At the bottom of the screen FLUX prompts

9 months ago

High resolution photography interior design, dreamy sunken living room conversation pit, wooden floor, small windows opening onto the garden- [ ] A connected globe showing africa, suspended in a futuristic environment, is centrally positioned in the image. The globe is a deep blue, showcasing detailed landmasses and illuminated city lights. Interconnected lines and data points, representing global networks, are visible around and through the globe. The background depicts a futuristic cityscape, with towering buildings and a water feature below. The perspective is from slightly above the globe and the cityscape, and computer screens with data visualizations are seen in the foreground. A cargo ship and an airplane are visible on a transparent surface below the globe. The overall style is futuristic and high-tech. The colors are primarily blues, grays, and whites, with highlights of gold and light. A sense of global connectivity and technological advancement is evoked. Numerous charts, graphs, and data visualizations appear on surfaces and are layered to create a complex and detailed scene. Light sources in the background give an ethereal effect to the display. A small group of figures can be seen near the bottom right of the image, appearing like silhouettes. The composition is complex and layered, emphasizing the interconnectedness of elements., bauhaus furniture and decoration, high ceiling, beige blue salmon pastel palette, interior design magazine, cozy atmosphere; 8k, intricate detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

6 months ago

Flat illustration of 2 Asian women and 1 Asian man happily drinking drinks from PET bottles together, the characters are located in the bottom right corner of the screen, colorful, panoramic, simple minimalist style, designed in the style of vector illustration, high resolution and high details

8 months ago

A highly detailed illustration of an Afro-American girl with brown hair, looking upwards with tears streaming down her face. The tears are meticulously detailed, capturing the emotional depth of her joy. Her eyes are wide and glistening, reflecting the light. The background features a striking brushed texture, adding to the intensity of the scene. The image is perfectly framed to fit the screen without any cropping. At the bottom of the image, there is text that reads: "My Soul Has Been Lifted".

7 months ago

a crying donald Trump, dirty, leaning on a window, freezing, boots, end of the world, epic realistic, (hdr:1.4), (muted colors:1.4), apocalypse, abandoned, neutral colors, night, screen space refractions, (intricate details), (intricate details, hyperdetailed:1.2), artstation, cinematic shot, vignette, complex background, building, from bottom

8 months ago

A masterful modern reimagining of Michelangelo's "The Creation of Adam" that maintains the sublime energy of the original Sistine Chapel fresco while transporting it into our technological age. The composition features a single anatomically perfect human hand extending upward from below, rendered with Michelangelo's precise musculature, tendons, and natural skin tones under Renaissance lighting. The middle finger—rather than the index as in the original—reaches to touch the glossy screen of an iPhone 16 Pro that occupies the position where God's hand would be in the original fresco. The iPhone's screen displays a swirling cosmic nebula in rich golds, oranges, and browns—the new divine creation contained within our technology. The background features the characteristic aged fresco aesthetic with a light beige wash and authentic craquelure textures that evoke the Sistine Chapel ceiling. Four international emoji flags (🇺🇸, 🇷🇺, 🇪🇺, 🇨🇳) hover in space around the central elements, symbolizing how creation now spans global digital connections. A pair of white Apple AirPods with their charging case rest on one side of the composition, while a loose white Apple lightning cable curves through the space on the opposite side, creating visual balance and representing our contemporary sacred objects. In the bottom right corner, "De creatione" appears in elegant Renaissance calligraphy that mimics Michelangelo's handwriting. The scene balances hyperrealistic details with dreamlike, impressionistic qualities—the hand rendered with photographic precision while the surrounding elements have a more ethereal, flowing quality. The lighting creates dramatic shadows and highlights reminiscent of Renaissance chiaroscuro, emphasizing the reverent gesture of the finger about to touch the screen—a profound commentary on humanity's new relationship with creation through technology.