A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --v 5.2 --style raw --ar 59:84
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --ar 59:84 --v 5.2 --style raw
masterpiece, best quality, 1girl, solo, breasts, looking at viewer, smile, short hair, open mouth, blue eyes, hat, gloves, dress, holding, cleavage, bare shoulders, underwear, standing, panties, weapon, purple hair, :d, thighs, cowboy shot, necktie, black gloves, elbow gloves, armpits, holding weapon, uniform, huge breasts, arm up, v-shaped eyebrows, black panties, strapless, covered navel, skindentation, thigh strap, thick thighs, short dress, polearm, red necktie, side-tie panties, peaked cap, strapless dress, purple dress, side slit, curvy, wide hips, contrapposto, legs apart, tiles, axe, purple gloves, tile floor, police, police uniform, halberd, tube dress, gangbang, big dicks <lora:lora_128_0100:0.75>
Photorealistic, cinematic shot of a beautiful, tan woman with electric blue eyes and dark hair in a messy bun. She is leaning deeply forward towards the viewer, creating a sense of intimate connection. The setting is a cozy, dimly lit date night scene, perhaps a quiet cocktail lounge or a softly lit apartment. Soft, warm, ambient lighting from nearby fairy lights or a single pendant lamp casts gentle shadows.Close-up portrait, eye-level perspective, as if we are the person she is leaning towards. Her expression is a soft, knowing, and slightly playful smile, her electric blue eyes are locked with the viewer's. She is in the middle of tucking a loose strand of her dark hair behind her ear, her fingers gently brushing against it.She wears a loose-fitting, lightweight white linen shirt that has fallen way off one shoulder, down to her elbow, revealing a smooth, tan shoulder and arm. The deep V-neck of the shirt shows cleavage and a subtle view of a small, delicate wildflower tattoo on her chestbone. On her exposed upper arm and shoulder, a detailed heart tattoo is visible. As she leans forward, the loose shirt drapes away from her body, hinting at a intricate moon and stars tattoo on her rib cage. A glimpse of a simple silver navel piercing catches the light. Stark tan lines are visible on her chest and shoulders, contrasting with her sun-kissed skin.Shot on a cinematic lens (like a 50mm f/1.2). Shallow depth of field, with her face and eyes in sharp focus and the background melting into a beautiful, soft bokeh of warm, golden lights. The atmosphere is intimate, warm, and charged with quiet anticipation. Style: hyperrealistic, detailed skin texture, filmic grain, sensual and romantic mood.
Vintage color photograph 1970 Vietnam War US GI off-duty confident pose, muscular athletic young soldier standing tall outside military compound or port area South Vietnam, harsh midday tropical sunlight strong side shadows emphasizing deep muscle cuts veiny arms shoulders pecs, Kodak Ektachrome faded warm saturation slight magenta yellow aging shift, medium grain, realistic amateur GI snapshot Instamatic style, vignette light bloom dust specks Man : 25-30 ans, handsome rugged Caucasian face short light brown/blondish hair military buzz cut or short crop, thick stubble or short beard light brown, intense confident expression looking up slightly chin raised lips parted subtle smirk, wearing classic white cotton A-shirt US Army undershirt tank top ribbed clinging tight to massive defined torso thick rounded pecs vascular arms deltoids traps bulging, khaki tan utility pants or fatigue trousers low on hips web belt canvas OD green visible, no shirt over, aviator sunglasses gold frame mirrored lenses reflecting sky, dog tags silver chain visible under tank top neckline, skin tanned bronze sweaty glistening in heat, powerful physique combat-ready but beefcake aesthetic veiny forearms biceps peaked relaxed pose hands on hips or one gripping metal container Pose : full body three-quarter front view heroic upward gaze chest out shoulders back emphasizing V-taper lats and arms, stance wide powerful legs, one foot forward casual dominant Background : softly blurred industrial military setting Vietnam era, corrugated metal shipping containers rusty beige/gray stacked, chain link fence barbed wire top, wooden crates ammo boxes scattered, distant palm trees jungle haze, red laterite dirt ground dusty, humid oppressive atmosphere heat shimmer, faint outline of jeep or truck parked nearby, no weapons visible off-duty relaxed vibe Style : authentic Vietnam War era color off-duty GI beefcake physique photo, high detail realistic historical reenactment raw masculine confident homoerotic subtle, vintage film imperfections scratches chemical fading bloom highlights, inspired by rare 1968-1972 GI personal color slides shirtless/tank top firebase/port snapshots from combat photographers or private collections
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
A woman with long, wavy brown hair reclines on a luxurious red and gold upholstered chair. She is wearing a black lace dress with a deep V-neckline, adorned with sparkling embellishments. Her left arm rests on the armrest of the chair, showcasing a jeweled bracelet, while her right hand is placed near her face. She has a sultry expression with red lipstick, and her legs are elegantly crossed, wearing high-heeled sandals. The background is a warm, dimly lit setting with hints of floral patterns.
A photograph styled the universe of warhammer fantasy role play, Tall bulky man with shoulders that angle up in a V. His torso and arms are covered in bone plating that can be disguised by wearing a shirt or jacket, which is normally what he does. Dark hair, small red eyes and a mouth full of small razor sharp teeth.
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor environment, open sky, vertical framing. Foreground occupied by uneven-textured grass, yellow-green, with thin blades blurred along the lower edge. Midground dominated by the central human figure. Background features a horizontal reddish track and low, light-colored buildings, heavily blurred due to shallow depth of field. Low horizon; a uniform blue sky occupies more than half of the upper image. Direct natural lighting, high and front-side incidence, neutral to slightly cool temperature. Short, soft shadows under chin, sleeves, skirt, and raised leg. Materials: matte grass, textureless sky, smooth low-reflection buildings. Centered composition without rigid symmetry, with radial repetition in pompom fringes and skirt pleats. Spatial relation: subject stands out through tonal separation and background blur. POSE (Photographer / Pose Stylist) Body supported unipodally on the left leg; center of gravity vertically aligned over this axis. Right leg raised with pronounced hip and knee flexion, thigh in moderate abduction and slight external rotation; right foot near the opposite knee. Torso nearly frontal with slight lateral tilt to the left of the image. Spine in a compensatory curve for stabilization. Right shoulder elevated due to arm flexion; left shoulder lower and laterally positioned. Right arm flexed, hand beside the face forming a “V” with index and middle fingers; elbow opened laterally. Left arm flexed holding a pompom. Head slightly tilted to the right of the image with minor frontal rotation. Facial expression with a smile, active perioral musculature, gaze directed at the camera. Low-angle perspective shortens the torso and visually enlarges thighs and the raised leg. HAIR (Hairstylist) She has the same hair as in the provided photo; styled as jet-black, long length reaching the waist, tied back with the main mass concentrated in the occipital region. Sparse front fringe in fine vertical/diagonal strands across the forehead. Predominantly downward vectors in the fringe, with loose lateral strands near cheeks and nape. Smooth texture with slight residual waviness at the ends. Moderate volume at the crown, with compression in the tied area and irregular expansion on the sides due to stray strands. Rounded upper contour; fragmented silhouette from flyaways. Light interaction: narrow specular highlights on upper strands; high absorption in shadowed areas. Minimal movement, only fine strands displaced suggesting a light breeze or prior motion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with an even finish, controlled luminosity, between natural and soft-glow. Medium coverage, minimal visible skin texture. Facial lighting enhances the center of the face: forehead, nose bridge, cheekbone tops, and chin. Subtle contouring without strong definition. Eyes with soft contrast; defined lashes, minimal or imperceptible eyeliner, light pink/neutral low-saturation eyeshadow. Natural brows with soft linear shaping. Light pink blush concentrated on the cheeks. Lips in a natural pink tone, creamy/lightly glossy finish, preserved contour. Broadly blended transitions without harsh edges. Cool ambient lighting maintains the pink balance of the makeup without yellow contamination. Mandatory: makeup must be clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails mainly visible on the right hand near the face. Short to medium-short length, reduced free edge. Rounded/short oval shape. Low apparent thickness, natural curvature, no evident apex. Material visually consistent with natural nails or a thin gel layer. Subtle glossy finish. No discernible nail art due to distance and resolution. Functional integration with the pose: fingertips oriented outward in the “V” gesture, without chromatic prominence. WARDROBE (Stylist / Tailor / Costume Designer) Light pink cheer-style sweater top, medium-thickness knitted fabric, V-neck with white stripes, cuffs and hem with repeating stripes. Soft structure, moderate elasticity, fitted-relaxed drape: conforms to shoulders and chest, creates looseness in the abdomen and sleeves. Visible vertical knit texture and panel variations. White pleated skirt, synthetic or lightweight tailored fabric with strong structural memory; wide, rigid pleats projected by the raised leg and gravity. Underneath, visible white shorts/lining. White ribbed socks below the knee, with compression and bunching at the ankle of the raised leg. Saddle/oxford-style shoes in beige, white, and black, light brown sole, semi-gloss finish. Main accessories: two white/pink pompoms, radial structure of thin plastic strips, high diffuse reflection, large volume in both hands. STYLE (Image Editor / Retoucher) Primary focus on face and body; background with strong blur and smooth transitions. High sharpness in the facial region, frontal hair, sweater knit, and skirt edges. Skin treatment with moderate smoothing while preserving contours, reducing pores and microtexture. Bright color correction, high-key, moderate contrast, controlled saturation with emphasis on pink, white, and blue. Shallow blacks; open shadows. Possible skin tone uniformity and minor detail cleanup. Grain nearly absent; high digital quality; subtle compression. Aesthetic signature: clean, bright, idol/editorial outdoor. Aspect_ratio: approximately 2:3 vertical.
