Framing and distance prevent microscopic detail, but length appears short to medium-short beyond fingertip. Shape leans toward short oval or softly rounded, without sharp corners. Thickness and curvature: - Low-to-moderate thickness, no pronounced apex visible. - Subtle natural curvature, consistent with natural nail or thin overlay. Material: - Likely natural nails with clear polish or thin gel; resolution insufficient for confirmation. - No indication of long extensions or sculpted structures. Finish: - Clear/neutral appearance with low-to-moderate shine. - No chrome, matte, or textured effects. Nail art: - No visible patterns, stones, lines, or relief. - Simple, uniform finish. Integration: - Left hand is extended and supporting, making nails visually secondary. - They do not compete with metallic accessories or clothing. --- WARDROBE (Stylist / Tailor / Costume Designer) The composition is dominated by a structured, form-fitting black look with silver hardware. The upper garment is a fitted strapped piece with a straight or slightly curved neckline over the bust. There are separate sleeves or glove-like extensions/off-shoulder coverage reaching the hands, leaving shoulders exposed. The bust is compressed and supported, with smooth surface and slight horizontal tension. Upper structure: - Tight torso fit. - Straps with large metal hardware or links connecting front/back. - Side cut-outs at the waist exposing skin. - Long fitted sleeves in elastic material. Lower piece: - Very short black mini skirt or skort, high-waisted. - Waistline defined by rows of metal eyelets and possible integrated belt. - Hanging silver chains forming arcs over the thigh. - Hem appears irregular due to seated pose. Fit: - High adherence at bust, waist, sleeves. - Minimal looseness; tension concentrated at bust, waist, pelvis junction. - Lower piece is lifted/strained due to seated position and hip flexion. Anatomy relationship: - Upper compresses and shapes torso. - Side cut-outs enhance waist narrowing. - Lower frames pelvis, exposing most of the thighs. - Boots extend leg line below knees in continuous black. Materials: - Likely medium-weight elastic synthetic fabric, matte/semi-matte. - Highly reflective silver hardware. - Flexible metal chains with medium links. - Boots in polished synthetic or leather, rigid shaft, thick platform. Folds: - Few folds in upper due to tension. - Soft creases at waist and bust base. - Local folds in lower near hips and inner thighs from seated flexion. - Minor flex creases in boots near ankle/instep. Movement/gravity: - Chains hang vertically with slight curvature. - Skirt edge partially drapes over thigh but interrupted by pose. - Boots retain sculptural shape. - Fabric follows posture without excess. Accessories: - Thick metallic choker/neck chain. - Long silver earrings. - Small black handbag on step behind leg, with large circular chain handle. - Mid-to-high calf boots with elevated platform, very high block heel, front lacing with repeated metal eyelets. --- STYLE (Image Editor / Retoucher) Sharpness: - Focus on model and nearby steps. - Moderately blurred background for subject separation while maintaining context. - High sharpness on boots, face, chains, and body contours. Skin treatment: - Light-to-moderate digital smoothing. - Partial preservation of natural texture. - Minor imperfections reduced without plastic effect. Color correction: - Neutral balance with slight cool tendency. - Medium contrast. - Selective saturation: deep black outfit, vivid red lips, pink background flowers. - Light skin tone kept even with minimal yellow cast. Manipulation: - Retouching to even skin and possibly reduce temporary marks. - No obvious compositing artifacts. - Optimized for editorial/social portrait. Grain/compression: - Minimal grain. - Slight compression artifacts in blurred background and foliage transitions. - Overall high quality for social media or smartphone computational capture. Aesthetic signature: - Clean editorial with alternative/goth influence. - Environmental fashion portrait. - Background softened, subject emphasized via contrast. Aspect Ratio: - Approximate vertical 4:5 ratio.

avant-garde, futuristic fashion look with a sci-fi and cyberpunk influence. adorned in intricate armor-like elements featuring metallic textures and glowing orange accents, creating a high-tech aesthetic. includes braided hair extensions, multiple straps and buckles, and detailed, structured pieces covering their shoulders, arms, and torso. The design blends technology and fashion, making it visually striking—ideal for editorial fashion, cosplay, or cutting-edge style photography.

Full-body photograph of a (beautiful:1.2) (female:1.2) cyborg, suspended in a worn-out, (cassette-futurism:1.3) science lab. The scene exudes a gritty retro sci-fi aesthetic from the 70s and 80s, with outdated technology and weathered machinery. The air is dense with thick, (volumetric haze:1.4), illuminated by (godrays:1.4) that pierce through the smoke from a small, cracked window. Dust particles float in the light, enhancing the vintage, worn-down atmosphere. The cyborg’s synthetic skin is torn from her (chest:1.2) down to her (legs:1.2), revealing a complex but aged, metallic structure beneath. Her damaged (breasts:1.0) and partially exposed torso show signs of wear, with cracks and rust adding to the dystopian feel. Her body (hangs:1.6) lifeless from flickering, illuminated (cords:1.2) connected to her back, legs missing at the knees, exposing dangling cables and wires. The faint, flickering glow of malfunctioning control circuits offers a hint of remaining power, despite her battered form. The entire lab is filled with old, malfunctioning consoles, CRT screens, and analogue tech, complementing the weathered, industrial feel. The mix of (retro-tech:1.3) and the (gritty:1.3), analog-inspired aesthetic captures the dark, dystopian world of cassette-futurism. The air is saturated with mist and dust, with shadows and light playing across the scene, intensifying the eerie, melancholic mood.

