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Prompt by Chorlo

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8 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

ElectricL
4 140

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

Chorlo PRO
3 250

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

Chorlo PRO
3 180

8 months ago

Epic dark fantasy oil painting capturing the raw, mythological power of Thor, the Norse god of thunder. The setting is a wild, snowy Scandinavian landscape engulfed in a fierce blizzard, with snow whipping across the scene in chaotic gusts. The stormy sky is thick with heavy clouds, nearly obscuring the distant mountains, and cast in deep, moody blues and grays. Thor is seen from a low angle, making him appear larger-than-life and truly god-like, towering over the viewer with an aura of unstoppable strength. His powerful, muscular frame is emphasized by his pose, legs planted firmly in the deep snow as he raises Mjölnir, his legendary battle hammer, high into the turbulent sky. He is fierce and resolute, his hair and fur-lined cloak whipping wildly in the freezing wind. A massive bolt of lightning crashes down from the storm clouds, connecting with Mjölnir and bathing Thor in a blazing, blue-white glow that pierces through the blizzard. The intense light highlights his rugged features and casts dramatic shadows across his face and armor, giving him a godly, otherworldly presence. The lightning arcs around him, crackling with raw energy as snow and ice are blasted into the air from the sheer force. Thor’s attire is inspired by traditional Norse mythology, with a thick fur cloak, leather armor reinforced with metal, and sturdy boots fit for a winter warrior. His gaze is fierce, and his entire posture exudes strength and defiance against the raging storm. The color palette is cold and intense, dominated by icy blues, sharp whites, and deep shadows. The lightning illuminates Thor in a spectral light, creating a sharp contrast against the darkness of the blizzard. Snow swirls violently in every direction, caught in the powerful light, adding dynamic movement and depth to the scene. Every detail is meticulously rendered: the rippling muscles, the coarse texture of Thor’s fur cloak, the chaotic streaks of lightning, and the fierce, swirling snow. The composition conveys the raw, untamed power of the Norse god, capturing the viewer’s attention with the overwhelming force of mythic heroism and natural fury.

d8185009b43
1 87

8 months ago

A radiant, sensual Arabian enchantress (1.8) reclines gracefully atop layers of velvet cushions and patterned silks in a lavish desert pavilion. Her bronze skin glows in the dim amber candlelight, and sheer fabrics cling to her voluptuous curves (1.6), revealing more than they conceal. Gold bangles coil around her wrists and ankles, and delicate filigree chains drape across her bare hips (1.5), catching the soft flicker of the torchlight. Her eyes — kohl-lined, smoldering with mystery — gaze toward the viewer (1.5), while her dark, cascading hair spills across her shoulder like ink over parchment. Her pose is relaxed but powerful, her presence commanding. The scene is rich in depth — in the foreground, intricate carved lanterns, incense burners emitting curling smoke (1.4), and low tables adorned with exotic fruits and shimmering goblets frame the space. In the midground, gauzy curtains flutter in the warm desert breeze, backlit by a burning sunset that casts molten gold and rose hues across the silken drapes. In the background, silhouettes of distant minarets and domes glint beneath a twilight sky pierced by the first emerging stars (1.3). A white tiger lies at her side — still, regal, alert. Its fur glows softly in the layered lighting, both shadowed and rim-lit by the ambient glow. The pavilion is elevated, revealing a view over the vast desert dunes, with torches dotting the landscape like fireflies. Style & Light: (Frazetta x Vallejo:1.6), heroic fantasy realism, saturated sunset palette, volumetric shadows, warm light rays filtering through incense smoke, sensual anatomy and heavy fabrics with textured brushwork. The final image is both erotic and majestic — mythic, powerful, and timeless.

ElectricL
1 180

1 day ago

“Cartoon-level detail skull simple design like Sans from Undertale: one-piece fused skull with no separate mandible, extremely smooth surfaces, large round eyesockets with eyelights, simplified teeth drawn as a single soft row, no bone ridges, no realistic anatomy, no cracks or texture.” tall lanky broad-shouldered body shape, only the skull is sans-like. Swad reference. Head proportions balanced with body of 5'11" average person thin waist. Prohibit chibi style. High-quality comic heavy lining art. Full body picture. Posture straight, shoulders set back, confident and pleasant smug. Draw Swad wearing opened cream royal robing accented with golden shimmer sun-related motifs and trimmed with lustrous turquoise and cyan designs, shapes to his waist to accent the width of shoulders, opened to show his thin waist and tucked in shirt. Furred hood on robe. Highly sophisticated stylized royal clothing. Underneath is regal frilled soft yellow-green shirt. Pants are very dark turquoise. Shoes orange and yellow accents, cyan on soles. eyes are backlit eye sockets; left side yellow backlit (with red eyelight), and right red backlit with yellow sun motif eyelight.. orange-red irises with gold pupils. Late twenties. A regal body posture shoulders back, relaxed yet confident and poised elegant. somewhat- average build with long legs, thin waist, broad chest, and confident charming posture. Expression is smug, half-lidded, self-assured browline, smirk smooth, charming, sly, confident, and enticing.

KaleidoSlivers
0 3