Washed out flash reflections Prompts

bright color grading, muted color grading, rear projection

bright color grading, muted color grading, rear projection

bright color grading, muted color grading, rear projection

bright color grading, muted color grading, rear projection

thrown water. silhouette. soft focus.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "4:5", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. No HDR, no modern digital processing. The image looks like a candid mirror selfie taken with an early digital point‑and‑shoot, not a modern smartphone camera. The flash overpowers all ambient light, creating deep shadows and overexposed highlights, but skin retains visible pores, fine hairs, and natural imperfections.", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { /* без изменений */ }, "eyes": { /* без изменений */ }, "nose": { /* без изменений */ }, "lips": { /* без изменений */ }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks, natural variation in pigmentation (slightly darker around eyes and mouth, lighter on forehead and chin)", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "visible fine pores 0.1–0.3 mm in T‑zone (forehead, nose, chin) with irregular distribution; pores on cheeks are smaller and denser", "micro_roughness": "present, with subtle orange‑peel texture visible under grazing light", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting, especially on cheeks and forehead", "subsurface_scattering": "moderate on nose, cheeks, earlobes, and fingertips (where skin is thin), creating a lifelike translucency with a warm reddish‑orange hue in backlit areas", "vellus_hairs": "delicate translucent vellus hairs (peach fuzz) on jawline, cheekbones, and upper lip, length 0.5–1.5 mm, visible under flash as fine silver strands", "micro_veins": "faintly discernible on temples, back of hands, and inner wrists, appearing as pale blue‑green lines under the thin skin", "specular_highlights": "healthy on forehead, nose, cheekbones, and cupid's bow; subtle oiliness in T‑zone (sebaceous filaments visible on nose), but not greasy", "natural_imperfections": "very faint freckles (barely visible) across the nose and upper cheeks; a few tiny hyperpigmentation spots (age spots) near the cheekbones; one or two micro‑comedones on the chin; invisible under heavy flash but add realism", "skin_details": "subtle expression lines around eyes (crow's feet) and between brows (faint worry lines) when relaxed; lip border shows fine vertical lines; nail beds have half‑moons and subtle cuticle texture" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks, with darker roots (2‑3 cm) showing natural growth", "style": "long straight dark brown hair, natural shine, falling over shoulders, with slight frizz and flyaways near the crown due to humidity", "texture": "individual strands visible, anisotropic reflections, slight variation in strand thickness (0.05‑0.08 mm), visible split ends on a few strands, natural volume with subtle body" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18‑20%) with hourglass figure, visible collarbones, slight ribcage outline when breathing, but not emaciated", "neck": "slender, elongated, with subtle horizontal creases (neck lines) that appear when turning head", "clavicles": "prominent, horizontal, with a slight depression above (supraclavicular fossa)", "shoulders": "faint muscle definition with delicate venous network on the deltoids", "curves": "subtle feminine curves with natural waist‑to‑hip ratio approx. 0.7, hips rounded but not exaggerated", "chest": "full bust with natural projection, slight asymmetry (left breast slightly larger), natural ptosis (gravity‑aware shape)" } }, "subject": { "demographics": "Young adult female (mid‑20s), my exact model Adèle", "hair": { "color": "chestnut brown with natural blonde balayage (bronde), multi‑tonal", "style": "long straight dark brown hair, natural shine, falling over shoulders, with slight frizz and flyaways near the crown", "texture": "glossy, healthy, individual strands visible, no frizz (but slight flyaways)" }, "face": { "expression": "thoughtful, slightly seductive, soft glam, lips slightly parted (1‑2 mm gap), relaxed eyelids", "gaze": "looking at the smartphone screen (approx. 10‑15° right of camera), not at camera lens, with natural micro‑saccades (eyes not perfectly still)", "makeup": "subtle, natural, glossy nude lips with a faint lip liner, soft contouring on cheeks and jawline, mascara (no false lashes), very light powder to reduce shine but not eliminate it", "visibility": "full face visible, head turned ~15‑20° left, slight tilt right (~5‑10°), chin slightly lowered, creating a subtle double chin shadow" }, "body": { "pose": "standing in front of a mirror, torso rotated ~10‑15° from front, leaning slightly forward (~5°). Right arm bent (70‑90°), hand holding a modern iPhone 17 Pro Max (light‑colored case, screen facing the subject, triple‑camera module visible on the back) at face level, fingers gripping the phone, index finger along the side, natural skin folds at the wrist. Left arm bent (60‑80°), elbow out of frame, hand gently supporting the cheek, fingers relaxed and slightly curled, nails visible with natural white tips and slight lunula. Waist‑up framing (from chest to above head), camera at eye level, distance ~40‑60 cm (typical mirror selfie), centered with slight right offset (due to phone).", "posture": "relaxed, confident, intimate, with a subtle S‑curve in the spine", "anatomy": { "curves": "hourglass figure", "chest": "full bust with natural projection, partially visible through open bathrobe, slight under‑breast crease", "details": "visible