A sample prompt of what you can find in this page
Prompt by Sxylla

emphasizing her assertive posture prompts

very few results

5 months ago

Ultra-photorealistic cinematic portrait of an elegant Korean woman captured from a frontal angle, standing tall and poised as she gazes directly at the camera with quiet confidence and magnetic presence. She wears a black haute couture evening gown with an extreme high slit rising all the way to the waist, revealing her long, slender legs and bare gorin in full view. From the front, the slit creates a dramatic frame for her legs, which are gracefully posed to highlight their elegant curvature and tone. The gown is crafted from semi-transparent, light-transmitting lace fabric, its delicate floral embroidery and sheer panels shimmering subtly under the twilight glow. As the breeze moves the fabric, the gown’s translucent quality softly outlines her form in a tasteful, high-fashion aesthetic — a glowing veil of couture craftsmanship. Her posture is elegant yet subtly assertive — one leg extended confidently forward, creating a dynamic visual line from hip to heel, and a subtle S-curve through her torso. Her black stiletto heels with red lacquered soles add height and drama, catching ambient light with each subtle movement. Her sleek high ponytail is drawn back cleanly to emphasize the contours of her face and neck, while her expression is serene, her eyes meeting the viewer’s gaze with composed intimacy. The background features a cinematic twilight sky, transitioning from warm amber near the horizon to deep violet above, with floating clouds, faint silhouettes of distant buildings, and a soft atmospheric haze enhancing the emotional depth. Captured in 8K ultra-high resolution, the image highlights exquisite lighting, translucent textile realism, skin luminosity, and refined cinematic lens blur, evoking the polished sophistication of a Vogue Korea cover shoot or a still frame from a Korean New Wave fashion film.

7 months ago

Aquí te dejo el promt en inglés: A Caucasian man between 45 and 55 years old, with short gray hair and a serious but neutral expression, wears a futuristic exoskeleton of dark metallic gray that covers his athletic human body, accentuating his physical form. The suit, with armor plates on his arms and chest, features intricate designs and luminous blue details that shine with a soft intensity. The attention is focused on the left side of his face, where flesh and blood have given way to advanced technology: a cybernetic eye shines with an intense blue neon light, surrounded by visible mechanical components and finely detailed cables that intersect under the synthetic skin, creating an impressive contrast between the organic and the artificial. The metallic eye, with an electric blue iris, seems to shine with its own intelligence, as if it were processing information in real-time. The synthetic skin surrounding the cybernetic eye has a slightly paler tone than the rest of his face, further emphasizing the artificial nature of the implant. The man stands upright, looking directly forward with a confident and assertive posture, as if he were ready to face any challenge. His body, covered by the exoskeleton, appears to be a perfect fusion of human and machine, with each armor plate and mechanical detail working in harmony to accentuate his physical form. His hands, strong and human, hang at his sides, with his fists slightly clenched, as if they were ready to act at any moment. The background is a futuristic workspace, with immaculate white walls and a dark gray floor that seems to stretch into infinity. Translucent screens display graphs and data diagrams in blue and green tones, creating an atmosphere of high technology and efficiency. The lighting, cold and bright, comes from hidden sources, creating soft shadows that accentuate the metallic textures and details of the exoskeleton, as well as the cybernetic contours of his face. The perspective, slightly angled from below, emphasizes the man's imposing figure, highlighting his presence in the space. The style is unmistakably cyberpunk, with photorealistic details that evoke a serious, technological, and high-tension atmosphere. The composition is a medium shot, with the subject centered and the background subtly out of focus, using a 50mm lens for a naturalistic effect that invites the viewer to immerse themselves in this world of science fiction. The detailed metallic textures, smooth and shiny surfaces, and precise lighting create a cinematic scene that seems to leap off the screen, enveloping the viewer in a futuristic reality where human and artificial blend in a dance of light and shadow.

