A sample prompt of what you can find in this page
Prompt by b0d07b1bf53

and a deep jet black with a soft prompts

very few results

6 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

5 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

5 months ago

A hyperrealistic, ultra-glossy 4K portrait of a majestic East Asian woman sculpted in high-polish porcelain, adorned with intricate golden Kintsugi cracks across her face and collarbone. Her skin glows with a glass-like texture, reflecting soft rainbow light as if kissed by a prism. Her makeup is bold and theatrical — a luxurious fusion of Peking Opera and Maiko aesthetics: • Eyes: Winged eyeliner in exaggerated, upward-sweeping shapes with gradient ombré effects in red, gold, and black. The eyeshadow extends toward the temples like traditional kabuki masks, accentuated with delicate micro-crystal details and golden foil fragments. • Cheeks: Iridescent blush shaped like stylized petals or sakura blossoms, blended in soft pink, ruby, and coral hues. • Lips: Cherry-red lacquer lips with a subtle glassy gradient, reflecting light like molten glass. Her hairstyle is jet black and ultra-glossy, cascading in elegant waves or tied up in a ceremonial style, adorned with elaborate golden kanzashi and phoenix hairpins, jeweled headpieces, and pearl tassels. Floating sakura petals and rainbow flares pass through the scene like drifting spirits. Outfit: A richly embroidered Hanfu or fusion gown in deep blue, crimson, and gold, inspired by imperial Chinese and Japanese textiles. The fabric glimmers with brocade patterns and subtle Kintsugi linework, stitched like golden veins into the silk. Background: A dark, textured backdrop with imperial blue floral patterns, subtle embroidered dragons, and phoenixes barely visible like mythological echoes. A faint rainbow halo or prism light effect washes over the edges. Lighting is soft and cinematic, with high-contrast highlights that bring out the reflective shine of porcelain, glass skin, and metallic textures.

5 months ago

A hyperrealistic, ultra-glossy 4K portrait of a majestic East Asian woman sculpted in high-polish porcelain, adorned with intricate golden Kintsugi cracks across her face and collarbone. Her skin glows with a glass-like texture, reflecting soft rainbow light as if kissed by a prism. Her makeup is bold and theatrical — a luxurious fusion of Peking Opera and Maiko aesthetics: • Eyes: Winged eyeliner in exaggerated, upward-sweeping shapes with gradient ombré effects in red, gold, and black. The eyeshadow extends toward the temples like traditional kabuki masks, accentuated with delicate micro-crystal details and golden foil fragments. • Cheeks: Iridescent blush shaped like stylized petals or sakura blossoms, blended in soft pink, ruby, and coral hues. • Lips: Cherry-red lacquer lips with a subtle glassy gradient, reflecting light like molten glass. Her hairstyle is jet black and ultra-glossy, cascading in elegant waves or tied up in a ceremonial style, adorned with elaborate golden kanzashi and phoenix hairpins, jeweled headpieces, and pearl tassels. Floating sakura petals and rainbow flares pass through the scene like drifting spirits. Outfit: A richly embroidered Hanfu or fusion gown in deep blue, crimson, and gold, inspired by imperial Chinese and Japanese textiles. The fabric glimmers with brocade patterns and subtle Kintsugi linework, stitched like golden veins into the silk. Background: A dark, textured backdrop with imperial blue floral patterns, subtle embroidered dragons, and phoenixes barely visible like mythological echoes. A faint rainbow halo or prism light effect washes over the edges. Lighting is soft and cinematic, with high-contrast highlights that bring out the reflective shine of porcelain, glass skin, and metallic textures.