Vintage 1950s color photograph muscular rugged man from behind, back view pose leaning on industrial crate or metal workbench in warehouse or garage setting, mid-1950s Kodachrome slide aesthetic, vivid saturated warm colors with slight magenta/yellow aging fade, rich skin tones tanned bronze-orange, fine to medium grain, soft vignette edges, realistic amateur snapshot feel possibly from hidden or private physique shoot Man : 30-40 ans, very muscular broad back V-shape lats thick traps shoulders arms veiny and defined, skin shiny slightly oiled or sweaty under warm light, full thick dark beard with some gray hints rugged face in profile strong jaw intense expression looking sideways, high fade or short military buzz cut dark hair, ear visible no earring, gold chain necklace thin visible on neck Wearing : khaki tan military-style cargo shorts mid-thigh length slightly dirty/muddy at hems cuffs rolled or frayed, brown leather belt thick with metal buckle engraved or plain, pockets flap visible, no shirt torso fully bare showing massive back muscles rippling under skin, olive drab/greenish shirt or jacket casually draped over one shoulder hanging down back loosely Pose : dynamic rear three-quarter view, one hand gripping edge of wooden/metal crate or industrial box, arm flexed biceps peaked, legs powerful thighs calves defined stance wide for balance, slight arch in lower back emphasizing glutes and hamstrings, dirt or dust on floor and surroundings adding gritty realism Background : industrial warehouse or garage 1950s style, corrugated metal walls gray/beige striped, wooden crates stacked, tools scattered, dim warm incandescent bulb light from side/top creating strong chiaroscuro shadows under shoulder blades lats arms enhancing muscle depth, sunlight filtering through high small window dusty rays, atmosphere adventurous workman beefcake clandestine homoerotic subtle Style : authentic 1950s color physique pictorial or underground gay beefcake photo, Kodachrome vivid retro saturation, high detail but vintage imperfections (light chemical bloom in highlights, dust specks, slight color shift), realistic historical reenactment raw masculine tender, inspired by 1950s Tom of Finland influences or Bob Mizer Athletic Model Guild color slides but more candid snapshot
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
STRICT IDENTITY LOCK — MANDATORY The person shown must be 100% identical to the subject in the provided reference image. No changes, no reinterpretation, no beautification, no stylization, no facial drift. The following elements must remain exactly the same in every output: – Face – Facial structure and proportions – Eyes, nose, lips, ears – Skin texture – Hair color, length, structure, hairline – Overall facial expression and identity Photorealistic cinematic wide shot of a fierce post-apocalyptic rebel woman with wild copper-brown curly hair, melancholic expression, torn dirty off-white linen shirt knotted below chest revealing toned oiled midriff, layered organic bead necklaces, heavy silver bangles, weathered cargo pants with torn blood-stained floral fabric sash, worn leather boots, sitting sideways relaxed on the worn leather saddle of a vintage heavily weathered red V-twin motorcycle labeled ALPHONSE, left arm extended back resting on rear leather saddlebag, legs crossed loosely over engine block, torso slightly reclined rotated toward camera, direct melancholic gaze into lens, set against a vast surreal post-apocalyptic wasteland landscape, collapsed brutalist megastructures half-buried in toxic ash and debris stretching to the horizon, twisted rusted steel girders reaching into a poisonous amber and sickly green sky, flickering dying neon signs in an unknown language embedded in crumbling concrete walls, dense low-hanging toxic fog rolling across cracked scorched earth, puddles of iridescent oil reflecting distorted neon light, tangled power lines sagging between broken towers, burned-out vehicle husks scattered across the ground, distant fires burning with pale blue and orange flames on the horizon, oppressive low claustrophobic sky pressing down on the landscape, volumetric god rays breaking through toxic clouds in pale sickly yellow tones, deep dramatic shadows surrounding the woman and motorcycle, rim lighting outlining her silhouette in cold blue neon against the warm apocalyptic background, heavy cinematic color grading with desaturated teal and orange tones, film grain, lens flare from distant fire, hyper detailed photorealistic render, ultra sharp foreground with atmospheric depth of field fade into hazy apocalyptic background, cinematic anamorphic widescreen composition, shot on ARRI Alexa 65mm anamorphic lens, f/2.0, golden hour apocalyptic light, 8K resolution --ar 21:9 --style raw --stylize 900 --v 6 Negative Prompt: clean environment, bright daylight, blue sky, green nature, happy atmosphere, studio background, neutral background, white background, cartoon, anime, CGI look, plastic skin, oversaturated colors, extra limbs, blurry subject, helmet, goggles, wrong motorcycle, standing pose, symmetrical lighting, flat lighting, overexposed
masterpiece, best quality, 1girl, solo, breasts, looking at viewer, smile, short hair, open mouth, blue eyes, hat, gloves, dress, holding, cleavage, bare shoulders, underwear, standing, panties, weapon, purple hair, :d, thighs, cowboy shot, necktie, black gloves, elbow gloves, armpits, holding weapon, uniform, huge breasts, arm up, v-shaped eyebrows, black panties, strapless, covered navel, skindentation, thigh strap, thick thighs, short dress, polearm, red necktie, side-tie panties, peaked cap, strapless dress, purple dress, side slit, curvy, wide hips, contrapposto, legs apart, tiles, axe, purple gloves, tile floor, police, police uniform, halberd, tube dress, gangbang, big dicks <lora:lora_128_0100:0.75>
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
A woman with long, wavy brown hair reclines on a luxurious red and gold upholstered chair. She is wearing a black lace dress with a deep V-neckline, adorned with sparkling embellishments. Her left arm rests on the armrest of the chair, showcasing a jeweled bracelet, while her right hand is placed near her face. She has a sultry expression with red lipstick, and her legs are elegantly crossed, wearing high-heeled sandals. The background is a warm, dimly lit setting with hints of floral patterns.
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor environment, open sky, vertical framing. Foreground occupied by uneven-textured grass, yellow-green, with thin blades blurred along the lower edge. Midground dominated by the central human figure. Background features a horizontal reddish track and low, light-colored buildings, heavily blurred due to shallow depth of field. Low horizon; a uniform blue sky occupies more than half of the upper image. Direct natural lighting, high and front-side incidence, neutral to slightly cool temperature. Short, soft shadows under chin, sleeves, skirt, and raised leg. Materials: matte grass, textureless sky, smooth low-reflection buildings. Centered composition without rigid symmetry, with radial repetition in pompom fringes and skirt pleats. Spatial relation: subject stands out through tonal separation and background blur. POSE (Photographer / Pose Stylist) Body supported unipodally on the left leg; center of gravity vertically aligned over this axis. Right leg raised with pronounced hip and knee flexion, thigh in moderate abduction and slight external rotation; right foot near the opposite knee. Torso nearly frontal with slight lateral tilt to the left of the image. Spine in a compensatory curve for stabilization. Right shoulder elevated due to arm flexion; left shoulder lower and laterally positioned. Right arm flexed, hand beside the face forming a “V” with index and middle fingers; elbow opened laterally. Left arm flexed holding a pompom. Head slightly tilted to the right of the image with minor frontal rotation. Facial expression with a smile, active perioral musculature, gaze directed at the camera. Low-angle perspective shortens the torso and visually enlarges thighs and the raised leg. HAIR (Hairstylist) She has the same hair as in the provided photo; styled as jet-black, long length reaching the waist, tied back with the main mass concentrated in the occipital region. Sparse front fringe in fine vertical/diagonal strands across the forehead. Predominantly downward vectors in the fringe, with loose lateral strands near cheeks and nape. Smooth texture with slight residual waviness at the ends. Moderate volume at the crown, with compression in the tied area and irregular expansion on the sides due to stray strands. Rounded upper contour; fragmented silhouette from flyaways. Light interaction: narrow specular highlights on upper strands; high absorption in shadowed areas. Minimal movement, only fine strands displaced suggesting a light breeze or prior motion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with an even finish, controlled luminosity, between natural and soft-glow. Medium coverage, minimal visible skin texture. Facial lighting enhances the center of the face: forehead, nose bridge, cheekbone tops, and chin. Subtle contouring without strong definition. Eyes with soft contrast; defined lashes, minimal or imperceptible eyeliner, light pink/neutral low-saturation eyeshadow. Natural brows with soft linear shaping. Light pink blush concentrated on the cheeks. Lips in a natural pink tone, creamy/lightly glossy finish, preserved contour. Broadly blended transitions without harsh edges. Cool ambient lighting maintains the pink balance of the makeup without yellow contamination. Mandatory: makeup must be clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails mainly visible on the right hand near the face. Short to medium-short length, reduced free edge. Rounded/short oval shape. Low apparent thickness, natural curvature, no evident apex. Material visually consistent with natural nails or a thin gel layer. Subtle glossy finish. No discernible nail art due to distance and resolution. Functional integration with the pose: fingertips oriented outward in the “V” gesture, without chromatic prominence. WARDROBE (Stylist / Tailor / Costume Designer) Light pink cheer-style sweater top, medium-thickness knitted fabric, V-neck with white stripes, cuffs and hem with repeating stripes. Soft structure, moderate elasticity, fitted-relaxed drape: conforms to shoulders and chest, creates looseness in the abdomen and sleeves. Visible vertical knit texture and panel variations. White pleated skirt, synthetic or lightweight tailored fabric with strong structural memory; wide, rigid pleats projected by the raised leg and gravity. Underneath, visible white shorts/lining. White ribbed socks below the knee, with compression and bunching at the ankle of the raised leg. Saddle/oxford-style shoes in beige, white, and black, light brown sole, semi-gloss finish. Main accessories: two white/pink pompoms, radial structure of thin plastic strips, high diffuse reflection, large volume in both hands. STYLE (Image Editor / Retoucher) Primary focus on face and body; background with strong blur and smooth transitions. High sharpness in the facial region, frontal hair, sweater knit, and skirt edges. Skin treatment with moderate smoothing while preserving contours, reducing pores and microtexture. Bright color correction, high-key, moderate contrast, controlled saturation with emphasis on pink, white, and blue. Shallow blacks; open shadows. Possible skin tone uniformity and minor detail cleanup. Grain nearly absent; high digital quality; subtle compression. Aesthetic signature: clean, bright, idol/editorial outdoor. Aspect_ratio: approximately 2:3 vertical.
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --v 5.2 --style raw --ar 59:84
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --ar 59:84 --v 5.2 --style raw
Photorealistic, cinematic shot of a beautiful, tan woman with electric blue eyes and dark hair in a messy bun. She is leaning deeply forward towards the viewer, creating a sense of intimate connection. The setting is a cozy, dimly lit date night scene, perhaps a quiet cocktail lounge or a softly lit apartment. Soft, warm, ambient lighting from nearby fairy lights or a single pendant lamp casts gentle shadows.Close-up portrait, eye-level perspective, as if we are the person she is leaning towards. Her expression is a soft, knowing, and slightly playful smile, her electric blue eyes are locked with the viewer's. She is in the middle of tucking a loose strand of her dark hair behind her ear, her fingers gently brushing against it.She wears a loose-fitting, lightweight white linen shirt that has fallen way off one shoulder, down to her elbow, revealing a smooth, tan shoulder and arm. The deep V-neck of the shirt shows cleavage and a subtle view of a small, delicate wildflower tattoo on her chestbone. On her exposed upper arm and shoulder, a detailed heart tattoo is visible. As she leans forward, the loose shirt drapes away from her body, hinting at a intricate moon and stars tattoo on her rib cage. A glimpse of a simple silver navel piercing catches the light. Stark tan lines are visible on her chest and shoulders, contrasting with her sun-kissed skin.Shot on a cinematic lens (like a 50mm f/1.2). Shallow depth of field, with her face and eyes in sharp focus and the background melting into a beautiful, soft bokeh of warm, golden lights. The atmosphere is intimate, warm, and charged with quiet anticipation. Style: hyperrealistic, detailed skin texture, filmic grain, sensual and romantic mood.
