She is facing forward and not looking at the camera FLUX prompts

7 months ago

Rear view. A hyper-realistic, full-length side profile of a very buxom fashion model with a slim waist walking briskly from left to right, taking long steps. She is facing forward and not looking at the camera. She is wearing a v-neck, sleeveless, red mini dress with splits, red thigh high lace stockings with suspender belts, and matching high heels. She has long, wavy, red hair. She is in the centre of Plaza Mayor. She has long, wavy, red hair. It is the golden hour, just before sunset. rear view.

7 months ago

A viking woman with long wavy blonde hair, wearing black lace lingerie, with norse tattoos is on her knees at the beach, she looks up into the camera, and she playfully and seductively stick her tongue out for you. its only then we realize she has white cake batter clinging to some parts of her face and mouth in a very cute look as well as clinging to the front of her chest at the beach during sunset. body slightly angled forward. The background includes the ocean and a setting sun, with warm and soft lighting casting a golden glow on her skin and hair, some of the batter appears to be dripping from her mouth area

7 months ago

A hyper-realistic, full-length side profile of a very buxom fashion model with a slim waist walking briskly from left to right, taking long steps. She is facing forward and not looking at the camera. She is wearing a v-neck, sleeveless, red mini dress with splits, red thigh high lace stockings with suspender belts, and matching high heels. She has long, wavy, red hair. She is in the centre of Plaza Mayor. She has long, wavy, red hair. It is the golden hour, just before sunset.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword in his hand inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind him, a hyper-realistic full body of Odin on top of his six-legged horse side posing looking towards the camera, Odin is a god knight with glowing red eyes clad in full black armor and horned helmet. He sits on top of his six-legged horse steed Sleipnir, his tattered cape trailing behind him like a storm. The god knight in full black armor behind the berserker is holding a large black blade etched with nordic runes with a sleek yet menacing design, its edge impossibly sharp. his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution.detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

7 months ago

A hyper-realistic, full-length side profile of a very buxom, Swedish model walking briskly from left to right, taking long steps. She is facing forward and not looking at the camera. She is wearing a red v-neck leather mini dress with small leg splits, Stockings with a lace band ONLY at the top, and red pumps with heels. Photo captures her beautiful face, her legs and pumps with heels, in the evening, golden-hour sunlight in Madrid's Plaza Mayor casting dramatic shadows, Baroque architecture blurred in the background. 8K resolution, fashion editorial style, no cropping, full-body composition.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword in a relaxed downwards position in his hand inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind him, a hyper-realistic full body Odin on top of his six-legged horse side posing looking towards the camera, Odin is a god knight with glowing red eyes clad in full black armor and horned helmet. He sits on top of his six-legged horse steed Sleipnir, his tattered cape trailing behind him like a storm. The god knight in full black armor behind the berserker is holding a large black blade etched with nordic runes with a sleek yet menacing design, its edge impossibly sharp. his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution.

7 months ago

A hyper-realistic, full-length side profile of a very buxom, Swedish model walking briskly from left to right, taking long steps. She is facing forward and not looking at the camera. She is wearing a red v-neck leather mini dress with small leg splits, Garter stockings with lace trim below the dress, and red pumps with heels. Photo captures her beautiful face, her legs and pumps with heels, in the evening, golden-hour sunlight in Madrid's Plaza Mayor casting dramatic shadows, Baroque architecture blurred in the background. 8K resolution, fashion editorial style, no cropping, full-body composition.

7 months ago

A hyper-realistic, full-length side profile of a very buxom, Swedish model walking briskly from left to right, taking long steps. She is facing forward and not looking at the camera. She is wearing a red v-neck leather mini dress with small leg splits, black Lace-top thigh-high stockings, and red pumps with heels. Photo captures her beautiful face, her legs and pumps with heels, in the evening, golden-hour sunlight in Madrid's Plaza Mayor casting dramatic shadows, Baroque architecture blurred in the background. 8K resolution, fashion editorial style, no cropping, full-body composition.

7 months ago

A viking woman with long wavy blonde hair, wearing a red indian Saree, with norse tattoos and a shield, looking thighs, laying on bed. She is facing the camera with a neutral expression, body slightly angled forward. The background a rich room, with warm and soft lighting casting a golden glow on her skin and hair

7 months ago

A viking woman with long wavy blonde hair, wearing a red indian Saree, with norse tattoos and a shield, looking thighs, laying on bed. She is facing the camera with a neutral expression, body slightly angled forward. The background a rich room, with warm and soft lighting casting a golden glow on her skin and hair

