A sample prompt of what you can find in this page
Prompt by Bumtzi

with smooth contrast and slightly cool prompts

very few results

9 months ago

In the textured realism of Simon Stålenhag, a moon-worshiping priestess sits bareback atop a silver-grey horse, her naked body illuminated by the cold, blue glow of a massive full moon (1.9) that dominates the night sky. Her long, black, messy hair cascades over her shoulders and back, catching the moonlight as it contrasts against her smooth skin. Her posture is graceful yet raw, her natural curves, including a softly rounded bubble butt (2.0), accentuated by the gentle play of light across her figure. The horse stands still at the edge of a calm, reflective lake, its muscular frame and silvery coat shimmering faintly in the moonlight. The distant shore is shrouded in a light veil of smoke (1.8), giving the landscape a mysterious and otherworldly quality. The lake itself mirrors the enormous moon above, rippling slightly from a gentle breeze and the subtle movements of the horse. Surrounding the priestess are torches planted in the ground, their tall, flickering flames casting dynamic, golden light that contrasts sharply with the moon’s cold blue glow (1.9). The interplay between the warm torchlight and the cool moonlight creates a cinematic tension, with shadows and highlights moving across her figure and the horse’s sleek coat. Across the lake, hundreds of fireflies (1.8) float and flicker, their tiny golden lights adding a sense of wonder and depth to the scene. The air feels alive with movement and sound—the crackling of torches, the soft rustle of leaves, and the faint hum of fireflies blending into the serene quiet of the night. The volumetric lighting enhances the atmospheric realism, with beams of moonlight filtering through the light smoke over the lake and intermingling with the warm torchlight. The muted earthy tones of the surrounding environment blend seamlessly with the cool blues and fiery oranges of the light sources, creating a nostalgic and sacred ambiance. The scene captures Stålenhag’s signature blend of haunting realism and mystical serenity, evoking a timeless, sacred ritual.

3 months ago

This is a hyper-realistic, high-detail digital portrait of a young Korean woman who is a cyborg. The image masterfully juxtaposes delicate, organic beauty with complex, inorganic machinery, creating a captivating and thought-provoking piece of science fiction art. The overall aesthetic is clean, elegant, and ethereal, with a carefully controlled color palette. The Subject's Face and Human Features: The woman has a face of almost supernatural perfection. Her skin is pale and flawless, like porcelain, with a smooth, matte finish. Her facial structure is delicate, with high cheekbones, a small, straight nose, and a well-defined jawline on her visible human side. Eyes: Her eyes are the most striking feature. They are a luminous, piercing emerald green, rendered with incredible detail. The irises have intricate patterns of light and dark green, and a dark limbal ring that makes them stand out dramatically against her pale skin. They are framed by long, dark, perfectly separated eyelashes and subtle, expertly applied eyeliner that creates a slight cat-eye effect. Her gaze is direct and engages the viewer with a neutral, almost serene expression. Eyebrows: Her eyebrows are perfectly shaped with a gentle arch, filled in with a soft brown that complements her features without being harsh. Lips: She has full, soft-looking lips with a defined Cupid's bow. They are colored in a natural, dusky pink shade with a subtle satin sheen, echoing the color of her hair. Cybernetic Enhancements: The woman's human features are seamlessly integrated with extensive cybernetic enhancements, primarily on the right side of her face and neck. Facial and Head Mechanics: A complex mechanical structure replaces parts of her head and face. It begins at her right temple and extends down her cheek and jaw. This section is composed of articulated, segmented plates in a matte, off-white and light gray finish, with some plates having a subtle rose-gold or pinkish tint that harmonizes with her hair. Behind her head and over her ear is a larger, more robust piece of machinery with circular vents, joints, and what appear to be pistons or hydraulic connectors. Neck and Torso: Her neck is entirely mechanical, consisting of a dense, intricate web of gray and black wires, cables, and tubes that flow downwards, suggesting a fully robotic torso beneath. This creates a stark contrast between the soft skin of her face and the complex, functional machinery supporting it. Integration: The transition from skin to machine is depicted flawlessly. The mechanical parts fit snugly against her skin, and strands of her hair weave in and out of the cybernetics, suggesting a long-term, permanent fusion of the organic and the artificial. Hair: Her hair is long, voluminous, and cascades in soft waves around her face and shoulders. The color is a beautiful pastel pink, reminiscent of cotton candy or cherry blossoms, with subtle variations in tone, including lighter, almost-white highlights that catch the light. The texture appears silky and fine, and it beautifully softens the hard edges of the mechanical components it intertwines with. Lighting, Composition, and Color Palette: The portrait is a tight close-up, focusing entirely on her head and shoulders. The lighting is soft and diffused, coming from the front and slightly to the left, which evenly illuminates her features and highlights the three-dimensional details of the cybernetics without creating harsh shadows. The background is a blurry, out-of-focus cool gray, which ensures that the subject is the sole focus. The color palette is a sophisticated blend of soft, muted tones. It is dominated by the pastel pink of her hair, the porcelain white of her skin, and the cool grays and off-whites of the machinery. The vivid emerald green of her eyes serves as a powerful, singular accent color, drawing the viewer's attention and giving the character a sense of life and soul amidst the mechanics.