Vintage color photograph 1970 Vietnam War US GI off-duty confident pose, muscular athletic young soldier standing tall outside military compound or port area South Vietnam, harsh midday tropical sunlight strong side shadows emphasizing deep muscle cuts veiny arms shoulders pecs, Kodak Ektachrome faded warm saturation slight magenta yellow aging shift, medium grain, realistic amateur GI snapshot Instamatic style, vignette light bloom dust specks Man : 25-30 ans, handsome rugged Caucasian face short light brown/blondish hair military buzz cut or short crop, thick stubble or short beard light brown, intense confident expression looking up slightly chin raised lips parted subtle smirk, wearing classic white cotton A-shirt US Army undershirt tank top ribbed clinging tight to massive defined torso thick rounded pecs vascular arms deltoids traps bulging, khaki tan utility pants or fatigue trousers low on hips web belt canvas OD green visible, no shirt over, aviator sunglasses gold frame mirrored lenses reflecting sky, dog tags silver chain visible under tank top neckline, skin tanned bronze sweaty glistening in heat, powerful physique combat-ready but beefcake aesthetic veiny forearms biceps peaked relaxed pose hands on hips or one gripping metal container Pose : full body three-quarter front view heroic upward gaze chest out shoulders back emphasizing V-taper lats and arms, stance wide powerful legs, one foot forward casual dominant Background : softly blurred industrial military setting Vietnam era, corrugated metal shipping containers rusty beige/gray stacked, chain link fence barbed wire top, wooden crates ammo boxes scattered, distant palm trees jungle haze, red laterite dirt ground dusty, humid oppressive atmosphere heat shimmer, faint outline of jeep or truck parked nearby, no weapons visible off-duty relaxed vibe Style : authentic Vietnam War era color off-duty GI beefcake physique photo, high detail realistic historical reenactment raw masculine confident homoerotic subtle, vintage film imperfections scratches chemical fading bloom highlights, inspired by rare 1968-1972 GI personal color slides shirtless/tank top firebase/port snapshots from combat photographers or private collections
A photograph styled the universe of warhammer fantasy role play, Tall bulky man with shoulders that angle up in a V. His torso and arms are covered in bone plating that can be disguised by wearing a shirt or jacket, which is normally what he does. Dark hair, small red eyes and a mouth full of small razor sharp teeth.
Vintage 1950s color photograph muscular rugged man from behind, back view pose leaning on industrial crate or metal workbench in warehouse or garage setting, mid-1950s Kodachrome slide aesthetic, vivid saturated warm colors with slight magenta/yellow aging fade, rich skin tones tanned bronze-orange, fine to medium grain, soft vignette edges, realistic amateur snapshot feel possibly from hidden or private physique shoot Man : 30-40 ans, very muscular broad back V-shape lats thick traps shoulders arms veiny and defined, skin shiny slightly oiled or sweaty under warm light, full thick dark beard with some gray hints rugged face in profile strong jaw intense expression looking sideways, high fade or short military buzz cut dark hair, ear visible no earring, gold chain necklace thin visible on neck Wearing : khaki tan military-style cargo shorts mid-thigh length slightly dirty/muddy at hems cuffs rolled or frayed, brown leather belt thick with metal buckle engraved or plain, pockets flap visible, no shirt torso fully bare showing massive back muscles rippling under skin, olive drab/greenish shirt or jacket casually draped over one shoulder hanging down back loosely Pose : dynamic rear three-quarter view, one hand gripping edge of wooden/metal crate or industrial box, arm flexed biceps peaked, legs powerful thighs calves defined stance wide for balance, slight arch in lower back emphasizing glutes and hamstrings, dirt or dust on floor and surroundings adding gritty realism Background : industrial warehouse or garage 1950s style, corrugated metal walls gray/beige striped, wooden crates stacked, tools scattered, dim warm incandescent bulb light from side/top creating strong chiaroscuro shadows under shoulder blades lats arms enhancing muscle depth, sunlight filtering through high small window dusty rays, atmosphere adventurous workman beefcake clandestine homoerotic subtle Style : authentic 1950s color physique pictorial or underground gay beefcake photo, Kodachrome vivid retro saturation, high detail but vintage imperfections (light chemical bloom in highlights, dust specks, slight color shift), realistic historical reenactment raw masculine tender, inspired by 1950s Tom of Finland influences or Bob Mizer Athletic Model Guild color slides but more candid snapshot
STRICT IDENTITY LOCK — MANDATORY The person shown must be 100% identical to the subject in the provided reference image. No changes, no reinterpretation, no beautification, no stylization, no facial drift. The following elements must remain exactly the same in every output: – Face – Facial structure and proportions – Eyes, nose, lips, ears – Skin texture – Hair color, length, structure, hairline – Overall facial expression and identity Photorealistic cinematic wide shot of a fierce post-apocalyptic rebel woman with wild copper-brown curly hair, melancholic expression, torn dirty off-white linen shirt knotted below chest revealing toned oiled midriff, layered organic bead necklaces, heavy silver bangles, weathered cargo pants with torn blood-stained floral fabric sash, worn leather boots, sitting sideways relaxed on the worn leather saddle of a vintage heavily weathered red V-twin motorcycle labeled ALPHONSE, left arm extended back resting on rear leather saddlebag, legs crossed loosely over engine block, torso slightly reclined rotated toward camera, direct melancholic gaze into lens, set against a vast surreal post-apocalyptic wasteland landscape, collapsed brutalist megastructures half-buried in toxic ash and debris stretching to the horizon, twisted rusted steel girders reaching into a poisonous amber and sickly green sky, flickering dying neon signs in an unknown language embedded in crumbling concrete walls, dense low-hanging toxic fog rolling across cracked scorched earth, puddles of iridescent oil reflecting distorted neon light, tangled power lines sagging between broken towers, burned-out vehicle husks scattered across the ground, distant fires burning with pale blue and orange flames on the horizon, oppressive low claustrophobic sky pressing down on the landscape, volumetric god rays breaking through toxic clouds in pale sickly yellow tones, deep dramatic shadows surrounding the woman and motorcycle, rim lighting outlining her silhouette in cold blue neon against the warm apocalyptic background, heavy cinematic color grading with desaturated teal and orange tones, film grain, lens flare from distant fire, hyper detailed photorealistic render, ultra sharp foreground with atmospheric depth of field fade into hazy apocalyptic background, cinematic anamorphic widescreen composition, shot on ARRI Alexa 65mm anamorphic lens, f/2.0, golden hour apocalyptic light, 8K resolution --ar 21:9 --style raw --stylize 900 --v 6 Negative Prompt: clean environment, bright daylight, blue sky, green nature, happy atmosphere, studio background, neutral background, white background, cartoon, anime, CGI look, plastic skin, oversaturated colors, extra limbs, blurry subject, helmet, goggles, wrong motorcycle, standing pose, symmetrical lighting, flat lighting, overexposed
Vintage color photograph 1970 Vietnam War US GI off-duty confident pose, muscular athletic young soldier standing tall outside military compound or port area South Vietnam, harsh midday tropical sunlight strong side shadows emphasizing deep muscle cuts veiny arms shoulders pecs, Kodak Ektachrome faded warm saturation slight magenta yellow aging shift, medium grain, realistic amateur GI snapshot Instamatic style, vignette light bloom dust specks Man : 25-30 ans, handsome rugged Caucasian face short light brown/blondish hair military buzz cut or short crop, thick stubble or short beard light brown, intense confident expression looking up slightly chin raised lips parted subtle smirk, wearing classic white cotton A-shirt US Army undershirt tank top ribbed clinging tight to massive defined torso thick rounded pecs vascular arms deltoids traps bulging, khaki tan utility pants or fatigue trousers low on hips web belt canvas OD green visible, no shirt over, aviator sunglasses gold frame mirrored lenses reflecting sky, dog tags silver chain visible under tank top neckline, skin tanned bronze sweaty glistening in heat, powerful physique combat-ready but beefcake aesthetic veiny forearms biceps peaked relaxed pose hands on hips or one gripping metal container Pose : full body three-quarter front view heroic upward gaze chest out shoulders back emphasizing V-taper lats and arms, stance wide powerful legs, one foot forward casual dominant Background : softly blurred industrial military setting Vietnam era, corrugated metal shipping containers rusty beige/gray stacked, chain link fence barbed wire top, wooden crates ammo boxes scattered, distant palm trees jungle haze, red laterite dirt ground dusty, humid oppressive atmosphere heat shimmer, faint outline of jeep or truck parked nearby, no weapons visible off-duty relaxed vibe Style : authentic Vietnam War era color off-duty GI beefcake physique photo, high detail realistic historical reenactment raw masculine confident homoerotic subtle, vintage film imperfections scratches chemical fading bloom highlights, inspired by rare 1968-1972 GI personal color slides shirtless/tank top firebase/port snapshots from combat photographers or private collections
A woman with long, wavy brown hair reclines on a luxurious red and gold upholstered chair. She is wearing a black lace dress with a deep V-neckline, adorned with sparkling embellishments. Her left arm rests on the armrest of the chair, showcasing a jeweled bracelet, while her right hand is placed near her face. She has a sultry expression with red lipstick, and her legs are elegantly crossed, wearing high-heeled sandals. The background is a warm, dimly lit setting with hints of floral patterns.
