And then there's God looking down on them from the sky FLUX prompts

2 months ago

Lone mage on a runed platform facing a majestic sky leviathan above floating islands and a cloud sea at astral twilight; indigo/violet/teal/silver palette. Embroidered arcane robes, billowing cloak, crystal amulet; calm, determined. Leviathan with translucent bioluminescent runes, ribbon fins; benevolent, ancient. Low-angle 3/4 hero shot, wide-lens look, sharp subject, soft background. Moonlight key, nebula fill, rim light; god rays, spell glow, sparkling motes. Cinematic, painterly realism, high fantasy, editorial cover. --no text --no watermark --no logo --no signature

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

7 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.