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Two images are attached. IMAGE 1 (the sofa scene) is the image to EDIT. IMAGE 2 (the two women embracing in the alley) is the FACE REFERENCE only. Edit IMAGE 1: ONLY modify the eyes of the SHORTER woman (short hair, on the right). Do NOT change anything else — her face shape, nose, mouth, hair, shoulders, clothing, prosthetics, the taller woman, pose, lighting and background must all remain identical. EYES: her eyes are currently too large and doll-like. Resize and reshape them to match the eyes of the shorter woman in IMAGE 2 — the same natural realistic size, the same soft slightly downturned shape, the same gentle heavy-lidded quality. Keep the sullen guarded expression and the faint dark circles. Natural human proportions, subtle and realistic, quietly cute rather than wide-eyed. The lashes stay soft and dark but natural, not emphasized. The goal: her face in IMAGE 1 should look like the same girl as in IMAGE 2, with the same understated cuteness.
ONLY modify the pixels of the shorter woman's hands, forearms, and lower legs (below the knees). Do NOT re-render, re-generate, or touch any other pixels in the image. The faces of both women, their hair, skin, expressions, the cloaks, the alley, the rain, the lighting, and the overall composition must remain byte-for-byte identical. For the shorter woman's hands, forearms, and lower legs only: Replace them with sleek near-future prosthetics — matte black composite plating with subtle deep gunmetal accents, clean modern industrial design. Segmented armor plates with precise hairline seams at the joints, slim articulated finger joints, refined mechanical wrists and shins with visible but understated engineering details: fine paneling, tiny recessed screws, thin dark cable routing beneath the plates. Advanced near-future combat prosthetic aesthetic — think high-end military exoskeleton or the mechanical limbs from GHOST IN THE SHELL and BLADE RUNNER 2049 — functional, purposeful, quietly beautiful. Matte finish, not glossy, no chrome, no glow, no LEDs, no exposed messy wiring. Slightly used but well-maintained. The contrast between her unchanged human-looking face and her clearly artificial mechanical limbs should be striking but elegant.
A photorealistic full-body portrait of a young woman, vertical 3:4 composition, standing in a rain-damp back alley of a near-future Asian megacity. Age and face: she is 21 years old, with a cute, youthful, delicate face — soft rounded jawline, smooth full cheeks, small nose, large clear dark eyes with a calm unreadable gaze. Dewy smooth skin, slightly tan olive complexion, no wrinkles, no age lines, no scars, no heavy skin texture. Any weariness shows only in her eyes, never in her skin. Hair: long, dull desaturated black, unkempt and slightly matted, damp from rain, loose strands falling over one eye and sticking to her cheek. No hat, no headwear, hood down. Body: 165cm, 53kg, slender and lightly athletic, straight feminine skeletal frame, subtle lean muscle in shoulders and forearms. Almost entirely human — only a row of thin ports behind one ear and slim matte-black seams along her forearms. Human hands, human neck and collarbones fully visible, no face mask, no armor plating. Clothing: a fitted dark tank top showing her bare collarbones and toned arms. Over it, an ankle-length oversized black hooded cloak of matte synthetic technical fabric — the hem falling all the way to her ankles, ripstop nylon with a faint low sheen, water beading and rolling off, crisp angular folds, taped seams, slightly stiff drape. NOT leather, NOT wool. Around her neck, a SMALL pale faded dusty-rose shawl — a modest kerchief-sized cloth, folded narrow and tucked flat against her chest inside the cloak's collar, only a small triangle of it peeking out at the neckline. It does not drape down her body, does not hang below her chest, does not wrap her torso. Soft old worn fabric, the only warm color in the frame. Lower body: black futuristic athletic wear — slim tapered tactical jogger pants in matte dark technical fabric with subtle paneling, and low-profile black tactical sneakers built for running, lightweight and flexible. Pose: body turned to her left in three-quarter view, weight settled naturally on one hip, head tilted slightly left, eyes looking directly into the camera. One arm folded low across her stomach, hand pressing lightly. The other arm hangs relaxed. Natural, unposed, caught mid-pause. Scene and tone: rain-soaked narrow alley, wet asphalt, tangled cables overhead, overcast grey diffused light, no neon glare on her face. Muted palette of grey, black and pale pink. Cinematic film still, 50mm lens, shallow depth of field, natural relaxed realism, subdued quiet atmosphere. Avoid: middle-aged, mature woman, 30s, wrinkles, nasolabial folds, gaunt cheeks, leathery or rough skin, heavy pores, scars, grime on face, mask, helmet, hat, mecha armor, robotic hands, leather coat, glossy vinyl, bright neon light on skin, anime, illustration, sexualized posing, smiling, large scarf, long draping scarf, stole, shawl hanging to the waist, wrapped torso, poncho.