collarbones, slender neck, rings on left hand (engagement style with diamond, plus additional ring), faint knuckle creases" }, "skin_texture": "visible fine pores, natural glow, no airbrushing, subsurface scattering on cheeks and nose, subtle oiliness in T‑zone" }, "clothing": { "description": "White terry cloth bathrobe (soft, fluffy, high pile), deep V‑neckline, loose fit, with natural wrinkles and folds from movement. On the left chest area (heart), the text 'vgeux' is subtly embroidered in tonal white thread, barely visible.", "robe": "white terry bathrobe, deep V, open front, with loose belt hanging" }, "accessories": "engagement ring (diamond) on ring finger of left hand, additional ring on same hand; iPhone 17 Pro Max (light‑colored case, visible camera bump, screen showing mirror reflection with slight fingerprint smudges); nude glossy manicure with natural nail texture" }, "environment": { "setting": "Bathroom or bedroom with minimalist interior. Smooth beige‑cream wall, large mirror reflecting the scene. No visible decor, clean aesthetic.", "background": { "description": "Plain light wall (beige/cream) reflected in the mirror. Due to harsh flash, background appears dark with subtle texture, the flash creates a bright hotspot on the wall directly behind the subject, fading to dark gray at the edges. The mirror frame may be visible but not prominent. A slight reflection of the camera and hand is visible in the mirror (meta‑reflection).", "lighting": "harsh on‑camera flash (compact digital camera from early 1990s) as the only light source. Ambient room light is completely overpowered. Flash creates intense specular highlights on the white terry robe, skin, phone case, and rings. Deep, sharp shadows under chin, neck, and the hand holding the phone. The flash overexposes the central area of the image, creating a typical 90s compact camera 'deer‑in‑headlights' effect." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s)", "quality": "harsh flash with extremely high contrast, overexposed highlights on white robe and skin, deep shadows in background and under facial features", "effects": [ "strong flash creating specular highlights on the terry fabric, skin, rings, and phone screen", "overexposed areas on white robe and face (washed out, ethereal glow, but with visible texture due to grain and micro‑details)", "background dark with faint beige wall texture, almost black at edges", "grainy texture characteristic of early compact digital cameras (heavy grain in shadows, fine grain in highlights)", "washed out colors, low saturation, skin tones pale with golden highlights, lips slightly desaturated", "unreal contrast – bright whites next to deep blacks", "subtle chromatic aberration at image edges (purple/green fringing)", "slight barrel distortion from wide‑angle lens, with visible lens flare (small circular artifacts) near the flash", "slight motion blur from handheld shooting (micro‑jitter)" ], "color_cast": "cool flash white balance (slightly blue), mixed with warm skin tones, creating a neutral‑warm overall cast; white robe appears bright white with slight blue tint in shadows; skin has a natural pinkish‑yellow hue", "contrast": "extremely high" }, "camera_and_technical": { "perspective": "straight‑on, eye level, mirror selfie angle, slight right offset", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 24‑28mm equivalent, f/2.0‑f/2.8, fixed focus or autofocus with slight softness", "framing": "vertical 4:5, waist‑up (from chest to above head), subject centered, headroom ~15‑20%", "focus": "slightly soft, typical of low‑resolution cameras with flash, face relatively sharp, background soft, slight motion blur possible", "visual_fidelity": "grainy, low resolution aesthetic, washed out colors, flash photography style, ultra high quality real image (realistic despite lo‑fi look), intimate mirror selfie with authentic 90s digital camera feel, captured on a modern iPhone 17 Pro Max but processed to look like a vintage compact camera snapshot, with all skin imperfections and micro‑details preserved." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows", "imperfect composition", "natural skin texture (pores, vellus hairs, freckles, micro‑creases, oiliness)", "minor asymmetry", "halation", "chromatic aberration", "barrel distortion", "slight motion blur", "vignetting", "lens flare", "fingerprint smudges on phone", "slight frizz and flyaways in hair", "natural skin imperfections (freckles, tiny spots, fine lines)" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional studio lighting", "sharp focus", "perfect composition", "cinematic look (modern)", "HDR", "8k", "masterpiece", "excessive makeup", "visible ears (unless naturally covered)", "messy or flat hair", "CGI", "3d render", "modern digital perfection", "soft diffused lighting", "natural daylight", "even exposure", "airbrushed skin", "smooth gradients", "wax figure look" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "oily face", "greasy skin", "overexposed (beyond intended aesthetic)", "shiny T-zone (excessive)", "glossy skin (unnatural)", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (beyond intentional)", "low detail", "unrealistic proportions", "bad anatomy", "acne (cystic)", "skin imperfections (major scars, large moles)", "watermark (other than 'vgeux')", "text on clothing (other than intended)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "makeup (heavy)", "stylized", "modern digital", "HDR", "soft lighting", "natural light", "even exposure", "balanced lighting", "iPhone camera processing", "smartphone HDR", "deep fusion", "smart HDR", "photographic styles", "wax figure", "mannequin" ] }

