Centered in the frame with a plain FLUX flux-1.1-pro prompts

1 month ago

A 29-year-old woman with fiery ginger hair in a ponytail, bright green eyes behind thin stylish glasses, flawless porcelain skin with a light sprinkle of freckles across her nose. Photorealistic clean studio portrait, full head and shoulders visible, centered framing, neutral plain background, sharp focus, ultra-detailed 8k.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

6 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.