Two images are attached. IMAGE 1 (the sofa scene) is the image to EDIT. IMAGE 2 (the two women embracing in the alley) is the FACE REFERENCE only. Edit IMAGE 1: ONLY modify the eyes of the SHORTER woman (short hair, on the right). Do NOT change anything else — her face shape, nose, mouth, hair, shoulders, clothing, prosthetics, the taller woman, pose, lighting and background must all remain identical. EYES: her eyes are currently too large and doll-like. Resize and reshape them to match the eyes of the shorter woman in IMAGE 2 — the same natural realistic size, the same soft slightly downturned shape, the same gentle heavy-lidded quality. Keep the sullen guarded expression and the faint dark circles. Natural human proportions, subtle and realistic, quietly cute rather than wide-eyed. The lashes stay soft and dark but natural, not emphasized. The goal: her face in IMAGE 1 should look like the same girl as in IMAGE 2, with the same understated cuteness.
A photorealistic full-body portrait of a young woman, vertical 3:4 composition, standing in a rain-damp back alley of a near-future Asian megacity. Age and face: she is 21 years old, with a cute, youthful, delicate face — soft rounded jawline, smooth full cheeks, small nose, large clear dark eyes with a calm unreadable gaze. Dewy smooth skin, slightly tan olive complexion, no wrinkles, no age lines, no scars, no heavy skin texture. Any weariness shows only in her eyes, never in her skin. Hair: long, dull desaturated black, unkempt and slightly matted, damp from rain, loose strands falling over one eye and sticking to her cheek. No hat, no headwear, hood down. Body: 165cm, 53kg, slender and lightly athletic, straight feminine skeletal frame, subtle lean muscle in shoulders and forearms. Almost entirely human — only a row of thin ports behind one ear and slim matte-black seams along her forearms. Human hands, human neck and collarbones fully visible, no face mask, no armor plating. Clothing: a fitted dark tank top showing her bare collarbones and toned arms. Over it, an ankle-length oversized black hooded cloak of matte synthetic technical fabric — the hem falling all the way to her ankles, ripstop nylon with a faint low sheen, water beading and rolling off, crisp angular folds, taped seams, slightly stiff drape. NOT leather, NOT wool. Around her neck, a SMALL pale faded dusty-rose shawl — a modest kerchief-sized cloth, folded narrow and tucked flat against her chest inside the cloak's collar, only a small triangle of it peeking out at the neckline. It does not drape down her body, does not hang below her chest, does not wrap her torso. Soft old worn fabric, the only warm color in the frame. Lower body: black futuristic athletic wear — slim tapered tactical jogger pants in matte dark technical fabric with subtle paneling, and low-profile black tactical sneakers built for running, lightweight and flexible. Pose: body turned to her left in three-quarter view, weight settled naturally on one hip, head tilted slightly left, eyes looking directly into the camera. One arm folded low across her stomach, hand pressing lightly. The other arm hangs relaxed. Natural, unposed, caught mid-pause. Scene and tone: rain-soaked narrow alley, wet asphalt, tangled cables overhead, overcast grey diffused light, no neon glare on her face. Muted palette of grey, black and pale pink. Cinematic film still, 50mm lens, shallow depth of field, natural relaxed realism, subdued quiet atmosphere. Avoid: middle-aged, mature woman, 30s, wrinkles, nasolabial folds, gaunt cheeks, leathery or rough skin, heavy pores, scars, grime on face, mask, helmet, hat, mecha armor, robotic hands, leather coat, glossy vinyl, bright neon light on skin, anime, illustration, sexualized posing, smiling, large scarf, long draping scarf, stole, shawl hanging to the waist, wrapped torso, poncho.
ONLY modify the pixels of the shorter woman's hands, forearms, and lower legs (below the knees). Do NOT re-render, re-generate, or touch any other pixels in the image. The faces of both women, their hair, skin, expressions, the cloaks, the alley, the rain, the lighting, and the overall composition must remain byte-for-byte identical. For the shorter woman's hands, forearms, and lower legs only: Replace them with sleek near-future prosthetics — matte black composite plating with subtle deep gunmetal accents, clean modern industrial design. Segmented armor plates with precise hairline seams at the joints, slim articulated finger joints, refined mechanical wrists and shins with visible but understated engineering details: fine paneling, tiny recessed screws, thin dark cable routing beneath the plates. Advanced near-future combat prosthetic aesthetic — think high-end military exoskeleton or the mechanical limbs from GHOST IN THE SHELL and BLADE RUNNER 2049 — functional, purposeful, quietly beautiful. Matte finish, not glossy, no chrome, no glow, no LEDs, no exposed messy wiring. Slightly used but well-maintained. The contrast between her unchanged human-looking face and her clearly artificial mechanical limbs should be striking but elegant.