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "16:9", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. No HDR, no modern digital processing. The image looks like a spontaneous flash snapshot taken in a dimly lit modern office with an early digital point‑and‑shoot. The flash overpowers ambient light, creating deep shadows and overexposed highlights, but skin retains visible pores and texture (where visible). Background is dark, with reflections on glass table and red sofa barely visible.", "character": { "identity": "Mafia boss / high‑ranking gangster in his 30s, athletic build, broad shoulders, dominant posture.", "face_and_head": { "visibility": "completely obscured by a black velvet balaclava (premium velour fabric, no eye or mouth openings, matte with a slight sheen). The mask covers the entire face and extends down the neck, disappearing under the collar of the tactical top. No skin visible. Fabric is soft, plush, expensive‑looking, not ribbed.", "hair": "not visible" }, "clothing": { "description": "Black tight tactical top (skin‑tight, ribbed texture, long sleeves, high collar that covers the neck). On the center of the chest, there is a large white embroidered text: 'ШРЕДЕР' (cyrillic, bold capital letters, clearly visible). Directly below the text, a Masonic‑style symbol: a pyramid with an all‑seeing eye, rendered in elegant white/grey thread, fitting the criminal‑luxury aesthetic. The top is matte black, but the embroidery catches the flash. Black tactical trousers (slim fit, same material). On the left chest area (above the text? no, the text is central, so no 'vgeux' here).", "top": "black tight tactical top with central embroidery 'ШРЕДЕР' and pyramid‑eye symbol below", "trousers": "black slim tactical trousers", "accessories": "black velvet balaclava, dark reflective sunglasses (mafia style – thick black frames, mirrored lenses, e.g., Gucci or similar), black leather gloves (smooth, slight gloss)." }, "hands_and_props": { "left_hand": "holding a thick stack of 50‑euro banknotes, pressed against the left ear (as if using the money as a mobile phone). The notes are crisp, visible details, flash highlights on the holograms.", "right_hand": "holding a shimmering moissanite chain. The chain is designed to spell the word 'SHREDE1RR' (letters linked together). The chain catches the flash with multiple bright specular reflections, appearing almost diamond‑like. The right hand is positioned in front of the chest, not covering the embroidery.", "pose": "sitting in a white leather office chair, leaning slightly back, body rotated ~45° away from camera (rear three‑quarter view), head turned toward the camera. Hands are in front of the body: left hand near ear (money phone), right hand holding the chain at chest level. The embroidery 'ШРЕДЕР' and the pyramid symbol are fully visible, not obscured by hands." }, "glasses": "dark reflective sunglasses with thick black frames, mafia‑boss style, reflecting the flash with bright spots." }, "environment": { "setting": "Modern office / meeting room, evening. White leather executive chair, black reflective glass table with a smartphone on it. Background: red leather sofa, horizontal blinds casting soft linear reflections, minimal decor. The room has a luxurious yet criminal atmosphere.", "background": { "description": "Dark walls, red sofa, blinds. Due to harsh flash, the background appears very dark with faint warm highlights and reflections on glass and leather.", "lighting": "harsh on‑camera flash (compact digital camera from early 1990s) as the only light source. Ambient warm office lighting is completely overpowered. Flash creates intense specular highlights on the velvet balaclava, tactical top, leather gloves, money, and chain. Deep, sharp shadows under the chin, hands, and chair. The flash overexposes the central area, creating a typical 90s compact camera 'deer‑in‑headlights' effect, but fabric and