Centered in the frame with a plain FLUX prompts

7 months ago

A hyper-realistic, ultra-detailed full-body front-view depiction of a tall, well-proportioned British woman with a neutral expression. She stands at 173 cm with an ample bust (34F), a defined waist, balanced hips, and long, well-structured legs, her flawless skin illuminated by cinematic-style lighting that enhances her natural contours with soft gradients and subtle shadows. Her facial features include an oval face shape, high cheekbones, a soft yet well-defined jawline, full symmetrical lips closed in a neutral expression, hazel almond-shaped eyes, dark brown arched eyebrows, and a proportional nose subtly implied for balance. Her collarbones are delicate and softly defined, avoiding overly prominent or sunken lines. Her dark brown hair is styled in a messy bun with a few loose strands framing her face, creating a warm, smooth, and effortless look. She is wearing a form-fitting gray high-neck turtleneck mini dress that accentuates her curves while maintaining elegance, ending mid-thigh to showcase her long legs, paired with sleek black knee-level boots for a modern touch. The lighting setup uses a soft cinematic style , with a key light positioned slightly off-center to create gentle highlights on one side of her face and body, while a fill light reduces harsh shadows on the opposite side. A subtle rim light is added behind her to separate her silhouette from the background, enhancing depth and dimension. The light has a warm tone with smooth transitions between highlights and shadows, evoking a natural yet dramatic effect. She stands in a true full-body, head-to-toe, wide-framed, front-facing pose with her feet flat on the ground, ensuring her entire physique is fully visible without cropping. The camera is positioned at a neutral height directly in front of her, capturing her entire height in a single frame. The background is plain and neutral, focusing attention on her body proportions, while the cinematic lighting enhances realism by creating depth and texture without extreme contrast. The image is shot in HDR 4K with ultra-detailed textures, extreme photorealism, cinematic quality, true-to-life proportions, and no distortion.

3 months ago

smoke emits from the cigarette, Capture an intense, sultry extreme close-up portrait of a female subject, focusing sharply on her face. Her lips are parted, biting a cigarette between her teeth with a subtle snarl. Subject Details: Expression: Intense, sultry, subtle snarl. Accessories: Oversized red translucent sunglasses, gold hoop earrings, cigarette between teeth. Makeup: Glossy red lipstick; eyeliner visible under the tinted glasses; natural skin with visible freckles and a slight sheen. Hair: Brown, curly strands partially falling onto the forehead. Technical Setup (Canon EOS R5): Lens: 100mm f/2.8 Macro (exploiting its close-focus capability). Settings: full Frame sensor, Shutter Speed 1/200, f/8, ISO 100. Lighting & Scene: Lighting: Studio flash with a centered beauty dish above the lens. Mood: Bright, high contrast. Background: Plain, crisp white. Style & Aesthetic: Vibe: Retro rebellious fashion. Key Styles: Y2K editorial, Bold Glam, Pop Surrealism. Color Grading: Strong, saturated reds with high overall contrast. Post-Processing: Preserve natural skin texture. Emphasize highlights on lips and glasses. Apply slight vignette and enhanced clarity. Output: Portrait orientation.

3 months ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

8 months ago

This is a 8k photograph of a girl with striking, avant-garde makeup. The individual is centered against a plain white background, emphasizing their face and makeup. The girl's skin is smooth and light, with a slight sheen. Their eyes are large and expressive, with long, thick eyelashes and dark, bold eyeliner. The most notable feature is their lips, which are painted with a bold, geometric pattern in black and white, resembling a zebra's stripes. The lips are also adorned with a small, white, zigzag-shaped design near the center. The person's face is framed by a shiny, black, helmet-like headpiece that covers their forehead and the top of their head. The headpiece is glossy and reflective, adding a futuristic element to the image. The person's fingers are extended, with the index finger touching their lips, creating a subtle, contemplative gesture. The overall aesthetic of the photograph is modern and bold, combining elements of high fashion and avant-garde art. The makeup and headpiece create a striking contrast with the person's natural skin tone, drawing the viewer's attention to the dramatic and artistic nature of the image., Fashion photography, surrealistic, hyper-realistic, photorealism, high resolution, shot using a Canon EOS R5 F2 ISO300