5 months ago

[Image Type: Ultra-realistic, high-resolution color photograph / Modern digital portrait] of Mikhail Lomonosov, captured with sharp focus and intricate detail, as if taken by a professional photographer using a contemporary digital camera. Overall Photographic Style: Lighting: Soft, natural, and sophisticated studio lighting or natural daylight, emphasizing realistic skin tones and subtle shadows that define facial contours. The lighting should be smooth, avoiding harsh contrasts. Depth of Field: Shallow depth of field to keep Mikhail Lomonosov in crisp, sharp focus while gently blurring the background, creating a sense of depth and professionalism. Color Palette: Natural and balanced, reflecting realistic skin undertones, hair colors, and rich fabric textures. Sharpness & Detail: Extreme sharpness on facial features, revealing individual pores, very subtle lines, and distinct hair strands. Subject Details (Mikhail Lomonosov): Age: Depicted in his prime to mature years (e.g., late 40s to 50s), appearing robust, intelligent, and confident. Expression: Calm, composed, and confident, with a subtle, discerning gaze directed slightly upward and to the side (as if contemplating something). A slight, enigmatic smile or a look of satisfaction on his lips. His expression conveys wisdom and a keen intellect. Face Shape: **Full and rounded**, with soft but defined cheekbones. A **slightly heavier jawline**, contributing to a robust and authoritative presence. Skin Tone: Fair complexion with healthy, **rosy undertones**, particularly on the cheeks, emphasizing fullness. Hair: Color: A prominent shade of powdered white or light grey, indicating a wig or heavily powdered natural hair, typical of the mid-18th century fashion. Style: Styled in a voluminous, tightly curled, or rolled fashion. The hair is pulled back from the forehead and sides, with distinct rows of symmetrical curls over the ears and often gathered at the nape of the neck. Eyes: Color: Clear light blue or light brown, with detailed irises and realistic reflections from the lighting. His eyes are a key feature, conveying intelligence and insight. Shape: Slightly rounded, with a discerning and calm look. Eyebrows: Medium density, naturally arched, and light-colored (matching the powdered hair, e.g., light grey or pale blonde), showing individual hair strands. Nose: Medium-sized, straight, and well-proportioned, with a slightly rounded tip. Mouth and Lips: Medium to full lips, with natural muted pink/rose tones. Often show a subtle, closed smile or a very slight upward curve at the corners, contributing to his confident and pleasant demeanor. Chin: **Full and rounded**, in harmony with the overall softer face structure. Distinguishing Features: The voluminous powdered wig/hair, **fuller cheeks**, and robust, confident facial features are defining characteristics. His overall appearance should convey a sense of learned authority and geniality. Body and Clothing Details: Posture: Dignified, upright, and assertive, typically shown from the chest or waist up. Often depicted with a slight turn of the body, looking over his shoulder. Clothing: Dressed in opulent and formal attire typical of a prominent scholar or noble of the mid-18th century, rendered with modern fabric realism and texture. Coat/Jacket: A richly colored, tailored coat or jacket in a luxurious fabric (e.g., vibrant red, deep maroon, or rich blue velvet/silk), showing realistic fabric texture, sheen, and intricate gold or silver embroidery along the lapels, cuffs, or buttonholes. Shirt/Cravat: A crisp, white linen dress shirt. A voluminous white cravat or jabot (ruffled neckcloth), intricately tied or draped, creating a prominent and elegant white area around the neck and upper chest. The ruffles should appear soft and detailed. Vest (optional): A fitted waistcoat in a complementary rich color, possibly patterned, with visible buttons. Background: Style: Elegant, and softly out-of-focus background, often hinting at a rich interior or academic setting. It could be a blurred dark, ornate curtain (e.g., deep green or brown), a subtly textured wall, or a hint of classical furniture. The colors should be deep and sophisticated to complement the subject without distracting from him. Overall Mood/Atmosphere: Intellectual, confident, authoritative, and distinguished. The image should convey his polymath status and significant contributions, radiating an aura of wisdom and dignified presence through a highly realistic and contemporary photographic lens.

