and combat pants prompts

5 months ago

young adult, likely male, is seated on a series of stacked, weathered blocks. The figure wears a dark, hooded sweatshirt and dark, distressed, cargo pants. Black lace-up combat boots are visible. The subject's face is obscured by the hood. He is holding a small, dark object, possibly a tablet or similar device, in both hands. The figure is positioned slightly off-center, on the lower left quadrant of the image, facing forward but slightly to the viewer's left. The setting appears to be an urban or industrial environment, with a wall or structure made of uneven, light gray blocks, in a somewhat dilapidated state. The overall composition is minimalist, with high contrast between the dark clothing and the light gray background. The style is fashion photography with a stark black and white aesthetic, creating a moody and somewhat mysterious atmosphere. The light source is not easily discernible, but it creates shadows that enhance the three-dimensional forms of the subject and the setting. The perspective is slightly above the figure, focusing on the lower half of the body and the legs

2 months ago

young, athletic female soldier, seemingly of European descent, is depicted in a full-body shot, centered in the frame, striding directly towards the viewer. She wears a desert tan tactical outfit, including combat pants, knee pads, and combat boots. A grey sports bra reveals her toned abdomen, covered in intricate tattoos. Her arms and neck are also adorned with tattoos

2 months ago

young, athletic female soldier, seemingly of European descent, is depicted in a full-body shot, centered in the frame, striding directly towards the viewer. She wears a desert tan tactical outfit, including combat pants, knee pads, and combat boots. A grey sports bra reveals her toned abdomen, covered in intricate tattoos. Her arms and neck are also adorned with tattoos

1 month ago

Album Cover for: “Trône sur les Ruines” Format: Wide shot, full body, cinematic environment, poster-quality Ultra-realistic cinematic concept art of a Moroccan man in his late 20s — light brown skin, clean-shaven, with a short buzz cut and medium taper fade — sitting proudly and powerfully on a massive brutalist throne. His body language is heavy and dominant: legs planted wide, elbows on knees, hands gripping the throne armrests. His eyes lock directly onto the viewer — serious, furious, proud. His expression carries the weight of survival and leadership born through chaos. He looks like a street king forged in war, not luxury. The throne is enormous, crafted from cracked concrete, twisted rebar, scorched books, shattered electronics, rusted weapons, and destroyed satellite parts — a symbolic fusion of revolution and ruin. It sits atop rubble and ash. Behind him, the destroyed skyline of a Moroccan city: burned buildings, collapsed domes, broken antennas, crumbling high-rises, graffiti-scarred walls. A torn Moroccan flag flutters in the distance, hanging from a bent metal pole. The man wears a modern warrior-royalty outfit: a long dark trench coat made from military fabric, lined with faded golden Moroccan embroidery (zellige patterns), a worn bulletproof vest underneath, armored combat pants with tactical straps, and black scratched leather boots. A tattered deep red cloak is thrown over one shoulder. On his chest, a bent metal star medal — not shiny, but earned. His crown is raw and symbolic: cracked gold fused with rusted iron, dented like it survived fire — resting slightly tilted on his head. The sky is cinematic: thick storm clouds rolling in, deep greys and purples, with one sharp beam of golden-orange light breaking through — hope after destruction. Ash and dust drift in the air, adding texture and motion. Typography: “Trône sur les Ruines” in cracked gold serif font, minimalist, sharp, placed bottom right or top left. Color palette: Ash grey, Moroccan red, coal black, bronze gold, burnt orange, storm blue. Mood: Powerful, apocalyptic, victorious. A portrait of survival and reclaimed legacy. Style: Cinematic, ultra-detailed, wide angle, poster-quality realism. Inspired by Yeezus, French war photojournalism, LiveLoveA$AP, and dystopian street rebellion aesthetics. — full body shot, wide angle, cinematic composition, Moroccan ruins in full view, background visible, throne fully visible, urban destruction, ash particles, crown visible, golden light from clouds, no blur, no fantasy, hyper-detailed, realistic lighting, gritty textures

4 months ago

cinematic shot of a a tough, short-haired woman with extensive tattoos, including a prominent DNA helix on her neck, standing next to a Belgian Malinois dog wearing a tactical vest. Both are posed confidently in a vast, dusty desert landscape under a hazy sky. The woman is wearing a military-style tank top, cargo pants, and combat boots. The scene has a gritty, cinematic feel with flat, diffused lighting. The overall mood is serious and determined.

