seen from behind and in profile prompts

2 months ago

A woman, light-skinned, mid-20s, wearing a vibrant yellow, full-skirted swing dress of a 1940s-style, with a wide red satin sash tied in a large bow at the waist. She wears a striking red wide-brimmed hat, black opaque stockings, and high-heeled red pumps. She is seen from behind, in profile, standing inside a train station waiting room, gazing out through a large window. Her slightly melancholic expression is visible in her posture. The station’s interior has muted taupe-gray walls and a light brownish-tan floor. Beyond the window, the viewer sees a misty, wintry outdoor scene with train tracks extending into the distance. A softly glowing yellow lamp hangs from the ceiling above her. The subdued cinematic lighting casts soft shadows, emphasizing her silhouette and the rich colors of her attire. The textures, fabrics, and atmosphere are painted in the style of a classic oil painting, with realistic yet softly saturated tones, meticulous detail, and delicate transitions of light and shadow. The composition centers on the woman, framed against the muted backdrop of the waiting room and the window beyond. --ar 1.25:1 --s 800 --q 2 --v 5

2 months ago

A woman, light-skinned, mid-20s, wearing a vibrant yellow, full-skirted swing dress of a 1940s-style, with a wide red satin sash tied in a large bow at the waist. She wears a striking red wide-brimmed hat, black opaque stockings, and high-heeled red pumps. She is seen from behind, in profile, gazing out a large window of a train station or similar waiting area, with a slightly melancholic expression on her face. The station's interior has muted, taupe-gray walls. The floor is a light brownish-tan. Large windows frame a misty, wintry or foggy outdoor scene with train tracks extending into the distance. A softly glowing yellow lamp hangs from the ceiling. The lighting is subdued, with a cinematic quality, casting soft shadows and emphasizing the woman's form and the rich colors in her attire. The painting style is reminiscent of classic oil paintings with meticulous detail in textures, light, and soft color transitions; the colors are saturated yet soft and realistic. The composition is centered on the woman, drawing the viewer's eye to her figure and expression while framing her against the muted backdrop of the station waiting room or train station. Oil painting style --ar 1.25:1 --s 800 --q 2 --v 5

2 months ago

A woman, light-skinned, mid-20s, wearing a vibrant yellow, full-skirted swing dress of a 1940s-style, with a wide red satin sash tied in a large bow at the waist. She wears a striking red wide-brimmed hat, black opaque stockings, and high-heeled red pumps. She is seen from behind, in profile, gazing out a large window of a train station or similar waiting area, with a slightly melancholic expression on her face. The station's interior has muted, taupe-gray walls. The floor is a light brownish-tan. Large windows frame a misty, wintry or foggy outdoor scene with train tracks extending into the distance. A softly glowing yellow lamp hangs from the ceiling. The lighting is subdued, with a cinematic quality, casting soft shadows and emphasizing the woman's form and the rich colors in her attire. The painting style is reminiscent of classic oil paintings with meticulous detail in textures, light, and soft color transitions; the colors are saturated yet soft and realistic. The composition is centered on the woman, drawing the viewer's eye to her figure and expression while framing her against the muted backdrop of the station waiting room or train station. Oil painting style --ar 1.25:1 --s 800 --q 2 --v 5

2 months ago

A woman, light-skinned, mid-20s, wearing a vibrant yellow, full-skirted swing dress of a 1940s-style, with a wide red satin sash tied in a large bow at the waist. She wears a striking red wide-brimmed hat, black opaque stockings, and high-heeled red pumps. She is seen from behind, in profile, gazing out a large window of a train station or similar waiting area, with a slightly melancholic expression on her face. The station's interior has muted, taupe-gray walls. The floor is a light brownish-tan. Large windows frame a misty, wintry or foggy outdoor scene with train tracks extending into the distance. A softly glowing yellow lamp hangs from the ceiling. The lighting is subdued, with a cinematic quality, casting soft shadows and emphasizing the woman's form and the rich colors in her attire. The painting style is reminiscent of classic oil paintings with meticulous detail in textures, light, and soft color transitions; the colors are saturated yet soft and realistic. The composition is centered on the woman, drawing the viewer's eye to her figure and expression while framing her against the muted backdrop of the station waiting room or train station. Oil painting style --ar 1.25:1 --s 800 --q 2 --v 5

5 months ago

On a quiet forest path bathed in morning mist, warm golden sunlight filters gently through the trees, casting a soft glow across the scene. On the left stands an elderly East Asian monk, dressed in a dark brown monastic robe. His posture is slightly leaning forward, hands relaxed at his sides. He gazes kindly at the young novice monk across from him, his expression warm and serene. A gentle smile forms on his face, with slightly raised cheeks and eyes filled with compassion — as if he's about to speak or has just finished speaking. His head is shaved, and his features reflect age, wisdom, and peacefulness. To the right stands a young novice monk, seen from behind and in profile. His head is also shaved, and he wears a light grey robe. He faces the elder monk with attention and respect. His posture is straight, hands resting naturally at his sides. His body is small and youthful, radiating purity and quiet discipline. Behind them stretches a forest path lined with tall trees, lush greenery, and soft fog. The morning light gives the entire setting a tranquil, almost sacred ambiance. The image evokes a deep sense of stillness, humility, and the intimate connection between teacher and disciple. Add subtle and clearly visible lip movement to the elderly monk as he gently speaks to the young novice. Only animate the mouth. No head or body movement. Maintain still background and soft light. Duration: 4–6 seconds.