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Prompt by WyldeLyfe

Stars in the sky FLUX prompts

hundreds of results

15 days ago

Craft an Old Master painting In the textured realism of Simon Stålenhag, a moon-worshiping priestess stands ankle-deep in the calm waters of a misty lake, her naked body fully exposed (2.0). Her raven-black hair flows wildly in the wind (1.8), adding a dynamic sense of motion as she raises her arms in worship toward the vast, star-filled sky. The night is illuminated solely by torches (1.8) planted in an irregular pattern along the sandy beach behind her, their golden flames flickering against the cool, muted tones of the environment. Her posture is powerful yet serene, the natural curves of her body, including her softly rounded bubble butt (2.0), highlighted by the warm glow of the torches. The contrast between the golden torchlight and the cool misty darkness of the lake creates a striking interplay of light and shadow, emphasizing the contours of her figure (1.9). To her side, a silver-grey horse (1.7) stands peacefully, tied to a nearby tree on the shoreline, its sleek coat reflecting faint glimmers of the torchlight. The lake is veiled in a thin layer of smoke (1.8), which drifts softly across the surface, blending with the hazy reflection of the torches in the rippling water. The air is alive with hundreds of fireflies (1.9), their tiny golden lights moving erratically, adding texture and depth to the scene. The torches' crackling flames mix with the gentle rustle of leaves and the faint hum of the fireflies, creating a richly immersive atmosphere. The volumetric lighting (1.8) from the torches filters through the drifting smoke, casting soft, dynamic beams across the scene. The muted earthy tones of the surroundings, interspersed with the vibrant glow of the torches and the flickering fireflies, evoke Stålenhag’s characteristic balance of realism and mysticism, capturing a moment of sacred ritual and haunting beauty.

8 months ago

An award-winning double exposure oil painting masterpiece inspired by the timeless emotion of Unchained Melody. The central figure is a solitary, longing lover—either male or female—reaching out with outstretched hands toward an unseen, distant other. Their expression is one of deep yearning, eyes closed as if lost in a memory or a dream. Within their form, the double exposure reveals an ethereal landscape of two souls intertwined by invisible threads—silhouettes of the lovers, their faces fading into the mist of an oceanic horizon or beneath a sky full of stars. The scene within the figure’s outline unfolds like a story of longing and connection: a shoreline bathed in the soft glow of moonlight, the waves crashing gently as they reflect the emotions of love’s deep, unbreakable bond. Light swirls around the lovers, enveloping them in a soft, golden glow, as if their love exists in a timeless, almost celestial plane. The soft, translucent waters of the ocean appear to reflect memories—perhaps a distant touch, a first kiss, or a shared moment under the stars. The palette evokes the timeless nature of the song: deep midnight blues, soft silvers, warm golds, and the iridescent glow of moonlight on the water, contrasted with the figure’s soft, muted tones—suggesting a vulnerability and fragility. Brushstrokes are delicate and layered, allowing the two worlds—the figure and the landscape—to blend seamlessly, creating a visual flow that captures the eternal pull of love, even across time and space. Themes of separation, devotion, longing, and the eternal connection between two souls are explored with a sense of yearning and passion, making this painting an intimate tribute to the enduring power of love, as expressed through Unchained Melody.

5 months ago

In the distinctive style reminiscent of Clarice Beckett, this image captures a scene that beautifully blends elements inspired by the Star Wars universe with a touch of elegance and intricacy. The central figure is an enchanting female character, whose recognizable feature is her uniquely styled hair, elegantly flowing with a mix of soft waves and delicate braids adorned with subtle golden accents. Her gaze is directed towards the viewer, creating a sense of connection and engagement. She is adorned in a stunning white and golden mini dress that shimmers with intricate patterns and delicate embroidery, reflecting both sophistication and a futuristic aesthetic. The dress features a fitted bodice with golden embellishments that catch the light, paired with a flowing skirt that adds a sense of movement and grace. The outfit is complemented by elegant accessories, including a thin golden belt and matching bracelets, enhancing her regal appearance. The background is richly detailed, evoking the grandeur and depth characteristic of the Star Wars movies. It features a dynamic and expansive starry sky, with distant planets and celestial bodies adding to the cosmic ambiance. The scene is illuminated by a soft, ethereal glow, highlighting the intricate details and creating a sense of depth and dimension. The overall composition is a masterpiece of high quality, capturing the essence of a movie still with its vivid and lifelike portrayal. The image is highly detailed, showcasing the fine craftsmanship and artistic vision that brings this captivating scene to life.

8 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.