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --v 5.2 --style raw --ar 59:84
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --ar 59:84 --v 5.2 --style raw
masterpiece, best quality, 1girl, solo, breasts, looking at viewer, smile, short hair, open mouth, blue eyes, hat, gloves, dress, holding, cleavage, bare shoulders, underwear, standing, panties, weapon, purple hair, :d, thighs, cowboy shot, necktie, black gloves, elbow gloves, armpits, holding weapon, uniform, huge breasts, arm up, v-shaped eyebrows, black panties, strapless, covered navel, skindentation, thigh strap, thick thighs, short dress, polearm, red necktie, side-tie panties, peaked cap, strapless dress, purple dress, side slit, curvy, wide hips, contrapposto, legs apart, tiles, axe, purple gloves, tile floor, police, police uniform, halberd, tube dress, gangbang, big dicks <lora:lora_128_0100:0.75>
Vintage 1950s color photograph muscular rugged man from behind, back view pose leaning on industrial crate or metal workbench in warehouse or garage setting, mid-1950s Kodachrome slide aesthetic, vivid saturated warm colors with slight magenta/yellow aging fade, rich skin tones tanned bronze-orange, fine to medium grain, soft vignette edges, realistic amateur snapshot feel possibly from hidden or private physique shoot Man : 30-40 ans, very muscular broad back V-shape lats thick traps shoulders arms veiny and defined, skin shiny slightly oiled or sweaty under warm light, full thick dark beard with some gray hints rugged face in profile strong jaw intense expression looking sideways, high fade or short military buzz cut dark hair, ear visible no earring, gold chain necklace thin visible on neck Wearing : khaki tan military-style cargo shorts mid-thigh length slightly dirty/muddy at hems cuffs rolled or frayed, brown leather belt thick with metal buckle engraved or plain, pockets flap visible, no shirt torso fully bare showing massive back muscles rippling under skin, olive drab/greenish shirt or jacket casually draped over one shoulder hanging down back loosely Pose : dynamic rear three-quarter view, one hand gripping edge of wooden/metal crate or industrial box, arm flexed biceps peaked, legs powerful thighs calves defined stance wide for balance, slight arch in lower back emphasizing glutes and hamstrings, dirt or dust on floor and surroundings adding gritty realism Background : industrial warehouse or garage 1950s style, corrugated metal walls gray/beige striped, wooden crates stacked, tools scattered, dim warm incandescent bulb light from side/top creating strong chiaroscuro shadows under shoulder blades lats arms enhancing muscle depth, sunlight filtering through high small window dusty rays, atmosphere adventurous workman beefcake clandestine homoerotic subtle Style : authentic 1950s color physique pictorial or underground gay beefcake photo, Kodachrome vivid retro saturation, high detail but vintage imperfections (light chemical bloom in highlights, dust specks, slight color shift), realistic historical reenactment raw masculine tender, inspired by 1950s Tom of Finland influences or Bob Mizer Athletic Model Guild color slides but more candid snapshot
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
Photorealistic, cinematic shot of a beautiful, tan woman with electric blue eyes and dark hair in a messy bun. She is leaning deeply forward towards the viewer, creating a sense of intimate connection. The setting is a cozy, dimly lit date night scene, perhaps a quiet cocktail lounge or a softly lit apartment. Soft, warm, ambient lighting from nearby fairy lights or a single pendant lamp casts gentle shadows.Close-up portrait, eye-level perspective, as if we are the person she is leaning towards. Her expression is a soft, knowing, and slightly playful smile, her electric blue eyes are locked with the viewer's. She is in the middle of tucking a loose strand of her dark hair behind her ear, her fingers gently brushing against it.She wears a loose-fitting, lightweight white linen shirt that has fallen way off one shoulder, down to her elbow, revealing a smooth, tan shoulder and arm. The deep V-neck of the shirt shows cleavage and a subtle view of a small, delicate wildflower tattoo on her chestbone. On her exposed upper arm and shoulder, a detailed heart tattoo is visible. As she leans forward, the loose shirt drapes away from her body, hinting at a intricate moon and stars tattoo on her rib cage. A glimpse of a simple silver navel piercing catches the light. Stark tan lines are visible on her chest and shoulders, contrasting with her sun-kissed skin.Shot on a cinematic lens (like a 50mm f/1.2). Shallow depth of field, with her face and eyes in sharp focus and the background melting into a beautiful, soft bokeh of warm, golden lights. The atmosphere is intimate, warm, and charged with quiet anticipation. Style: hyperrealistic, detailed skin texture, filmic grain, sensual and romantic mood.
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
A photograph styled the universe of warhammer fantasy role play, Tall bulky man with shoulders that angle up in a V. His torso and arms are covered in bone plating that can be disguised by wearing a shirt or jacket, which is normally what he does. Dark hair, small red eyes and a mouth full of small razor sharp teeth.
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor environment, open sky, vertical framing. Foreground occupied by uneven-textured grass, yellow-green, with thin blades blurred along the lower edge. Midground dominated by the central human figure. Background features a horizontal reddish track and low, light-colored buildings, heavily blurred due to shallow depth of field. Low horizon; a uniform blue sky occupies more than half of the upper image. Direct natural lighting, high and front-side incidence, neutral to slightly cool temperature. Short, soft shadows under chin, sleeves, skirt, and raised leg. Materials: matte grass, textureless sky, smooth low-reflection buildings. Centered composition without rigid symmetry, with radial repetition in pompom fringes and skirt pleats. Spatial relation: subject stands out through tonal separation and background blur. POSE (Photographer / Pose Stylist) Body supported unipodally on the left leg; center of gravity vertically aligned over this axis. Right leg raised with pronounced hip and knee flexion, thigh in moderate abduction and slight external rotation; right foot near the opposite knee. Torso nearly frontal with slight lateral tilt to the left of the image. Spine in a compensatory curve for stabilization. Right shoulder elevated due to arm flexion; left shoulder lower and laterally positioned. Right arm flexed, hand beside the face forming a “V” with index and middle fingers; elbow opened laterally. Left arm flexed holding a pompom. Head slightly tilted to the right of the image with minor frontal rotation. Facial expression with a smile, active perioral musculature, gaze directed at the camera. Low-angle perspective shortens the torso and visually enlarges thighs and the raised leg. HAIR (Hairstylist) She has the same hair as in the provided photo; styled as jet-black, long length reaching the waist, tied back with the main mass concentrated in the occipital region. Sparse front fringe in fine vertical/diagonal strands across the forehead. Predominantly downward vectors in the fringe, with loose lateral strands near cheeks and nape. Smooth texture with slight residual waviness at the ends. Moderate volume at the crown, with compression in the tied area and irregular expansion on the sides due to stray strands. Rounded upper contour; fragmented silhouette from flyaways. Light interaction: narrow specular highlights on upper strands; high absorption in shadowed areas. Minimal movement, only fine strands displaced suggesting a light breeze or prior motion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with an even finish, controlled luminosity, between natural and soft-glow. Medium coverage, minimal visible skin texture. Facial lighting enhances the center of the face: forehead, nose bridge, cheekbone tops, and chin. Subtle contouring without strong definition. Eyes with soft contrast; defined lashes, minimal or imperceptible eyeliner, light pink/neutral low-saturation eyeshadow. Natural brows with soft linear shaping. Light pink blush concentrated on the cheeks. Lips in a natural pink tone, creamy/lightly glossy finish, preserved contour. Broadly blended transitions without harsh edges. Cool ambient lighting maintains the pink balance of the makeup without yellow contamination. Mandatory: makeup must be clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails mainly visible on the right hand near the face. Short to medium-short length, reduced free edge. Rounded/short oval shape. Low apparent thickness, natural curvature, no evident apex. Material visually consistent with natural nails or a thin gel layer. Subtle glossy finish. No discernible nail art due to distance and resolution. Functional integration with the pose: fingertips oriented outward in the “V” gesture, without chromatic prominence. WARDROBE (Stylist / Tailor / Costume Designer) Light pink cheer-style sweater top, medium-thickness knitted fabric, V-neck with white stripes, cuffs and hem with repeating stripes. Soft structure, moderate elasticity, fitted-relaxed drape: conforms to shoulders and chest, creates looseness in the abdomen and sleeves. Visible vertical knit texture and panel variations. White pleated skirt, synthetic or lightweight tailored fabric with strong structural memory; wide, rigid pleats projected by the raised leg and gravity. Underneath, visible white shorts/lining. White ribbed socks below the knee, with compression and bunching at the ankle of the raised leg. Saddle/oxford-style shoes in beige, white, and black, light brown sole, semi-gloss finish. Main accessories: two white/pink pompoms, radial structure of thin plastic strips, high diffuse reflection, large volume in both hands. STYLE (Image Editor / Retoucher) Primary focus on face and body; background with strong blur and smooth transitions. High sharpness in the facial region, frontal hair, sweater knit, and skirt edges. Skin treatment with moderate smoothing while preserving contours, reducing pores and microtexture. Bright color correction, high-key, moderate contrast, controlled saturation with emphasis on pink, white, and blue. Shallow blacks; open shadows. Possible skin tone uniformity and minor detail cleanup. Grain nearly absent; high digital quality; subtle compression. Aesthetic signature: clean, bright, idol/editorial outdoor. Aspect_ratio: approximately 2:3 vertical.
STRICT IDENTITY LOCK — MANDATORY The person shown must be 100% identical to the subject in the provided reference image. No changes, no reinterpretation, no beautification, no stylization, no facial drift. The following elements must remain exactly the same in every output: – Face – Facial structure and proportions – Eyes, nose, lips, ears – Skin texture – Hair color, length, structure, hairline – Overall facial expression and identity Photorealistic cinematic wide shot of a fierce post-apocalyptic rebel woman with wild copper-brown curly hair, melancholic expression, torn dirty off-white linen shirt knotted below chest revealing toned oiled midriff, layered organic bead necklaces, heavy silver bangles, weathered cargo pants with torn blood-stained floral fabric sash, worn leather boots, sitting sideways relaxed on the worn leather saddle of a vintage heavily weathered red V-twin motorcycle labeled ALPHONSE, left arm extended back resting on rear leather saddlebag, legs crossed loosely over engine block, torso slightly reclined rotated toward camera, direct melancholic gaze into lens, set against a vast surreal post-apocalyptic wasteland landscape, collapsed brutalist megastructures half-buried in toxic ash and debris stretching to the horizon, twisted rusted steel girders reaching into a poisonous amber and sickly green sky, flickering dying neon signs in an unknown language embedded in crumbling concrete walls, dense low-hanging toxic fog rolling across cracked scorched earth, puddles of iridescent oil reflecting distorted neon light, tangled power lines sagging between broken towers, burned-out vehicle husks scattered across the ground, distant fires burning with pale blue and orange flames on the horizon, oppressive low claustrophobic sky pressing down on the landscape, volumetric god rays breaking through toxic clouds in pale sickly yellow tones, deep dramatic shadows surrounding the woman and motorcycle, rim lighting outlining her silhouette in cold blue neon against the warm apocalyptic background, heavy cinematic color grading with desaturated teal and orange tones, film grain, lens flare from distant fire, hyper detailed photorealistic render, ultra sharp foreground with atmospheric depth of field fade into hazy apocalyptic background, cinematic anamorphic widescreen composition, shot on ARRI Alexa 65mm anamorphic lens, f/2.0, golden hour apocalyptic light, 8K resolution --ar 21:9 --style raw --stylize 900 --v 6 Negative Prompt: clean environment, bright daylight, blue sky, green nature, happy atmosphere, studio background, neutral background, white background, cartoon, anime, CGI look, plastic skin, oversaturated colors, extra limbs, blurry subject, helmet, goggles, wrong motorcycle, standing pose, symmetrical lighting, flat lighting, overexposed
