A three-part composite image prompts

6 days ago

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

6 days ago

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

6 days ago

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.

6 days ago

A three-part composite image. Top (largest section): an ultra-photorealistic, cinematic phone-camera shot of a police chase. A hyper-real tomato acting as a police officer rides a police motorcycle made of leaves. The tomato should look unsettlingly real: natural skin texture, tiny imperfections, moisture, subtle translucency. He is chasing two hyper-real beans who are robbers carrying money sacks. The beans should also look disturbingly real, with natural bean skin texture, tiny dents, fibers, and subtle reflections. Lighting should feel like a real outdoor action shot taken on a phone: slight motion blur, natural shadows, imperfect framing. Bottom (two equal sections): two mugshots of the bean criminals. Same hyper-real, creepy realism. Harsh police-station lighting, visible texture, pores, moisture, and tiny flaws. They must clearly match the beans from the chase. Overall style: “so real it’s unsettling,” high-detail macro textures, natural light imperfections, real-world camera artifacts (slight grain, chromatic aberration), zero cartoon look.