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Prompt by Chorlo

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7 months ago

A monumental 6-meter-tall sculpture stands in a pristine, white-walled exhibition space. Its form is ambiguous yet resonant — suggesting a toy-like humanoid figure made of a single, inflated continuous surface. The geometry is mathematically generated and defined by the following parametric equation: x(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \cos(v) + 0.2 \cdot \cos(2u) y(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \sin(v) + 0.2 \cdot \sin(2u) z(u, v) = 0.6 \cdot u + 0.5 \cdot \sin(3v + \frac{\pi}{4}) for u \in [0, 3\pi] and v \in [0, 2\pi]. The resulting form undulates gently, swelling and contracting with bulbous, limb-like protrusions. It evokes the figure of a soft, abstract humanoid — one whose “head” is slightly larger than the lower forms, suggesting animation or presence without literal anatomy. Its skin is chrome-polished, with a translucent lavender glaze that reflects and distorts its surroundings. Subtle ridges on the upper surface imply crossed eyes without carving them, integrating symbolism through topological features. The figure leans forward slightly, balanced, as if breathing or listening. The feet-like base is wide and pressing softly into a terrazzo floor. The sculpture feels both digital and intimate — a monumental ballooned body born from mathematics, standing alone in a room filled with diffused white light and long, warped shadows. The face has two deep oval hollows, symmetrically set wide apart — not literal eyes, but alien symbols. Below them, a shallow, arc-shaped crease bends gently across the lower face, like a ghost of a smile. The geometry is playful but still and quiet — mixing a graphic clarity with an alien like face. The head is slightly oversized in proportion, giving the figure an animated presence. Reflections warp and flow across its curved face, refracting the viewer’s image within a facial field that feels curious but unknowable.

Chorlo PRO
2 240

23 days ago

Psychedelic, surreal, psychedelic. photographic. Code Cracked: The Tantaria Principle For centuries, the question has haunted us: How did ancient civilizations achieve the impossible? How were the pyramids raised, Stonehenge arranged, the Nazca lines drawn? We have searched for complex machinery, alien intervention, or technologies lost to time. But the answer was never a "what". It was a "how". The Tantaria Principle reveals that the ancients did not build their wonders; they grew them. * They possessed a foundational understanding we have forgotten: the highest form of creation is a collaboration with the world, not a conquest of it. They understood the language of their environment—the grain of stone, the flow of water, the pressure of a root, the path of the stars. They did not force nature into submission; they invited it into partnership. They used water to lubricate and move stone, they used growing root systems to fuse masonry, they aligned their structures with celestial forces they revered. What we dismissed as "magic" was, in fact, a deeper magic: the magic of profound understanding, patience, and symbiosis. The greatest secret of the ancients was not a lost tool. It was a lost mindset. The mystery of "how they did it" is solved the moment we realize they were not trying to conquer their environment. They were conversing with it. Signature: Richard Worthington + AI | Creative Alliance--ar 16:9 --v 6. 0-- masterpiece, ultra-detailed, 8k, ethereal glow, god rays, ancient megaliths, serene, majestic, fantasy art. In the style of the Dutch Masters.

01f9c64afc8 PRO
1 19