Their mouths are agape FLUX prompts

9 months ago

Photorealistic baby dragon with downy fluff and shiny iridescent scales hatching out of a cracked, speckled egg, tiny wings unfolding, and small flames erupting from its mouth as it takes its first breath of fire. In the background, a mother hen with soft, feathers and a shocked expression, beak agape, looks on in surprise, set against a warm, golden, farmyard-style wooden coop with soft, natural lighting, inspired by the realistic textures and atmospheric lighting of artists like Greg Rutkowski, Ian McQue, and Simon Stalenhag.

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, confused expression, mouth agape, looking down at the planet in front of her, very low angle extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her photo-realistic hyperbole --v 5.2

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her photo-realistic hyperbole --v 5.2

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her, thousands of space ships surrounding her photo-realistic hyperbole --v 5.2

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

7 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman wearing white lingerie who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed over the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed.

7 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman in shredded white dress, who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with long black hair and freckles. The setting is a medieval quaint bedroom at night. The woman is lying on her bed. Volumetric lighting from a nearby streetlight is rim lighting terrifying goblins that are coming for the woman. The goblins are grotesque, beastly, sinister. They are coming dragging her from the bed.

4 months ago

A terrified hot dog with a human-like face, eyes bulging and mouth agape in a silent, existential scream, slowly sizzling in the hot summer evening in despair. It stands alone on a distorted bridge above a churning abyss of dark, swirling colors. Shadowy, looming figures in the background represent looming dread. A cracked clock melts beside it, symbolizing time running out. The sky is warped into chaotic waves of crimson and orange, echoing a soul in turmoil. In the haunting style of Edvard Munch’s The Scream — surreal perspective, expressionist brushwork, twisted, nightmarish imagery. Crows fly overhead, and ghostly hands rise from below, reaching toward the as if to drag it down. The entire scene drips with symbolic fear, anxiety, and fleeting mortality.

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, orange electricity and energy surrounding her, thousands of space ships surrounding her, several tiny planets in her mouth, gazing downwards at the planets in front of her photo-realistic hyperbole --v 5.2

9 months ago

enormous giantess actress Jodie Whittaker as the 13th Doctor from Doctor Who, bigger than a galaxy floating in space, minuscule planets in front of her mouth, eyes peering downward, side angle, thousands of space ships flying around her face, confused expression, mouth agape, looking down at the planet in front of her, moon in her mouth, extreme zoomed in close up of her mouth as she looms over the planet, eyes open, blue electricity and energy surrounding her photo-realistic hyperbole --v 5.2

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

5 months ago

A horrifying, dark fantasy scene of rotting skulls and decomposing faces grotesquely fused into the bark and roots of a cursed forest tree. The figures are twisted with pain and rage, their hollow eyes glowing with eerie golden light, their mouths agape with jagged, broken teeth. Vines and roots pierce through their flesh and skulls, wrapping around their heads like serpents. Moss and ivy grow from their gaping wounds and hollow sockets, blending the undead forms with the ancient, gnarled wood.

9 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying in bed under the covers. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, fangs, claws, and some are gigantic. They are coming from under her bed --ar 35:43 --v 6.0

17 days ago

Stunning high-resolution medieval High Church style illustration with dramatic night lighting as moonlight breaks through ancient forest canopy. A massive cypress tree trunk in the foreground displays two distinct symbols. At the top a simple, crude, and unadorned Christian cross symbol is gouged hastily into the bark. Beneath the cross is the name "CROATOAN" carved in the same crude and unskilled style. The scene centers on a terrified soldier wearing an Elizabethan-era infantry uniform. The soldier clutches a musket in both hands and holds the musket in front of his waist horizontally as he crouches down in a defensive posture. His face shows extreme terror with mouth agape and eyes wide open.

6 months ago

In the hyperreal style of Tom Bagshaw, a vibrant, dynamic, horror-inspired, colorful image of an attractive woman wearing white lingerie who is stricken with fear, eyes wide, mouth agape, barely able to withhold her screams, with short blonde hair and freckles. The setting is a 1950's quaint bedroom at night. The woman is lying on her bed. Volumetric lighting from a nearby streetlight is rim lighting terrifying creatures that are coming for the woman. The creatures are grotesque, beastly, sinister, with hair, slightly glowing eyes, bloody fangs, claws, and some are gigantic. They are coming from under her bed.

7 months ago

“A minimalistic, circular infographic-style logo featuring four simplified figures in traditional robes, appearing to be in a hypnotic trance, obsessed with their glowing smartphones. The figures are arranged symmetrically, with two in red robes on the left and right for balance and two in yellow robes in the center for leadership. Their mouths are agape, and they gaze at their smartphones with dark, empty eyes, illuminated by the glow of the screens. The dark, foreboding background incorporates subtle geometric constellations and a circular frame, with a palette of reds, grays, blacks, and yellows. The tone is ominous, emphasizing obsession and detachment, while maintaining a clean, symbolic design suitable for branding.”

6 months ago

The image is an exquisite digital artwork depicting a close-up of a woman's face submerged underwater. Her skin appears smooth and glistening due to water droplets that reflect light beautifully across her forehead, cheeks, nose, lips, and chin. The blue green eyes are wide open with long eyelashes accentuating their beauty; they seem to gaze upward as if lost in thought or admiration for something above. Her mouth is slightly agape revealing white teeth against red lipstick which adds contrast to the overall composition. Light rays penetrate through the clear blue-green waters creating dynamic patterns around her facial features while bubbles float gently near her head adding depth and texture to the scene. In addition to human elements like hair strands floating nearby, there’s also a jellyfish visible at the bottom left corner contributing further complexity by introducing another layer of marine life within this aquatic setting. This combination creates both realism and fantasy blending seamlessly together making it visually captivating yet surreal simultaneously.