A sample prompt of what you can find in this page
Prompt by TheArtists

It is moving in the wind FLUX prompts

hundreds of results

8 months ago

A stunningly beautiful full-body cybernetic Asian woman with long, sleek black hair flowing in the wind. She has cat-like facial features, mesmerizing almond-shaped eyes that glow softly, high cheekbones, delicate lips, and flawless luminous skin. Her body is a perfect fusion of organic and synthetic elements, featuring intricate biomechanical details and softly pulsating neon veins beneath her skin. She possesses **massive liquid metal wings**, flowing like pure mercury, shifting and morphing as if alive. The wings appear almost weightless, with tendrils of shimmering liquid metal continuously rippling and reforming into intricate patterns. They are semi-transparent, reflecting deep violet, electric blue, and gold hues, glowing softly against the darkness. When she moves, droplets of metallic fluid separate momentarily before seamlessly rejoining the main structure, creating an ethereal, ever-changing effect. She is adorned with **liquid metal accessories**, including flowing metallic bracelets, a futuristic choker that shifts like a living organism, and delicate biomechanical ornaments wrapping around her arms and legs. These accessories subtly morph and reshape, reflecting the neon city lights in a hypnotic shimmer. She stands in a **dark, futuristic cyberpunk cityscape**, shrouded in deep shadows and illuminated by sporadic neon lights. The environment is veiled in thick mist, with floating holograms flickering faintly in the distance. The neon reflections glisten on the wet streets, while distant city lights create a soft atmospheric glow. The deep contrast between darkness and vibrant lights adds a dramatic, mysterious, and cinematic feel. **Ultra-detailed, hyper-realistic, high contrast lighting, deep shadows, neon highlights, inspired by Katsuhiro Otomo and H.R. Giger, rendered in Unreal Engine 5 and Octane Render.**

5 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

5 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

5 months ago

Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out side view full body HD Photo High noon, oh I'd sell my soul for water, Nine years worth of breakin' my back. There's no sun in the shadow of the wizard. See how he glides, why he's lighter than air. Oh, I see his face. Where is your star? Is it far? When do we leave? I believe, yes, I believe In the heat and the rain. With whips and chains. To see him fly. So many died. We build a tower of stone. With our flesh and bone. Just to see him fly. But don't know why. Now where do we go? Hot wind moving fast across the desert. We feel that our time has arrived. The world spins while we put his dream together. A tower of stone to take him straight to the sky. All eyes see the figure of the wizard. As he climbs to the top of the world. No sound, as he falls instead of rising. Time standing still, then there's blood on the sand. But why, In all the rain With all the chains Did so many die Just to see him fly? Look at my flesh and bone. Look at his tower of stone I see a rainbow rising Look there on the horizon. And I'm coming home. Time is standing still, He gave back my will My eyes are bleeding, And my heart is leaving here. The place I've known, But it's not home, Take me back. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.

7 months ago

(Spaghetti Western meets Hindu Mythology, Cinematic, Gritty, Mythic Americana, Clint Eastwood's Unforgiven-style storytelling, Hyperreal, Dust and Gunpowder, Sunset Over the Frontier) (Gritty Cinematic Western:1.8, Hindu Mythology Meets Old West:2.0, Dust & Heat Haze:1.6, Sunburnt Leather & Weathered Cloth:1.5, Volumetric Light Through Dust:1.4, Classic Spaghetti Western Composition:1.8) The frontier is vast, endless. The sun hangs low and swollen, a burning red eye sinking behind the jagged silhouette of the mountains, bleeding golden light across the dust-choked sky. A lone rider moves through the haze, his dark stallion kicking up a slow trail of dust, the sound of hooves muffled by the dry, cracked earth. Vishnu, the Divine Gunslinger, moves like a ghost through this godforsaken land, his presence a whisper on the wind, a warning before the storm. He is adorned in a weathered duster, its deep blue fabric threadbare yet regal, embroidered in golden Sanskrit that shifts and shimmers under the dying light. Beneath it, his celestial skin glows faintly, a blue so deep it seems carved from the twilight sky itself. His golden eyes burn like twin desert suns, reflecting the fire of the West, the violence of the frontier, the weight of justice balanced on the edge of a blade. From beneath his coat, his four arms rest with an unnatural stillness, each poised for retribution. One hand grips the Sudarshana Revolver, an ancient pistol forged from the molten core of a dying star, its barrel etched with the shifting symbols of the cosmos. Another holds a coiled lasso woven from the threads of fate, glowing with the light of constellations long dead. The third hand remains open, palm outward—a warning, or perhaps a blessing. The fourth clutches the eternal lotus, a reminder that even in this land of dust and death, something divine lingers. Behind him, the town of Black Hollow waits, a rotting wooden carcass of a town, its saloon doors swaying in the wind, the church bell rusted and long silent. Shadows move behind glassless windows, fear tightening in the chests of men who know their reckoning has come. The outlaws of this place have no gods, no law but steel and blood, and yet even they whisper his name. The wind shifts, carrying the scent of gunpowder and sagebrush, and in the distance, a gang of riders appear on the ridge, silhouetted against the sun. Their leader spits, grips his rifle, and laughs. "Ain't no man gets to play god out here," he sneers. The six-shooter spins once, slow, deliberate. A single breath. A moment stretched between eternity and the dust. Vishnu narrows his golden gaze beneath the wide brim of his hat. He speaks only once. "God don’t play, friend." Then the world moves like lightning, like judgment, like fate itself unfurling.