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He has a greatsword in his hands inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind him, a hyper-realistic full body Odin on top of his six-legged horse side posing looking towards the camera, Odin is a god knight with glowing red eyes clad in full black armor and horned helmet. He sits on top of his six-legged horse steed Sleipnir, his tattered cape trailing behind him like a storm. The god knight in full black armor behind the berserker is holding a large black blade etched with nordic runes with a sleek yet menacing design, its edge impossibly sharp. his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword in his hand inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind him, a hyper-realistic full body Odin on top of his six-legged horse side posing looking towards the camera, Odin is a god knight with glowing red eyes clad in full black armor and horned helmet. He sits on top of his six-legged horse steed Sleipnir, his tattered cape trailing behind him like a storm. The god knight in full black armor behind the berserker is holding a large black blade etched with nordic runes with a sleek yet menacing design, its edge impossibly sharp. his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword in his hand inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind him, a hyper-realistic full body of Odin on top of his six-legged horse side posing looking towards the camera, Odin is a god knight with glowing red eyes clad in full black armor and horned helmet. He sits on top of his six-legged horse steed Sleipnir, his tattered cape trailing behind him like a storm. The god knight in full black armor behind the berserker is holding a large black blade etched with nordic runes with a sleek yet menacing design, its edge impossibly sharp. his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution.detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword inscribed with Nordic runes as he is walking forward toward the camera, his piercing eyes fixed in front. Behind the berserker, is Odin in his full black armor, horned helmet, and glowing red eyes, who sits on top of his six-legged horse side posing looking towards the camera, his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution detail, photorealistic, realistic light, wide angle, kinkfolk photography.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword inscribed with Nordic runes as he is walking forward toward the camera, his piercing eyes fixed in front. Behind the berserker, is Odin in his full black armor, horned helmet, and glowing red eyes, who sits on top of his six-legged horse side posing looking towards the camera, his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution detail, photorealistic, realistic light, wide angle photography.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword in his hand inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind the berserker, is Odin in his full black armor, horned helmet, and glowing red eyes, who sits on top of his six-legged horse side posing looking towards the camera, his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution detail, photorealistic, realistic light, wide angle, kinkfolk photography.

7 months ago

An ultra-realistic, zoomed out, front facing full-body portrait of a towering Berserker, his fur-lined cloak billowing in the wind. He is holding a big greatsword in his hand inscribed with Nordic runes pulses with power as he is walking forward toward the camera, his piercing eyes fixed in front. Behind the berserker, is Odin in his full black armor, horned helmet, and glowing red eyes, who sits on top of his six-legged horse side posing looking towards the camera, his tattered cape trailing behind him like a storm. Snow swirls in the air across a desolate battlefield. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution.detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

8 months ago

A confident young man wearing a sharp three-piece suit, standing in a modern white room. He walks forward with a poised, model-like demeanor, making direct eye contact with the camera. The lighting is soft and evenly distributed, highlighting the texture of his suit. The background remains minimalistic and pristine. The camera follows his movement in a smooth, cinematic front-facing shot, maintaining a professional and polished look. His expression is composed and engaging, perfectly suited for a high-fashion commercial or luxury branding visual. Every detail is rendered crisply, with no glitches or artifacts, ensuring a fully realistic and immersive scene.

4 months ago

A woman stands alone in a dark background, her confident demeanor radiating through every detail of her appearance. She wears a black top that showcases her toned physique, like a work of art that's been crafted by the finest hands. A black choker rests delicately around her neck, like a whispered promise that's been shared with no one. Tattoos adorn her left arm, adding a touch of edgy sophistication to an already captivating scene. Her long hair cascades down her back in dark waves, with orange highlights that seem to dance across the surface of her locks. A center part frames her face with precision, like a work of art that's been carefully crafted. Freckles dot her cheeks and nose, adding a touch of whimsy to an already breathtaking scene. Her green eyes seem to lock directly onto the camera lens, like a gaze from another world, one where confidence and playfulness reign supreme. A neutral expression adorns her face, with closed lips that seem to hint at secrets that are yet to be shared. She stands relaxed, like a work of art that's been carefully posed for maximum impact. The dark background seems to melt away around her, like a secret that's been shared with just one person. Natural lighting bathes the scene in soft, vibrant colors, like a work of art that's been crafted by the finest hands. Every detail of this image feels alive and tangible, like a headshot that's been captured at its very best. She stands facing forward, side-lit to perfection, with loose hair and a sleeveless top that showcases her toned physique in all its glory. A close-up shot seems to capture every nuance of her features, from the subtle makeup that enhances her natural look to the confident demeanor that radiates through every detail of her appearance. She exudes a youthful energy, like a work of art that's been crafted by the finest hands.

7 months ago

An ultra-realistic, wide angle, front facing, full-body portrait of a skilled African Beastmaster, dressed in practical yet ceremonial armor crafted from durable leather and adorned with vibrant tribal beads and intricate patterns, striding forward with a strong, commanding presence in the African Savannah plains. Their attire reflects the rich cultural heritage of the Yoruba people, blending functional design with ceremonial elegance. He is holding a finely crafted axe adorned with intricate tribal carvings that are glowing with power. Behind the beastmaster, a colossal four-legged bull standing on it's four hooves, body positioned sideways, glowing divine eyes looking at the camera, it has four horns on it's head, its massive body and horns covered in celestial symbols that glow with divine power that shines beneath the overcast African sky. Character design with a final boss concept vibe. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution detail, photorealistic, realistic light, 8k, masterpiece, wide angle.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.