A sample prompt of what you can find in this page
Prompt by OmarBaker

and full lips painted in a deep prompts

very few results

8 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
8 380

5 months ago

"Ultra-realistic, Highly Detailed Digital Painting / Photorealistic Illustration of Pierre Louis Dulong" Image Type: Ultra-realistic digital painting / Photorealistic illustration. (This clarifies the artistic medium, rather than a literal photograph). Overall Artistic Style: Highly detailed, reminiscent of a classical historical portrait, specifically a hand-colored engraving or lithograph. The rendering should achieve photorealistic quality for the subject's features while retaining the characteristic texture and coloring of such historical artworks, with a rich, almost cinematic illustrative quality. Likeness: Very strong and precise likeness to the provided historical portrait of Pierre Louis Dulong . Lighting: Soft, even, and natural-looking light, similar to an old studio portrait setup. The main light source should be subtly from the front-left or front-right, gently highlighting facial contours. Gentle fill light should soften any shadows. Avoid harsh shadows or overexposure. Depth of Field: Shallow depth of field to ensure the subject's face is in crisp, primary focus, with a softly blurred background that does not distract. Color Palette: Natural, rich, and historically appropriate colors. Emphasize warm yet slightly muted skin tones, vibrant deep blue eyes, and deep, textured clothing colors consistent with the original historical rendering. Subject Details: Age: Depicted as a man in his late 40s to early 50s. Expression: Calm, discerning, and contemplative. A dignified and intelligent gaze directed straight towards the viewer. Face Shape: Rounded but well-defined, with a strong, clean jawline. Hair: Color: Light ash blonde or rich golden-blonde, with subtle natural highlights and tonal variations. Style: Very thick, distinctly wavy to curly, appearing full around the head and ears. It should not be strictly swept back but rather voluminous and natural, as seen in the reference image. Sideburns: Very dense and full, extending low to cover a significant portion of the cheek, with defined but not razor-sharp edges, conveying a natural, bushy volume as in the original. Eyes: Color: Strikingly bright, deep blue, with clear whites and a focused pupil. Shape: Wide and slightly rounded, with an intelligent and direct gaze. Eyebrows: Moderately thick, naturally arched, and neatly groomed, precisely matching the hair color, enhancing the eye's expression. Nose: Straight, with a slightly broad bridge and a softly rounded tip. It should appear strong and proportional to his face. Mouth and Lips: Medium-full lips, naturally shaped, with a neutral to slightly contemplative expression, showing subtle definition. Chin: Clearly defined and proportional, projecting slightly, contributing to a strong and somewhat squarish lower face. Facial Pose: Direct frontal view, with a very subtle (1-2 degree) tilt clockwise, precisely mimicking the angle in the reference image. Clothing Details: Coat: A single-breasted (or not visibly double-breasted) wool frock coat in a deep, muted burgundy (dark reddish-purple) or deep maroon color. The fabric should exhibit a fine, tight, textured weave, characteristic of historical prints (e.g., a subtle stippled or cross-hatched appearance), not a smooth modern fabric. The lapels should be broad and well-defined. Cravat/Collar: A pristine white, high, stiff linen cravat or stock, wrapped neatly and tightly around the neck. Inner Garments/Tie: A small visible portion of a dark inner vest or waistcoat. A striped tie, with vertical stripes in dark, muted colors (e.g., dark red and brown), should be visible at the neck opening. Background & Atmosphere: Background: A soft, plain very light blue-grey background. Crucially, the background should feature a distinct stippled or cross-hatched texture, characteristic of historical engravings or lithographs, rather than a smooth, seamless sky. There should be minimal or no noticeable gradual shading effects. Overall Mood/Atmosphere: Calm, confident, and contemplative, conveying a sense of intellectual dignity and solemnity. Rendering Quality (Crucial for replication): Resolution: 8K resolution. Detail: Extreme textural detail for all elements: individual strands of hair, realistic skin texture (portraying it as a finely rendered surface, not smooth plastic), and the intricate weave/texture of his clothing. Color Gradations: Natural and subtle color gradations within the chosen artistic style. Lighting Definition: Clear and well-defined lighting that shapes the forms without harshness. Focus: A shallow depth of field to keep the primary focus on the subject.