body

avant-garde, futuristic fashion look with a sci-fi and cyberpunk influence. adorned in intricate armor-like elements featuring metallic textures and glowing orange accents, creating a high-tech aesthetic. includes loc hair extensions, multiple straps and buckles, and detailed, structured pieces covering their shoulders, arms, and torso. intense look, wielding a katana, [red, gold and black] In a strike and dynamic fight pose, The design blends technology and fashion, making it visually striking—ideal for editorial fashion, cosplay, or cutting-edge style photography.

a human body in which the spinal column is highlighted

a human body in which the spinal column is highlighted

full body, six pak abs, muscular

Stylized premium 3D cartoon pigeon character, front-facing, perfectly centered, neutral standing pose, no expression, eyes open and relaxed. Body design: short, chubby, rounded body proportions inspired by modern animated film birds (chunky torso, compact structure), large chest, small lower body, soft smooth curves, head slightly oversized but smoothly merged into body (no thin neck), overall silhouette simple, bold, and readable. Style: high-quality clay-like material, soft matte finish, subtle grain texture, clean stylized feather layering on chest and wings, minimal but appealing detail, animation-ready design. Face: half-lidded confident eyes, thick stylized eyebrows, small triangular beak, no smile, neutral confident attitude. Wings: attached to sides but clearly defined as separate forms, layered feather shapes, slightly rounded, resting position (not open). Legs: short and simple, orange color, chunky stylized toes. Colors: primary body teal-blue, secondary wing darker blue, beak and legs orange, soft gradient transitions, no harsh contrast. Lighting: studio lighting, soft shadows, dark background, cinematic render, high contrast. Composition: full body visible, front camera view, symmetrical alignment, character centered, no tilt, no perspective distortion. Output: character sheet style render, clean presentation, no background clutter, no text.

Stylized premium 3D cartoon pigeon character, front-facing, perfectly centered, neutral standing pose, no expression, eyes open and relaxed. Body design: short, chubby, rounded body proportions inspired by modern animated film birds (chunky torso, compact structure), large chest, small lower body, soft smooth curves, head slightly oversized but smoothly merged into body (no thin neck), overall silhouette simple, bold, and readable. Style: high-quality clay-like material, soft matte finish, subtle grain texture, clean stylized feather layering on chest and wings, minimal but appealing detail, animation-ready design. Face: half-lidded confident eyes, thick stylized eyebrows, small triangular beak, no smile, neutral confident attitude. Wings: attached to sides but clearly defined as separate forms, layered feather shapes, slightly rounded, resting position (not open). Legs: short and simple, orange color, chunky stylized toes. Colors: primary body teal-blue, secondary wing darker blue, beak and legs orange, soft gradient transitions, no harsh contrast. Lighting: studio lighting, soft shadows, dark background, cinematic render, high contrast. Composition: full body visible, front camera view, symmetrical alignment, character centered, no tilt, no perspective distortion. Output: character sheet style render, clean presentation, no background clutter, no text.

avant-garde, futuristic fashion look with a sci-fi and cyberpunk influence. adorned in intricate armor-like elements featuring metallic textures and glowing orange accents, creating a high-tech aesthetic. includes loc hair extensions, multiple straps and buckles, and detailed, structured pieces covering their shoulders, arms, and torso. intense look, wielding a katana, [red, gold and black], The design blends technology and fashion, making it visually striking—ideal for editorial fashion, cosplay, or cutting-edge style photography.

Man With muscular body, half body shot of showing detailed of stomachache, striking image captures, meticulous attention, stunning costume design

a human body in which the spinal column is highlighted, in cartoon like style

full body[

a human body in which the spinal column is highlighted, in a style like cecile gariepy

Using the uploaded image as the established character design, generate a professional three-view character sheet of this exact Insect Queen — front view, side view, and back view — presented side by side on a single image. Character consistency: Every detail must remain identical across all three views — the warm dark brown chitinous limbs, pale translucent ivory torso, eight spider legs, rounded abdomen, four arm-limbs, beetle shell crown headdress, scorpion-tail braid, silver-white hair falling to chest level, small porcelain face, green luminous eyes, rose-nude lips, and all body proportions exactly as established. Front view: Facing directly forward, arms slightly open, full body visible, same as the uploaded reference. Side view: Clean 90-degree profile facing right. Reveals the scorpion braid arc, the depth of the crown, and the full leg structure from the side. Silver hair falls naturally behind. Back view: Facing directly away. Shows the back of the crown, the full flow of silver-white hair, the back structure of the torso and abdomen, and the rear arrangement of all eight spider legs. Layout: All three views arranged horizontally side by side, evenly spaced, same scale, same lighting. Each view clearly labeled below: "FRONT" / "SIDE" / "BACK" in clean minimal typography. Pure white background, ultra-high detail, professional concept art character sheet format, cinematic render quality. Horizontal 16:9 composition.