9 months ago

Dark, gritty illustration in a hand-drawn comic style, heavily textured and worn, capturing a rugged, battle-hardened Santa Claus standing in a dense, shadowy jungle. Santa is muscular, with sweat glistening on his tattoo-covered arms, his expression stoic and hardened by years of combat. His iconic red pants are reimagined in a Vietnam-era military style—faded, rugged, and patched, with tactical pockets and a frayed hem. He wears army boots caked with mud, a tactical vest loaded with ammo, grenades, and pouches, and a military helmet with the words 'HO HO HO' crudely scrawled across the front in white chalk. Slung casually over his shoulder is an M16 rifle, its worn metal gleaming faintly in the dim light, while a combat knife and sidearm are strapped to his belt. His beard is thick and wild but unkempt, streaked with sweat and dirt, and his piercing eyes gleam with determination. His arms and chest are covered in faded military-style tattoos—snowflakes, reindeer skulls, and crossed candy canes—blending Santa’s iconic imagery with gritty combat symbols. The jungle backdrop is dense and shadowy, with twisted trees and vines creating an oppressive, claustrophobic atmosphere. Strung through the trees are multicolored Christmas lights, their faint glow creating a stark contrast with the dark, grim setting, casting flickering reflections on Santa’s gear and the damp foliage around him. The composition is rich with detail, emphasizing the grit and weight of the scene: sweat drips from Santa’s brow, his red-stained gloves are worn and frayed, and his gear is scratched and battered from years of battle. The color palette is muted and earthy—olive greens, deep reds, and muddy browns dominate, with the vibrant, multicolored glow of the Christmas lights providing brief, surreal bursts of color. The scene feels intense and cinematic, blending the festive iconography of Santa Claus with the harsh, unforgiving reality of jungle warfare,

3 months ago

A cinematic, full-body shot of a lone survivor using image 1 with exact facial feature from the back, turning his head to look over his right shoulder at the camera. He is a man with a trucker cap, with a black rip-up t-shirt, carrying a worn, olive-drab backpack. his right pointer finger is ready on the trigger while its barrel pointing at the ground. His rip-up cargo pants are tucked into brown leather combat boots. He stands in a post-apocalyptic urban streetscape filled with rubble and the skeletal remains of destroyed cars. In the background, a large, derelict building with shattered windows and a faded red sign reading "A.i" looms under a dusty, golden-hour sky, with minimal zombies lurking. The atmosphere is tense and gritty, filled with floating debris and a sense of silent desolation. The shot is captured on a high-end film camera. Note: Use facial description from the uploaded photo without the bag

1 month ago

Ultra-realistic cinematic concept art. A Moroccan man in his late 20s — clean-shaven, sharp jawline, medium taper fade with short buzz cut — sits powerfully on a brutalist throne made from cracked concrete, scorched books, rusted rebar, shattered satellite dishes, and melted tech debris. His gaze is direct, heavy, serious — full of rage, loss, and pride. His posture is grounded, kinglike, a man forged by betrayal, not crowned by privilege. He wears a modern Moroccan warrior-king outfit: a long charcoal-black trench coat made from military fabric, faded gold zellige embroidery lining the cuffs and edges. Beneath, a worn cracked bulletproof vest. His matte-black pants have rugged metal strap accents, and dusty combat boots show battlewear. Over his shoulder, a torn deep red cloak — like a fallen flag turned royal cape. A rusted metallic star medal is pinned to his chest. His fingers are covered with chipped steel rings — no shine, just scars. A fractured crown of gold and iron rests on his head — dented, sharp, powerful. Not ceremonial, but forged from ruin and defiance. It’s heavy, symbolic — a burden earned. Background: Ruined Moroccan cityscape — crumbling domes, broken concrete walls, twisted rebar, burnt-out cars, and collapsed towers. A half-burned Moroccan flag hangs in the back, fluttering from a broken wall. The sky is layered with storm clouds — ash grey, storm blue, deep purples. A golden-orange light pierces the clouds in the distance like hope. Ash particles drift in the foreground, cinematic. Typography: “Trône sur les Ruines” in large cracked metallic gold serif font — clean but weathered. Top left or bottom right. Regal, minimal, poetic. Color Palette: Coal black, ash grey, Moroccan red, storm blue, bronze gold, burnt orange, dusty beige. Mood: Royalty born from survival. Pain turned into power. Cinematic, violent, majestic, tragic. Style: Ultra-detailed, dramatic lighting, high contrast, hyper-realistic rendering. Poster-quality. Influenced by Yeezus, The Blueprint, LiveLoveA$AP, and French war photography. -- full body shot, cinematic composition, wide angle, throne fully visible, Moroccan flag visible in background, apocalyptic setting, dramatic shadows, golden light, storm clouds, ash drifting, rule of thirds framing

