A sample prompt of what you can find in this page
Prompt by Pulsar212121

set against a dark and obscure background prompts

very few results

5 months ago

A photorealistic, artistic image, maintaining the overall dark and moody composition. The central focus is a (singular, glistening, detailed Spider-Man web:1.4), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3), its deep red color discernible. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), serving as a key light source for the web and its immediate surroundings. (Spider-Man himself is now a crucial and dynamic element:1.6). Positioned just behind the plane of the web, (his masked head and perhaps the very top of his shoulders are dramatically emerging through the natural opening of the letter 'O' in the web-formed word "STOP":1.9). (His head should be sharply in focus, appearing to dynamically jut out towards the viewer:1.8), creating a strong sense of depth and making it a powerful foreground element. The rest of his body remains mostly obscured or melds into the shadows behind the web. His mask should catch (subtle, realistic highlights from the glowing rainbow strands of the 'O' he is passing through:1.5) and any faint ambient light, emphasizing its classic form and texture. The alley itself remains characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The red fire hydrant remains a contrasting element. Reflections on the wet pavement should primarily stem from the web's own rainbow luminescence. The (web-formed word "STOP":1.6) is still artfully spun. Its (glowing, rainbow-hued letterforms:1.5) appear (distinctly self-illuminated:1.4) against the (surrounding deep darkness:1.3). The image is cinematic, with high detail, focusing on the dramatic interplay between the (glowing web spelling "STOP":1.6) and (Spider-Man's head protruding directly towards the audience:1.7), all within the established dark, moody alley setting with the red hydrant as a side anchor

9 months ago

a cinematic black-and-white noir depiction of a vintage cobblestone street at night, drenched in a moody, atmospheric fog. The soft glow of lampposts illuminates the scene, their light diffusing through the thick mist and casting long, dramatic shadows. A man in a trench coat and fedora leans in to speak with a woman standing under a streetlamp, her striking 1940s-style dress glowing in vibrant red—the only color in the monochrome scene, creating a dramatic and captivating focal point. The woman's red dress is elegantly detailed, with flowing fabric and a classic silhouette that exudes vintage glamour. The man, in stark contrast, is clad in a shadowy trench coat and a dark fedora, his figure partially obscured by the fog. Their postures suggest an intense or intimate exchange, adding an air of intrigue and mystery. The background reveals blurred figures holding umbrellas, their forms blending into the misty atmosphere, along with vintage cars parked along the cobblestone street. The reflections of lamplight shimmer softly on the wet stones, adding depth and texture to the scene. The interplay of light and shadow enhances the noir aesthetic, with strong contrasts highlighting the textures of the cobblestones, the folds of the dress, and the contours of the characters. The overall composition captures the essence of a classic noir film, evoking a sense of romance, mystery, and drama in a richly textured and meticulously detailed setting. Rendered with a focus on mood, atmosphere, and visual storytelling, this image seamlessly blends vintage elegance with cinematic artistry.

4 months ago

[Image Type: High-resolution black and white photograph / Realistic grayscale digital portrait / Detailed oil painting] of Lord Kelvin (William Thomson). General Appearance: Age: Depicted in his older years, appearing as an elderly man (likely 70s-80s), with distinct signs of age. Expression: Calm, dignified, and sagacious. His gaze is direct and piercing, conveying deep intellect and wisdom. There's a subtle seriousness or introspection in his eyes. Facial Details: Face Shape: Long and somewhat narrow, with a prominent forehead and a distinct, long, and full beard contributing to the overall shape. His cheekbones are somewhat defined. Skin Tone: Fair complexion, rendered in a detailed range of grayscale tones (for photos) or with realistic aged skin texture (for paintings). Shows prominent wrinkles, especially around the eyes, forehead, and cheeks, reflecting his advanced age. Hair: Color: Predominantly white or silver-white, very thin on top, revealing a significant portion of his scalp. Style: Short and thinning on the sides, often appearing somewhat wispy or disheveled around the temples. Eyes: Color: Appears as dark to medium gray in grayscale, suggesting a darker eye color (e.g., blue or brown). His eyes are deep-set. Shape: Almond to slightly hooded, with a sharp, intelligent, and focused gaze that appears to look directly at the viewer or slightly past them. Eyebrows: Thin to medium density, often appearing light gray or white, and somewhat unruly or bushy, especially at the inner ends. Nose: Long, straight, and prominent, with a refined, slightly pointed tip. Mouth and Lips: Lips are mostly obscured by his beard. What little is visible suggests thin lips, usually closed in a neutral or slightly downturned expression. Chin: Completely covered by his prominent beard. Distinguishing Features: His most striking feature is a very long, full, and flowing white or silver-white beard, extending down past his chest in some depictions. The beard is thick and appears slightly unkempt or natural, not tightly trimmed. The hair on his head is distinctly sparse, contrasting with the fullness of his beard. Body and Clothing Details: Posture: Appears upright and distinguished, typically shown from the chest or waist up. In some paintings, he may be seen wearing academic robes. Clothing: Dressed in formal attire of his era (late 19th - early 20th century). Suit Jacket: A dark-colored (black or very dark grey) suit jacket, often made of a heavy fabric. Vest/Waistcoat: A dark vest (waistcoat) may be visible. Tie/Cravat: A dark tie or cravat, often with a subtle pattern or fold, worn beneath his prominent white collar. Shirt: A crisp white dress shirt with a high, stiff collar. Academic Robes (optional for paintings): In some artistic renderings, he might wear a dark academic gown with a distinctive orange or red academic sash/hood over his shoulders. Background and Lighting: Background: Simple, plain, and often dark or muted, typically a solid dark gray, black, or deep brown backdrop, or a subtly textured wall. The background should be non-distracting and softly blurred to keep the focus on him. Lighting: Soft, even lighting that sculpts his face and highlights the texture of his white hair and beard. The light often comes from the front or slightly to one side, creating subtle shadows that add depth to his aged features. Overall Mood/Atmosphere: Intellectual, venerable, wise, and iconic. The image should convey his profound scientific legacy and dignified presence.

6 months ago

Create a masterpiece oil painting in a realistic, atmospheric style, inspired by the chilling events in the suburbs of southern Sydney. The scene is set at twilight under an ominous blood-red sky, with a rising full moon partially obscured by swirling clouds. In the foreground, a large, shadow-drenched shed looms ominously on a secluded property near Barton Park, lit only by flickering torchlight. Cult members, cloaked in crimson and black robes, are arranged in a semicircle, performing a sinister ritual. Their faces are partly masked, their hands raised in supplication or soaked in dark fluids—devotion or madness indistinguishable. At the center of the ritual space, a symbolic altar of stone and rusted iron holds the carved remains of ancient demonic sigils from a forgotten grimoire. Faint outlines of chained female figures can be seen in the shadowed distance—ghostly silhouettes of captivity, not detailed graphically, but clearly tragic in tone. In the background, barely visible through the trees, sits a house of torment—its windows barred, a dim light glowing within. A religious building looms even farther away, its steeple outlined under the cursed moon, bearing silent witness to the desecration. Above, the night sky swirls with unnatural energy, as if a gateway is opening between worlds. The painting should evoke a palpable tension: horror without gratuity, symbolism without sensationalism. The tone is eerie, cinematic, and investigative, with subtle nods to the task force closing in—perhaps a pair of headlights breaking the treeline, or the faint silhouette of Detective Tank Dodge watching from a ridge, jaw tight, gun ready, truth dawning. This is a composition of duality—sacrifice and salvation, evil and justice—locked in a battle beneath a cursed sky.