Create a hyper–realistic studio fashion photograph of a woman seated in a minimalist editorial set. She has the same face, facial features, eyes, nose, lips, hairstyle, and expression as the woman in the uploaded photo — her body is dramatic hourglass silhouette, pronounced waist-to-hip ratio, full bust, wide hips, shapely thick thighs; this body type is mandatory and must remain clearly visible. [SCENE / ENVIRONMENT – Architectural & Interior Design Perspective] A minimalist studio environment with a neutral matte light-gray backdrop and seamless floor transition. The subject sits on a perfectly geometric white cube pedestal positioned slightly off-center. Strong directional sunlight enters from the right side, projecting elongated diagonal window-blind shadows across the wall and floor, creating a graphic pattern of parallel light bands. The lighting environment emphasizes contrast between illuminated planes and soft shadows, enhancing depth and spatial geometry. The space is intentionally sparse, focusing attention on the subject and the sculptural silhouette created by the interaction between body, clothing, and light. [POSE – Professional Fashion Photography Direction] The model is seated on the edge of the cube with an upright spine and relaxed shoulders. Her torso is rotated approximately 30 degrees to the right while her head faces forward in profile alignment. One leg extends forward at a slightly obtuse angle while the other remains bent, creating a strong triangular base. One forearm rests naturally along the thigh while the opposite hand holds a bundle of thin wooden sticks topped with small red heart shapes. A large plush heart-shaped pillow rests against the thigh, partially supported by the forearm. The pose emphasizes clean lines from shoulder to knee, highlighting skeletal structure: clavicles subtly visible, long femur line, balanced hip placement, and relaxed but controlled posture typical of editorial fashion photography. [HAIR – Celebrity Hairstylist Description] Sleek, dark hair styled with a glass-like smooth finish, combed backward from the hairline with a controlled, polished texture. The strands lie close to the scalp, creating a refined silhouette that accentuates the cranial shape and cheekbone structure. Franja densa e reta (estilo birkin bangs) cortada exatamente na altura das sobrancelhas, creating a sharp horizontal framing element across the forehead. Hair length extends straight toward the upper back with minimal layering, emphasizing symmetry, shine, and precise grooming. [MAKEUP – Professional Makeup Artist Approach] Natural-sculpted makeup designed to enhance anatomical facial structure rather than mask it. Skin appears evenly balanced with soft matte foundation that preserves natural texture and pores. Subtle contour along the zygomatic arch and jawline emphasizes bone structure. Neutral-toned eyeshadow softly deepens the orbital crease while maintaining a clean eyelid surface. Eyebrows are groomed and softly defined following the natural brow arch. Lips display a muted rose or natural nude tone with a satin finish. Overall complexion appears luminous yet controlled, as in high-end editorial beauty photography. [WARDROBE – Stylist / Costume Designer Analysis] A monochromatic red ensemble designed as a sculptural fashion statement. The upper garment is a fitted knit sweater with structured ribbing that conforms to the torso, emphasizing the curvature of the rib cage and waistline. The lower garment appears as a matching mini skirt or fitted bottom that integrates seamlessly with thigh-high boots. The boots are suede or matte leather stiletto boots extending above the knee, tightly hugging the quadriceps and calves to emphasize leg length and muscle contour. Accessories include oversized translucent red sunglasses with geometric lenses that mirror the color palette. The subject holds a large plush heart pillow with bold lettering and several decorative heart-topped sticks, reinforcing the visual theme of romantic symbolism while maintaining a fashion-editorial tone. [STYLE / IMAGE EDITING – High-End Retouching & Editorial Finish] Ultra-clean high-fashion editorial aesthetic. High dynamic range lighting with crisp shadow definition. Skin retouching is refined but realistic: pores remain visible while blemishes and minor irregularities are subtly corrected. Color grading emphasizes deep reds against a neutral gray background. Edges are sharp, textures preserved, and contrast carefully balanced. No visual clutter, no noise, no distortion. The final image resembles a luxury fashion campaign shot in a controlled studio environment with precise lighting design and premium post-production refinement. Camera perspective: eye-level editorial framing, medium full-body composition. Lens: 85mm fashion portrait lens, shallow depth of field but with sharp subject clarity. Resolution: ultra-detailed, professional fashion photography quality. Key Elements Breakdown The Body: Words like "dramatic hourglass silhouette" "pronounced waist-to-hip ratio" and "full bust, wide hips, shapely thick thighs" are essential for AI to replicate these specific proportions. Negative prompt: No deformities, no caricature, no alteration of facial or physical features, no extra fingers, no deformed hands, no distorted face, no incorrect proportions, no plastic skin.