OmarBaker
7 220

5 months ago

[Image Type: Ultra-realistic color photograph / Highly detailed realistic oil painting / High-resolution digital portrait] of Marie Curie. Facial Details: Face Shape: Oval-shaped, with slightly prominent cheekbones and a soft jawline. Skin Tone: Fair complexion with a subtle rosy undertone, showing natural skin texture and pores. Fine expressive lines are visible around the eyes and mouth, and subtle horizontal lines on the forehead (especially in older depictions). Hair: Color: A blend of light grey, silver, and pale blonde, with remnants of subtle underlying light brown strands. In younger depictions, the hair would be light brown or dark blonde. Style: Neatly gathered into a loose bun, chignon, or "messy updo" at the back of the head, with soft, wispy strands framing the forehead and temples. In younger images, the hair might be fuller around the head or styled upwards. Eyes: Color: Pale light blue or blue-grey, with a calm, discerning, and deep gaze, reflecting intelligence and seriousness. Shape: Almond to slightly round, with slightly prominent upper eyelids. Eyelashes and Eyebrows: Sparse eyelashes; eyebrows are thin to medium, naturally arched, and light-colored (tending towards grey/blonde), neatly groomed. Nose: Straight, medium-sized, with a slightly rounded tip, defined by soft shadow lines. Mouth and Lips: Medium-full lips, natural rosy-pink color, often closed with a calm or serious expression. Fine lines may appear around the mouth (especially in older depictions). Chin: Rounded and soft, proportionate to the face shape. Distinguishing Features: A subtle dimple on the chin may be present. Her facial expression conveys focus and deep thought. Body and Clothing Details (if more than the face is included): Body Build: Neck, shoulders, and upper chest are visible. Clothing: Often depicted in simple, practical attire typical of her era, such as: A dark-colored (black, navy, or dark brown) dress or jacket made of a dense fabric. Details like a high white collar, a decorative collar (as in younger photos), or simple lace embellishments on the shoulders or sleeves may be present. A simple, thin necklace with a small pendant (could be a locket or a bar-shaped pendant). Background and Lighting: Background: Simple, often a plain neutral-colored wall (grey, beige, light brown) or a softly blurred, indistinct background, with gentle color gradients providing depth without distraction. Lighting: Soft, even lighting illuminating the face, with very subtle shadows highlighting features without being harsh. The light source might be from the front or slightly to one side. Overall Mood/Feeling: Calm, serious, contemplative, and confident expression, reflecting her intelligence and profound thinking. ```

OmarBaker
5 160

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
4 170

2 months ago

Image Aesthetics: Style: A hyperrealistic, high-fashion, avant-garde beauty portrait. Color: Masterful black and white (monochromatic). The image must have an extremely high dynamic range, featuring deep, velvety blacks, brilliant whites, and a full spectrum of smooth gray mid-tones. Subject Description: Person: A striking beautiful east asian woman with flawless skin and perfectly symmetrical facial features, including high cheekbones and a strong jawline. Hair: Her hair is completely pulled back from her face in a severe and sleek, tight bun or ponytail, emphasizing the clean lines of her face and bone structure. Makeup: The makeup is impeccable, dramatic, and a core feature of the portrait: Bold, perfectly sculpted eyebrows. Intense, smoky, cat-eye makeup. Full, perfectly defined lips painted with a dark, matte lipstick that appears almost black in the monochrome conversion. Composition and Pose: Composition: A tight, perfectly centered, and symmetrical head-and-shoulders shot. The composition is direct and confrontational. Pose: The woman faces the camera head-on, with her chin level. Expression: Her expression is powerful, intense, and confident. She holds a direct, piercing, and unwavering gaze with the camera. Lighting (The Most Critical Element): Technique: The lighting is the defining element, using a high-contrast, hard light source with a gobo (a "go-between" or stencil) to create a specific shadow pattern. Pattern: A single, sharp-edged, vertical bar of brilliant light is projected directly down the center of the woman's face. Effect: This central column of light illuminates only the very middle of her forehead, the bridge of her nose, her lips, her chin, and a narrow strip down her neck. The sides of her face, her cheeks, jaw, and the sides of her neck are plunged into deep, dramatic shadow. Background Lighting: The background is a simple, clean studio backdrop, lit to be a medium gray with a subtle gradient or vignette, which allows the subject's shadowed silhouette to be clearly defined. Overall Mood: The image should be intensely dramatic, mysterious, powerful, and sophisticated. It is a masterful study of light, shadow, and form.