6 months ago

Create a hyperrealistic digital painting of a solemn historical meeting depicting eight men seated and standing around a large rectangular wooden table. The scene represents the First Junta of May 1810 in Buenos Aires, inside a formal government chamber in the colonial era. The setting is a grand, stately room with tall grey-blue paneled walls, decorated in late 18th–early 19th century neoclassical style. In the background, centered between the wall panels, there is a large dark statue or painting silhouette on a pedestal, barely lit, adding to the atmosphere of seriousness and historical depth. The room is softly illuminated with natural ambient light coming from the left side (out of frame), casting gentle shadows and highlighting the textures of faces, clothes, wood, and documents. The overall color tone is subdued and historical — browns, blacks, muted blues, greys, and whites dominate the palette, enhancing the serious, revolutionary mood. A large wooden table sits at the center of the composition, fully covered in a dark burgundy or deep red-brown tablecloth that touches the floor. On the table lie scattered handwritten papers, an inkwell, and quill pens — all period-accurate, adding a sense of active political deliberation. The eight men are depicted in late 18th/early 19th century clothing, seated or standing in a slightly curved formation to allow each face to be visible. Each man must be realistically modeled, showing unique facial features, age, and emotion. Their skin textures, expressions, postures, and clothing must be rendered in vivid photorealistic detail. The eight individuals, from left to right, are: Manuel Belgrano – seated on the far left. He is young, with slightly curled black hair and a serious, introspective look. He sits with legs crossed, left hand resting on the chair’s armrest, right hand over his knee. Wears a formal black tailcoat, white cravat, white stockings, and black leather shoes with silver buckles. Juan José Castelli – seated next to Belgrano. Upright posture, dressed in a dark brown wool suit with a white cravat and vest. His hair is brushed back, and he has a rounder face, appearing intellectual and calm. He looks slightly toward the table center. Cornelio Saavedra – seated prominently at the center-left. He is older, has white hair, and wears a striking military uniform: deep navy blue with bright red lapels, gold buttons, and gold epaulettes. A red sash crosses his chest. His presence is authoritative and calm. One hand rests gently on some documents on the table. Miguel de Azcuénaga – standing behind and slightly to the left of Saavedra. He is tall and slender, with short dark grey hair. He also wears a navy military uniform, though less ornate than Saavedra's. His hands are clasped in front of him. He stands straight and looks toward the center. Domingo Matheu – standing next to Azcuénaga, closer to the table's far end. He wears a dark civilian coat with a red sash tied at the waist, signifying political authority. His face is oval with sharp features, and his posture is partly turned in profile, indicating focus and formality. Manuel Alberti – seated just right of center. He is a priest, depicted as elderly with white hair, deep-set eyes, and a long face. Wears a traditional black clerical robe. His hands rest calmly on the table or are lightly clasped in his lap. His expression is spiritual and composed. Juan José Paso – seated beside Alberti. A middle-aged man in a black formal suit with a white cravat and waistcoat. His expression is assertive but thoughtful. He gestures with one hand slightly, as if making a point or writing something, while his other hand rests on the armrest. Mariano Moreno – seated on the far right. The youngest of the group, with intense dark eyes, sharp features, and dark combed-back hair. He wears a black coat with a light gray waistcoat, white shirt, and white stockings. He leans slightly forward, conveying intensity and commitment. His hands rest on his thighs or lightly clenched. Each figure must appear distinct and fully realized, with realistic period-appropriate facial hair (or clean-shaven), accurately styled 1810-era clothing, and naturalistic posture. All chair backs are ornate wood, consistent with early 19th-century elite furniture. The atmosphere must feel tense yet visionary — a moment of high political importance in Latin America’s independence. The textures (cloth, paper, skin, wood, brass, wax) must be photorealistic, with dynamic but subtle lighting to emphasize the humanity and gravity of the moment. Style: hyperrealism, 4K resolution detail, cinematic lighting, classical composition, historical documentary tone.