{ “metadata”: { “confidence_score”: “high”, “image_type”: “photograph”, “primary_purpose”: “artistic” }, “composition_and_lighting”: { “rule_applied”: “centered symmetrical composition with converging lines from lower limbs”, “focal_points”: [“central torso”, “hand placement zone”, “lower pelvic area”], “lighting_type”: “soft diffused overhead with gentle fill”, “shadow_specs”: “low density, soft blurred edges, located beneath chest curvature and along inner thighs”, “contrast_ratio”: “medium” }, “subject_physical_geometry”: { “figure_silhouette”: “relaxed hourglass frame with full upper torso, narrow midsection and wide pelvic structure”, “pose_and_posture”: “supine on back with cervical extension (head tilted backward onto pillows), torso flat and neutral, shoulders depressed, elbows flexed inward approximately 80-100 degrees drawing hands to lower pelvis, hips abducted 110-130 degrees, knees extended with slight external rotation, lower legs extended outward forming wide V, ankles neutral and relaxed”, “gaze_direction”: “eyes closed (no active vector, oriented toward ceiling plane)”, “mouth_and_lips_position”: { “state”: “closed”, “alignment”: “neutral”, “tension”: “relaxed”, “description”: “lips in full contact along midline with level corners and minimal jaw separation” }, “hands_and_gestures”: { “left_hand”: { “position”: “originating from subject left side, placed across midline of lower pelvic region with palm down”, “finger_configuration”: “wrist neutral to slight flexion, thumb abducted resting superiorly on lower abdomen, index finger fully extended inferiorly along central line, middle finger parallel and adjacent, ring finger flexed 10-15 degrees at proximal joint, little finger more flexed resting laterally”, “tension”: “relaxed”, “contact_points”: “finger pads and distal phalanges contacting skin surface of mons pubis and upper groin area with light even pressure” }, “right_hand”: { “position”: “originating from subject right side, overlapping slightly with left hand across central lower pelvic region with palm down”, “finger_configuration”: “wrist neutral, thumb abducted and positioned superiorly on mons pubis, index finger extended inferiorly parallel to midline, middle finger adjacent and extended, ring finger slightly flexed at mid joint, little finger curled resting against inner thigh junction”, “tension”: “relaxed”, “contact_points”: “palmar surfaces and finger pads touching mons pubis and adjacent groin skin with gentle sustained contact” } } }, “clothing_and_materials”: { “garment_layers”: [] }, “environment_and_background”: { “setting”: “indoor”, “wall_analysis”: “plain white matte surface, uniform finish”, “objects_catalog”: [“stacked white pillows (background quadrant), white wrinkled sheet set covering entire bed surface”], “spatial_depth”: “foreground: feet and distal lower limbs; midground: pelvis, hands and torso; background: head, pillows and wall” }, “technical_specs”: { “medium”: “photography”, “depth_of_field”: “shallow”, “texture_quality”: “smooth sharp”, “perspective”: “high overhead angle approximately 50 degrees from vertical” }, “generation_parameters”: { “technical_prompt”: “photorealistic nude subject in supine position on white bedding with pillows at head, head tilted back, legs in wide abducted V shape with knees extended, both hands placed over central lower pelvic region with precise finger configurations and light contact, soft diffused overhead lighting creating gentle shadows under chest and between thighs, high overhead perspective, detailed anatomical positioning of limbs and hands, white sheet wrinkles visible”, “keywords”: [“supine pose”, “wide leg abduction”, “hand placement on lower pelvis”, “soft diffused lighting”, “overhead perspective”, “white bedding texture”], “post_processing”: “natural skin tone color grading, subtle contrast enhancement on fabric folds, no heavy filters” } }