skin textures remain visible due to grain." } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s)", "quality": "harsh flash with extremely high contrast, overexposed highlights on white embroidery, money, and chain, deep shadows in background", "effects": [ "strong flash creating specular highlights on the velvet mask, leather gloves, glasses, money, and moissanite chain", "overexposed areas on the white embroidery and the chain (washed out, ethereal glow, but text remains readable)", "background dark with faint red sofa and glass reflections, almost black at edges", "grainy texture characteristic of early compact digital cameras (heavy grain in shadows, fine grain in highlights)", "washed out colors, low saturation, black clothing appears deep charcoal with bright reflections", "unreal contrast – bright whites next to deep blacks", "subtle chromatic aberration at image edges (purple/green fringing)", "slight barrel distortion from wide‑angle lens, with visible lens flare near the flash", "slight motion blur from handheld shooting (micro‑jitter)" ], "color_cast": "cool flash white balance (slightly blue), mixed with warm ambient, creating a neutral‑warm overall cast; red sofa appears dark maroon, money has a greenish‑yellow tint", "contrast": "extremely high" }, "camera_and_technical": { "perspective": "rear three‑quarter view (subject sitting with back partly to camera, face turned toward lens), camera at eye level, distance ~1.5‑2 m", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35‑50mm equivalent, f/2.8‑f/4, autofocus with slight softness", "framing": "horizontal 16:9, medium shot (from upper thighs to above head), subject positioned on the right third (rule of thirds), negative space on the left (~60‑65%), minimal headroom (~5‑10%)", "focus": "slightly soft, typical of low‑resolution cameras with flash, face relatively sharp, background blurred, slight motion blur possible", "visual_fidelity": "grainy, low resolution aesthetic, washed out colors, flash photography style, ultra high quality real image (realistic despite lo‑fi look), candid criminal‑luxury snapshot with authentic 90s digital camera feel, all textures preserved – the velvet mask, ribbed tactical top, crisp money, and brilliant moissanite chain." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows", "imperfect composition", "natural fabric textures (velvet, ribbed knit, leather)", "minor asymmetry", "halation", "chromatic aberration", "barrel distortion", "slight motion blur", "vignetting", "lens flare", "natural imperfections on money and chain" ], "forbidden": [ "face visible through balaclava", "any facial features showing", "skin visible on head or neck", "plastic skin", "professional studio lighting", "sharp focus", "perfect composition", "cinematic look (modern)", "HDR", "8k", "masterpiece", "excessive grooming", "CGI", "3d render", "modern digital perfection", "soft diffused lighting", "natural daylight", "even exposure", "airbrushed textures", "smooth gradients", "wax figure look", "hands covering the embroidery", "missing money or chain" ] }, "negative_prompt": [ "different character", "face visible", "facial features", "eyes visible", "mouth visible", "skin on face", "skin on neck", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic)", "HDR", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "blurry (beyond intentional)", "low detail", "unrealistic proportions", "bad anatomy", "watermark (other than intended)", "text on clothing (other than 'ШРЕДЕР' and symbol)", "signature", "professional photography", "studio lighting", "sharp focus", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "soft lighting", "natural light", "even exposure", "balanced lighting", "iPhone camera processing", "smartphone HDR", "deep fusion", "smart HDR", "photographic styles", "wax figure", "mannequin", "missing text", "missing pyramid", "hands over chest", "no money", "no chain" ] }