masterpiece, best quality, 1girl, solo, breasts, looking at viewer, smile, short hair, open mouth, blue eyes, hat, gloves, dress, holding, cleavage, bare shoulders, underwear, standing, panties, weapon, purple hair, :d, thighs, cowboy shot, necktie, black gloves, elbow gloves, armpits, holding weapon, uniform, huge breasts, arm up, v-shaped eyebrows, black panties, strapless, covered navel, skindentation, thigh strap, thick thighs, short dress, polearm, red necktie, side-tie panties, peaked cap, strapless dress, purple dress, side slit, curvy, wide hips, contrapposto, legs apart, tiles, axe, purple gloves, tile floor, police, police uniform, halberd, tube dress, gangbang, big dicks <lora:lora_128_0100:0.75>
Vintage color photograph 1970 Vietnam War US GI off-duty confident pose, muscular athletic young soldier standing tall outside military compound or port area South Vietnam, harsh midday tropical sunlight strong side shadows emphasizing deep muscle cuts veiny arms shoulders pecs, Kodak Ektachrome faded warm saturation slight magenta yellow aging shift, medium grain, realistic amateur GI snapshot Instamatic style, vignette light bloom dust specks Man : 25-30 ans, handsome rugged Caucasian face short light brown/blondish hair military buzz cut or short crop, thick stubble or short beard light brown, intense confident expression looking up slightly chin raised lips parted subtle smirk, wearing classic white cotton A-shirt US Army undershirt tank top ribbed clinging tight to massive defined torso thick rounded pecs vascular arms deltoids traps bulging, khaki tan utility pants or fatigue trousers low on hips web belt canvas OD green visible, no shirt over, aviator sunglasses gold frame mirrored lenses reflecting sky, dog tags silver chain visible under tank top neckline, skin tanned bronze sweaty glistening in heat, powerful physique combat-ready but beefcake aesthetic veiny forearms biceps peaked relaxed pose hands on hips or one gripping metal container Pose : full body three-quarter front view heroic upward gaze chest out shoulders back emphasizing V-taper lats and arms, stance wide powerful legs, one foot forward casual dominant Background : softly blurred industrial military setting Vietnam era, corrugated metal shipping containers rusty beige/gray stacked, chain link fence barbed wire top, wooden crates ammo boxes scattered, distant palm trees jungle haze, red laterite dirt ground dusty, humid oppressive atmosphere heat shimmer, faint outline of jeep or truck parked nearby, no weapons visible off-duty relaxed vibe Style : authentic Vietnam War era color off-duty GI beefcake physique photo, high detail realistic historical reenactment raw masculine confident homoerotic subtle, vintage film imperfections scratches chemical fading bloom highlights, inspired by rare 1968-1972 GI personal color slides shirtless/tank top firebase/port snapshots from combat photographers or private collections
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor environment, open sky, vertical framing. Foreground occupied by uneven-textured grass, yellow-green, with thin blades blurred along the lower edge. Midground dominated by the central human figure. Background features a horizontal reddish track and low, light-colored buildings, heavily blurred due to shallow depth of field. Low horizon; a uniform blue sky occupies more than half of the upper image. Direct natural lighting, high and front-side incidence, neutral to slightly cool temperature. Short, soft shadows under chin, sleeves, skirt, and raised leg. Materials: matte grass, textureless sky, smooth low-reflection buildings. Centered composition without rigid symmetry, with radial repetition in pompom fringes and skirt pleats. Spatial relation: subject stands out through tonal separation and background blur. POSE (Photographer / Pose Stylist) Body supported unipodally on the left leg; center of gravity vertically aligned over this axis. Right leg raised with pronounced hip and knee flexion, thigh in moderate abduction and slight external rotation; right foot near the opposite knee. Torso nearly frontal with slight lateral tilt to the left of the image. Spine in a compensatory curve for stabilization. Right shoulder elevated due to arm flexion; left shoulder lower and laterally positioned. Right arm flexed, hand beside the face forming a “V” with index and middle fingers; elbow opened laterally. Left arm flexed holding a pompom. Head slightly tilted to the right of the image with minor frontal rotation. Facial expression with a smile, active perioral musculature, gaze directed at the camera. Low-angle perspective shortens the torso and visually enlarges thighs and the raised leg. HAIR (Hairstylist) She has the same hair as in the provided photo; styled as jet-black, long length reaching the waist, tied back with the main mass concentrated in the occipital region. Sparse front fringe in fine vertical/diagonal strands across the forehead. Predominantly downward vectors in the fringe, with loose lateral strands near cheeks and nape. Smooth texture with slight residual waviness at the ends. Moderate volume at the crown, with compression in the tied area and irregular expansion on the sides due to stray strands. Rounded upper contour; fragmented silhouette from flyaways. Light interaction: narrow specular highlights on upper strands; high absorption in shadowed areas. Minimal movement, only fine strands displaced suggesting a light breeze or prior motion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with an even finish, controlled luminosity, between natural and soft-glow. Medium coverage, minimal visible skin texture. Facial lighting enhances the center of the face: forehead, nose bridge, cheekbone tops, and chin. Subtle contouring without strong definition. Eyes with soft contrast; defined lashes, minimal or imperceptible eyeliner, light pink/neutral low-saturation eyeshadow. Natural brows with soft linear shaping. Light pink blush concentrated on the cheeks. Lips in a natural pink tone, creamy/lightly glossy finish, preserved contour. Broadly blended transitions without harsh edges. Cool ambient lighting maintains the pink balance of the makeup without yellow contamination. Mandatory: makeup must be clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails mainly visible on the right hand near the face. Short to medium-short length, reduced free edge. Rounded/short oval shape. Low apparent thickness, natural curvature, no evident apex. Material visually consistent with natural nails or a thin gel layer. Subtle glossy finish. No discernible nail art due to distance and resolution. Functional integration with the pose: fingertips oriented outward in the “V” gesture, without chromatic prominence. WARDROBE (Stylist / Tailor / Costume Designer) Light pink cheer-style sweater top, medium-thickness knitted fabric, V-neck with white stripes, cuffs and hem with repeating stripes. Soft structure, moderate elasticity, fitted-relaxed drape: conforms to shoulders and chest, creates looseness in the abdomen and sleeves. Visible vertical knit texture and panel variations. White pleated skirt, synthetic or lightweight tailored fabric with strong structural memory; wide, rigid pleats projected by the raised leg and gravity. Underneath, visible white shorts/lining. White ribbed socks below the knee, with compression and bunching at the ankle of the raised leg. Saddle/oxford-style shoes in beige, white, and black, light brown sole, semi-gloss finish. Main accessories: two white/pink pompoms, radial structure of thin plastic strips, high diffuse reflection, large volume in both hands. STYLE (Image Editor / Retoucher) Primary focus on face and body; background with strong blur and smooth transitions. High sharpness in the facial region, frontal hair, sweater knit, and skirt edges. Skin treatment with moderate smoothing while preserving contours, reducing pores and microtexture. Bright color correction, high-key, moderate contrast, controlled saturation with emphasis on pink, white, and blue. Shallow blacks; open shadows. Possible skin tone uniformity and minor detail cleanup. Grain nearly absent; high digital quality; subtle compression. Aesthetic signature: clean, bright, idol/editorial outdoor. Aspect_ratio: approximately 2:3 vertical.
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --v 5.2 --style raw --ar 59:84
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --ar 59:84 --v 5.2 --style raw
A woman with long, wavy brown hair reclines on a luxurious red and gold upholstered chair. She is wearing a black lace dress with a deep V-neckline, adorned with sparkling embellishments. Her left arm rests on the armrest of the chair, showcasing a jeweled bracelet, while her right hand is placed near her face. She has a sultry expression with red lipstick, and her legs are elegantly crossed, wearing high-heeled sandals. The background is a warm, dimly lit setting with hints of floral patterns.
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
Photorealistic, cinematic shot of a beautiful, tan woman with electric blue eyes and dark hair in a messy bun. She is leaning deeply forward towards the viewer, creating a sense of intimate connection. The setting is a cozy, dimly lit date night scene, perhaps a quiet cocktail lounge or a softly lit apartment. Soft, warm, ambient lighting from nearby fairy lights or a single pendant lamp casts gentle shadows.Close-up portrait, eye-level perspective, as if we are the person she is leaning towards. Her expression is a soft, knowing, and slightly playful smile, her electric blue eyes are locked with the viewer's. She is in the middle of tucking a loose strand of her dark hair behind her ear, her fingers gently brushing against it.She wears a loose-fitting, lightweight white linen shirt that has fallen way off one shoulder, down to her elbow, revealing a smooth, tan shoulder and arm. The deep V-neck of the shirt shows cleavage and a subtle view of a small, delicate wildflower tattoo on her chestbone. On her exposed upper arm and shoulder, a detailed heart tattoo is visible. As she leans forward, the loose shirt drapes away from her body, hinting at a intricate moon and stars tattoo on her rib cage. A glimpse of a simple silver navel piercing catches the light. Stark tan lines are visible on her chest and shoulders, contrasting with her sun-kissed skin.Shot on a cinematic lens (like a 50mm f/1.2). Shallow depth of field, with her face and eyes in sharp focus and the background melting into a beautiful, soft bokeh of warm, golden lights. The atmosphere is intimate, warm, and charged with quiet anticipation. Style: hyperrealistic, detailed skin texture, filmic grain, sensual and romantic mood.
A photograph styled the universe of warhammer fantasy role play, Tall bulky man with shoulders that angle up in a V. His torso and arms are covered in bone plating that can be disguised by wearing a shirt or jacket, which is normally what he does. Dark hair, small red eyes and a mouth full of small razor sharp teeth.