{ "id": "nano_kling_identity_master_v3_pose_gesture_accessories_objects_background_style_skinlock", "prompt": "Create a cinematic ultra-realistic image or short video (3–6 seconds) of the EXACT SAME real human being using Reference A (face identity), Reference B (body anatomy), and Reference C (pose, gestures, accessories, objects, background, framing, and image style). References A and B MUST represent the same person. Reference C defines the exact external visual world, but it must never alter the real identity, facial geometry, skin tone, dermis, beard truth, or natural asymmetry from A+B.\n\n========================\nCORE PRIORITY SYSTEM\n========================\n1. Facial identity (absolute)\n2. Facial geometry and proportions\n3. Skin tone and dermis truth\n4. Beard structure, under-eye truth, and natural asymmetry\n5. Exact pose cloning from Reference C\n6. Exact gesture cloning from Reference C\n7. Exact accessories, objects, background, framing, and style cloning from Reference C\n8. Body coherence from Reference B\n9. Camera integrity\n10. Lighting integrity\n\nIf any conflict occurs: ALWAYS preserve facial identity first, then preserve exact pose/gesture/composition from Reference C, while keeping body coherence from Reference B.\n\n========================\nSOURCE OWNERSHIP MATRIX\n========================\nReference A owns:\n- facial identity\n- facial geometry\n- facial proportions\n- eye spacing\n- eyelid structure\n- nose projection\n- nostril shape\n- mouth width\n- jawline\n- chin structure\n- facial asymmetry baseline\n\nReference B owns:\n- body anatomy\n- neck transition\n- shoulder structure\n- torso coherence\n- body scale\n- same-person body perception\n\nReference C owns EXACTLY:\n- pose\n- gesture\n- body orientation\n- head tilt\n- shoulder angle\n- arm position\n- elbow bend\n- wrist angle\n- hand placement\n- finger arrangement\n- torso angle\n- hip alignment\n- leg stance\n- weight distribution\n- subject placement in frame\n- framing\n- camera angle reading\n- background\n- scene layout\n- accessories\n- clothing accessories if visible\n- objects and prop placement\n- image style\n- composition\n- atmosphere\n\n========================\nIDENTITY CORE LOCK (HARD)\n========================\nMANDATORY:\n- preserve exact facial geometry\n- preserve exact face width-to-height ratio\n- preserve exact eye distance\n- preserve exact eyelid structure\n- preserve exact nose projection\n- preserve exact nostril shape\n- preserve exact mouth width\n- preserve exact mouth-to-chin distance\n- preserve exact jawline\n- preserve exact chin structure\n- preserve exact left-right imbalance\n\nFORBIDDEN:\n- face reshaping\n- facial symmetry correction\n- alignment correction\n- beautification\n- model-face effect\n- influencer look\n- younger-looking transformation\n- flattering reconstruction\n- cosmetic cleanup\n\n========================\nMICRO-IDENTITY SYSTEM\n========================\nMANDATORY:\n- maintain asymmetry between left and right side\n- preserve eyebrow imbalance\n- preserve eyelid differences\n- preserve beard irregular density\n- preserve pore irregularity\n- preserve natural skin imperfections\n- preserve under-eye darkness and folds\n\nFORBIDDEN:\n- smoothing\n- symmetry gain\n- aesthetic balancing\n- facial refinement\n\n========================\nDERMAL + SKIN SYSTEM\n========================\nMANDATORY:\n- real pores (non-uniform)\n- natural skin tone variation\n- slight redness variation\n- realistic oil reflection\n- darker under-eye tone\n- real dermal depth\n- realistic beard-to-skin transition\n- exact undertone preservation\n- exact melanin reading preservation\n\nFORBIDDEN:\n- plastic skin\n- beauty retouch\n- glow skin\n- uniform tone\n- fake hyper-detail\n- whitening\n- darkening\n- recoloring\n- orange/teal contamination\n- ambient tint contamination\n\n========================\nUNDER-EYE LOCK\n========================\nMANDATORY:\n- preserve darkness\n- preserve folds\n- preserve natural fatigue\n- preserve depth\n\nFORBIDDEN:\n- brightening\n- smoothing\n- cleanup\n- concealer effect\n\n========================\nBEARD SYSTEM\n========================\nMANDATORY:\n- irregular density\n- natural edges\n- non-uniform color (grey + dark mix if present)\n- imperfect growth pattern\n- exact beard boundary truth\n\nFORBIDDEN:\n- barber-clean edges\n- uniform density\n- artificial fill\n- beard beautification\n- density normalization\n\n========================\nPOSE CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone the exact pose from Reference C\n- clone exact head tilt from Reference C\n- clone exact neck angle from Reference C\n- clone exact shoulder position from Reference C\n- clone exact torso orientation from Reference C\n- clone exact arm placement from Reference C\n- clone exact elbow bend from Reference C\n- clone exact wrist rotation from Reference C\n- clone exact hand placement from Reference C\n- clone exact finger arrangement from Reference C\n- clone exact hip alignment from Reference C\n- clone exact leg stance from Reference C\n- clone exact weight distribution from Reference C\n- clone exact subject placement in frame from Reference C\n\nFORBIDDEN:\n- pose reinterpretation\n- pose approximation\n- gesture drift\n- body repositioning\n- anatomy-safe but different pose\n- relaxed reinterpretation of stance\n\n========================\nGESTURE CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone exact gesture language from Reference C\n- clone exact hand gesture from Reference C\n- clone exact finger expression from Reference C\n- clone exact body attitude from Reference C\n- clone exact head attitude from Reference C\n- clone exact facial gesture reading from Reference C without changing facial identity geometry\n- clone exact eye direction from Reference C if visible\n- clone exact mouth openness or closure from Reference C if visible\n\nFORBIDDEN:\n- gesture simplification\n- gesture neutralization\n- generic hand replacement\n- expression polishing\n- gesture beautification\n\n========================\nACCESSORIES CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone all visible accessories from Reference C exactly\n- preserve exact accessory type\n- preserve exact accessory count\n- preserve exact placement\n- preserve