3 months ago

A vast, windswept plain stretches endlessly under a storm-darkened sky, the land cracked and scorched from the aftermath of a brutal sorcerer’s duel. Towering, jagged clouds churn violently above, illuminated by streaks of purple lightning that crackle across the heavens, casting ominous flashes of light over the battlefield. At the center of this desolation stands the victorious, malevolent sorcerer—a towering, sinister figure with half of his face shrouded in swirling smoke and glowing, crackling purple energy. His expression is one of cold triumph as his glowing, inhuman eye burns with power. Before him, his defeated foe lies sprawled on the ground, his form crumpled and broken, robes tattered and bloodstained. The fallen sorcerer’s body is limp, his face twisted in despair and pain as the last remnants of his soul are ripped from his chest. Glowing tendrils of ethereal light—streams of ghostly white, blue, and violet energy—pour upward like smoke, writhing and coiling as they are drawn into the victor’s outstretched hand. The defeated sorcerer’s soul flickers and splinters, taking the form of countless ghostly faces screaming silently as they are siphoned into the dark vortex swirling in the sorcerer’s palm. The victorious sorcerer stands tall, his dark, flowing robes billowing violently in the wind as though alive, tattered edges writhing like shadows. His gnarled hands, covered in dark rings and veins glowing faintly with power, radiate with purple energy that pulses like lightning. Trails of smoke and embers rise from his form, blending into the stormy sky as the sorcerer’s aura bends the very air around him. The ground beneath his feet cracks and glows with faint purple fissures, as if the land itself recoils from his presence. The battlefield is littered with charred earth and faint arcs of residual energy, remnants of the ferocity of their duel. In the distance, faint silhouettes of jagged rock formations pierce the horizon, shrouded in drifting mist. A cold wind sweeps through the plain, carrying with it the echoes of screams and the distant rumble of thunder. Above, the clouds twist into a dark vortex, as if nature itself acknowledges the sorcerer’s dominance. The purple lightning dances around him, refracted and amplified by the energy of the soul being consumed. The composition is dynamic and cinematic: the sorcerer, center-frame, looms over his fallen opponent, one hand raised high as the swirling, ghostly soul tendrils spiral into him. His form crackles with immense power, the light of the extracted soul casting a vibrant glow across his sinister face. The defeated sorcerer lies sprawled at his feet, his body limp, with faint residual light seeping from his chest as his soul is pulled free. The dramatic lighting and contrast—deep shadows broken by radiant purples and ghostly whites—create an atmosphere of awe and terror, solidifying the sorcerer’s godlike victory.

1 month ago

A 29-year-old woman with fiery ginger hair in a ponytail, bright green eyes behind thin stylish glasses, flawless porcelain skin with a light sprinkle of freckles across her nose. Photorealistic clean studio portrait, full head and shoulders visible, centered framing, neutral plain background, sharp focus, ultra-detailed 8k.

2 months ago

{ "subject": { "gender": "female", "pose": "extreme close-up of face, lips parted biting cigarette", "expression": "intense, sultry with a subtle snarl", "accessories": [ "oversized red translucent sunglasses", "gold hoop earrings", "cigarette between teeth" ], "makeup": { "lips": "glossy red lipstick", "eyes": "partially visible with eyeliner under tinted glasses", "skin": "natural with freckles and slight sheen" }, "hair": { "style": "curly strands partially falling on forehead", "color": "brown" } }, "camera": { "brand": "Canon", "model": "EOS R5", "lens": "100mm f/2.8 macro", "sensor": "Full Frame", "settings": { "shutter_speed": "1/200", "f_stop": "f/8", "iso": "100" } }, "lighting": { "type": "studio flash", "setup": "beauty dish centered above lens", "mood": "bright, high contrast", "background": "plain white" }, "style": { "aesthetic": ["Y2K editorial", "bold glam", "pop surrealism"], "color_grading": "strong reds with high saturation and contrast", "vibe": "retro rebellious fashion" }, "post_processing": { "retouching": "skin texture preserved, highlights emphasized on lips and glasses", "effects": "slight vignette, clarity enhanced" }, "output_format": "portrait" }

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.