Vintage 1950s color photograph muscular rugged man from behind, back view pose leaning on industrial crate or metal workbench in warehouse or garage setting, mid-1950s Kodachrome slide aesthetic, vivid saturated warm colors with slight magenta/yellow aging fade, rich skin tones tanned bronze-orange, fine to medium grain, soft vignette edges, realistic amateur snapshot feel possibly from hidden or private physique shoot Man : 30-40 ans, very muscular broad back V-shape lats thick traps shoulders arms veiny and defined, skin shiny slightly oiled or sweaty under warm light, full thick dark beard with some gray hints rugged face in profile strong jaw intense expression looking sideways, high fade or short military buzz cut dark hair, ear visible no earring, gold chain necklace thin visible on neck Wearing : khaki tan military-style cargo shorts mid-thigh length slightly dirty/muddy at hems cuffs rolled or frayed, brown leather belt thick with metal buckle engraved or plain, pockets flap visible, no shirt torso fully bare showing massive back muscles rippling under skin, olive drab/greenish shirt or jacket casually draped over one shoulder hanging down back loosely Pose : dynamic rear three-quarter view, one hand gripping edge of wooden/metal crate or industrial box, arm flexed biceps peaked, legs powerful thighs calves defined stance wide for balance, slight arch in lower back emphasizing glutes and hamstrings, dirt or dust on floor and surroundings adding gritty realism Background : industrial warehouse or garage 1950s style, corrugated metal walls gray/beige striped, wooden crates stacked, tools scattered, dim warm incandescent bulb light from side/top creating strong chiaroscuro shadows under shoulder blades lats arms enhancing muscle depth, sunlight filtering through high small window dusty rays, atmosphere adventurous workman beefcake clandestine homoerotic subtle Style : authentic 1950s color physique pictorial or underground gay beefcake photo, Kodachrome vivid retro saturation, high detail but vintage imperfections (light chemical bloom in highlights, dust specks, slight color shift), realistic historical reenactment raw masculine tender, inspired by 1950s Tom of Finland influences or Bob Mizer Athletic Model Guild color slides but more candid snapshot
STRICT IDENTITY LOCK — MANDATORY The person shown must be 100% identical to the subject in the provided reference image. No changes, no reinterpretation, no beautification, no stylization, no facial drift. The following elements must remain exactly the same in every output: – Face – Facial structure and proportions – Eyes, nose, lips, ears – Skin texture – Hair color, length, structure, hairline – Overall facial expression and identity Photorealistic cinematic wide shot of a fierce post-apocalyptic rebel woman with wild copper-brown curly hair, melancholic expression, torn dirty off-white linen shirt knotted below chest revealing toned oiled midriff, layered organic bead necklaces, heavy silver bangles, weathered cargo pants with torn blood-stained floral fabric sash, worn leather boots, sitting sideways relaxed on the worn leather saddle of a vintage heavily weathered red V-twin motorcycle labeled ALPHONSE, left arm extended back resting on rear leather saddlebag, legs crossed loosely over engine block, torso slightly reclined rotated toward camera, direct melancholic gaze into lens, set against a vast surreal post-apocalyptic wasteland landscape, collapsed brutalist megastructures half-buried in toxic ash and debris stretching to the horizon, twisted rusted steel girders reaching into a poisonous amber and sickly green sky, flickering dying neon signs in an unknown language embedded in crumbling concrete walls, dense low-hanging toxic fog rolling across cracked scorched earth, puddles of iridescent oil reflecting distorted neon light, tangled power lines sagging between broken towers, burned-out vehicle husks scattered across the ground, distant fires burning with pale blue and orange flames on the horizon, oppressive low claustrophobic sky pressing down on the landscape, volumetric god rays breaking through toxic clouds in pale sickly yellow tones, deep dramatic shadows surrounding the woman and motorcycle, rim lighting outlining her silhouette in cold blue neon against the warm apocalyptic background, heavy cinematic color grading with desaturated teal and orange tones, film grain, lens flare from distant fire, hyper detailed photorealistic render, ultra sharp foreground with atmospheric depth of field fade into hazy apocalyptic background, cinematic anamorphic widescreen composition, shot on ARRI Alexa 65mm anamorphic lens, f/2.0, golden hour apocalyptic light, 8K resolution --ar 21:9 --style raw --stylize 900 --v 6 Negative Prompt: clean environment, bright daylight, blue sky, green nature, happy atmosphere, studio background, neutral background, white background, cartoon, anime, CGI look, plastic skin, oversaturated colors, extra limbs, blurry subject, helmet, goggles, wrong motorcycle, standing pose, symmetrical lighting, flat lighting, overexposed
Vintage color photograph 1970 Vietnam War US GI off-duty confident pose, muscular athletic young soldier standing tall outside military compound or port area South Vietnam, harsh midday tropical sunlight strong side shadows emphasizing deep muscle cuts veiny arms shoulders pecs, Kodak Ektachrome faded warm saturation slight magenta yellow aging shift, medium grain, realistic amateur GI snapshot Instamatic style, vignette light bloom dust specks Man : 25-30 ans, handsome rugged Caucasian face short light brown/blondish hair military buzz cut or short crop, thick stubble or short beard light brown, intense confident expression looking up slightly chin raised lips parted subtle smirk, wearing classic white cotton A-shirt US Army undershirt tank top ribbed clinging tight to massive defined torso thick rounded pecs vascular arms deltoids traps bulging, khaki tan utility pants or fatigue trousers low on hips web belt canvas OD green visible, no shirt over, aviator sunglasses gold frame mirrored lenses reflecting sky, dog tags silver chain visible under tank top neckline, skin tanned bronze sweaty glistening in heat, powerful physique combat-ready but beefcake aesthetic veiny forearms biceps peaked relaxed pose hands on hips or one gripping metal container Pose : full body three-quarter front view heroic upward gaze chest out shoulders back emphasizing V-taper lats and arms, stance wide powerful legs, one foot forward casual dominant Background : softly blurred industrial military setting Vietnam era, corrugated metal shipping containers rusty beige/gray stacked, chain link fence barbed wire top, wooden crates ammo boxes scattered, distant palm trees jungle haze, red laterite dirt ground dusty, humid oppressive atmosphere heat shimmer, faint outline of jeep or truck parked nearby, no weapons visible off-duty relaxed vibe Style : authentic Vietnam War era color off-duty GI beefcake physique photo, high detail realistic historical reenactment raw masculine confident homoerotic subtle, vintage film imperfections scratches chemical fading bloom highlights, inspired by rare 1968-1972 GI personal color slides shirtless/tank top firebase/port snapshots from combat photographers or private collections
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --v 5.2 --style raw --ar 59:84
Photorealistic, cinematic shot of a beautiful, tan woman with electric blue eyes and dark hair in a messy bun. She is leaning deeply forward towards the viewer, creating a sense of intimate connection. The setting is a cozy, dimly lit date night scene, perhaps a quiet cocktail lounge or a softly lit apartment. Soft, warm, ambient lighting from nearby fairy lights or a single pendant lamp casts gentle shadows.Close-up portrait, eye-level perspective, as if we are the person she is leaning towards. Her expression is a soft, knowing, and slightly playful smile, her electric blue eyes are locked with the viewer's. She is in the middle of tucking a loose strand of her dark hair behind her ear, her fingers gently brushing against it.She wears a loose-fitting, lightweight white linen shirt that has fallen way off one shoulder, down to her elbow, revealing a smooth, tan shoulder and arm. The deep V-neck of the shirt shows cleavage and a subtle view of a small, delicate wildflower tattoo on her chestbone. On her exposed upper arm and shoulder, a detailed heart tattoo is visible. As she leans forward, the loose shirt drapes away from her body, hinting at a intricate moon and stars tattoo on her rib cage. A glimpse of a simple silver navel piercing catches the light. Stark tan lines are visible on her chest and shoulders, contrasting with her sun-kissed skin.Shot on a cinematic lens (like a 50mm f/1.2). Shallow depth of field, with her face and eyes in sharp focus and the background melting into a beautiful, soft bokeh of warm, golden lights. The atmosphere is intimate, warm, and charged with quiet anticipation. Style: hyperrealistic, detailed skin texture, filmic grain, sensual and romantic mood.
Vintage 1950s color photograph muscular rugged man from behind, back view pose leaning on industrial crate or metal workbench in warehouse or garage setting, mid-1950s Kodachrome slide aesthetic, vivid saturated warm colors with slight magenta/yellow aging fade, rich skin tones tanned bronze-orange, fine to medium grain, soft vignette edges, realistic amateur snapshot feel possibly from hidden or private physique shoot Man : 30-40 ans, very muscular broad back V-shape lats thick traps shoulders arms veiny and defined, skin shiny slightly oiled or sweaty under warm light, full thick dark beard with some gray hints rugged face in profile strong jaw intense expression looking sideways, high fade or short military buzz cut dark hair, ear visible no earring, gold chain necklace thin visible on neck Wearing : khaki tan military-style cargo shorts mid-thigh length slightly dirty/muddy at hems cuffs rolled or frayed, brown leather belt thick with metal buckle engraved or plain, pockets flap visible, no shirt torso fully bare showing massive back muscles rippling under skin, olive drab/greenish shirt or jacket casually draped over one shoulder hanging down back loosely Pose : dynamic rear three-quarter view, one hand gripping edge of wooden/metal crate or industrial box, arm flexed biceps peaked, legs powerful thighs calves defined stance wide for balance, slight arch in lower back emphasizing glutes and hamstrings, dirt or dust on floor and surroundings adding gritty realism Background : industrial warehouse or garage 1950s style, corrugated metal walls gray/beige striped, wooden crates stacked, tools scattered, dim warm incandescent bulb light from side/top creating strong chiaroscuro shadows under shoulder blades lats arms enhancing muscle depth, sunlight filtering through high small window dusty rays, atmosphere adventurous workman beefcake clandestine homoerotic subtle Style : authentic 1950s color physique pictorial or underground gay beefcake photo, Kodachrome vivid retro saturation, high detail but vintage imperfections (light chemical bloom in highlights, dust specks, slight color shift), realistic historical reenactment raw masculine tender, inspired by 1950s Tom of Finland influences or Bob Mizer Athletic Model Guild color slides but more candid snapshot
STRICT IDENTITY LOCK — MANDATORY The person shown must be 100% identical to the subject in the provided reference image. No changes, no reinterpretation, no beautification, no stylization, no facial drift. The following elements must remain exactly the same in every output: – Face – Facial structure and proportions – Eyes, nose, lips, ears – Skin texture – Hair color, length, structure, hairline – Overall facial expression and identity Photorealistic cinematic wide shot of a fierce post-apocalyptic rebel woman with wild copper-brown curly hair, melancholic expression, torn dirty off-white linen shirt knotted below chest revealing toned oiled midriff, layered organic bead necklaces, heavy silver bangles, weathered cargo pants with torn blood-stained floral fabric sash, worn leather boots, sitting sideways relaxed on the worn leather saddle of a vintage heavily weathered red V-twin motorcycle labeled ALPHONSE, left arm extended back resting on rear leather saddlebag, legs crossed loosely over engine block, torso slightly reclined rotated toward camera, direct melancholic gaze into lens, set against a vast surreal post-apocalyptic wasteland landscape, collapsed brutalist megastructures half-buried in toxic ash and debris stretching to the horizon, twisted rusted steel girders reaching into a poisonous amber and sickly green sky, flickering dying neon signs in an unknown language embedded in crumbling concrete walls, dense low-hanging toxic fog rolling across cracked scorched earth, puddles of iridescent oil reflecting distorted neon light, tangled power lines sagging between broken towers, burned-out vehicle husks scattered across the ground, distant fires burning with pale blue and orange flames on the horizon, oppressive low claustrophobic sky pressing down on the landscape, volumetric god rays breaking through toxic clouds in pale sickly yellow tones, deep dramatic shadows surrounding the woman and motorcycle, rim lighting outlining her silhouette in cold blue neon against the warm apocalyptic background, heavy cinematic color grading with desaturated teal and orange tones, film grain, lens flare from distant fire, hyper detailed photorealistic render, ultra sharp foreground with atmospheric depth of field fade into hazy apocalyptic background, cinematic anamorphic widescreen composition, shot on ARRI Alexa 65mm anamorphic lens, f/2.0, golden hour apocalyptic light, 8K resolution --ar 21:9 --style raw --stylize 900 --v 6 Negative Prompt: clean environment, bright daylight, blue sky, green nature, happy atmosphere, studio background, neutral background, white background, cartoon, anime, CGI look, plastic skin, oversaturated colors, extra limbs, blurry subject, helmet, goggles, wrong motorcycle, standing pose, symmetrical lighting, flat lighting, overexposed