exact scale\n- preserve exact orientation\n- preserve exact color unless identity-safe skin protection requires isolation from facial color\n- preserve exact material reading\n\nFORBIDDEN:\n- removing accessories\n- inventing accessories\n- changing accessory style\n- changing accessory placement\n- simplifying accessory details\n\n========================\nOBJECTS + PROPS CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone all visible objects and props from Reference C exactly\n- preserve exact object type\n- preserve exact object placement\n- preserve exact object size relationship\n- preserve exact object orientation\n- preserve exact interaction between subject and objects\n- preserve exact prop-to-hand relationship if present\n\nFORBIDDEN:\n- removing props\n- replacing props\n- inventing objects\n- shifting object positions\n- changing scale relationships\n\n========================\nBACKGROUND + SCENE CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone the exact background from Reference C\n- clone exact scene layout from Reference C\n- clone exact spatial arrangement from Reference C\n- clone exact environmental structure from Reference C\n- clone exact depth reading from Reference C\n- clone exact framing and composition from Reference C\n- clone exact camera-relative subject placement from Reference C\n- clone exact visual style from Reference C\n- clone exact atmosphere from Reference C\n\nFORBIDDEN:\n- background redesign\n- composition drift\n- framing drift\n- environment reinterpretation\n- style substitution\n- cinematic rewrite that changes the original scene logic\n\n========================\nBODY COHERENCE\n========================\nMANDATORY:\n- body from Reference B must support the same-person perception\n- natural neck transition\n- consistent proportions with face\n- body anatomy from B must adapt to the exact pose from C without changing identity\n\nFORBIDDEN:\n- aesthetic body enhancement\n- mismatch between face and body\n- pasted-head look\n- body reinterpretation that breaks pose cloning\n\n========================\nCAMERA SYSTEM\n========================\nMANDATORY:\n- preserve camera reading from Reference C\n- preserve natural perspective\n- preserve identity-safe facial perspective\n- use neutral or portrait-safe lens behavior\n\nFORBIDDEN:\n- wide-angle distortion\n- facial stretching\n- compression artifacts\n- camera reinterpretation that changes pose or composition\n- perspective distortion that changes identity reading\n\n========================\nLIGHT SYSTEM\n========================\nRULE:\nLighting adapts to face, NOT the opposite.\n\nMANDATORY:\n- preserve scene lighting logic from Reference C\n- preserve skin tone from A+B exactly\n- preserve facial undertone from A+B exactly\n- preserve dermal truth under the lighting\n- preserve facial volume and shadows\n- preserve natural contrast\n- allow scene light mood only if facial color remains unchanged\n\nFORBIDDEN:\n- color cast on face\n- cinematic tint affecting skin\n- overexposure flattening\n- warm shift on skin\n- cool shift on skin\n- ambient tint contamination on skin\n- environment light changing facial color\n\n========================\nSKIN COLOR IMMUNITY UNDER LIGHT\n========================\nMANDATORY:\n- facial skin color must remain independent from environment tint\n- face may receive scene light direction and scene shadow logic, but facial skin color, undertone, and dermis must remain anchored to A+B\n- lighting may shape the face but may NOT recolor the face\n- preserve exact skin tone regardless of scene mood\n\nFORBIDDEN:\n- ambient color contamination on skin\n- background color spill changing facial color\n- style grading changing skin undertone\n- light-induced beautification of skin\n\n========================\nTEMPORAL SYSTEM (VIDEO)\n========================\nMANDATORY:\n- identical identity across frames\n- stable geometry\n- stable skin tone\n- stable beard\n- stable under-eye truth\n- stable pose across frames unless Reference C implies motion\n- stable gesture across frames unless Reference C implies motion\n- stable accessories, objects, background, and framing across frames unless Reference C implies motion\n\nFORBIDDEN:\n- flicker\n- morphing\n- identity drift\n- detail pumping\n- pose drift\n- gesture drift\n- accessory drift\n- object drift\n- background drift\n\n========================\nSCENE SYSTEM (EXACT REFERENCE C)\n========================\nMANDATORY:\n- environment must follow Reference C exactly\n- style must follow Reference C exactly\n- composition must follow Reference C exactly\n- atmosphere must follow Reference C exactly\n\nBUT:\n- scene, style, and atmosphere must NOT affect facial identity, facial geometry, skin tone, dermis, beard truth, or asymmetry truth\n\n========================\nTEXT REMOVAL SYSTEM\n========================\nMANDATORY:\n- zero text\n- zero logos\n- zero watermarks\n- zero readable characters anywhere\n- if Reference C contains text, remove it completely and reconstruct the affected area naturally\n- leave no ghosting, no partial letters, no typographic residue, and no artifact edges\n\n========================\nFAIL CONDITIONS\n========================\nFAIL if:\n- identity changes\n- face improves artificially\n- beard becomes uniform\n- skin becomes smooth\n- geometry shifts\n- drift appears\n- pose differs from Reference C\n- gesture differs from Reference C\n- accessories differ from Reference C\n- objects differ from Reference C\n- background differs from Reference C\n- composition differs from Reference C\n- style differs from Reference C\n- facial color is contaminated by scene light\n- skin undertone shifts\n- text remains visible\n\n========================\nFINAL OUTPUT TARGET\n========================\n- same real human\n- zero beautification\n- real skin\n- stable identity\n- exact pose cloned from Reference C\n- exact gestures cloned from Reference C\n- exact accessories cloned from Reference C\n- exact objects cloned from Reference C\n- exact background cloned from Reference C\n- exact image style cloned from Reference C\n- face color immune to scene lighting contamination\n- cinematic but natural\n- fully compatible with Nano Banano Pro\n- stable for Kling 3.0 video", "size": "1024x1024" }