kumera
2 94

6 months ago

The image portrays a dramatic and intense scene set against a dark, almost black background, which adds a sense of mystery and depth to the composition. The background is filled with intricate details, such as faint, ghostly silhouettes of ancient, crumbling castles and twisted, gnarled trees that stretch out into the distance, their branches reaching out like skeletal fingers. The sky is a deep, stormy blue, with hints of blood-red clouds that swirl ominously, casting an eerie glow over the scene. The lighting is focused on the central figure, creating a stark contrast that highlights her features and attire, with a soft, ethereal glow emanating from behind her, adding to the supernatural ambiance. The central figure in the image is a vampire woman with long, dark, wavy hair that cascades down her shoulders. Her hair is slightly tousled, adding to the sense of wildness and intensity in the scene. She has striking red eyes that pierce through the darkness, glowing with an otherworldly intensity. Her eyes are almond-shaped, with long, dark lashes that accentuate their hypnotic allure. Her skin is pale, almost translucent, with a slight, unnatural sheen that hints at her supernatural nature. She has high cheekbones and full, sensuous lips, painted a deep, dark red that matches the hue of her eyes. Her expression is fierce and menacing, with a hint of seduction and allure, as if she is both a predator and a temptress. She is dressed in a dark, elegant gown with a deep red hue that clings to her figure, accentuating her curves. The gown features a lace-trimmed bodice with intricate, floral patterns that add a touch of sophistication and vintage charm to her appearance. The bodice is tight, pushing up her ample bosom, and the lace is delicate, almost spider-web-like in its intricacy. The off-the-shoulder sleeves are made of a sheer, diaphanous material that billows slightly, adding a sense of movement and drama to her pose. The gown flows down to the ground, with a long, flowing train that pools around her feet, the fabric shimmering with a subtle, iridescent sheen. She wears a pair of ornate, dangling earrings that complement her overall look, adding a touch of elegance and mystery. The earrings are made of a dark, tarnished metal, with intricate filigree work and small, blood-red gemstones that catch the light. Around her neck, she wears a choker made of the same dark metal, with a large, central gemstone that rests just above her collarbone, drawing the eye to her décolletage. Her pose is dynamic and engaging; she is slightly turned to the side, with one hand resting on her chest, her long, slender fingers splayed out against the lace of her bodice. The other hand is raised, as if she is in the midst of a dramatic gesture or action, her fingers slightly curled, as if beckoning or casting a spell. Her nails are long and pointed, painted the same dark red as her lips, adding to her predatory allure. Overall, the image exudes a sense of darkness, intensity, and allure. The combination of the dark background, the focused lighting, and the character's fierce expression and elegant attire creates a captivating and powerful visual narrative. The scene captures a moment of dramatic tension and seduction, evoking a sense of danger and intrigue, as if the viewer has stumbled upon a secret, forbidden moment in the vampire's eternal night.

Genie79
1 100

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

ElectricL
1 120

5 months ago

[Image Type: Ultra-realistic color photograph / Highly detailed realistic oil painting / High-resolution digital portrait] of Ernest Rutherford. Facial Details: Face Shape: Oval to somewhat rectangular, with strong, defined features. Skin Tone: Fair to medium, with a healthy, natural complexion, showing subtle variations in tone. Minor lines of age (e.g., subtle crow's feet or forehead lines) should be visible, especially around the eyes and forehead, for realism. Hair: Color: A blend of medium to dark brown and significant silver/white or light gray, particularly at the temples and top of the head. The underlying natural color should be a warm brown, with the gray/white highlights prominent, creating a salt-and-pepper effect. Length and Style: Short, neatly combed to the side, with a clear side part (typically on the left). It has a somewhat wavy or slightly unruly texture, especially at the front and sides, but maintains an overall well-groomed appearance. Eyes: Color: Clear light blue or a striking sky blue. Shape: Relatively wide-set, round to slightly almond-shaped, with a direct, intelligent, and focused gaze. The whites of the eyes should be clear. Eyelashes and Eyebrows: Eyebrows are light to medium brown, blending with gray/white hairs, well-defined, and fairly thick. Eyelashes are not heavily emphasized but present naturally. Nose: Straight, prominent, and well-defined, with a strong bridge and a slightly rounded tip. Mouth and Lips: Medium-full lips, typically closed in a neutral or slightly serious expression. The natural color of the lips should be a muted pink/rose. The corners of the mouth may show a hint of a slight upward curve, suggesting a thoughtful or gentle demeanor. Chin: Broad and strong, with a square or rounded appearance. Distinguishing Features: A prominent, thick, well-groomed mustache, matching the hair color (a blend of dark brown and gray/white), covering the upper lip. His ears are relatively close-set to his head. Body and Clothing Details: Body Build: Appears to be of solid, broad-shouldered build. The portrait typically shows the upper torso. Clothing: Dressed in formal attire typical of the late 19th/early 20th century. This includes a tailored suit jacket, specifically a medium grey, brown tweed, or dark charcoal wool. A crisp white or off-white dress shirt with a stiff, high collar is visible. A dark-colored tie, possibly a deep navy blue, maroon, or a tie with a subtle geometric pattern, should be neatly knotted (e.g., four-in-hand or a similar classic knot). A matching vest might also be subtly visible under the jacket. Background and Lighting: Background: Simple, plain, and often dark or muted, such as a solid dark brown, deep charcoal grey, or a rich olive green studio backdrop. The background should be non-distracting and softly out of focus, allowing the focus to remain entirely on the subject. Lighting: Soft, even, and well-distributed natural or studio lighting that highlights facial contours without harsh shadows. The light should illuminate his features clearly, with subtle highlights on the hair and the bridge of the nose. Overall Mood/Feeling: Dignified, intelligent, serious, and contemplative. He projects an aura of intellectual gravitas and quiet confidence.