6 months ago

The room is softly illuminated with natural ambient light coming from the left side (out of frame), casting gentle shadows and highlighting the textures of faces, clothes, wood, and documents. The overall color tone is subdued and historical — browns, blacks, muted blues, greys, and whites dominate the palette, enhancing the serious, revolutionary mood. A large wooden table sits at the center of the composition, fully covered in a dark burgundy or deep red-brown tablecloth that touches the floor. On the table lie scattered handwritten papers, an inkwell, and quill pens — all period-accurate, adding a sense of active political deliberation. The eight men are depicted in late 18th/early 19th century clothing, seated or standing in a slightly curved formation to allow each face to be visible. Each man must be realistically modeled, showing unique facial features, age, and emotion. Their skin textures, expressions, postures, and clothing must be rendered in vivid photorealistic detail. The eight individuals, from left to right, are: Manuel Belgrano – seated on the far left. He is young, with slightly curled black hair and a serious, introspective look. He sits with legs crossed, left hand resting on the chair’s armrest, right hand over his knee. Wears a formal black tailcoat, white cravat, white stockings, and black leather shoes with silver buckles. Juan José Castelli – seated next to Belgrano. Upright posture, dressed in a dark brown wool suit with a white cravat and vest. His hair is brushed back, and he has a rounder face, appearing intellectual and calm. He looks slightly toward the table center. Cornelio Saavedra – seated prominently at the center-left. He is older, has white hair, and wears a striking military uniform: deep navy blue with bright red lapels, gold buttons, and gold epaulettes. A red sash crosses his chest. His presence is authoritative and calm. One hand rests gently on some documents on the table. Miguel de Azcuénaga – standing behind and slightly to the left of Saavedra. He is tall and slender, with short dark grey hair. He also wears a navy military uniform, though less ornate than Saavedra's. His hands are clasped in front of him. He stands straight and looks toward the center. Domingo Matheu – standing next to Azcuénaga, closer to the table's far end. He wears a dark civilian coat with a red sash tied at the waist, signifying political authority. His face is oval with sharp features, and his posture is partly turned in profile, indicating focus and formality. Manuel Alberti – seated just right of center. He is a priest, depicted as elderly with white hair, deep-set eyes, and a long face. Wears a traditional black clerical robe. His hands rest calmly on the table or are lightly clasped in his lap. His expression is spiritual and composed. Juan José Paso – seated beside Alberti. A middle-aged man in a black formal suit with a white cravat and waistcoat. His expression is assertive but thoughtful. He gestures with one hand slightly, as if making a point or writing something, while his other hand rests on the armrest. Mariano Moreno – seated on the far right. The youngest of the group, with intense dark eyes, sharp features, and dark combed-back hair. He wears a black coat with a light gray waistcoat, white shirt, and white stockings. He leans slightly forward, conveying intensity and commitment. His hands rest on his thighs or lightly clenched. Each figure must appear distinct and fully realized, with realistic period-appropriate facial hair (or clean-shaven), accurately styled 1810-era clothing, and naturalistic posture. All chair backs are ornate wood, consistent with early 19th-century elite furniture. The atmosphere must feel tense yet visionary — a moment of high political importance in Latin America’s independence. The textures (cloth, paper, skin, wood, brass, wax) must be photorealistic, with dynamic but subtle lighting to emphasize the humanity and gravity of the moment. Flash photography, unedited.

5 months ago

A confident, assertive female figure in a contrapposto stance, torso leaning slightly back with hips tilted, left leg straight and weight-bearing, right leg bent and stepping forward. Right arm bent, hand resting firmly on the hip, left arm extended outward with the index finger pointing. Head turned to her right and tilted slightly downward in a focused gaze. Long neck flows elegantly into angular shoulders. Stylized proportions—slender waist, elongated limbs, high heels for posture emphasis. She wears a striking, high-fantasy East Asian ensemble: a vivid red silk qipao-inspired bodice with a tall mandarin collar and ornate frog-button closures along the front. Gold embroidery in phoenix and floral motifs decorates the chest, collar, and hem. Fitted black inner sleeves contrast with large, flared outer sleeves layered in black and deep red, adorned with golden dragon-scale patterns and spiky shoulder accents. The midriff is exposed, emphasizing the waist twist. Lower half features an asymmetric skirt—black, tiered, and slit open at the front, revealing black high-waisted shorts and thigh-high stockings. The fabric is rich with gold thread detailing and flowing tassels. She wears black pointed-heel boots, and long black gloves with gold trim. Her face is oval-shaped with soft blush across porcelain skin. Striking red eyes with glossy highlights, framed by long dark lashes and arched brows. Small nose, soft pink lips. Hair is black, partly pulled into an intricate updo with cascading tendrils. A golden headband crowns her hair, adorned with a sculpted gold rose and spiked tendrils. A long gold spike earring dangles from her right ear. Setting: A dim ceremonial courtyard or imperial hall at dusk, lit by glowing red lanterns and ambient gold light reflecting off lacquered surfaces. Dark stone flooring, subtle cherry blossom petals in the air. Tone & Theme: Regal, commanding, and theatrical—infused with mystique and elegance. Color Palette: Dominant reds, deep blacks, and metallic golds with subtle warm blush tones and soft ambient shadows. Visual Style: Semi-realistic digital concept art with sharp fashion detail, atmospheric lighting, rich fabric rendering, and controlled stylization of anatomy and pose.