9 months ago

A fashion model in an avant-garde streetwear outfit on a minimalist white runway. The outfit features a yellow heavily cropped mock turtleneck top with black long sleeves, creating a bold color-blocking effect. Wide-leg low rise cargo pants in pastel pink with multiple utility pockets and black straps/buckle details. The pants are oversized and have a flowing silhouette. Black combat boots complete the look. The model has straight black shoulder-length hair and natural makeup with bold lips. The composition includes a fashion show audience the background seated along the runway. The lighting is bright and even, creating a clean, modern atmosphere. Style: high fashion photography, contemporary streetwear aesthetic, minimalist runway setting. Color palette: soft pink, jet black, and crisp white

10 days ago

A striking woman sits in the rain beneath dense, vibrant jungle foliage, her long black hair cascading in glossy waves down her back with subtle layers framing her face, giving her a recognizable, commanding presence. She wears a daring black off-the-shoulder top that exposes her shoulders and collarbone, paired with fitted, high-waisted pants and fingerless gloves that add an edgy, battle-ready flair. Combat boots ground her look, while a bandage wrapped around her left arm hints at past struggles, emphasizing her resilience and strength. The background bursts with life: enormous green leaves glisten with rain, and bold red flowers punctuate the scene, while mist and droplets create a moody, immersive atmosphere. Rendered in a hyper-realistic, cinematic style with influences from artists like Greg Rutkowski and Artgerm, the scene blends lush natural beauty with a sense of mystery, strength, and untamed elegance.

1 month ago

Earth, year 2083, after the devastation of the 3rd World War. A lone soldier sits solemnly atop a ammo crate deeply buried in sand. He wears a sleek, delicate grey combat exoskeleton (minly servos, strings, pipes and pistons), meticulously engineered for agility and strength without any bulky armor underneath, allowing the cybernetic enhancements embedded in his hands and forearms to be fully visible and functional. His uniform (tshirt, cargo pants), designed in detailed dark desert Multicam pattern, blends tactical practicality with rugged wear. The soldier’s helmet is worn with the visor flipped fully up (on top of head), , exposing his weary eyes and face. The visor's clear, high-tech material gleams subtly in the light but is noticeably pushed away from the eyes, emphasizing his alert exhaustion. Resting across his knees lies a large, modern laser rifle, sleek and battle-worn. He lights a cigarette, the faint glow illuminating his tired expression. In the distant background, massive space drop ships ignite their engines, lifting off with powerful gusts of dust and debris, painting the scene with a sense of desolation and ongoing conflict. Overall masterpiece art strongly getting style of design from Ghost In The Shell anime series

1 month ago

Earth, year 2083, after the devastation of the 3rd World War. A lone soldier sits solemnly atop a ammo crate deeply buried in sand. He wears a sleek, delicate grey combat exoskeleton (minly servos, strings, pipes and pistons), meticulously engineered for agility and strength without any bulky armor underneath, allowing the cybernetic enhancements embedded in his hands and forearms to be fully visible and functional. His uniform (tshirt, cargo pants), designed in detailed dark desert Multicam pattern, blends tactical practicality with rugged wear. The soldier’s helmet is worn with the visor flipped fully up, resting securely on his forehead, exposing his weary eyes and face. The visor's clear, high-tech material gleams subtly in the light but is noticeably pushed away from the eyes, emphasizing his alert exhaustion. Resting across his knees lies a large, modern laser rifle, sleek and battle-worn. He lights a cigarette, the faint glow illuminating his tired expression. In the distant background, massive space drop ships ignite their engines, lifting off with powerful gusts of dust and debris, painting the scene with a sense of desolation and ongoing conflict. Overall masterpiece art strongly getting style of design from Ghost In The Shell anime series