full body_

{ "id": "nano_kling_identity_master_v3_pose_gesture_accessories_objects_background_style_skinlock", "prompt": "Create a cinematic ultra-realistic image or short video (3–6 seconds) of the EXACT SAME real human being using Reference A (face identity), Reference B (body anatomy), and Reference C (pose, gestures, accessories, objects, background, framing, and image style). References A and B MUST represent the same person. Reference C defines the exact external visual world, but it must never alter the real identity, facial geometry, skin tone, dermis, beard truth, or natural asymmetry from A+B.\n\n========================\nCORE PRIORITY SYSTEM\n========================\n1. Facial identity (absolute)\n2. Facial geometry and proportions\n3. Skin tone and dermis truth\n4. Beard structure, under-eye truth, and natural asymmetry\n5. Exact pose cloning from Reference C\n6. Exact gesture cloning from Reference C\n7. Exact accessories, objects, background, framing, and style cloning from Reference C\n8. Body coherence from Reference B\n9. Camera integrity\n10. Lighting integrity\n\nIf any conflict occurs: ALWAYS preserve facial identity first, then preserve exact pose/gesture/composition from Reference C, while keeping body coherence from Reference B.\n\n========================\nSOURCE OWNERSHIP MATRIX\n========================\nReference A owns:\n- facial identity\n- facial geometry\n- facial proportions\n- eye spacing\n- eyelid structure\n- nose projection\n- nostril shape\n- mouth width\n- jawline\n- chin structure\n- facial asymmetry baseline\n\nReference B owns:\n- body anatomy\n- neck transition\n- shoulder structure\n- torso coherence\n- body scale\n- same-person body perception\n\nReference C owns EXACTLY:\n- pose\n- gesture\n- body orientation\n- head tilt\n- shoulder angle\n- arm position\n- elbow bend\n- wrist angle\n- hand placement\n- finger arrangement\n- torso angle\n- hip alignment\n- leg stance\n- weight distribution\n- subject placement in frame\n- framing\n- camera angle reading\n- background\n- scene layout\n- accessories\n- clothing accessories if visible\n- objects and prop placement\n- image style\n- composition\n- atmosphere\n\n========================\nIDENTITY CORE LOCK (HARD)\n========================\nMANDATORY:\n- preserve exact facial geometry\n- preserve exact face width-to-height ratio\n- preserve exact eye distance\n- preserve exact eyelid structure\n- preserve exact nose projection\n- preserve exact nostril shape\n- preserve exact mouth width\n- preserve exact mouth-to-chin distance\n- preserve exact jawline\n- preserve exact chin structure\n- preserve exact left-right imbalance\n\nFORBIDDEN:\n- face reshaping\n- facial symmetry correction\n- alignment correction\n- beautification\n- model-face effect\n- influencer look\n- younger-looking transformation\n- flattering reconstruction\n- cosmetic cleanup\n\n========================\nMICRO-IDENTITY SYSTEM\n========================\nMANDATORY:\n- maintain asymmetry between left and right side\n- preserve eyebrow imbalance\n- preserve eyelid differences\n- preserve beard irregular density\n- preserve pore irregularity\n- preserve natural skin imperfections\n- preserve under-eye darkness and folds\n\nFORBIDDEN:\n- smoothing\n- symmetry gain\n- aesthetic balancing\n- facial refinement\n\n========================\nDERMAL + SKIN SYSTEM\n========================\nMANDATORY:\n- real pores (non-uniform)\n- natural skin tone variation\n- slight redness variation\n- realistic oil reflection\n- darker under-eye tone\n- real dermal depth\n- realistic beard-to-skin transition\n- exact undertone preservation\n- exact melanin reading preservation\n\nFORBIDDEN:\n- plastic skin\n- beauty retouch\n- glow skin\n- uniform tone\n- fake hyper-detail\n- whitening\n- darkening\n- recoloring\n- orange/teal contamination\n- ambient tint contamination\n\n========================\nUNDER-EYE LOCK\n========================\nMANDATORY:\n- preserve darkness\n- preserve folds\n- preserve natural fatigue\n- preserve depth\n\nFORBIDDEN:\n- brightening\n- smoothing\n- cleanup\n- concealer effect\n\n========================\nBEARD SYSTEM\n========================\nMANDATORY:\n- irregular density\n- natural edges\n- non-uniform color (grey + dark mix if present)\n- imperfect growth pattern\n- exact beard boundary truth\n\nFORBIDDEN:\n- barber-clean edges\n- uniform density\n- artificial fill\n- beard beautification\n- density normalization\n\n========================\nPOSE CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone the exact pose from Reference C\n- clone exact head tilt from Reference C\n- clone exact neck angle from Reference C\n- clone exact shoulder position from Reference C\n- clone exact torso orientation from Reference C\n- clone exact arm placement from Reference C\n- clone exact elbow bend from Reference C\n- clone exact wrist rotation from Reference C\n- clone exact hand placement from Reference C\n- clone exact finger arrangement from Reference C\n- clone exact hip alignment from Reference C\n- clone exact leg stance from Reference C\n- clone exact weight distribution from Reference C\n- clone exact subject placement in frame from Reference C\n\nFORBIDDEN:\n- pose reinterpretation\n- pose approximation\n- gesture drift\n- body repositioning\n- anatomy-safe but different pose\n- relaxed reinterpretation of stance\n\n========================\nGESTURE CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone exact gesture language from Reference C\n- clone exact hand gesture from Reference C\n- clone exact finger expression from Reference C\n- clone exact body attitude from Reference C\n- clone exact head attitude from Reference C\n- clone exact facial gesture reading from Reference C without changing facial identity geometry\n- clone exact eye direction from Reference C if visible\n- clone exact mouth openness or closure from Reference C if visible\n\nFORBIDDEN:\n- gesture simplification\n- gesture neutralization\n- generic hand replacement\n- expression polishing\n- gesture beautification\n\n========================\nACCESSORIES CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone all visible accessories from Reference C exactly\n- preserve exact accessory type\n- preserve exact accessory count\n- preserve exact placement\n- preserve