duplication fast moving shades

Add a 90s dirty flash filter to make it look more realistic

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

Add a 90s dirty flash filter to make it look more realistic

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

ripples in water. silhouette. soft focus.

ripples in water. silhouette. soft focus.

ripples in water. silhouette. soft focus.

ripples in water. silhouette. soft focus.

ripples in water. silhouette. soft focus.

ripples in water. silhouette. soft focus.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": «9:16", "style": "1990s compact digital camera aesthetic with harsh on‑camera flash, grainy texture, washed‑out colors, high contrast, subtle chromatic aberration and halation. NO HDR, NO tone mapping, NO modern digital processing. The image looks like a raw, unedited flash photograph taken in a surreal grassy field at twilight, using an early digital point‑and‑shoot (e.g., Kodak DC series, Sony Mavica). The flash is the main light source – it creates deep, sharp shadows and overexposed highlights, the classic 'deer‑in‑headlights' effect. Background details (sky, clouds, distant grass) are heavily darkened but faintly visible. Ultra‑realistic textures of grass, flowers, wet ground, and the white door – all rendered with natural grain and no smoothing. The composition is perfectly centered, with a slight vertical banding artifact (CCD readout noise), a micro‑scratch on the lens (barely visible in lower right), and a subtle vignette with a faint greenish‑purple color shift at the edges – all adding authentic 90s digital camera character. The scene is raw, mysterious, liminal, with a dreamlike, unsettling atmosphere.", "scene": { "location": "A vast, flat grassy field at twilight. The sky is overcast, heavy with clouds, but the flash has darkened it to a cold, dark grey‑blue. Tall grass (30‑80 cm) with scattered wildflowers (white daisies, yellow buttercups) covers the ground. A narrow, wet path or puddle stretches from the foreground to the center, reflecting the harsh flash. In the exact center of the frame stands a standalone white wooden door, slightly ajar, opening into a blindingly bright white light (caused by the flash overexposing the interior). The door has a simple metallic handle (silver, with a sharp specular highlight). The grass around the door is also overexposed where the flash hits directly.", "subject": "No human or animal subject. The main subject is the white door, positioned centrally, facing the camera directly. The door is about 2‑2.5 meters tall, with a smooth matte white surface, slightly weathered, but details are lost in the overexposed highlights near the center. The door handle is at waist height, reflecting the flash.", "light_source": "The bright light emanating from the open doorway is NOT an internal glow – it is the camera's own flash reflecting off the white interior and blowing out the highlights. This creates a sharp, overexposed white hotspot with a faint halo (halation) typical of 90s digital cameras." }, "lighting_and_atmosphere": { "source": "ON‑CAMERA FLASH ONLY (early 1990s compact digital camera). The ambient twilight is completely overpowered. No fill light, no bounce. This is NOT HDR.", "quality": "extremely harsh, high contrast, overexposed highlights on the door's interior (pure white, blown out), on the wet path, and on the nearest grass tips; deep black shadows in the background sky and the farthest grass.", "effects": [ "strong, direct flash creating a pure white hotspot in the doorway, with a slight blue‑white halo (halation) around the door frame", "the flash creates sharp, dark shadows of individual grass blades on the ground near the camera", "the wet path reflects the flash as a bright, stretched specular highlight, appearing almost silver", "the sky is very dark, almost black, with only a faint hint of cloud texture visible in the upper corners", "grainy texture typical of early digital compacts (heavy grain in shadows, fine grain in highlights)", "washed out colors – the grass is pale olive‑green, the flowers are desaturated white and pale yellow, the door is pure white with