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor environment, open sky, vertical framing. Foreground occupied by uneven-textured grass, yellow-green, with thin blades blurred along the lower edge. Midground dominated by the central human figure. Background features a horizontal reddish track and low, light-colored buildings, heavily blurred due to shallow depth of field. Low horizon; a uniform blue sky occupies more than half of the upper image. Direct natural lighting, high and front-side incidence, neutral to slightly cool temperature. Short, soft shadows under chin, sleeves, skirt, and raised leg. Materials: matte grass, textureless sky, smooth low-reflection buildings. Centered composition without rigid symmetry, with radial repetition in pompom fringes and skirt pleats. Spatial relation: subject stands out through tonal separation and background blur. POSE (Photographer / Pose Stylist) Body supported unipodally on the left leg; center of gravity vertically aligned over this axis. Right leg raised with pronounced hip and knee flexion, thigh in moderate abduction and slight external rotation; right foot near the opposite knee. Torso nearly frontal with slight lateral tilt to the left of the image. Spine in a compensatory curve for stabilization. Right shoulder elevated due to arm flexion; left shoulder lower and laterally positioned. Right arm flexed, hand beside the face forming a “V” with index and middle fingers; elbow opened laterally. Left arm flexed holding a pompom. Head slightly tilted to the right of the image with minor frontal rotation. Facial expression with a smile, active perioral musculature, gaze directed at the camera. Low-angle perspective shortens the torso and visually enlarges thighs and the raised leg. HAIR (Hairstylist) She has the same hair as in the provided photo; styled as jet-black, long length reaching the waist, tied back with the main mass concentrated in the occipital region. Sparse front fringe in fine vertical/diagonal strands across the forehead. Predominantly downward vectors in the fringe, with loose lateral strands near cheeks and nape. Smooth texture with slight residual waviness at the ends. Moderate volume at the crown, with compression in the tied area and irregular expansion on the sides due to stray strands. Rounded upper contour; fragmented silhouette from flyaways. Light interaction: narrow specular highlights on upper strands; high absorption in shadowed areas. Minimal movement, only fine strands displaced suggesting a light breeze or prior motion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with an even finish, controlled luminosity, between natural and soft-glow. Medium coverage, minimal visible skin texture. Facial lighting enhances the center of the face: forehead, nose bridge, cheekbone tops, and chin. Subtle contouring without strong definition. Eyes with soft contrast; defined lashes, minimal or imperceptible eyeliner, light pink/neutral low-saturation eyeshadow. Natural brows with soft linear shaping. Light pink blush concentrated on the cheeks. Lips in a natural pink tone, creamy/lightly glossy finish, preserved contour. Broadly blended transitions without harsh edges. Cool ambient lighting maintains the pink balance of the makeup without yellow contamination. Mandatory: makeup must be clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails mainly visible on the right hand near the face. Short to medium-short length, reduced free edge. Rounded/short oval shape. Low apparent thickness, natural curvature, no evident apex. Material visually consistent with natural nails or a thin gel layer. Subtle glossy finish. No discernible nail art due to distance and resolution. Functional integration with the pose: fingertips oriented outward in the “V” gesture, without chromatic prominence. WARDROBE (Stylist / Tailor / Costume Designer) Light pink cheer-style sweater top, medium-thickness knitted fabric, V-neck with white stripes, cuffs and hem with repeating stripes. Soft structure, moderate elasticity, fitted-relaxed drape: conforms to shoulders and chest, creates looseness in the abdomen and sleeves. Visible vertical knit texture and panel variations. White pleated skirt, synthetic or lightweight tailored fabric with strong structural memory; wide, rigid pleats projected by the raised leg and gravity. Underneath, visible white shorts/lining. White ribbed socks below the knee, with compression and bunching at the ankle of the raised leg. Saddle/oxford-style shoes in beige, white, and black, light brown sole, semi-gloss finish. Main accessories: two white/pink pompoms, radial structure of thin plastic strips, high diffuse reflection, large volume in both hands. STYLE (Image Editor / Retoucher) Primary focus on face and body; background with strong blur and smooth transitions. High sharpness in the facial region, frontal hair, sweater knit, and skirt edges. Skin treatment with moderate smoothing while preserving contours, reducing pores and microtexture. Bright color correction, high-key, moderate contrast, controlled saturation with emphasis on pink, white, and blue. Shallow blacks; open shadows. Possible skin tone uniformity and minor detail cleanup. Grain nearly absent; high digital quality; subtle compression. Aesthetic signature: clean, bright, idol/editorial outdoor. Aspect_ratio: approximately 2:3 vertical.
masterpiece, best quality, 1girl, solo, breasts, looking at viewer, smile, short hair, open mouth, blue eyes, hat, gloves, dress, holding, cleavage, bare shoulders, underwear, standing, panties, weapon, purple hair, :d, thighs, cowboy shot, necktie, black gloves, elbow gloves, armpits, holding weapon, uniform, huge breasts, arm up, v-shaped eyebrows, black panties, strapless, covered navel, skindentation, thigh strap, thick thighs, short dress, polearm, red necktie, side-tie panties, peaked cap, strapless dress, purple dress, side slit, curvy, wide hips, contrapposto, legs apart, tiles, axe, purple gloves, tile floor, police, police uniform, halberd, tube dress, gangbang, big dicks <lora:lora_128_0100:0.75>
A woman with long, wavy brown hair reclines on a luxurious red and gold upholstered chair. She is wearing a black lace dress with a deep V-neckline, adorned with sparkling embellishments. Her left arm rests on the armrest of the chair, showcasing a jeweled bracelet, while her right hand is placed near her face. She has a sultry expression with red lipstick, and her legs are elegantly crossed, wearing high-heeled sandals. The background is a warm, dimly lit setting with hints of floral patterns.
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --ar 59:84 --v 5.2 --style raw
A photograph styled the universe of warhammer fantasy role play, Tall bulky man with shoulders that angle up in a V. His torso and arms are covered in bone plating that can be disguised by wearing a shirt or jacket, which is normally what he does. Dark hair, small red eyes and a mouth full of small razor sharp teeth.
A woman with long, wavy brown hair reclines on a luxurious red and gold upholstered chair. She is wearing a black lace dress with a deep V-neckline, adorned with sparkling embellishments. Her left arm rests on the armrest of the chair, showcasing a jeweled bracelet, while her right hand is placed near her face. She has a sultry expression with red lipstick, and her legs are elegantly crossed, wearing high-heeled sandals. The background is a warm, dimly lit setting with hints of floral patterns.
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --v 5.2 --style raw --ar 59:84
A photograph styled the universe of warhammer fantasy role play, Tall bulky man with shoulders that angle up in a V. His torso and arms are covered in bone plating that can be disguised by wearing a shirt or jacket, which is normally what he does. Dark hair, small red eyes and a mouth full of small razor sharp teeth.
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
masterpiece, best quality, 1girl, solo, breasts, looking at viewer, smile, short hair, open mouth, blue eyes, hat, gloves, dress, holding, cleavage, bare shoulders, underwear, standing, panties, weapon, purple hair, :d, thighs, cowboy shot, necktie, black gloves, elbow gloves, armpits, holding weapon, uniform, huge breasts, arm up, v-shaped eyebrows, black panties, strapless, covered navel, skindentation, thigh strap, thick thighs, short dress, polearm, red necktie, side-tie panties, peaked cap, strapless dress, purple dress, side slit, curvy, wide hips, contrapposto, legs apart, tiles, axe, purple gloves, tile floor, police, police uniform, halberd, tube dress, gangbang, big dicks <lora:lora_128_0100:0.75>
a realistic photo of a [very pretty 17 year old modern fashion skinny girl], with [middle, wavy, dark hair, light brown hair with curtain bangs], looks like [Emilia Clarke] and [Dakota Johnson] with brown eyes, dimple on the left cheek, dark freckles, light makeup, looking [innocent, cute, flushed], [light] skin, holding [violet bauble tea] in her arm--ar 9:16 --stylize 750 --v 6
Vintage 1950s color photograph muscular rugged man from behind, back view pose leaning on industrial crate or metal workbench in warehouse or garage setting, mid-1950s Kodachrome slide aesthetic, vivid saturated warm colors with slight magenta/yellow aging fade, rich skin tones tanned bronze-orange, fine to medium grain, soft vignette edges, realistic amateur snapshot feel possibly from hidden or private physique shoot Man : 30-40 ans, very muscular broad back V-shape lats thick traps shoulders arms veiny and defined, skin shiny slightly oiled or sweaty under warm light, full thick dark beard with some gray hints rugged face in profile strong jaw intense expression looking sideways, high fade or short military buzz cut dark hair, ear visible no earring, gold chain necklace thin visible on neck Wearing : khaki tan military-style cargo shorts mid-thigh length slightly dirty/muddy at hems cuffs rolled or frayed, brown leather belt thick with metal buckle engraved or plain, pockets flap visible, no shirt torso fully bare showing massive back muscles rippling under skin, olive drab/greenish shirt or jacket casually draped over one shoulder hanging down back loosely Pose : dynamic rear three-quarter view, one hand gripping edge of wooden/metal crate or industrial box, arm flexed biceps peaked, legs powerful thighs calves defined stance wide for balance, slight arch in lower back emphasizing glutes and hamstrings, dirt or dust on floor and surroundings adding gritty realism Background : industrial warehouse or garage 1950s style, corrugated metal walls gray/beige striped, wooden crates stacked, tools scattered, dim warm incandescent bulb light from side/top creating strong chiaroscuro shadows under shoulder blades lats arms enhancing muscle depth, sunlight filtering through high small window dusty rays, atmosphere adventurous workman beefcake clandestine homoerotic subtle Style : authentic 1950s color physique pictorial or underground gay beefcake photo, Kodachrome vivid retro saturation, high detail but vintage imperfections (light chemical bloom in highlights, dust specks, slight color shift), realistic historical reenactment raw masculine tender, inspired by 1950s Tom of Finland influences or Bob Mizer Athletic Model Guild color slides but more candid snapshot
Photorealistic, cinematic shot of a beautiful, tan woman with electric blue eyes and dark hair in a messy bun. She is leaning deeply forward towards the viewer, creating a sense of intimate connection. The setting is a cozy, dimly lit date night scene, perhaps a quiet cocktail lounge or a softly lit apartment. Soft, warm, ambient lighting from nearby fairy lights or a single pendant lamp casts gentle shadows.Close-up portrait, eye-level perspective, as if we are the person she is leaning towards. Her expression is a soft, knowing, and slightly playful smile, her electric blue eyes are locked with the viewer's. She is in the middle of tucking a loose strand of her dark hair behind her ear, her fingers gently brushing against it.She wears a loose-fitting, lightweight white linen shirt that has fallen way off one shoulder, down to her elbow, revealing a smooth, tan shoulder and arm. The deep V-neck of the shirt shows cleavage and a subtle view of a small, delicate wildflower tattoo on her chestbone. On her exposed upper arm and shoulder, a detailed heart tattoo is visible. As she leans forward, the loose shirt drapes away from her body, hinting at a intricate moon and stars tattoo on her rib cage. A glimpse of a simple silver navel piercing catches the light. Stark tan lines are visible on her chest and shoulders, contrasting with her sun-kissed skin.Shot on a cinematic lens (like a 50mm f/1.2). Shallow depth of field, with her face and eyes in sharp focus and the background melting into a beautiful, soft bokeh of warm, golden lights. The atmosphere is intimate, warm, and charged with quiet anticipation. Style: hyperrealistic, detailed skin texture, filmic grain, sensual and romantic mood.