exact scale\n- preserve exact orientation\n- preserve exact color unless identity-safe skin protection requires isolation from facial color\n- preserve exact material reading\n\nFORBIDDEN:\n- removing accessories\n- inventing accessories\n- changing accessory style\n- changing accessory placement\n- simplifying accessory details\n\n========================\nOBJECTS + PROPS CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone all visible objects and props from Reference C exactly\n- preserve exact object type\n- preserve exact object placement\n- preserve exact object size relationship\n- preserve exact object orientation\n- preserve exact interaction between subject and objects\n- preserve exact prop-to-hand relationship if present\n\nFORBIDDEN:\n- removing props\n- replacing props\n- inventing objects\n- shifting object positions\n- changing scale relationships\n\n========================\nBACKGROUND + SCENE CLONING SYSTEM (REFERENCE C EXACT)\n========================\nMANDATORY:\n- clone the exact background from Reference C\n- clone exact scene layout from Reference C\n- clone exact spatial arrangement from Reference C\n- clone exact environmental structure from Reference C\n- clone exact depth reading from Reference C\n- clone exact framing and composition from Reference C\n- clone exact camera-relative subject placement from Reference C\n- clone exact visual style from Reference C\n- clone exact atmosphere from Reference C\n\nFORBIDDEN:\n- background redesign\n- composition drift\n- framing drift\n- environment reinterpretation\n- style substitution\n- cinematic rewrite that changes the original scene logic\n\n========================\nBODY COHERENCE\n========================\nMANDATORY:\n- body from Reference B must support the same-person perception\n- natural neck transition\n- consistent proportions with face\n- body anatomy from B must adapt to the exact pose from C without changing identity\n\nFORBIDDEN:\n- aesthetic body enhancement\n- mismatch between face and body\n- pasted-head look\n- body reinterpretation that breaks pose cloning\n\n========================\nCAMERA SYSTEM\n========================\nMANDATORY:\n- preserve camera reading from Reference C\n- preserve natural perspective\n- preserve identity-safe facial perspective\n- use neutral or portrait-safe lens behavior\n\nFORBIDDEN:\n- wide-angle distortion\n- facial stretching\n- compression artifacts\n- camera reinterpretation that changes pose or composition\n- perspective distortion that changes identity reading\n\n========================\nLIGHT SYSTEM\n========================\nRULE:\nLighting adapts to face, NOT the opposite.\n\nMANDATORY:\n- preserve scene lighting logic from Reference C\n- preserve skin tone from A+B exactly\n- preserve facial undertone from A+B exactly\n- preserve dermal truth under the lighting\n- preserve facial volume and shadows\n- preserve natural contrast\n- allow scene light mood only if facial color remains unchanged\n\nFORBIDDEN:\n- color cast on face\n- cinematic tint affecting skin\n- overexposure flattening\n- warm shift on skin\n- cool shift on skin\n- ambient tint contamination on skin\n- environment light changing facial color\n\n========================\nSKIN COLOR IMMUNITY UNDER LIGHT\n========================\nMANDATORY:\n- facial skin color must remain independent from environment tint\n- face may receive scene light direction and scene shadow logic, but facial skin color, undertone, and dermis must remain anchored to A+B\n- lighting may shape the face but may NOT recolor the face\n- preserve exact skin tone regardless of scene mood\n\nFORBIDDEN:\n- ambient color contamination on skin\n- background color spill changing facial color\n- style grading changing skin undertone\n- light-induced beautification of skin\n\n========================\nTEMPORAL SYSTEM (VIDEO)\n========================\nMANDATORY:\n- identical identity across frames\n- stable geometry\n- stable skin tone\n- stable beard\n- stable under-eye truth\n- stable pose across frames unless Reference C implies motion\n- stable gesture across frames unless Reference C implies motion\n- stable accessories, objects, background, and framing across frames unless Reference C implies motion\n\nFORBIDDEN:\n- flicker\n- morphing\n- identity drift\n- detail pumping\n- pose drift\n- gesture drift\n- accessory drift\n- object drift\n- background drift\n\n========================\nSCENE SYSTEM (EXACT REFERENCE C)\n========================\nMANDATORY:\n- environment must follow Reference C exactly\n- style must follow Reference C exactly\n- composition must follow Reference C exactly\n- atmosphere must follow Reference C exactly\n\nBUT:\n- scene, style, and atmosphere must NOT affect facial identity, facial geometry, skin tone, dermis, beard truth, or asymmetry truth\n\n========================\nTEXT REMOVAL SYSTEM\n========================\nMANDATORY:\n- zero text\n- zero logos\n- zero watermarks\n- zero readable characters anywhere\n- if Reference C contains text, remove it completely and reconstruct the affected area naturally\n- leave no ghosting, no partial letters, no typographic residue, and no artifact edges\n\n========================\nFAIL CONDITIONS\n========================\nFAIL if:\n- identity changes\n- face improves artificially\n- beard becomes uniform\n- skin becomes smooth\n- geometry shifts\n- drift appears\n- pose differs from Reference C\n- gesture differs from Reference C\n- accessories differ from Reference C\n- objects differ from Reference C\n- background differs from Reference C\n- composition differs from Reference C\n- style differs from Reference C\n- facial color is contaminated by scene light\n- skin undertone shifts\n- text remains visible\n\n========================\nFINAL OUTPUT TARGET\n========================\n- same real human\n- zero beautification\n- real skin\n- stable identity\n- exact pose cloned from Reference C\n- exact gestures cloned from Reference C\n- exact accessories cloned from Reference C\n- exact objects cloned from Reference C\n- exact background cloned from Reference C\n- exact image style cloned from Reference C\n- face color immune to scene lighting contamination\n- cinematic but natural\n- fully compatible with Nano Banano Pro\n- stable for Kling 3.0 video", "size": "1024x1024" }