Two images are attached. IMAGE 1 (the sofa scene) is the image to EDIT. IMAGE 2 (the two women embracing in the alley) is the FACE REFERENCE only. Edit IMAGE 1: ONLY modify the eyes of the SHORTER woman (short hair, on the right). Do NOT change anything else — her face shape, nose, mouth, hair, shoulders, clothing, prosthetics, the taller woman, pose, lighting and background must all remain identical. EYES: her eyes are currently too large and doll-like. Resize and reshape them to match the eyes of the shorter woman in IMAGE 2 — the same natural realistic size, the same soft slightly downturned shape, the same gentle heavy-lidded quality. Keep the sullen guarded expression and the faint dark circles. Natural human proportions, subtle and realistic, quietly cute rather than wide-eyed. The lashes stay soft and dark but natural, not emphasized. The goal: her face in IMAGE 1 should look like the same girl as in IMAGE 2, with the same understated cuteness.
ONLY modify the pixels of the shorter woman's hands, forearms, and lower legs (below the knees). Do NOT re-render, re-generate, or touch any other pixels in the image. The faces of both women, their hair, skin, expressions, the cloaks, the alley, the rain, the lighting, and the overall composition must remain byte-for-byte identical. For the shorter woman's hands, forearms, and lower legs only: Replace them with sleek near-future prosthetics — matte black composite plating with subtle deep gunmetal accents, clean modern industrial design. Segmented armor plates with precise hairline seams at the joints, slim articulated finger joints, refined mechanical wrists and shins with visible but understated engineering details: fine paneling, tiny recessed screws, thin dark cable routing beneath the plates. Advanced near-future combat prosthetic aesthetic — think high-end military exoskeleton or the mechanical limbs from GHOST IN THE SHELL and BLADE RUNNER 2049 — functional, purposeful, quietly beautiful. Matte finish, not glossy, no chrome, no glow, no LEDs, no exposed messy wiring. Slightly used but well-maintained. The contrast between her unchanged human-looking face and her clearly artificial mechanical limbs should be striking but elegant.
A photorealistic full-body portrait of a young woman, vertical 3:4 composition, standing in a rain-damp back alley of a near-future Asian megacity. Age and face: she is 21 years old, with a cute, youthful, delicate face — soft rounded jawline, smooth full cheeks, small nose, large clear dark eyes with a calm unreadable gaze. Dewy smooth skin, slightly tan olive complexion, no wrinkles, no age lines, no scars, no heavy skin texture. Any weariness shows only in her eyes, never in her skin. Hair: long, dull desaturated black, unkempt and slightly matted, damp from rain, loose strands falling over one eye and sticking to her cheek. No hat, no headwear, hood down. Body: 165cm, 53kg, slender and lightly athletic, straight feminine skeletal frame, subtle lean muscle in shoulders and forearms. Almost entirely human — only a row of thin ports behind one ear and slim matte-black seams along her forearms. Human hands, human neck and collarbones fully visible, no face mask, no armor plating. Clothing: a fitted dark tank top showing her bare collarbones and toned arms. Over it, an ankle-length oversized black hooded cloak of matte synthetic technical fabric — the hem falling all the way to her ankles, ripstop nylon with a faint low sheen, water beading and rolling off, crisp angular folds, taped seams, slightly stiff drape. NOT leather, NOT wool. Around her neck, a SMALL pale faded dusty-rose shawl — a modest kerchief-sized cloth, folded narrow and tucked flat against her chest inside the cloak's collar, only a small triangle of it peeking out at the neckline. It does not drape down her body, does not hang below her chest, does not wrap her torso. Soft old worn fabric, the only warm color in the frame. Lower body: black futuristic athletic wear — slim tapered tactical jogger pants in matte dark technical fabric with subtle paneling, and low-profile black tactical sneakers built for running, lightweight and flexible. Pose: body turned to her left in three-quarter view, weight settled naturally on one hip, head tilted slightly left, eyes looking directly into the camera. One arm folded low across her stomach, hand pressing lightly. The other arm hangs relaxed. Natural, unposed, caught mid-pause. Scene and tone: rain-soaked narrow alley, wet asphalt, tangled cables overhead, overcast grey diffused light, no neon glare on her face. Muted palette of grey, black and pale pink. Cinematic film still, 50mm lens, shallow depth of field, natural relaxed realism, subdued quiet atmosphere. Avoid: middle-aged, mature woman, 30s, wrinkles, nasolabial folds, gaunt cheeks, leathery or rough skin, heavy pores, scars, grime on face, mask, helmet, hat, mecha armor, robotic hands, leather coat, glossy vinyl, bright neon light on skin, anime, illustration, sexualized posing, smiling, large scarf, long draping scarf, stole, shawl hanging to the waist, wrapped torso, poncho.
