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Prompt by Aiverser

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hundreds of results

6 months ago

"Ultra-realistic, Highly Detailed Digital Painting / Photorealistic Illustration of Pierre Louis Dulong" Image Type: Ultra-realistic digital painting / Photorealistic illustration. (This clarifies the artistic medium, rather than a literal photograph). Overall Artistic Style: Highly detailed, reminiscent of a classical historical portrait, specifically a hand-colored engraving or lithograph. The rendering should achieve photorealistic quality for the subject's features while retaining the characteristic texture and coloring of such historical artworks, with a rich, almost cinematic illustrative quality. Likeness: Very strong and precise likeness to the provided historical portrait of Pierre Louis Dulong . Lighting: Soft, even, and natural-looking light, similar to an old studio portrait setup. The main light source should be subtly from the front-left or front-right, gently highlighting facial contours. Gentle fill light should soften any shadows. Avoid harsh shadows or overexposure. Depth of Field: Shallow depth of field to ensure the subject's face is in crisp, primary focus, with a softly blurred background that does not distract. Color Palette: Natural, rich, and historically appropriate colors. Emphasize warm yet slightly muted skin tones, vibrant deep blue eyes, and deep, textured clothing colors consistent with the original historical rendering. Subject Details: Age: Depicted as a man in his late 40s to early 50s. Expression: Calm, discerning, and contemplative. A dignified and intelligent gaze directed straight towards the viewer. Face Shape: Rounded but well-defined, with a strong, clean jawline. Hair: Color: Light ash blonde or rich golden-blonde, with subtle natural highlights and tonal variations. Style: Very thick, distinctly wavy to curly, appearing full around the head and ears. It should not be strictly swept back but rather voluminous and natural, as seen in the reference image. Sideburns: Very dense and full, extending low to cover a significant portion of the cheek, with defined but not razor-sharp edges, conveying a natural, bushy volume as in the original. Eyes: Color: Strikingly bright, deep blue, with clear whites and a focused pupil. Shape: Wide and slightly rounded, with an intelligent and direct gaze. Eyebrows: Moderately thick, naturally arched, and neatly groomed, precisely matching the hair color, enhancing the eye's expression. Nose: Straight, with a slightly broad bridge and a softly rounded tip. It should appear strong and proportional to his face. Mouth and Lips: Medium-full lips, naturally shaped, with a neutral to slightly contemplative expression, showing subtle definition. Chin: Clearly defined and proportional, projecting slightly, contributing to a strong and somewhat squarish lower face. Facial Pose: Direct frontal view, with a very subtle (1-2 degree) tilt clockwise, precisely mimicking the angle in the reference image. Clothing Details: Coat: A single-breasted (or not visibly double-breasted) wool frock coat in a deep, muted burgundy (dark reddish-purple) or deep maroon color. The fabric should exhibit a fine, tight, textured weave, characteristic of historical prints (e.g., a subtle stippled or cross-hatched appearance), not a smooth modern fabric. The lapels should be broad and well-defined. Cravat/Collar: A pristine white, high, stiff linen cravat or stock, wrapped neatly and tightly around the neck. Inner Garments/Tie: A small visible portion of a dark inner vest or waistcoat. A striped tie, with vertical stripes in dark, muted colors (e.g., dark red and brown), should be visible at the neck opening. Background & Atmosphere: Background: A soft, plain very light blue-grey background. Crucially, the background should feature a distinct stippled or cross-hatched texture, characteristic of historical engravings or lithographs, rather than a smooth, seamless sky. There should be minimal or no noticeable gradual shading effects. Overall Mood/Atmosphere: Calm, confident, and contemplative, conveying a sense of intellectual dignity and solemnity. Rendering Quality (Crucial for replication): Resolution: 8K resolution. Detail: Extreme textural detail for all elements: individual strands of hair, realistic skin texture (portraying it as a finely rendered surface, not smooth plastic), and the intricate weave/texture of his clothing. Color Gradations: Natural and subtle color gradations within the chosen artistic style. Lighting Definition: Clear and well-defined lighting that shapes the forms without harshness. Focus: A shallow depth of field to keep the primary focus on the subject.

OmarBaker
7 240

5 months ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

Selfishreasons
6 140

5 months ago

The image depicts a stunning, ethereal woman with prominent, fluffy white fox ears and a large, flowing white fox tail that billows around her. She has long, wavy, white hair that cascades down her back and shoulders, some strands appearing to float around her. Her eyes are closed, and her head is slightly bowed, giving her a serene and contemplative expression. Her makeup is delicate, with a touch of pink blush on her cheeks and subtle eye makeup. She is adorned with a beautiful, intricate silver necklace. She is wearing an elaborate white kimono-style outfit with off-the-shoulder sleeves. The garment is accented with delicate red embroidery, featuring floral or nature-inspired patterns, particularly on the bodice and sleeves. The edges of the sleeves and the neckline have a contrasting red trim. The lower part of her dress is a flowing, multi-layered white skirt that appears to be made of light, airy fabric, creating a sense of movement and grace. Her hands are delicately positioned, one extended slightly with fingers pointed, and the other tucked into the folds of her sleeves. The background is a soft, blurred winter landscape. Snow is falling gently, with visible snowflakes in the air. The setting appears to be outdoors, with hints of snow-covered trees and possibly a traditional Japanese-style building in the distance, creating a tranquil and magical atmosphere. The overall impression is one of delicate beauty, fantasy, and a connection with nature. Prompt for Realistic Image Generation: "A hyperrealistic, full-body portrait of a beautiful Kitsune woman with large, fluffy white fox ears and a voluminous white fox tail. She has long, flowing, wavy white hair that appears to move in a gentle breeze. Her expression is serene, with closed eyes and a slightly bowed head. She is wearing an exquisite white off-the-shoulder kimono with intricate red floral embroidery on the bodice and sleeves. The kimono has delicate red trim along the edges and a flowing, layered white skirt. She wears a sparkling silver necklace. The scene is set against a soft-focus, blurred winter background with gently falling snow, hinting at snow-covered trees and a traditional Japanese architectural element in the distance. The lighting is soft and diffused, creating an ethereal and magical atmosphere."

Selfishreasons
5 140

4 months ago

Create an image for me that fits DIN A4. A beautiful woman with an african background. It should be a portrait in black and white – creative – surreal – abstract – with a reference to migration. Feel free to play with motion blur (but not too much – perhaps a subtle motion blur). The motif should be darker. The background should be light. Magazine editorial style. And please only the person. No other motifs. (The portrait will later be edited with a coloured background and text will be added – but I will do that myself). In photography, there are various rules and techniques for improving image composition, including the rule that people in the image should not look out of the frame. This is often considered part of image composition, as it is intended to draw the viewer's attention to the most important elements in the image. If a person is looking at the edge of the image, this can often create a feeling of incompleteness and distract the viewer from the main focus. A common practice is to position the person so that they are looking into the image rather than out of it. This creates a connection between the subject and the viewer and can enhance the emotional impact of the image. For example, if a person is looking to the left, the focus of the image should be on leaving enough space on the right side of the image to show the movement of the gaze. This technique goes hand in hand with other photographic rules, such as the rule of thirds or the golden ratio, which serve to harmonise the composition and increase visual interest. Only the person! No animals! No motion blur in the face!

Chorlo PRO
5 260