A sample prompt of what you can find in this page
Prompt by WyldeLyfe

The image style is surreal prompts

hundreds of results

7 months ago

Generate a highly detailed image featuring a group of tiny construction workers building a colossal statue of Lord Shiva from a single block of stone. The statue is partially carved, with intricate, photorealistic details emerging: Lord Shiva's face with a third eye and a serene expression, his head adorned with a crescent moon, and his hands holding symbolic objects like the damaru (drum) and trident (trishula). The workers, dressed in orange vests and yellow hard hats, are busy on scaffolding that surrounds the statue, using tools such as chisels, hammers, and brushes to chip away at the stone and shape it into Shiva's divine form. Some workers are on the ground, handling stone chips and tools, while others climb the scaffolding or stand on the statue itself, carefully working on different parts. The background is a breathtaking, realistic landscape of the Himalayas, with snow-capped mountains and a peaceful river, reflecting the divine abode of Lord Shiva. The entire scene is illuminated with soft, even lighting that highlights the details of the statue and the workers, creating a contrast between the natural setting and the artificial lighting. The overall style should be photorealistic, with a focus on accurate textures, lighting, and proportions. Ensure the image is rich in color and texture, capturing the contrast between the rough, unfinished stone and the smooth, polished parts of the statue. The scene should blend the surreal concept with realistic rendering, evoking a sense of wonder and creativity

8 months ago

The image is a surreal and artistic composition that combines elements of nature and human features. It depicts a landscape scene during sunset, with the sun casting a warm, golden light across the sky and the terrain. The sky is filled with vibrant colors, transitioning from deep blue at the top to orange and yellow hues near the horizon. The central focus of the image is a human face, which is seamlessly integrated into the landscape. The face is highly stylized and appears to be made of reflective, metallic material, giving it a shiny and almost ethereal appearance. The face is in profile, facing to the left, and it occupies a significant portion of the image. ((We can see the landscape through the image of a transparent human face.)) The face features prominent, detailed eyes, a nose, and lips, all of which are rendered in a realistic style. The eyes are particularly striking, with a deep, reflective quality that mirrors the surrounding landscape. The nose and lips are also highly detailed, with the lips slightly parted. The landscape itself is a lush, green valley with rolling hills and dense forests. A river winds its way through the valley, reflecting the golden light of the setting sun. The terrain is varied, with some areas covered in dense vegetation and others appearing more open and rocky. Overall, the image is a blend of natural beauty and human creativity, combining elements of the natural world with artistic and surreal human features.

8 months ago

High-definition double exposure artwork with vibrant colors featuring a macro white filigree feather placed on a rustic wooden table surface. Around the feather, there are pine cones, cinnamon sticks, and tiny people walking along a swirling road leading to the Chardham pilgrimage sites – Yamunotri, Gangotri, Kedarnath, and Badrinath. Each location is depicted with detailed temple architecture, snow-capped Himalayan peaks, flowing holy rivers, and pilgrims on their spiritual journey. Inside the feather, there is a cinematic winter shaman-style girl portrait with glowing aurora borealis over arctic landscapes, blending seamlessly with trees, a caravan of deers, wooden houses, and a dynamic play of light and shadows. The artwork is inspired by Kuindzhi and Rockwell with expressive brushstrokes, transparent washes, and a hyperrealistic texture. The outer edge of the feather features the words 'Bhargawa Holidays' in an elegant, vintage-inspired script. The image is captured from a top-angle shot, resembling a professional postcard with ultra-detailed textures, dynamic shadow play, and deep cinematic depth. The Chardham temples are intricately designed, glowing with sacred energy, while the feather’s surface reflects pilgrimage scenes with luminism-inspired lighting and an ethereal, airy mood. Image Settings: Aspect Ratio: 9:16 (vertical format for posters and postcards) Resolution: Ultra HD, hyperrealistic textures with cinematic depth Lighting: Soft and ethereal with dynamic shadows and glowing highlights Focus: Macro close-up on feather, slight blur on wooden background Art Style: Double exposure, hyperrealism, mixed with expressive brushstrokes and luminism Composition: Central feather with Chardham locations inside, "Bhargawa Holidays" text on the outer edge Colors: Rich and vibrant hues with cool arctic blues, warm wood browns, and glowing temple golds Mood: Mystical, spiritual, and cinematic, blending nature and divine essence A masterpiece of surreal storytelling, combining pilgrimage, nature, and artistic brilliance through a double exposure cinematic style.

3 months ago

Create an image for me that fits DIN A4. A beautiful woman with an african background. It should be a portrait in black and white – creative – surreal – abstract – with a reference to migration. Feel free to play with motion blur (but not too much – perhaps a subtle motion blur). The motif should be darker. The background should be light. Magazine editorial style. And please only the person. No other motifs. (The portrait will later be edited with a coloured background and text will be added – but I will do that myself). In photography, there are various rules and techniques for improving image composition, including the rule that people in the image should not look out of the frame. This is often considered part of image composition, as it is intended to draw the viewer's attention to the most important elements in the image. If a person is looking at the edge of the image, this can often create a feeling of incompleteness and distract the viewer from the main focus. A common practice is to position the person so that they are looking into the image rather than out of it. This creates a connection between the subject and the viewer and can enhance the emotional impact of the image. For example, if a person is looking to the left, the focus of the image should be on leaving enough space on the right side of the image to show the movement of the gaze. This technique goes hand in hand with other photographic rules, such as the rule of thirds or the golden ratio, which serve to harmonise the composition and increase visual interest. Only the person! No animals! No motion blur in the face!