a cool tint", "extremely high contrast – bright white next to deep blacks", "subtle chromatic aberration (purple/green fringing) on high‑contrast edges (door frame, grass blades, the horizon)", "slight barrel distortion, lens flare (small circular artifacts from the flash)", "vertical banding artifact (CCD readout noise) visible in the dark sky", "a micro‑scratch on the lens in the lower right corner", "subtle greenish‑purple vignette at the edges" ], "color_cast": "cool white balance (slightly blue/green), typical of early digital flashes. The green grass becomes pale olive‑grey, the sky is dark blue‑grey, the white door is pure white with a slight cool tint.", "contrast": "extremely high (maximum)" }, "camera_and_technical": { "perspective": "Straight‑on, centered composition, eye level (camera height approx. 1.5‑1.7 m). Full‑scene shot (wide). Camera distance ~8‑12 m. Focal length equivalent ~35mm.", "camera_position": "handheld, compact digital camera from early 1990s (e.g., Kodak DC series, Sony Mavica), 35mm equivalent, fixed focus or autofocus with slight softness, aperture f/5.6‑f/8, shutter speed 1/60s, ISO 200‑400 with heavy grain.", "framing": "square 1:1, wide shot, door centered, sky occupying ~45‑50% of the frame, grass ~30‑35%, wet path ~15‑20%. Perfect symmetry with minor tilt (~1‑2°). A small intruding element (a stray grass blade) in the upper left corner, a micro‑scratch on the lens in lower right.", "focus": "slightly soft, typical of flash photography, the door and foreground grass are relatively sharp, the background and sky are softer, with atmospheric haze.", "visual_fidelity": "grainy, low resolution aesthetic, harsh flash, no HDR, no tone mapping, ultra high quality real image (realistic because of imperfections), candid surreal snapshot with authentic 1990s compact camera feel." }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights (pure white hotspot in doorway)", "harsh shadows with no detail", "dark sky with faint cloud texture", "imperfect composition (slight tilt, intruding grass blade, lens micro‑scratch, vertical banding, vignette)", "natural grass texture (individual blades, wildflowers)", "reflections on wet path", "chromatic aberration", "barrel distortion", "lens flare", "halation around the door" ], "forbidden": [ "HDR", "tone mapping", "dynamic range compression", "lifted shadows", "detail in shadows", "soft lighting", "multiple light sources", "fill light", "ambient light visible (except very faint sky)", "even exposure", "balanced lighting", "modern digital perfection", "sharp focus (clinical)", "perfect composition", "cinematic look (modern)", "8k", "masterpiece", "airbrushed skin", "plastic skin", "CGI", "3d render", "stylized", "smartphone HDR", "deep fusion", "smart HDR", "visible human or animal", "bloom (except halation)", "soft glowing light (the door's light must be a harsh flash overexposure, not a soft bloom)" ] }, "negative_prompt": [ "different composition", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "messy appearance", "greasy skin", "overexposed (beyond intended aesthetic) – but here overexposed is desired, so only excessive loss of shape? we keep the door outline", "HDR", "tone mapping", "dynamic range", "lifted shadows", "detail in shadows", "soft lighting", "fill light", "ambient light (except faint sky)", "even exposure", "balanced lighting", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed hands", "extra fingers", "missing fingers", "blurry (beyond intentional soft focus)", "low detail", "unrealistic proportions", "bad anatomy", "watermark", "signature", "professional photography", "studio lighting (modern softbox)", "sharp focus (clinical)", "perfect composition", "cinematic (modern)", "8k", "masterpiece", "stylized", "modern digital", "natural light (flash must dominate)", "golden hour", "teal and orange", "warm tones", "iPhone", "LED flash (only 1990s compact camera flash)", "modern smartphone", "daylight", "no flash look", "bright sky with details", "detailed background", "HDR look", "saturated colors", "bloom (except halation)", "soft glow", "people", "animals" ] }

ripples in water. silhouette. soft focus.