Based on the uploaded image, create a high-fashion editorial portrait of me [the woman in the uploaded image — use the reference image as the exact basis for the face, facial features, and hairstyle]. 🔒 IDENTITY LOCK Preserve consistent facial features, natural skin texture with visible pores, realistic proportions, and subtle asymmetry. No smoothing, no filters, no exaggerated or caricatured effects. ⸻ 👤 SUBJECT — ME-INSPIRED FASHION ICON A confident woman. She has the exact same face, eyes, nose, lips, and expression as the person in the reference image. Her presence is playful, alluring, and self-assured, with a delicate doll-like touch — grounded in realism, without exaggeration. Her body must match the original subject in shape, skin texture, curvature projection, and bone structure — all curves must remain anatomically realistic, with no caricature or slimming. SCENE (Set Designer / Environmental Designer) Outdoor environment, open sky, vertical framing. Foreground occupied by uneven-textured grass, yellow-green, with thin blades blurred along the lower edge. Midground dominated by the central human figure. Background features a horizontal reddish track and low, light-colored buildings, heavily blurred due to shallow depth of field. Low horizon; a uniform blue sky occupies more than half of the upper image. Direct natural lighting, high and front-side incidence, neutral to slightly cool temperature. Short, soft shadows under chin, sleeves, skirt, and raised leg. Materials: matte grass, textureless sky, smooth low-reflection buildings. Centered composition without rigid symmetry, with radial repetition in pompom fringes and skirt pleats. Spatial relation: subject stands out through tonal separation and background blur. POSE (Photographer / Pose Stylist) Body supported unipodally on the left leg; center of gravity vertically aligned over this axis. Right leg raised with pronounced hip and knee flexion, thigh in moderate abduction and slight external rotation; right foot near the opposite knee. Torso nearly frontal with slight lateral tilt to the left of the image. Spine in a compensatory curve for stabilization. Right shoulder elevated due to arm flexion; left shoulder lower and laterally positioned. Right arm flexed, hand beside the face forming a “V” with index and middle fingers; elbow opened laterally. Left arm flexed holding a pompom. Head slightly tilted to the right of the image with minor frontal rotation. Facial expression with a smile, active perioral musculature, gaze directed at the camera. Low-angle perspective shortens the torso and visually enlarges thighs and the raised leg. HAIR (Hairstylist) She has the same hair as in the provided photo; styled as jet-black, long length reaching the waist, tied back with the main mass concentrated in the occipital region. Sparse front fringe in fine vertical/diagonal strands across the forehead. Predominantly downward vectors in the fringe, with loose lateral strands near cheeks and nape. Smooth texture with slight residual waviness at the ends. Moderate volume at the crown, with compression in the tied area and irregular expansion on the sides due to stray strands. Rounded upper contour; fragmented silhouette from flyaways. Light interaction: narrow specular highlights on upper strands; high absorption in shadowed areas. Minimal movement, only fine strands displaced suggesting a light breeze or prior motion. Mandatory: (“apply the hairstyle while preserving the fringe in 100% of cases”). MAKEUP (Professional Makeup Artist) Skin with an even finish, controlled luminosity, between natural and soft-glow. Medium coverage, minimal visible skin texture. Facial lighting enhances the center of the face: forehead, nose bridge, cheekbone tops, and chin. Subtle contouring without strong definition. Eyes with soft contrast; defined lashes, minimal or imperceptible eyeliner, light pink/neutral low-saturation eyeshadow. Natural brows with soft linear shaping. Light pink blush concentrated on the cheeks. Lips in a natural pink tone, creamy/lightly glossy finish, preserved contour. Broadly blended transitions without harsh edges. Cool ambient lighting maintains the pink balance of the makeup without yellow contamination. Mandatory: makeup must be clearly visible in close-up shots. (“apply the makeup while preserving the face in 100% of cases”). NAILS (Nail Designer) Nails mainly visible on the right hand near the face. Short to medium-short length, reduced free edge. Rounded/short oval shape. Low apparent thickness, natural curvature, no evident apex. Material visually consistent with natural nails or a thin gel layer. Subtle glossy finish. No discernible nail art due to distance and resolution. Functional integration with the pose: fingertips oriented outward in the “V” gesture, without chromatic prominence. WARDROBE (Stylist / Tailor / Costume Designer) Light pink cheer-style sweater top, medium-thickness knitted fabric, V-neck with white stripes, cuffs and hem with repeating stripes. Soft structure, moderate elasticity, fitted-relaxed drape: conforms to shoulders and chest, creates looseness in the abdomen and sleeves. Visible vertical knit texture and panel variations. White pleated skirt, synthetic or lightweight tailored fabric with strong structural memory; wide, rigid pleats projected by the raised leg and gravity. Underneath, visible white shorts/lining. White ribbed socks below the knee, with compression and bunching at the ankle of the raised leg. Saddle/oxford-style shoes in beige, white, and black, light brown sole, semi-gloss finish. Main accessories: two white/pink pompoms, radial structure of thin plastic strips, high diffuse reflection, large volume in both hands. STYLE (Image Editor / Retoucher) Primary focus on face and body; background with strong blur and smooth transitions. High sharpness in the facial region, frontal hair, sweater knit, and skirt edges. Skin treatment with moderate smoothing while preserving contours, reducing pores and microtexture. Bright color correction, high-key, moderate contrast, controlled saturation with emphasis on pink, white, and blue. Shallow blacks; open shadows. Possible skin tone uniformity and minor detail cleanup. Grain nearly absent; high digital quality; subtle compression. Aesthetic signature: clean, bright, idol/editorial outdoor. Aspect_ratio: approximately 2:3 vertical.
Vintage color photograph 1970 Vietnam War US GI off-duty confident pose, muscular athletic young soldier standing tall outside military compound or port area South Vietnam, harsh midday tropical sunlight strong side shadows emphasizing deep muscle cuts veiny arms shoulders pecs, Kodak Ektachrome faded warm saturation slight magenta yellow aging shift, medium grain, realistic amateur GI snapshot Instamatic style, vignette light bloom dust specks Man : 25-30 ans, handsome rugged Caucasian face short light brown/blondish hair military buzz cut or short crop, thick stubble or short beard light brown, intense confident expression looking up slightly chin raised lips parted subtle smirk, wearing classic white cotton A-shirt US Army undershirt tank top ribbed clinging tight to massive defined torso thick rounded pecs vascular arms deltoids traps bulging, khaki tan utility pants or fatigue trousers low on hips web belt canvas OD green visible, no shirt over, aviator sunglasses gold frame mirrored lenses reflecting sky, dog tags silver chain visible under tank top neckline, skin tanned bronze sweaty glistening in heat, powerful physique combat-ready but beefcake aesthetic veiny forearms biceps peaked relaxed pose hands on hips or one gripping metal container Pose : full body three-quarter front view heroic upward gaze chest out shoulders back emphasizing V-taper lats and arms, stance wide powerful legs, one foot forward casual dominant Background : softly blurred industrial military setting Vietnam era, corrugated metal shipping containers rusty beige/gray stacked, chain link fence barbed wire top, wooden crates ammo boxes scattered, distant palm trees jungle haze, red laterite dirt ground dusty, humid oppressive atmosphere heat shimmer, faint outline of jeep or truck parked nearby, no weapons visible off-duty relaxed vibe Style : authentic Vietnam War era color off-duty GI beefcake physique photo, high detail realistic historical reenactment raw masculine confident homoerotic subtle, vintage film imperfections scratches chemical fading bloom highlights, inspired by rare 1968-1972 GI personal color slides shirtless/tank top firebase/port snapshots from combat photographers or private collections
STRICT IDENTITY LOCK — MANDATORY The person shown must be 100% identical to the subject in the provided reference image. No changes, no reinterpretation, no beautification, no stylization, no facial drift. The following elements must remain exactly the same in every output: – Face – Facial structure and proportions – Eyes, nose, lips, ears – Skin texture – Hair color, length, structure, hairline – Overall facial expression and identity Photorealistic cinematic wide shot of a fierce post-apocalyptic rebel woman with wild copper-brown curly hair, melancholic expression, torn dirty off-white linen shirt knotted below chest revealing toned oiled midriff, layered organic bead necklaces, heavy silver bangles, weathered cargo pants with torn blood-stained floral fabric sash, worn leather boots, sitting sideways relaxed on the worn leather saddle of a vintage heavily weathered red V-twin motorcycle labeled ALPHONSE, left arm extended back resting on rear leather saddlebag, legs crossed loosely over engine block, torso slightly reclined rotated toward camera, direct melancholic gaze into lens, set against a vast surreal post-apocalyptic wasteland landscape, collapsed brutalist megastructures half-buried in toxic ash and debris stretching to the horizon, twisted rusted steel girders reaching into a poisonous amber and sickly green sky, flickering dying neon signs in an unknown language embedded in crumbling concrete walls, dense low-hanging toxic fog rolling across cracked scorched earth, puddles of iridescent oil reflecting distorted neon light, tangled power lines sagging between broken towers, burned-out vehicle husks scattered across the ground, distant fires burning with pale blue and orange flames on the horizon, oppressive low claustrophobic sky pressing down on the landscape, volumetric god rays breaking through toxic clouds in pale sickly yellow tones, deep dramatic shadows surrounding the woman and motorcycle, rim lighting outlining her silhouette in cold blue neon against the warm apocalyptic background, heavy cinematic color grading with desaturated teal and orange tones, film grain, lens flare from distant fire, hyper detailed photorealistic render, ultra sharp foreground with atmospheric depth of field fade into hazy apocalyptic background, cinematic anamorphic widescreen composition, shot on ARRI Alexa 65mm anamorphic lens, f/2.0, golden hour apocalyptic light, 8K resolution --ar 21:9 --style raw --stylize 900 --v 6 Negative Prompt: clean environment, bright daylight, blue sky, green nature, happy atmosphere, studio background, neutral background, white background, cartoon, anime, CGI look, plastic skin, oversaturated colors, extra limbs, blurry subject, helmet, goggles, wrong motorcycle, standing pose, symmetrical lighting, flat lighting, overexposed
A cowboy sits on an old wooden chair, by Frazetta, by Frank Frazetta, by Norman Rockwell, oil painting, fantasy western, portrait of handsome man sitting down, cowboy hat, dark green background, by Akihiko Yoshida, by Frank Fazetta, by Craig Mullins, by John William Waterhouse, by Jean Beraud pequeña cat is perched on top of his arm --ar 59:84 --v 5.2 --style raw