OmarBaker
1 68

5 months ago

[Image Type: High-resolution black and white photograph / Realistic grayscale digital portrait / Detailed oil painting] of Lord Kelvin (William Thomson). General Appearance: Age: Depicted in his older years, appearing as an elderly man (likely 70s-80s), with distinct signs of age. Expression: Calm, dignified, and sagacious. His gaze is direct and piercing, conveying deep intellect and wisdom. There's a subtle seriousness or introspection in his eyes. Facial Details: Face Shape: Long and somewhat narrow, with a prominent forehead and a distinct, long, and full beard contributing to the overall shape. His cheekbones are somewhat defined. Skin Tone: Fair complexion, rendered in a detailed range of grayscale tones (for photos) or with realistic aged skin texture (for paintings). Shows prominent wrinkles, especially around the eyes, forehead, and cheeks, reflecting his advanced age. Hair: Color: Predominantly white or silver-white, very thin on top, revealing a significant portion of his scalp. Style: Short and thinning on the sides, often appearing somewhat wispy or disheveled around the temples. Eyes: Color: Appears as dark to medium gray in grayscale, suggesting a darker eye color (e.g., blue or brown). His eyes are deep-set. Shape: Almond to slightly hooded, with a sharp, intelligent, and focused gaze that appears to look directly at the viewer or slightly past them. Eyebrows: Thin to medium density, often appearing light gray or white, and somewhat unruly or bushy, especially at the inner ends. Nose: Long, straight, and prominent, with a refined, slightly pointed tip. Mouth and Lips: Lips are mostly obscured by his beard. What little is visible suggests thin lips, usually closed in a neutral or slightly downturned expression. Chin: Completely covered by his prominent beard. Distinguishing Features: His most striking feature is a very long, full, and flowing white or silver-white beard, extending down past his chest in some depictions. The beard is thick and appears slightly unkempt or natural, not tightly trimmed. The hair on his head is distinctly sparse, contrasting with the fullness of his beard. Body and Clothing Details: Posture: Appears upright and distinguished, typically shown from the chest or waist up. In some paintings, he may be seen wearing academic robes. Clothing: Dressed in formal attire of his era (late 19th - early 20th century). Suit Jacket: A dark-colored (black or very dark grey) suit jacket, often made of a heavy fabric. Vest/Waistcoat: A dark vest (waistcoat) may be visible. Tie/Cravat: A dark tie or cravat, often with a subtle pattern or fold, worn beneath his prominent white collar. Shirt: A crisp white dress shirt with a high, stiff collar. Academic Robes (optional for paintings): In some artistic renderings, he might wear a dark academic gown with a distinctive orange or red academic sash/hood over his shoulders. Background and Lighting: Background: Simple, plain, and often dark or muted, typically a solid dark gray, black, or deep brown backdrop, or a subtly textured wall. The background should be non-distracting and softly blurred to keep the focus on him. Lighting: Soft, even lighting that sculpts his face and highlights the texture of his white hair and beard. The light often comes from the front or slightly to one side, creating subtle shadows that add depth to his aged features. Overall Mood/Atmosphere: Intellectual, venerable, wise, and iconic. The image should convey his profound scientific legacy and dignified presence.

OmarBaker
1 80