thrown water. silhouette.

{ "prompt_type": "descriptive_replication", "reference_adherence": "STRICT_VISUAL_FIDELITY", "aspect_ratio": "3:4", "identity_lock": { "priority": "ABSOLUTE", "instruction": "Use MY EXACT FEMALE MODEL Adèle. Facial identity must be perfectly preserved with zero drift. All details below must be followed exactly.", "cranial_structure": { "shape": "elongated oval skull with wide bizygomatic width", "forward_growth": "maxilla and mandible projected forward, strong skeletal framework", "facial_thirds": "upper : middle : lower = 1:1:0.9, slightly elongated lower third", "cheekbones": "high‑set, razor‑sharp, beginning directly under eyes, sweeping laterally, forming deep hollow cheeks with natural submalar shadows", "mandible": "sharply defined, gonial angle approx. 118°, clean V‑shaped jawline", "chin": "slightly pointed but firm, aligned with nasal septum" }, "eyes": { "shape": "almond‑shaped, deeply set", "canthal_tilt": "positive 5° (outer corners higher)", "medial_canthi": "acutely angled, extending downward", "scleral_show": "zero (lower lids tightly hug iris)", "eyelids": "hooded with minimal exposure", "iris": "light green with golden‑brown central heterochromia, distinct limbal ring, visible radial fibers", "eyebrows": "thick, straight, set low on supraorbital ridge, soft arch peaking slightly lateral to lateral limbus, individual hairs visible" }, "nose": { "dorsum": "straight, smooth", "bridge": "refined, narrow", "tip": "precisely sculpted, slightly rounded, delicate cartilage definition", "nostrils": "narrow, symmetrical, slight columellar show" }, "lips": { "fullness": "full, lower lip to upper lip ratio approx. 1.3:1", "cupids_bow": "pronounced with distinct peaks", "vermilion_borders": "distinct", "oral_commissures": "sharp, turning slightly upward", "philtrum": "short, well‑defined, approx. 11 mm" }, "skin": { "tone": "warm‑neutral with subtle olive undertone, faint golden undertones in cheeks", "texture": "hyperrealistic, photorealistic, ultra‑detailed", "pores": "barely visible micropores 0.1–0.2 mm in T‑zone", "micro_roughness": "present", "orange_peel": "ultra‑fine micro‑depressions visible under side lighting", "subsurface_scattering": "moderate on nose, cheeks, earlobes, lifelike translucency", "vellus_hairs": "delicate on jawline and cheekbones", "micro_veins": "faintly discernible under translucent skin", "specular_highlights": "healthy on forehead, nose, cheekbones; matte cheeks" }, "hair": { "color": "chestnut brown with natural California blonde balayage (bronde), multi‑tonal, soft caramel and honey streaks", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "body": { "height": "approx. 172 cm", "build": "lean athletic, low body fat (18–20%), lithe silhouette", "neck": "slender, elongated", "clavicles": "prominent, horizontal", "shoulders": "faint muscle definition with delicate venous network", "curves": "subtle feminine curves", "chest": "full bust with natural projection" } }, "subject": { "demographics": "Young adult female (early 20s), my exact model Adèle, lithe athletic build", "hair": { "color": "platinum blonde (chestnut brown base transformed with heavy blonde balayage to achieve platinum look)", "style": "long wavy, cascading over shoulders, with side‑swept curtain bang grazing outer eye corner", "texture": "glossy, healthy, individual strands visible, anisotropic reflections, no frizz" }, "face": { "expression": "bold, confident, slightly intense, high‑fashion editorial look", "gaze": "direct, striking, captivating", "makeup": "none, natural look", "visibility": "full face visible" }, "body": { "pose": "standing on dimly lit runway, model pose, elegant and avant‑garde", "posture": "confident, elongated, statuesque", "anatomy": { "curves": "lean