Two images are attached. IMAGE 1 (the sofa scene) is the image to EDIT. IMAGE 2 (the two women embracing in the alley) is the FACE REFERENCE only. Edit IMAGE 1: ONLY modify the eyes of the SHORTER woman (short hair, on the right). Do NOT change anything else — her face shape, nose, mouth, hair, shoulders, clothing, prosthetics, the taller woman, pose, lighting and background must all remain identical. EYES: her eyes are currently too large and doll-like. Resize and reshape them to match the eyes of the shorter woman in IMAGE 2 — the same natural realistic size, the same soft slightly downturned shape, the same gentle heavy-lidded quality. Keep the sullen guarded expression and the faint dark circles. Natural human proportions, subtle and realistic, quietly cute rather than wide-eyed. The lashes stay soft and dark but natural, not emphasized. The goal: her face in IMAGE 1 should look like the same girl as in IMAGE 2, with the same understated cuteness.
ONLY modify the pixels of the shorter woman's hands, forearms, and lower legs (below the knees). Do NOT re-render, re-generate, or touch any other pixels in the image. The faces of both women, their hair, skin, expressions, the cloaks, the alley, the rain, the lighting, and the overall composition must remain byte-for-byte identical. For the shorter woman's hands, forearms, and lower legs only: Replace them with sleek near-future prosthetics — matte black composite plating with subtle deep gunmetal accents, clean modern industrial design. Segmented armor plates with precise hairline seams at the joints, slim articulated finger joints, refined mechanical wrists and shins with visible but understated engineering details: fine paneling, tiny recessed screws, thin dark cable routing beneath the plates. Advanced near-future combat prosthetic aesthetic — think high-end military exoskeleton or the mechanical limbs from GHOST IN THE SHELL and BLADE RUNNER 2049 — functional, purposeful, quietly beautiful. Matte finish, not glossy, no chrome, no glow, no LEDs, no exposed messy wiring. Slightly used but well-maintained. The contrast between her unchanged human-looking face and her clearly artificial mechanical limbs should be striking but elegant.
A photorealistic full-body portrait of a young woman, vertical 3:4 composition, standing in a rain-damp back alley of a near-future Asian megacity. Age and face: she is 21 years old, with a cute, youthful, delicate face — soft rounded jawline, smooth full cheeks, small nose, large clear dark eyes with a calm unreadable gaze. Dewy smooth skin, slightly tan olive complexion, no wrinkles, no age lines, no scars, no heavy skin texture. Any weariness shows only in her eyes, never in her skin. Hair: long, dull desaturated black, unkempt and slightly matted, damp from rain, loose strands falling over one eye and sticking to her cheek. No hat, no headwear, hood down. Body: 165cm, 53kg, slender and lightly athletic, straight feminine skeletal frame, subtle lean muscle in shoulders and forearms. Almost entirely human — only a row of thin ports behind one ear and slim matte-black seams along her forearms. Human hands, human neck and collarbones fully visible, no face mask, no armor plating. Clothing: a fitted dark tank top showing her bare collarbones and toned arms. Over it, an ankle-length oversized black hooded cloak of matte synthetic technical fabric — the hem falling all the way to her ankles, ripstop nylon with a faint low sheen, water beading and rolling off, crisp angular folds, taped seams, slightly stiff drape. NOT leather, NOT wool. Around her neck, a SMALL pale faded dusty-rose shawl — a modest kerchief-sized cloth, folded narrow and tucked flat against her chest inside the cloak's collar, only a small triangle of it peeking out at the neckline. It does not drape down her body, does not hang below her chest, does not wrap her torso. Soft old worn fabric, the only warm color in the frame. Lower body: black futuristic athletic wear — slim tapered tactical jogger pants in matte dark technical fabric with subtle paneling, and low-profile black tactical sneakers built for running, lightweight and flexible. Pose: body turned to her left in three-quarter view, weight settled naturally on one hip, head tilted slightly left, eyes looking directly into the camera. One arm folded low across her stomach, hand pressing lightly. The other arm hangs relaxed. Natural, unposed, caught mid-pause. Scene and tone: rain-soaked narrow alley, wet asphalt, tangled cables overhead, overcast grey diffused light, no neon glare on her face. Muted palette of grey, black and pale pink. Cinematic film still, 50mm lens, shallow depth of field, natural relaxed realism, subdued quiet atmosphere. Avoid: middle-aged, mature woman, 30s, wrinkles, nasolabial folds, gaunt cheeks, leathery or rough skin, heavy pores, scars, grime on face, mask, helmet, hat, mecha armor, robotic hands, leather coat, glossy vinyl, bright neon light on skin, anime, illustration, sexualized posing, smiling, large scarf, long draping scarf, stole, shawl hanging to the waist, wrapped torso, poncho.