4 months ago

[Image Type: Black and white photograph / Colorized historical photograph / Artistic digital painting / Realistic oil painting] of Marie Curie. General Appearance (combining various depictions): Age: Depicted in her adult years, ranging from younger (late 20s - 30s) to slightly older (40s - 50s). Expression: Predominantly serious, contemplative, and intelligent. Her gaze is direct and focused, conveying deep thought and determination. There is often a subtle intensity in her eyes. Facial Details: Face Shape: Oval to slightly heart-shaped, with defined but soft cheekbones. Skin Tone: Fair complexion. In black and white photos, rendered in smooth grayscale tones. In colorized or painted versions, a natural, healthy tone with subtle rosy undertones, showing realistic skin texture and very fine lines that suggest experience rather than age. Hair: Color: In grayscale, a range from dark to medium gray for her textured hair. In color, a blend of medium brown and light ash-blonde/dirty blonde, often with a hint of gray, especially as she appears older. Style: Typically styled in an elegant updo, often a chignon or a voluminous bun at the back or crown of her head. The hair has a soft, sometimes slightly frizzy or unruly texture around the face and temples, giving it a natural, intellectual look. A subtle side part may be visible. Eyes: Color: In black and white/grayscale, light and clear. In colorized or painted versions, a striking light blue or blue-grey. Shape: Almond-shaped, deep-set, with a penetrating and thoughtful gaze. Her eyes are a prominent feature, conveying her intelligence. Eyebrows: Medium thickness, naturally arched, and well-defined, matching hair color (darker in younger depictions, lighter/grayer in older ones). Eyelashes are subtle. Nose: Straight, well-proportioned, with a slightly refined tip. Mouth and Lips: Medium fullness, usually closed in a neutral or slightly pursed expression, indicating seriousness or concentration. In color, natural muted pink. Chin: Softly rounded, balancing the face. Body and Clothing Details: Posture: Often depicted with a dignified and upright posture, whether standing or seated. When seated, she might be resting her hand gently on her face or arm. Clothing: Typically wears formal, conservative attire from the late 19th or early 20th century. Dress/Jacket: Dark-colored (black, deep navy, or dark brown) often with a textured fabric. The style may feature modest necklines. Collars: A notable feature is often a high white collar, sometimes decorative with vertical pleats or ruffles (as seen in the sitting colorized photo). Accessories: Occasionally wears a simple, elegant necklace with a pendant (e.g., a locket or a scientific-themed piece). Sleeves might be slightly puffed or have subtle detailing. Background and Lighting: Background: Varies from plain, dark, and simple studio backdrops (grayscale or muted tones) to subtly textured or abstract backgrounds (as in the painted image, showing warm and cool lighting effects). The background is typically non-distracting, emphasizing the subject. Lighting: Often features soft, diffused lighting that highlights her face, creating subtle shadows that add depth to her features. In more artistic renderings, the lighting might be dramatic, with strong contrasts between light and shadow (chiaroscuro effect) and glowing edges around her hair, creating an ethereal or powerful aura. Overall Mood/Atmosphere: Conveys intellectual rigor, profound thought, and a pioneering spirit. The image should evoke respect and a sense of her groundbreaking scientific contributions. ```