athletic silhouette, subtle curves", "chest": "full bust with natural projection, accentuated by champagne yellow sequin jumpsuit", "details": "visible collarbones, slender elongated neck" }, "skin_texture": "visible fine pores, micro‑roughness, delicate vellus hairs, natural sheen from sebum film, no airbrushing, subsurface scattering on nose and cheeks" }, "clothing": { "description": "champagne yellow sequin jumpsuit with matching cape, luxurious, avant‑garde", "top": "sequin jumpsuit", "bottom": "part of jumpsuit", "cape": "matching champagne yellow sequin cape" }, "accessories": "none specified" }, "environment": { "setting": "dimly lit runway, fashion show", "background": { "description": "dark runway background, minimal, focus on model", "lighting": "harsh flash from camera, creating strong hard light and lens glow" } }, "lighting_and_atmosphere": { "source": "on‑camera flash (compact digital camera from early 1990s) creating strong hard light and lens glow", "quality": "harsh flash with high contrast, overexposed highlights on sequins and skin", "effects": [ "strong flash creating specular highlights on sequins", "overexposed areas on face and body (washed out)", "background dark (flash overpowering ambient)", "grainy texture characteristic of early compact digital cameras", "washed out colors, soft saturation", "unreal contrast, soft contrast", "lens glow visible" ], "color_cast": "cool flash white balance, pastel champagne yellow tones, soft saturation", "contrast": "soft contrast overall but with harsh flash characteristics" }, "camera_and_technical": { "perspective": "straight‑on, eye level, runway photography angle", "camera_position": "handheld, compact digital camera from early 1990s", "framing": "full‑body or three‑quarter shot, subject centered, massive scale feel", "focus": "slightly soft, typical of low‑resolution cameras with flash", "visual_fidelity": "grainy, low resolution aesthetic, washed out pastel colors, flash photography style, ultra high quality real image (realistic despite lo‑fi look), Photo Of The Year style, bold and vibrant yet softened by flash" }, "realism_constraints": { "allowed": [ "grain", "washed out colors", "overexposed highlights", "harsh shadows", "lens glow", "imperfect composition", "natural skin texture", "minor asymmetry", "soft saturation" ], "forbidden": [ "face alteration", "identity drift", "plastic skin", "professional photography (the aesthetic is professional but rendered through 90s camera)", "studio lighting", "sharp focus", "perfect composition", "cinematic look", "8k", "masterpiece (the style itself is masterpiece but not digital perfection)", "excessive makeup", "visible ears", "messy or flat hair", "CGI", "3d render", "modern digital perfection" ] }, "negative_prompt": [ "different face", "beauty filters", "airbrushed skin", "anime", "cartoon", "over-sharpening", "clean digital look", "perfect exposure", "smooth gradients", "visible ears", "ears showing", "messy hair", "flat hair", "greasy hair", "one-length haircut", "blunt cut", "excessive makeup", "CGI", "3d render", "plastic texture", "smooth", "airbrushed", "digital art", "painting", "deformed face", "asymmetrical eyes", "extra facial features", "blurry (intentional flash blur allowed)", "low detail", "unrealistic proportions", "bad anatomy", "acne", "skin imperfections", "blemishes", "redness", "pimples", "scars", "moles", "shiny T-zone", "glossy skin", "watermark", "text", "signature", "modern professional photography", "studio lighting", "perfect focus", "cinematic", "8k", "masterpiece (in modern digital sense)", "makeup", "stylized CGI" ] }

thrown water. silhouette.

ripples in water. silhouette. soft focus.